Wszystkie pola: milica - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Księżna Milica – między sakralizacją władzy monarszej, oficjalnym kultem cerkiewnym i narodowym mitem
Princess Milica – the Sacralisation of Queenship, Official Sanctity and National Myth
Autorzy:: Brzozowska, Zofia
Powiązania:: https://bibliotekanauki.pl/articles/635797.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Milica
Lazar Hlebeljanović
Serbia
Battle of Kosovo Field
holy ruler
hagiography
Opis:: This article is devoted to the one of the best known female rulers of medieval Serbia – princess Milica, wife of the prince Lazar Hrebeljanović, who had lost his live during the famous Battle of Kosovo Field in 1389. After the death of her husband, Milica founded the Ljubostinja monastery and became the nun Jevgenija. She was a close friend to the famous Serbian poet Jefimija, who accompanied princess Milica in the diplomatic mission to the Sultan’s court in 1398/1399. She died in 1405. She was canonized by the Serbian Orthodox Church. She appears also – as „tsaritsa Milica” – in Serbian folklore (epic poetry).
Źródło:: Poznańskie Studia Slawistyczne; 2013, 5
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Własny pokój – cztery ściany płaczu Milicy Janković
A Room of One’s Own – Within the Four Walls of Tears of Milica Janković
Autorzy:: Putyńska, Urszula
Powiązania:: https://bibliotekanauki.pl/articles/636068.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Milica Janković
Među zidovima
disease subject
new interpretations of women’s literature
narrative transgressions
Opis:: This paper is an analysis of the work Među zidovima (1932) of Serbian writer from the modernist period – Milica Janković (1881–1939). The article focuses on presenting the innovative elements of her prose which opposed the Serbian literary tradition. The main subject of Među zidovima is a physical disease that affects the mental condition. The article also shows the possibility to read the aforementioned work from an autobiographical perspective, as Milica Janković for many years suffered from bone tuberculosis. This work contains numerous references to her biography. The conclusion of the paper is that Milica Janković, drawing on her own experience, has created an intimate work, in which she described her life with the severe, incurable disease.
This paper is an analysis of the work Među zidovima (1932) of Serbian writer from the modernist period – Milica Janković (1881–1939). The article focuses on presenting the innovative elements of her prose which opposed the Serbian literary tradition. The main subject of Među zidovima is a physical disease that affects the mental condition. The article also shows the possibility to read the aforementioned work from an autobiographical perspective, as Milica Janković for many years suffered from bone tuberculosis. This work contains numerous references to her biography. The conclusion of the paper is that Milica Janković, drawing on her own experience, has created an intimate work, in which she described her life with the severe, incurable disease.
Źródło:: Poznańskie Studia Slawistyczne; 2015, 9
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: New churches in the cities of Serbia and site selection for their construction
Autorzy:: Spasojević, Milan
Milojević, Milica
Powiązania:: https://bibliotekanauki.pl/articles/634051.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: Serbian Orthodox Church, new church construction, church location, religious tourism, religious landscape
Opis:: New church construction in the cities of Serbia in the last 25 years is a consequence of restrictions and the marginalisation of religion during the pre-1989 socialist period. In the period from 1945 to 1989, almost no new churches were built, and urban planners in Serbia have not developed appropriate selection criteria for the location of new religious buildings. Religious buildings built in the period after 1990 were built on sites that were selected ad hoc without considering the needs of believers and churches. In the last 25 years, more than 400 churches have been built in rural areas and cities, which influenced the reshaping of the cultural landscape. In this paper, attention is given to determining the required number of churches, their location, and the distribution of the urban structure in relation to various relevant factors. The specific spatial organisation of the Serbian Orthodox Church in the homeland and in the diaspora is emphasized.
Źródło:: Prace Geograficzne; 2014, 137
1644-3586
Pojawia się w:: Prace Geograficzne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Kobiece narracje o Wielkiej Wojnie w serbskiej literaturze popularnej okresu międzywojennego (casus Мilicy Jakovljević – Мir Jаm)
Women’s Narratives on The Great War in Serbian Popular Literature of The Interwar Period (сase of Мilica Jakovljević – Мir Jаm)
Autorzy:: Koch, Magdalena
Powiązania:: https://bibliotekanauki.pl/articles/1179560.pdf
Data publikacji:: 2015-12-02
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: alternative microhistories
women’s narratives
popular literature
Great War
Milica Jakovljević
cultural memory
alternatywne mikronarracje kobiet
literatura popularna
Wielka Wojna
pamięć kulturowa
Opis:: Przedmiotem badania w artykule są osobiste, alternatywne narracje kobiece o pierwszej wojnie światowej w literaturze serbskiej. Dotychczas historycy literatury nie zwrócili na nie uwagi, tymczasem wzbogacają one literackie reprezentacje o Wielkiej Wojnie, pokazując kobiecą percepcję i ilustrując kataklizm ich doświadczeniem wojennej codzienności. Materiałem do analizy jest twórczość Milicy Jakovljević, piszącej pod pseudonimem literackim Mir Jam, autorki literatury popularnej w okresie międzywojennym. Analizie interpretacyjnej zostały poddane trzy gatunkowo odmienne teksty: dramat Tamo daleko (‘Tam daleko’), powieść U slovenačkim gorama (‘W górach Słowenii’) oraz autobiografia Izdanci Šumadije (‘Dzieci Szumadii’). Kluczowymi kategoriami, przez których pryzmat zostały utrwalone obrazy wojny, są u Milicy Jakovljević kategoria litera-tury kobiecej (kobieca perspektywa tematyczna i narracyjna, kobiece autorstwo i kobiecy odbiorca), kategoria literatury popularnej, a także kategoria mikrohistorii i pamięci kulturowej.
The aim of this paper is to present women’s personal narratives which offer an alternative picture of the First World War in Serbian literature. Literary historians have not focused on this problem so far, whereas it would greatly enrich the literary representation of the Great War to add female perception and illustrate this historical cataclysm with women’s everyday war experience. The literary material analyzed here is the work by Milica Jakovljević (better known under the pseudonym Mir Jam), the author of popular literature in the interwar period. This paper contains an analysis of her three works, each belonging to a different genre: the drama Tamo daleko (‘There, Far Away’), the novel U slovenačkim gorama (‘In Slovenian Mountains’) and the autobiography Izdanci Šumadije (‘Offsprings of Šumadija’). The key categories applied in the discussion of Milica Jakovljević’s work are: women’s literature (women’s thematic and narrative perspective, women’s authorship and female recipient), popular literature/culture, microhistory and cultural memory.
Źródło:: Porównania; 2015, 16; 103-124
1733-165X
Pojawia się w:: Porównania
Dostawca treści:: Biblioteka Nauki

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