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Wyświetlanie 1-2 z 2
Tytuł:
L'ibridismo nell'opera primoleviana
Hybridism in Primo Levis writings
Autorzy:
Tichoniuk -Wawrowicz, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1052637.pdf
Data publikacji:
2017-12-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Levi Primo
Hybridism
Opis:
The paper is dedicated to the writer's fascination of complexity of the universe and hybridism. He used to call himself a centaur, because of his double disposition: novelist/poet and chemist. Levi, stretched between being Italian and Jew, writer and chemist, commentator and translator, between the «daily» and «nightly» writing, was able to transcend the common division between letters and science. He was interested in contamination, mixture, mutation, and discussed hybridity in many essays and literary scherzos to show convolutions of human condition and prolific richness of life. Levi's unusual powers of observation combine with an abundance of themes and literary forms, which proves that his works are marked by hybridism at morphological level as well.
Źródło:
Studia Romanica Posnaniensia; 2008, 35; 93-101
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le nozze di D’Annunzio. Per una lettura dell’alcaica Per nozze in Primo Vere
D’Annunzio’s Wedding. A Reading of Per nozze in Primo vere
Autorzy:
Mariotti, Claudio
Powiązania:
https://bibliotekanauki.pl/articles/446548.pdf
Data publikacji:
2015-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
D’Annunzio
Primo vere
Per nozze
alcaic metre
epithalamium
Opis:
The author of this article examines the genesis of D’Annunzio’s Primo vere, published when D’Annunzio was 16 while he attended the famous Cicognini college in Prato. The first edition appeared in 1879 (the second, in the following year) and it was considered a great work; in fact, it was reviewed by Giuseppe Chiarini, one of the most popular writers of his time. Next, the author provides an analysis of Per nozze, one of the Alcaic lyrical poems in D’Annunzio’s book. This ode belongs to an established literary genre (for instance, poems by Catullus, Claudian, Theocritus, and Sappho are of this genre), and it is an important one because it allows us to foresee the later and greater D’Annunzio. At the end of the article, the author investigates why D’Annunzio used the Alcaic metre in this ode. It is not only a tribute to Horace (one of D’Annunzio’s favourite poets; in the appendix of Primo vere are some of Horace’s lyrics translated by D’Annunzio), who used this metre in 37 of his poems; there is another reason. In fact, we can establish a parallel between the metre and the ode: the Alcaic one has ascending and descending rhythms like D’Annunzio’s Per nozze, and it is full of happiness (a marriage takes place), but also of sadness, as he wants to underline the brevity of life and its vanity.
Źródło:
Italica Wratislaviensia; 2015, 6; 135-148
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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