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Wyświetlanie 1-2 z 2
Tytuł:
Znaczenie podmiotu w dziele Marcela Prousta
The Meaning of the Subject in Marcel Proust’s Masterpiece
Autorzy:
Bielawka, Maria
Powiązania:
https://bibliotekanauki.pl/articles/953676.pdf
Data publikacji:
2008-12-31
Wydawca:
Uniwersytet Opolski
Tematy:
style
meaning
subject
novel
Marcel Proust
Opis:
The paper discusses - against the background of selected philosophical concepts - two basic problems related to the meaning of subject in the well-known novel by Marcel Proust entitled A la reserche du temps perdu. The first of the analyzed problems is related to the question what the meaning (signifie) of subject is, and the second, formulated in opposition to the postmodemistic standpoint of Gilles Deleuze, to the reasons why the significance (Bedeutsamkeit) of the subject is so intensively exposed in the novel. The subject that can be found in Proust’s masterpiece is considered as an egotic, individual, and stratified entity, whose deepest, spiritual layer ensures identity, and, most probably, exists beyond time. The spiritual subject is distinguished by persistent philosophical pursue of the essential truths of human being, and is also concentrated on the role of the author and art. The profound domain of truth remains hidden as long as we are absorbed by everyday life. It is the specific mental power pertaining to the spiritual subject, i.e. our intelligence, that allows us to reveal that domain. Only the non-mimetic literature, as postulated and realized in Proust’s novel, employing the method of “three-dimensional psychology” relying on intelligence, instead of commonly used “two-dimensional psychology”, can present to the eyes of potential readers, as if through the optical glasses, the essential truths of subjective worlds. The significance of the subject finds its expression not only in the application of the first-person narrative form, in the differentiation between the latent and revealed narrator - the fact that creates an aesthetic impression of surprise, in the monophonic character of the novel related to the structural unity imposed by the latent narrator, but also in the specific poeticity of the novel. Determining the style of Proustian prose, this poeticity evokes the atmosphere of clarity and happiness. The poeticity is achieved by such means of style as metaphors, various cultural references shown through the prism of subjective experience, phrasal complexity, melodiousness, and others.  
Źródło:
Stylistyka; 2008, 17; 99-114
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narrator i czas w opowiadaniach Jorge Luisa Borgesa
Autorzy:
BIELAWKA, MARIA
Powiązania:
https://bibliotekanauki.pl/articles/957642.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Opolski
Tematy:
Jorge Luis Borges
time
narrator
idealistic
metaphysics
Opis:
The paper consists of two parts. The former is an attempt at showing the main idealistic theses related to time as presented by narrators in the short stories, especially in so-called metaphysical stories of Jorge Luis Borges, the outstanding Latin-American author. The theses are as follows: 1. The world, as well as time, are constituted by God; they emerge ex Divine aeternitate. 2. Time, as well as the so-called “real world”, are not fully real; they are phenomena. 3. The time of the materiał level of the world differs from the subjec- tive, psychic time. 4. Time is a necessary condition of entering the path of self-perfecting. 5. Even God cannot change past events, but He may allow us to change their interpreta- tion, or to “take the spell off”, due to personal expiation, among other things. The same concept of time is also expressed in Borges’ two essays: History of Eternity and New Re- futation of Time.The second part of the paper is devoted to the stylistic means involved in the presenta- tion of time. A certain vagueness and phenomenality of time and the world in Borges’ short stories are achieved by the following two means: mixing the levels of wakefulness and dreaming, and introducing the fictional, non-existing objects into the domain of the presented world. The specific aesthetic effects are obtained primarily by filling in the for- mal “scheme of time” with concrete events and by applying the “double” narration met- hod. In consequence, the double perspective of time is achieved.  
Źródło:
Stylistyka; 2007, 16; 247-256
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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