Wszystkie pola: Frydryczak, Beata - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Wszyscy jesteśmy cyborgami
Autorzy:: Frydryczak, Beata
Powiązania:: https://bibliotekanauki.pl/articles/630826.pdf
Data publikacji:: 2010
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:: REC. KSIĄŻKI Grażyna Gajewska, Arcy-nie-ludzkie. Przez science fiction do antropologii cyborgów, Wydawnictwo Naukowe UAM, Poznań 2010, ss. 317)
Źródło:: Studia Europaea Gnesnensia; 2010, 1-2; 417-421
2082-5951
Pojawia się w:: Studia Europaea Gnesnensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Między naturą a kulturą
Autorzy:: Frydryczak, Beata
Powiązania:: https://bibliotekanauki.pl/articles/631407.pdf
Data publikacji:: 2011
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:: Wprowadzenie
Źródło:: Studia Europaea Gnesnensia; 2011, 4; 203-205
2082-5951
Pojawia się w:: Studia Europaea Gnesnensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Babie lato, czyli zmysłowość wiejskiego krajobrazu
Indian summer, or the sensuousness of the rural landscape
Autorzy:: Frydryczak, Beata
Powiązania:: https://bibliotekanauki.pl/articles/2152453.pdf
Data publikacji:: 2021-12-15
Wydawca:: Narodowe Centrum Kultury
Tematy:: krajobraz
wiejska okolica
spacer
partycypacja
doznania
landscape
countryside
a walk
participation
experiences
Opis:: This essay offers an analysis of the countryside defined and perceived as an inhabited place but also as a landscape where the visual evolves into a multi-sensory experience. The text is divided into three sections corresponding to three dimensions of the landscape. The aesthetic dimension relates to the visual features of the landscape which determine its aesthetic sense. The participatory dimension comprises the cultural sense that encompasses the meanings inscribed in the landscape as well as the social and historical processes that make the taskspace with its patterns of dwelling activities. The third dimension, whose description is based on Józef Chełmoński’s painting Indian Summer, is represented by the embodied landscape defined by the polysensory features and tactility playing the primary role (the landscape can be ‘touched’). These three dimensions show how the relationship between humans and the landscape can change in two differing situations: when humans adopt a distanced attitude of viewers or that of participants who enter the landscape and shape it not only physically and symbolically, but also in the sensory dimension.
Źródło:: Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 116, 4; 119-130
1230-4808
Pojawia się w:: Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Historyczne formy waloryzacji ruin
Autorzy:: Frydryczak, Beata
Powiązania:: https://bibliotekanauki.pl/articles/631029.pdf
Data publikacji:: 2011
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: ruin
nature
landscape
the picturesque
the sublime
natural time
Opis:: On the historical and cultural plane, ruins are a lasting element of our landscape. The attitude towards ruins evolved, yet eventually, the 18th and 19th century “cult of ru-ins” allowed them to be perceived from the perspective of aesthetics, which, associating ruins with the category of the picturesque and the sublime, rendered a new meaning to them. The principal thesis of the article rests on the assumption that the discovery of ruins was possible due to the recognition of the landscape’s aesthetic dimension, while their essence lies in their permeation into the world of nature, which allows them to live a natural time.
Źródło:: Studia Europaea Gnesnensia; 2011, 3; 175-194
2082-5951
Pojawia się w:: Studia Europaea Gnesnensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Theodor W. Adorno: pojęcie pięknej natury
Theodor W. Adornos Notion of the Beautiful Nature
Autorzy:: Frydryczak, Beata
Powiązania:: https://bibliotekanauki.pl/articles/941230.pdf
Data publikacji:: 2005
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:: Theodor W. Adorno aesthetics is considered as the last and the most important theory, which is formulated from a perspective of the aesthetics of art. It established an understanding of the contemporary art and its mechanisms. In spite of its wide reception, the interpretations of Adorno's conception often overlook his notion of beautiful nature. The notion is the main subject of my article. I want to show that it is not only vividly present in "Ästhetische Theorie", but also takes an important part in Adorno's aesthetic theory and in his understanding of art and of aesthetic experience. Such an attitude allows me to interpret Adorno's theory from a perspective of the "extended aesthetics", which consider the aesthetics of nature as an important part of the field. Since Hegel, who rejected the concept of nature from the field of aesthetic, Adorno is the first aesthetician who re-entries the model of aesthetics understood as domain of both nature and art. Adorno admitted the notion of beautiful nature an important place in his aesthetics. For him, the acknowledgement of the beauty of nature is a condition of art and aesthetics experience. At the same time, the natural beauty is a medium of some utopian values. The involuntary perception characteristic of beautiful nature and a kind of memento "imprinted" in it are some archaic rudiments that do not correspond with the rationality of cultural industry.
Źródło:: Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica; 2005, 17; 139-151
0208-6107
2353-9631
Pojawia się w:: Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Krajobraz. Próba ujęcia w perspektywie interdyscyplinarnej
Autorzy:: Frydryczak, Beata
Powiązania:: https://bibliotekanauki.pl/articles/631350.pdf
Data publikacji:: 2011
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Aesthetics
humanist geography
aesthetic landscape
cultural landscape
view
panoram
perspective
map
environment
Opis:: The main purpose of the article is to try and locate the meeting points, but also the substantial discrepancies developed in the course of history, the aesthetics which devises its own notion of landscape and the empirical sciences, humanist geography in particular, which resorts to a broader understanding, incorporating it into the notion of environment. By drawing upon the Renaissance idea of landscape, I point to three factors: landscape painting along with the perspective, theatre and the development of cartography, which significantly contributed to the evolution of an aesthetic notion of landscape. The environmental aesthetics may however play a conciliatory role between the traditional, aesthetic presentation and the standpoint of humanist geography, if one takes into account the assumptions of the latter in terms of shaping the renewed cultural notion of landscape.
Źródło:: Studia Europaea Gnesnensia; 2011, 4; 207-223
2082-5951
Pojawia się w:: Studia Europaea Gnesnensia
Dostawca treści:: Biblioteka Nauki

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