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    Wyświetlanie 1-3 z 3
    Tytuł:
    Prodico al bivio. Ancora sull’antilogia
    Prodicus at the Crossroads. Once Again on the Antilogy
    Autorzy:
    Giombini, Stefania
    Powiązania:
    https://bibliotekanauki.pl/articles/938280.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Prodicus
    Antilogy
    Xenophon
    Heracles
    Horai
    Sophists
    Opis:
    The aim of this paper is to analyze the tale of Heracles at the Crossroads, attributed to Prodicus by Socrates in Xenophon’s Memorabilia, through the notion of antilogy. The apologue has got an antilogic structure that is immediately outlined in the description of the situation in which the young Heracles finds himself. But the text, seemingly antilogic, does not develop itself according to one of the most important rules of antilogies, i.e., the epistemic parity of two speeches, since it appears to be completely in favor of just one of the theses. Prodicus would have had no interest in writing a text that did not demonstrate his rhetorical and linguistic abilities. According to this perspective, Xenophon’s version of Heracles at the Crossroads does not seem to be the original version by Prodicus, as can be seen by analyzing its structure and properties.
    Źródło:
    Peitho. Examina Antiqua; 2017, 8, 1; 187-200
    2082-7539
    Pojawia się w:
    Peitho. Examina Antiqua
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’anima, il triangolo e la virtù. Sulla figura del paragone implicito nel Menone di Platone
    Soul, Triangle and Virtue. On the Figure of Implicit Comparison in Plato’s Meno
    Autorzy:
    Palumbo, Lidia
    Powiązania:
    https://bibliotekanauki.pl/articles/938272.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Plato
    sophists
    mimetic art
    visual writing
    teaching
    philosophy and geometry
    Opis:
    Plato’s dialogues can be regarded as the most important documents of the extraordinary mimetic power of visual writing, i.e., writing capable of “showing” and “drawing images” by using words only. Thanks to the great lesson of the Attic theater, Plato makes his readers see: when reading the dialogues, they see not only the characters talking but owing to the visual power of mimetic writing, they also see that which the characters are actually talking about. There are numerous rhetorical devices employed by Plato the writer that make this visual rendering of philosophy possible. In this text, I would like to bring an example from the Meno that illustrates the visual power of an implicit comparison. By “implicit comparison”, I mean the special kind of comparison that is not presented explicitly and fully in the text but that the text merely evokes and that, once evoked, contributes to determining the formation of the image.
    Źródło:
    Peitho. Examina Antiqua; 2017, 8, 1; 201-212
    2082-7539
    Pojawia się w:
    Peitho. Examina Antiqua
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Socrate, questo sconosciuto
    The Unknown Socrates
    Autorzy:
    Rossetti, Livio
    Powiązania:
    https://bibliotekanauki.pl/articles/938477.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    acrasia
    elenchos
    Menander
    Nietzsche
    Plato
    Socrates
    Sophists
    Zopyrus
    enkrateia
    philosophy
    communication
    Kierkegaard
    logos protreptikos
    Opis:
    The first part of the present paper argues against any attempts to find a set of fixed points of a doctrine that could be ascribed to Socrates. The main thesis of the article has it that Socrates was part of a cultural movement that was marked by a tendency to rather raise questions than merely provide answers and boast about having a number of doctrines or doxai of their own. The second part of the paper concentrates on a number of memorable innovations that eventually constituted Greek culture, e.g., the idea that it is possible and desirable to be in full control of oneself and, consequently, to shoulder responsibility for one’s deeds rather than merely avoid and deny it. Thus, Socrates and ancient Socratic literature are shown here to be a probable source of numerous ideas that the western civilization has built on for centuries, these being, for instance, the idea of the limits of our powers. Hence, the conclusion of the article is that it would be a serious mistake to exclude Socrates from this major cultural development, even though the thinker did produce neither a theory nor a body of theories.
    Mentre la prima rivista polacca di filosofia antica inizia le pubblicazioni, è per me unonore e una sfida riprendere, sulle sue pagine, il tema Socrate e fare ancora un tentativoper capire chi realmente egli fu. Quaranta anni di studi sull’argomento mi hanno, invero,fornito molteplici stimoli e strumenti per indagare e cercar di capire qualcosa intornoa un personaggio comunemente ritenuto sfuggente come pochi. In questo contributo,partendo dalle considerazioni proposte in un altro articolo recente1, provo a individuaredue facce del personaggio: da un lato il suo dialogare e il senso che questo suo dialogarepoté avere nell’orizzonte delle invenzioni letterarie del V secolo, dall’altro le potentiinnovazioni di cui Socrate sembra essere stato portatore nel campo dello stile di vita,dell’ottimismo etico e dell’impegno. Il titolo del mio scritto è provocatorio, ma quantomenoaderisce alla convinzione che la sua figura abbia bisogno di essere profondamenteripensata.
    Źródło:
    Peitho. Examina Antiqua; 2010, 1, 1; 13-30
    2082-7539
    Pojawia się w:
    Peitho. Examina Antiqua
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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