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Tytuł:
Materialistyczna Analiza Kulturoznawcza: Refleksja Metabadawcza
Materialist Cultural Analysis: a Metaresearch Reflection
Autorzy:
Biskupski, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/2170559.pdf
Data publikacji:
2022
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
Art and Documentation
Materialistyczna Analiza Kulturoznawcza
Refleksja Metabadawcza
Opis:
The subject of this text is metadisciplinary and methodological reflection in the context of current discussions on the specificity of cultural studies in Poland. I present my vision of the methodological approach, which I call social (materialist) cultural analysis, and which crystallized in the course of conceptualization and operationalization of my research on the phenomenon most often called street art. And although I formulated it in the context of a specific research procedure, as if in interaction with the issue I am exploring, it seems to me that it has a broader value in at least two related areas: as a contribution to the discussion on the specificity of cultural studies ‘work’ (as a formula of softly understood empirical research) and as a reflection on the ‘bottom-up’ approach postulated in the era of the end of universalism and macrotheory. I situate my proposition in the context of the discussion on the formula of Polish cultural studies; in relation to the postulates of abandoning thinking in terms of traditional scientific disciplines; and in the context of the idea of ‘bottom-up’ development of theoretical categories. The three most important aspects are: transdisciplinarity; a turn towards a sociological perspective in cultural research; reflective empiricism, in which the theory becomes a derivative of the process of collecting empirical data (sources), and which ‘saturates’ in the process of their collection.
Źródło:
Sztuka i Dokumentacja; 2022, 27; 237-253
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sprawiedliwość organizacyjna w badaniach międzykulturowych
Organizational Justice in the Cross - Cultural Analysis
Autorzy:
Turek, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/905842.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
The purpose of this article is the presentation of cross-cultural studies (Poland and New Zealand) relating to organizational justice as one of the main determinants of organizational behavior. Analysis showed that the three dimensions of organizational justice, eg. distributive justice, procedural justice, and interactional justice significantly differentiates the two groups of respondents (Poland and New Zealand) at the level of p <0.01. In article has also indicated the explanation of the research and practical implications of results.
Celem artykułu jest prezentacja międzykulturowych badań (Polska i Nowa Zelandia) odnoszących się sprawiedliwości organizacyjnej, jako jednej z głównych determinant zachowań organizacyjnych. W toku analiz wykazano, że trzy wymiary sprawiedliwości organizacyjnej, tj. sprawiedliwość dystrybutywna, proceduralna i interakcyjna istotnie statystycznie różnicuje badanych ze względu na kraj pochodzenia na poziomie p < 0,01. Przedstawiono wyjaśnienie otrzymanych badań i wskazano na praktyczne implikacje rezultatów.
Źródło:
Acta Universitatis Lodziensis. Folia Oeconomica; 2013, 283
0208-6018
2353-7663
Pojawia się w:
Acta Universitatis Lodziensis. Folia Oeconomica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Współczesna apokryficzność. Próba kulturoznawczej analizy zjawiska
Modern apocrypha: An attempt at cultural analysis
Autorzy:
Jankowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1391730.pdf
Data publikacji:
2015-11-24
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
apocrypha
canon
symbol
autocommunication
cultural memory
apokryf
kanon
autokomunikacja
pamięć kulturowa
Opis:
The aim of this paper is to analyze the phenomenon of modern apocrypha from the perspective of cultural studies. The term ‘apocrypha’ is usually associated with early Christian and Gnostic texts, but the tradition of unorthodox writings is also continued in modern Western culture. It is not easy to formulate a comprehensive definition of apocrypha by analyzing this phenomenon only from the perspective of literary, historical and religious studies. The phenomenon of apocrypha is so complex that it should be described based on a kind of methodological bricolage. This method should allow one to understand the role that apocrypha play in modern culture. Many scholars have noticed that it is not possible to point to clear and obvious criteria that would allow us to assign a given text to the category of apocryphal writings. Most typologies of texts which are epistemologically valuable and which help scholars to identify certain features of apocryphal writings do not take into consideration the cultural qualities of non-canonical, unorthodox narratives. From the perspective of cultural studies, modern apocrypha can be seen not only as literary or religious texts but also as an important element of cultural autocommunication. As an element of cultural metacognition, apocrypha can also be regarded as a medium of cultural memory and collective identity.
Źródło:
Przestrzenie Teorii; 2015, 23; 71-90
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Analiza kulturowa utworów Herty Müller (wybrane zagadnienia)
Cultural Analysis of Herta Müllers works (selected issues)
Autorzy:
Reszka, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/514324.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie. Wydział Teologiczny
Tematy:
Cultral studies
Discourse
Nationality
History
Alienation
Badania kulturowe
Dyskurs
Przynależność narodowa
Historia
Wyobcowanie
Opis:
The article concerns problem of cultural analysis of Herta Müller’s literary works. The author, which received 2009 literary Nobel Prize, is one of the most influential German writers. It is a short presentation of the main issues showed in her literary output in comparison with critical studies.
Artykuł skupia się na analizie kulturowej utworów Herty Müller. Autorka, która w 2009 roku otrzymała literacką Nagrodę Nobla, jest jedną z najbardziej wpływowych pisarek niemieckich. Tekst jest krótką prezentacją głównych zagadnień kulturowych przedstawionych w jej utworach wraz z porównaniem stanu badań.
Źródło:
Kultura – Media – Teologia; 2015, 21; 88 - 100
2081-8971
Pojawia się w:
Kultura – Media – Teologia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Językowo-kulturowa analiza sloganów reklamowych marki Żubr
A linguo-cultural analysis of advertsing slogans of the Żubr brand
Autorzy:
Szerszunowicz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2117881.pdf
Data publikacji:
2016-12-30
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
slogan
beer advertising
linguo-cultural analysis
Żubr brand
Opis:
The aim of the paper is to analyse slogans of the Żubr brand in a linguocultural perspective. The focal issues of the study are the following aspects: creating the connotative potential of the names żubr (‘bison’, the name of the animal) and Żubr (the beer brand name), using nature as a topos as well as referring to the local color of the region of Podlasie. The cultural dissonance implementation and the ritualization references are also discussed. The linguistic aspects of the analysis comprise the use of lexis and fixed expressions, both in their standard and modified forms. Moreover, the intertextuality of the slogans is analyzed. The research study shows that thanks to the development of the advertising conception, the slogans of this brand play an important role in the creation of the brand on the market and the enhancement of its position.
Źródło:
Białostockie Archiwum Językowe; 2016, 16; 325-343
1641-6961
Pojawia się w:
Białostockie Archiwum Językowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przemoc w konsekwencjach pandemii COVID-19: analiza społeczno-kulturowa
Violence in the Consequences of the COVID-19 Pandemic: A Socio-Cultural Analysis
Autorzy:
Gruchoła, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2129871.pdf
Data publikacji:
2022-06-28
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
COVID-19
Eurobarometr
mechanizm kozła ofiarnego
przemoc
teoria René Girarda
Worldometer's COVID-19 data
Eurobarometer
scapegoat mechanism
violence
René Girard’s theories
Worldometer’s COVID-19 data
Opis:
W momencie kryzysu, którego przyczyną może być katastrofa naturalna (np. pandemia COVID-19), każda grupa społeczna szuka kozła ofiarnego (teoria René Girarda). Mechanizm ten w artykule obrazuje liczba zgonów z powodu SARS-CoV-2 traktowanych jako ofiara kolektywna. Celem artykułu było zbadanie źródeł i form przemocy oraz zidentyfikowanie kozła ofiarnego w postrzeganiu pandemii COVID-19 na podstawie 24. raportów Eurobarometru: Public opinion monitoring in the time of COVID-19, obejmujących okres od marca 2020 roku do czerwca 2021 roku. Opinie respondentów w zakresie konsekwencji pandemii traktowanych jako przejaw przemocy zostały zanalizowane w trzech obszarach: ekonomicznym, społecznym i zdrowotnym. Zastosowano ilościową analizę zawartości raportów, jakościową analizę treści, metodę porównawczą oraz analityczno-opisową. Przyjęto sześć szczegółowych hipotez badawczych, z których trzy zostały potwierdzone. Została także tylko dla pierwszej fali potwierdzona hipoteza główna zakładająca, iż liczba zgonów w poszczególnych państwach UE, odnotowana w kolejnych falach pandemii COVID-19, traktowanych jako ofiara kolektywna, jest proporcjonalna do łącznej liczby odnotowanych przypadków przemocy ekonomicznej, społecznej i zdrowotnej w danym państwie. Wzrost zgonów implikuje wzrost zidentyfikowanych działań przemocowych.
At a time of crisis, which may be caused by a natural disaster (e.g. the COVID-19 pandemic), each social group looks for a ‘scapegoat’ (René Girard's theory). This mechanism is illustrated in the article by the number of deaths due to SARS-CoV-2 treated as a collective victim. The aim of the article was a study of the sources and forms of violence and to identify a scapegoat in the perception of the COVID-19 pandemic based on 24 research of the Eurobarometer: Public opinion monitoring in the time of COVID-19, covering the period from the 20th of March 2020 to the 30th of June 2021. The respondents' opinions on the consequences of a pandemic treated as a manifestation of violence were analyzed in three areas: economic, social and health. Applied were a quantitative analysis of the content of reports, a qualitative analysis of the contents, comparative and analytical descriptive methods. Six detailed research hypotheses were adopted, 3 of which were confirmed. The main hypothesis was also confirmed, but only for the first surge assuming that the number of deaths in individual EU countries, recorded in subsequent waves of the COVID-19 pandemic, treated as a collective victim, is proportional to the total number of recorded cases of economic, social and health violence in a given country. The increase in deaths implies an increase in the identified violent acts.
Źródło:
Roczniki Kulturoznawcze; 2022, 13, 2; 49-80
2082-8578
Pojawia się w:
Roczniki Kulturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Artefakt kulturowy w humanistyce
A cultural artifact in the humanities
Autorzy:
Grodecka, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/1391727.pdf
Data publikacji:
2015-11-24
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
artifact
interdisciplinarity
cultural analysis
literary and cultural comparison
artefakt
interdyscyplinarność
analiza kulturowa
komparatystyka literacko-kulturowa
Opis:
This article is devoted to the concept of an artifact, as derived from older methodological knowledge (J. Białostocki and E. Panofsky), which has been broadened to include new indicators, such as changes of the virtual era as well as the categories of experience and reflections on narration. By reconstructing the phenomenon of artifacts, the author refers to the category of ‘reality’ accordingto Heidegger and W. Toporow as well as the ideas of a ‘sign’ and ‘theme’, and Polish artistic practice (T. Kantor and Z. Herbert). The concept is situated within the arts as well as within a contextualized area of the social sciences (an actant) and aims to offer new perspectives on the study of culture.
Źródło:
Przestrzenie Teorii; 2015, 23; 53-69
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sekcja 1. Badania inspirujące się sztuką: sztuka i humanistyka. Wstęp
Art Based Research: Arts and Humanities. Introduction
Autorzy:
Kosińska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/424537.pdf
Data publikacji:
2016
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
art based research, badania jakościowe, analiza kulturowa, teoria sztuki, epifania, heuretyka, aktywizm, qualitative research, cultural analysis, theory of art, ephiphany, heuretics, activism
Opis:
Contemporary discussion on the main tendencies in the field of art based research for qualitative research is based on the already accepted belief that art is also the cognitive practice. The discourse about artistic as cognitive should be then moved forward, and the questions about the concrete examples of synergy of artistic and qualitative research should be posed. The profits resulting from this contract should be evaluated, and the inventory of the real democratic equivalence of artistic and humanistic tools should be done. How the balance between competences and roles in the artistic-qualitative research is maintained? Can we speak about them as of art based, or maybe it would be better to cautiously think of them as of arts informed? Are these projects the most experimental and critical bridgehead of the qualitative research, or rather trade trend of proffesionals? Should we treat them as examples of the interdisciplinary practices, or rather as exemplars of the transdisciplinary cultural analysis? The last mentioned will serve here as the axis of deliberations: from the perspective of cultural analysis we will evaluate the role of art in the field of qualitative research. Articles gathered in this issue represent the wide range of the possible approaches to the art based research. The introductory article of my authorship, „Between authonomy and ephiphany. Art based research, qualitative research and the theory of art”, attempts the analysis of the main tendencies within the field of art based research in the historical, methodological and aesthetical terms. It draws the historical coincidence in the social sciences and the humanities which enabled the emergence of the artistic qualitative research, and emhasizes the special role of the narrative turn. It reveals the slits within the cultural analysis and the qualitative research which became the new places for the artistic-research practices. It also reveals the entanglement of these practices in the dichotomies founded on the modern theories of art and analyzes the most important of them: between the autonomy of artistic symbolical forms and the epiphanic evocativeness of art. The last mentioned emerges on the foundation of the presence and experience, and in the consequence, opens the social spaces for the ethics of care. An article of Dariusz Brzostek, „Black Science – Black Magic. Afrofuturism, narrative and cognition”, can serve as an example of the classical cultural analysis in the semiotic-critical spirit, representative for this version of cultural studies which was explicitly conducive for the growing tendencies of art based research. An analysis of afrofuturism as the narrative formation and speculative fiction which are formative for the specific socio-cultural groups, realizes an assumption of Paul Willis of searching the creative action in the practices of everyday life. The democratic impetus of cultural studies has diminished the historical burden of an autonomy of art, treating it as the one of many cultural practices, as a place of production of socially important meanings, and in the same time, has strenghtened the labourious practices of cultivation of every day – accentuating its creative aspects in the terms of art living. In the Brzostek’s cultural analysis which can be defined as artistically informed, one can also notice the clue of the narrative turn. The productive and formative aspects of the popular narrations are crucial in this analysis: they tie together the two records of the qualitative research – biographies and social structures. In the consequence, an analysis of afrofuturism reminds the best years of the cultural studies, as from the Paul Willis’ projects Learning to Labour: How Working Class Kids Get Working Class Jobs. The clue of the disciplinary thinking, attempting to situate the art based research in the front of, within, and besides other social sciences and the humanities is continued in the article of Dorota Łuczak, „The Iconology of X-Ray Images”. Łuczak analyzes the history of the process of including X-ray photography in the area of the interest of the history of art, especially in the project conducted by Horst Bredekamp, Das Technische Bild in years 2000-2012 in Hermann von Helmholtz–Zentrum für Kulturtechnik at the University in Berlin. In the epistemological and metodological aspect, the project raised the problem of the subject of the visual research and the role of technical images in the social process of construction of knowledge. The subject of the inquiry was rather not the prove of the social construction of the visual reality (as in the anglo-saxian visual studies) but rather an analysis of the reciprocial determination between systems of knowledge and the conventions of representation of technical images. Finally, in the conclusion an author points out, that it is not necassary to resign from the rigours of the art historian analysis (style, iconology, comparative studies), that they can be productive for the research of the bodily, perceptual, subjective and habitual contexts of the technical images. Most of all, the subjectivitizing category of style can be refferred to the mental constructs constituting the processes of knowing. The usage of drawing, sketching and doodling in the practice of the organizational development is the subject of consideration of Adam Dzidowski in his article „The formative role of art and organisational aesthetics – visualisation and drawing in organisational development”. Dzidowski analyzes drawing as an expressive medium, enabling to reveal the creative and innovative solutions. Drawing and sketching can be seen as a cognitive tools, resolving problems, representing the stage of the organizational development, diagnozing, searching for the creative solutions. In those areas their usage in the organizational development inscribes itself into the heuretic tendencies in the field of art based research – as the practices of creation of the generative formulas, resulting with the creative scripts of action. The achievement of these goals can be supported by the artictic practices changing the models of organizations and breaking the prevailing schemes of thinking. Dzidowski refers to the dychotomy between functionalism and the cultural and interpretive studies, outlining the situation in which the management practice is still founded on the functional paradigm and the artistic tool of drawing is intended to „soften” this quantitative and formal attitude. He refers to the old dychotomy between the structuralism and ethnography, the scientific heritage of Emile Durkheim and the sociological writings of Georg Simmel – revealing in the same time the deep entanglement of the art based research in the series of various oppositions. The most solid of them is the opposition between knowledge and emotion, from which the whole current Issue of Art and Documentation begins. The two articles in this Issue: of the duo Joanna Bielecka-Prus and Aneta Pepaś and an article of Karolina Sikorska, represent the activist tendency in the field of art based research. The perspective of Bielecka-Prus and Pepaś is the precise reconstruction of the realized by them project Where the cocs crow – the wedding ethnoperformance. This was the animation-research enterprise, organized by the City Culture Centre in Dynów, realized with the cooperation with ethnographers, anthropologists, ant socio-cultural animators. This two-voice reconstruction is then the record of the interdysciplinary art based research project. The aim of this ethnoperformative action was the reconstruction and play of the the wedding ceremony characteristic of the Dynów Foothill, for which the point of departure was a scenario of the wedding from Ulanica. It was not the accuracy of the ethnographic reconstruction at the stake of this action, but rather the mediation of tensions and relations in the local communities through the common, performative action. The wide range of the qualitative research has been centered around the scenario of the wedding ceremony, scenario negotiated with the local community. The final version of the ethnodrama, the performative scipt built on the basis of data gathered in the research, was the common decision of the inhabitants of the Dynów Foothill. An article of Karolina Sikorska, „Female artists in work and about work. The cognitive dimensions of art” reveals this version of the activist tendency in the field of art based research which does not exist without the critical theory. This perspective takes often the critically based form of detailed case studies. Sikorska in the context of the subject matter of this Issue draws the specific map of the problems specific for the cultural and political contexts of work of women artists at Academies and Universities. She poses fundamental questions for the practice of the art based research: what makes impossible and what enables being the artist-researcher functioning in the institutional structure and not in the partisan field beyond that. Finally Sikorska points out three concrete artistic-cognitive strategies taken by women making art about other women work. Paula Milczarczyk, an author of an article „Omnis natura artificiosa est. Project The Symbiosity of Creation” in the light of the theory of paraartistic values” analyzes the artistic practice of Jarosław Czarnecki/Elvin Flamingo in the context of an aesthetics of reality and the conception of paraartistic values of Maria Gołaszewska. Finally, Sebastian Dudzik and Marek Glinkowski in the dialogue „The graphic art as a cognitive tool. The two voices about the matrix” convey the conversation of the artist and art historian considering the cognitive aspects of the ways of thinking and action in the graphic art. They represent the graphic thinking as the paradigmatic for the media art, they define the notion of the matrix, the matrix thinking, the cultural matrix, the matrix trancoding, analyzing the transitivity of these notions from the classic graphical techniques to the new media art. Using the cultural matrix notion, they define graphic art as the medial tool of the cultural analysis. We were opening this section on art based research with the assumption of the qualitatively directed cultural analysis of Paul Willis, that the symbolical wholeness of the expressive human life is the sort of art, and its research demands aesthetic tools. Similarily, in the aesthetics of paraartistic values, artistic structures are treated as usable to the reality. Artist become in this context an accoucher, revealer, finder of the hidden aspects of the reality, who helps to see and analyze its qualities.
Źródło:
Sztuka i Dokumentacja; 2016, 14; 5-10
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między autonomią a epifanią. Art based research, badania jakościowe i teoria sztuki
Between autonomy and epiphany. Art based research, qualitative research and the theory of art.
Autorzy:
Kosińska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/424497.pdf
Data publikacji:
2016
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
art based research, badania jakościowe, analiza kulturowa, teoria sztuki, epifania, heuretyka, aktywizm, qualitative research, cultural analysis, theory of art, epiphany, heuretics, activism
Opis:
The subject of the article is an analysis of the most important contexts of emergence and the crucial tendencies apparent in the field of contemporary art based research. The author reconstructs the historical coincidence in the humanities and social sciences, which enabled the emergence of art based research. The author analyzes the changes within the field of qualitative research and cultural studies, especially those being conducive to searching the qualities of socio-cultural phenomena through artistic practices. An analysis of the methodological tendencies and the basic aesthetic categories of that field is undertaken and a question about the value of the qualities gained in the course of the artisticly based research is posed. The article inscribes the art based research in the context of the fourth historical phases of qualitative research by the discerned Yvonne S. Lincoln and Norman K. Denzin, and also in the democratic and postmodern flow of cultural studies. It underlines the importance of the reflexive turn in anthropology, but most of all, the role of the cultural analysis of literature and the narrative turn. It punctuates as the most important in the field of art based research – the modern dichotomy between knowledge and emotion. From that dichotomy the basic ways of defining the cognitive possibilities of art has emerged. Artistic practices are treated here as evocative, revealing emphatic experience. Finally, the author undertakes a comparative analysis of the modern theory of art and the activity of symbolization in the conception of Susanne K. Langer with the conception of evocative, epiphanic genres and identifies them as the two crucial tendencies in the field of art based research. They are analyzed as defining differently the cognitive qualities of art, resulting in distinct ethical and political consequences.
Źródło:
Sztuka i Dokumentacja; 2016, 14; 12-27
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kuchnia w Biszkeku
Kitchen in Bishkek
Autorzy:
Gomóła, Anna
Ewa, Kosowska
Powiązania:
https://bibliotekanauki.pl/articles/507769.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
teoria potrzeb
teoria kultury
analiza instytucjonalna
Bronisław Malinowski
Laboratorium Kultury
theory of needs
theory of culture
institutional method of cultural analysis
Bronislaw
Malinowski
Opis:
Kuchnia w Biszkeku jest autoryzowanym zapisem rozmowy, przeprowadzonej jesienią 2013 r., w stolicy Kirgistanu. Dyskusja, inspirowana wizytą w lokalnym muzeum, dotyczyła problemów wynikających z kulturowych reakcji człowieka na potrzeby biologiczne i pozabiologiczne. Wychodząc od koncepcji Bronisława Malinowskiego autorki podjęły refleksję nad możliwościami budowania takiej teorii kultury, która by wykorzystywała zróżnicowane lokalnie reakcje na uniwersalne potrzeby człowieka.
Kitchen in Bishkek is an authorised transcription of a conversation which took place in autumn 2012, in the capital of Kirgizstan. The discussion, inspired by a visit to the local museum, was concerning the problems of a cultural reception of the human reaction to biological and non-biological needs. Using Bronisław Malinowski’s conception, the authors have pondered upon a possibility of creating a theory of culture, which would make a use of local differences of reactions to universal human needs.
Źródło:
Laboratorium Kultury; 2013, 2; 12-26
2084-4697
Pojawia się w:
Laboratorium Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poświęcić niepewność – prolegomena do badań nad kinem postsekularnym
Sacrifcing uncertainty – prolegomena to the study of post-secular cinema
Autorzy:
Piskorska, Anna Maria
Powiązania:
https://bibliotekanauki.pl/articles/2135411.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postsecularism
postsecular cinema
postmodernism
cultural analysis
Mieke Bal
religious flm
European cinema
Bruno Dumont
Hadewijch
John McDonagh
Calvary
Xavier Beauvois
Of Gods and Men
Opis:
This article undertakes the issue of defining film phenomena which put forward questions of a primary religious nature (about the meaning of life, source of evil, life after death, the existence of Absolute, etc.) in a way that is independent from major religious traditions. The author posits that describing this phenomenon in the case of European film culture is done best by employing the philosophical thought of postsecularism. Utilizing Mieke Bal’s method of cultural analysis, the author takes as an example the term “sacrifice” to point to the existence of different models by which religious topics are undertaken by the cinema. This leads to a preliminary typology of the phenomenon which differentiates between ‘apologetic’ and ‘critical’ films and, furthermore, between films that refer to particular religious traditions and those expressing a postsecular perspective.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 30, 39; 47-66
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Uwagi o znaleziskach przedmiotów wykonanych z krzemienia pasiastego ze wschodniej części polskich Karpat i na ich przedpolu. Próba analizy chronologiczno-kulturowej i interpretacji
Comments about the artefacts made of banded flint found in the eastern part of the Polish Carpathians and on their forelands. An attempt to perform chronological and cultural analysis, and interpretation
Autorzy:
Pelisiak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/567567.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Rzeszowski. Instytut Archeologii Uniwersytetu Rzeszowskiego. Muzeum Okręgowe w Rzeszowie
Tematy:
flint artefacts
Neolithic
Early Bronze Age
Funnel Beaker culture
Globular Amphora culture
Corded Ware culture
banded flint
Opis:
This paper discusses artefacts dated to the neolithic and early Bronze Age found on the area of the eastern polish Carpathians and their forelands. Most of them came from accidental discoveries but some of them were found as a result of systematic surveys and excavations. Rectangular axes build strongest group of artefacts. Artefacts made of banded flint came from 116 sites grouped into 6 blocks: A – belongs to the Funnel Beaker culture (material from 6 sites); B – with characteristics of the globular Amphora culture/Funnel Beaker culture or the globular Amphora culture/Corded Ware culture (56 sites); C – materials of the Corded Ware culture (11 sites); D – materials dated to the neolithic without cultural affiliation (28 sites); e – materials dated to the early Bronze Age, most probably the Mierzanowice culture (5 sites) and F – materials dated to the neolithic and early Bronze Age without cultural affiliation (9 sites). There is no doubt about cultural affiliation of artefacts from the categories A, C and D. With regard to polished, rectangular axes bearing features typical for the globular Amphora, Funnel Beaker and Corded Ware culture (category B), the situation is different. There is no graves and settlement sites on the eastern polish Carpathians, and graves and settlements are extremely rare on the forelands. This suggest that these areas were not settled by the globular Amphora people. For these reasons cultural affiliation of these axes can be discussed on the several levels. The first one refers to the identification of axes makers. Features of the shape, preparation and polishing and raw material used suggest that these axes, or at least most of them could have been made by the globular Amphora culture people. The second level of interpretation refers to the “last user” of these axes. In this respect, several possibilities can be suggested. First of all, there were people of the Funnel Beaker culture and/or Corded Ware culture. numerous sites of the Funnel Beaker and Corded Ware cultures located on the eastern polish Carpathians forelands, on the eastern Carpathian Foothills, and within the jasło–Sanok Depression may indirectly suggests such the cultural affiliation of these axes. Secondly, it cannot be completely excluded that the “last users” of such axes may have been also the people of the globular Amphora culture (items lost during penetration of these areas or movement of people, or some these axes came from destroyed graves of the globular Amphora culture).
Źródło:
Materiały i Sprawozdania Rzeszowskiego Ośrodka Archeologicznego; 2019, 40; 73-86
0137-5725
Pojawia się w:
Materiały i Sprawozdania Rzeszowskiego Ośrodka Archeologicznego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wpływ turystyki na środowisko przyrodnicze i krajobraz kulturowy - analiza wybranych przykładów obszarów górskich
Tourism impact on the natural environment and cultural landscape. Analysis of chosen examples of highlands
Autorzy:
Myga-Piatek, U.
Jankowski, G.
Powiązania:
https://bibliotekanauki.pl/articles/86685.pdf
Data publikacji:
2009
Wydawca:
Polska Asocjacja Ekologii Krajobrazu
Źródło:
Problemy Ekologii Krajobrazu; 2009, 25
1899-3850
Pojawia się w:
Problemy Ekologii Krajobrazu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rytuał – od antropologii kulturowej do analizy transakcyjnej
Ritual – from Cultural Anthropology to Transactional Analysis
Autorzy:
Motyl, Karol
Powiązania:
https://bibliotekanauki.pl/articles/445898.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Humanistyczno-Przyrodniczy im. Jana Długosza w Częstochowie. Wydawnictwo Uczelniane
Tematy:
rytuał
analiza transakcyjna
antropologia kulturowa
ritual
transactional analysis
cultural anthropology
Opis:
In the first part of the article the traditional meaning of the ritual is analysed. Then, the ritual is presented in the light of transactional analysis. Finally, the author discusses similarities and differences in different concepts of the ritual. The article does not attempt to address the complexity of this concept; its aim is to contribute to the discussion on the interdisciplinary nature of transactional analysis. The author’s aim is to exemplify the possibilities of applying this theory in humanities and social sciences.
Źródło:
Edukacyjna Analiza Transakcyjna; 2014, 3; 65-78
2299-7466
Pojawia się w:
Edukacyjna Analiza Transakcyjna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Analiza klasowa na rozdrożu? W stronę kulturowej koncepcji klas P. Bourdieu
Class Analysis at a Crossroads? Towards the Cultural Approach to Classes of P. Bourdieu
Autorzy:
Cebula, Michał
Powiązania:
https://bibliotekanauki.pl/articles/427274.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
analiza klasowa
przestrzeń społeczna
śmierć klas
Bourdieu
badania empiryczne
kulturowa analiza klas
class analysis
social space
the death of class
empirical research
cultural class analysis
Opis:
Analiza klasowa przechodzi obecnie głęboką zmianę spowodowaną falą krytyki. Z jednej strony teoria klas jest podważana przez teoretyków głoszących nadejście nowej fazy nowoczesności lub ponowoczesności, która czyni z „klasy” pojęcie przestarzałe. Z drugiej strony jesteśmy świadkami narastającego niezadowolenia z dominujących schematów klasowych (np. EGP) z powodu ich niezdolności do uchwycenia kulturowych i symbolicznych wymiarów struktury klasowej. Te okoliczności spowodowały zwrot ku nowemu paradygmatowi, tzw. kulturowej analizie klas, w dużej mierze inspirowanej pracami Pierre’a Bourdieu. Celem artykułu jest diagnoza aktualnego stanu analizy klasowej i zbadanie, jak koncepcja Bourdieu może przyczynić się do jej fundamentalnego przemyślenia.
The field of class analysis is currently undergoing profound change spawned by the wave of criticism, both externally and internally. On the one hand, the class theory was challenged by theorists hailing the coming of a new phase of modernity or postmodernity which renders „class” an obsolete concept. On the other hand we are witnessing mounting dissatisfaction with the dominant class scheme (e.g. EGP) because of its inability to adequately illuminate the cultural and symbolic dimensions of class structure. These circumstances have prompted a turn towards new class paradigm, so-called „cultural class analysis” largely inspired by the works of Pierre Bourdieu. The aim of the article is to diagnose the state of art in class analysis and scrutinize how the work of Bourdieu can provide a more foundational rethinking of it.
Źródło:
Studia Socjologiczne; 2017, 3(226); 33-69
0039-3371
Pojawia się w:
Studia Socjologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
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