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Tytuł:
Kompozycje przestrzenno-rzeźbiarskie Katarzyny Kobro
THE SPATIAL SCULPTURAL COMPOSITIONS OF KATARZYNA KOBRO
Autorzy:
Utkin, Bolesław
Powiązania:
https://bibliotekanauki.pl/articles/537984.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Katarzyna Kobro
Artyści Rewolucyjni „AR”
„Kompozycja Symetrii”
„Dualizm kontrastów”
„Kontrasty Przestrzeni”
„Sześć Kształtów”
Opis:
In connection w ith th e fo u r th ie th a n n iv e r s a ry of estab lish in g th e R ev o lu tio n a ry A rtis ts ’ G ro u p “AR” being a t th e same tim e a n n iv e rs a ry of fo u n d in g the fir s t Polish G a lle ry of Modern A rt th e Museum of Arts, Łódź, who is co n tin u in g th e a c tiv itie s once s ta r ted by th e Gallery, h a s u n d e rta k e n a se rie s of re s e a rch an d p o p u la riz in g actions. Among th e o th e r aims of th e se actions h av e also b e en se t th o s e to su p p le m en t th e d a ta a lre a d y possessed a n d to g a th e r as fu ll as possible in fo rm a tio n w ith re g a rd to a c tiv itie s of th e “AR” G ro u p whose m em b e rs a n d fo u n d e rs w e re J a n Brzękowski, K a ta rz y n a Kobro, J u lia n P rz y boś, H e n ry k S ta ż ew sk i and W ład y sław S trz emiń sk i. In his p re s e n t a rtic le th e a u th o r d e a ls w ith re s to ra tio n of th e d e stru c te d d u rin g th e World W a r I I sp a tia l sc u lp tu ra l compositions of th e P o lish 20th c en tu ry a v a n t-g a rd e s c u lp tu re r K a ta rz y n a K obro (1898—1951). It is a well known fa c t th a t a ll h e r compositions Kobro based on th e defin ed n um e ric a l se ts th a t su p plied th e basis fo r h e r s c u lp tu ra l co n cep tio n s. According to h e r own words: “... a ll th e e lem e n ts conta in e d w ith in a scu lp tu re should be su b o rd in a te d to a n um b e r as such, an d th e n an d o n ly th e n the sc u lp tu re can be one w o rth y ...” She ap p lied th e n um b e rs in in te g ra te d compositional lay o u ts an d sy stems as, fo r in stan ce, in h e r co n stru c tiv is t scu lp tu re s, th a t a re kn ow n as th e “3/5/8 R a tio ” an d h av e b e en d escrib ed in th e book title d “The Space Composition”. While s ta rtin g his re s to ra tio n of th e fo u r s c u lp tu ra l compositions th e a u th o r of th e p re s e n t was aw a re of c re a tiv e ten d en c ie s in th e a r t of K a ta rz y n a Kobro. A fte r m ak in g a th o ro u g h a n a lysis o f component p a r ts an d of e n tire compositions he ad v an c ed an a ssum p tio n th a t fo r th e ir p ro p e r re s to ra tio n it is n e c e ssa ry to fin d a new “ n um b e r k e y ”. Only as a re s u lt of time -co n sumin g a ttem p ts an d tr ia ls he w as successful enough to re c o n s tru c t th e up to now u n re v e a led in K o b ro ’s compositions n um e ric a l sets, n am e ly th e a rithm e tic an d g eometric p rog ressions. Thus th e following w o rk s could be re co n s tru c ted : “A Composition of S ym m e try ” (see 111. 1, 2, 3), “The D ualism of C o n tra s ts ”, “The C o n tra s ts of S p a c e ” and “The S ix S h a p e s”. Originally, it we re th e fr e e - s ta n ding sc u lp tu re s ex e cu ted in wood, glass, p la s te r of P a ris, an d metal. All th e re s to ra tio n w o rk s w e re c a rried o u t to o rd e r of Museum of A rts, Łódź.
Źródło:
Ochrona Zabytków; 1972, 3; 203-206
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Niech przyjdzie tutaj Witruwiusz ze wszystkimi swoimi następcami”. Kilka uwag na temat kościoła i kolegium jezuitów w Ostrogu
“Let Vitriuvius Come Here with all His Successors”. Several Remarks on the Church and the College of Jesuits in Ostróg
Autorzy:
Betlej, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1953445.pdf
Data publikacji:
2006
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
archiwum
architekci
artyści
ikonografia
kolegium jezuickie
archives
architects
artists
iconography
Jesuit college
Opis:
The paper deals with the Jesuit church and college in Ostróg erected from the foundation of Anna Alojza Chodkiewiczowa in the years of 1629-1653. It analyses the earlier projects of this building, together with those that are presented for the first time here. They are stored in the collections of the Paris National Library and the Getty Research Institute, as well as the sources from the Archivum Romanum Societatis Jesu. In the light of the iconographic sources and archives, the chronology of the Ostróg complex has been made precise, above all some proposals as to its authorship have been put forward. The Jesuit church and college in Ostróg were a “common work” of two religious architects: Giacomo Briano and Benedetto Mollego. Contrary to what we have learnt so far from literature, it was Briano who considerably contributed to the preparation of the project. His participation in the temple's project was almost dominating, and the role of Molle might be defined as supervising the course of construction. The work can be described as a creation of clearly north Italian stylistic references, typical of Giacomo Briano from Modena. This artist continued the work of the artists from the last quarter of the fourteenth century, mainly Pellegrino Tibaldi.
Źródło:
Roczniki Humanistyczne; 2006, 54, 4; 189-224
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł

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