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Wyszukujesz frazę "Wasąg, Magdalena" wg kryterium: Autor


Wyświetlanie 1-2 z 2
Tytuł:
Cień Ameryki „Zwykła sprawa” Adama Tarna i „Dwunastu gniewnych ludzi” Sidneya Lumeta
The shadow of America. Common Business by Adam Tarn and Twelve Angry Men by Sidney Lumet
Autorzy:
Wasąg, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1953446.pdf
Data publikacji:
2021-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Adam Tarn
Common Business
1st Festival of Polish Contemporary Arts
Twelve Angry Men by Sidney Lumet
Foley Square Trial of 11 members of the Communist Party USA
Opis:
The article has an interdisciplinary character. It combines biographical, historical, literary, dramaturgical, and film themes. Adam Tarn’s Common Business (Zwykła sprawa) is a drama which undoubtedly played an important role in the period of socialist realism together with the performance directed by Erwin Axer. In the article, the significance of Tarn’s work, which was awarded at the 1st Festival of Polish Contemporary Arts in the early 1950s, is shown against the background of the cultural policy pursued in the People’s Republic of Poland. The writer’s nine-year stay in America has been presented in the perspective of the emigration-related origin of the Common Business.The proposed juxtaposition of Tarn’s debut drama and Sidney Lumet’s Oscar-winning film Twelve Angry Men (screenplay by Reginald Rose) reveals the complex political context in which each of the works appeared. The 1949 New York Foley Square Trial of 11 members of the National Board of the CPUSA (Communist Party USA), which ‘was the best known legal proceeding against a communist party’, has been indicated as the direct inspiration for Tarn’s play.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 166; 37-68
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Księga Twarzy. Rysunki Brunona Schulza w Bystrzycy Kłodzkiej
The Book of Faces. Bruno Schulz’s Drawings in Bystrzyca Kłodzka
Autorzy:
Wasąg, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/645520.pdf
Data publikacji:
2019-10-28
Wydawca:
Fundacja Terytoria Książki
Opis:
Bruno Schulz’s drawings in which we may find the faces of his friends and colleagues, the students and teachers of the Drogobych high school, have been scattered. Most of them perished during World War II. Some of those which have been preserved now belong to private collections. Thanks to a favorable coincidence, some pencil sketches by Schulz have been found in such a collection. They show an intriguing young woman, Stanisława Szczepańska, who in 1934-1936 worked as an unpaid teacher at the Drogobych high school. There she met Schulz who drew her portraits during school breaks as well as during lessons, when he would come in, take a seat in the last row, and draw her face. Until now little has been known about Szczepańska. After so many years it is worth disclosing a secret: who was she? What happened to her later? How did it happen that Schulz noticed her? How was it possible to save the drawings? The present paper provides answers to these and many other questions as the author has made an attempt to show how Szczepańska’s biography became a part of Schulz’s artistic heritage. Pencil sketches definitely belong to a more general project of the Drogobych artist as exercises in portraying faces both in drawing and fiction. Studying faces was very important to Schulz. In his work, the drawing practice and fiction are closely related to each other. To find out more about them, it is essential to find and save Schulz’s scattered works. This postulate has been articulated in the paper supplemented with the reproductions of Schulz’s sketches and photographs from the Hoffmann family collection. The portraits of Szczepańska tell a unique story – about charm, the art of seeing, and Schulz’s Book of Faces.
Źródło:
Schulz/Forum; 2019, 13; 191-212
2300-5823
Pojawia się w:
Schulz/Forum
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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