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    Wyświetlanie 1-4 z 4
    Tytuł:
    Andrzej Zieliński, Presenza polacca nell’Italia dell’entre-deux-guerres, Franco Angeli, Milano 2018, pp. 224
    Autorzy:
    Bernardini, Luca
    Powiązania:
    https://bibliotekanauki.pl/articles/28643394.pdf
    Data publikacji:
    2019
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Book reviews
    Poles in Italy
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2019, 10; 132-138
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Un poeta rinascimentale polacco nella città d’Antenore. Jan Kochanowski tra Padova e Czarnolas
    A Polish Renaissance Poet in the City of Antenor. Kochanowski between Padua and Czarnolas
    Autorzy:
    Lenart, Mirosław
    Powiązania:
    https://bibliotekanauki.pl/articles/37503448.pdf
    Data publikacji:
    2023
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    Jan Kochanowski
    Natio Polona
    Poles in Padua
    Polish Renaissance
    Opis:
    L’importanza del triplice viaggio di Jan Kochanowski a Padova è un tema che è stato più volte affrontato nella letteratura scientifica. I risultati di queste ricerche godono soprattutto dell’interesse di quegli studiosi che si concentrano sull’analisi dei materiali documentari e sulla ricostruzione dell’atmosfera dominante nella città chiamata spesso la rocca di Antenore. Essa conobbe nel XVI secolo il suo massimo splendore, fatto sul quale influì la politica della Repubblica di Venezia, nell’ambito della quale si cercò tra l’altro di fare di questo centro universitario e allo stesso tempo cittadino una riconoscibile meta di viaggi educativi per i giovani provenienti da tutta Europa. Per questi ultimi il contatto con un ambiente dalle alte aspirazioni intellettuali e artistiche era spesso l’inizio di una brillante carriera, sviluppata dopo il ritorno in patria. Il ricordo delle esperienze vissute durante i soggiorni a Padova ha svolto un ruolo di primo piano anche nella formazione dell’ispirazione poetica di Jan Kochanowski, ciò di cui testimoniano molti suoi testi, come ad esempio Satyr albo dziki mąż, Odprawa Posłów greckich, e il ciclo degli epigrammi. In quest’ultimo un luogo particolare è quello del tiglio attorno al quale Kochanowski organizza lo spazio del mondo reale e poetico. L’Autore dell’articolo ricerca tra l’altro le fonti italiane di questo motivo e si sofferma su altre possibili ispirazioni, che attendono analisi più approfondite in ulteriori ricerche, aldilà delle riflessioni sull’italianismo del maestro di Czarnolas.
    The significance of Jan Kochanowski’s three trips to Padua has been discussed more than once in the scholarly literature. The results of these findings are especially of interest to those researchers who focus on source material analysis and recognizing the cultural atmosphere prevailing in the city often referred to as “Antenor’s city.” Padua flourished in the 16th century, influenced by the policies of the Republic of Venice, which sought to make this academic and urban center a recognizable educational destination for young men coming from all over Europe. For the latter, entering an environment of high intellectual and artistic aspirations was often the beginning of brilliant careers, developed after returning to their home countries. The memory of the experiences accumulated during Jan Kochanowski’s stay in Padua also played a major role in shaping his poetic imagination, as evidenced by many of his works, such as Satyr albo dziki mąż [Satyr or the Wild Man], Odprawa Posłów greckich [The Dismissal of the Greek Envoys], and a cycle of epigrams. In the latter, the image of a linden tree gained a special place, around which Kochanowski organized the space of the real and the poetic worlds. The author’s aim include a search for any Italian sources for this motif, and ponders other possible inspirations, which might be awaiting deeper analysis in future research, going beyond consideration of Italianism in the works of the master of Czarnolas. 
    Źródło:
    Perspektywy Kultury; 2023, 41, 2/1; 129-146
    2081-1446
    2719-8014
    Pojawia się w:
    Perspektywy Kultury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    I Polacchi in Sicilia nel periodo del regime comunista – ricordi, ‘reportages’ e relazioni di viaggi
    Poles in Sicily in the period of communist regim – memories, ‘reportages’ and trip reports
    Autorzy:
    Tylusińska-Kowalska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1050790.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Poles in Sicily
    communist regim – memories
    reportages
    trip reports
    Opis:
    The article is focused on accounts of journeys in Sicily performed by Polish columnists and historians in the period of 1949-1989. In other words it embraces almost half century of history of Poland that went through one of the most difficult moments in its days. Lack of freedom of expression, lack of freedom of movement throughout Europe resulted in a situation that only few could travel by establishing positive relationships with the communist authorities. Descriptions of Sicily from that period published by both writers (Marian Brandys, Jarosław Iwaszkiewicz) and historians (Joanna Olkiewicz), as well as publicists (Waldemar Łysiak, Marian Kałuża) present the island in a biased and shallow way. Beside Iwaszkiewicz book, which at times evokes Krasiński journals, we can deal with accounts focused on widely criticized political and economic situation. Thanks to those descriptions Polish readers, during the regime, could have consolidated their belief as to the poor life conditions in the West (particularly in Sicily). What is more there would be nothing to regret if they weren’t able to reach those destinations. It constitutes a radical difference with the way of depicting Sicily in XVIII and XIX century by Polish travelers. Then the island was presented in poetic and colorful way, and the descriptions were really encouraging to travel.
    Źródło:
    Studia Romanica Posnaniensia; 2014, 41, 4; 77-89
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La figura del “profugo polacco” nella finzione italiana. Edmondo De Amicis e Edoardo Albinati in cerca di un mito moderno
    The ‘Polish Refugee’ Figure in Italian Literary Fiction: Edmondo de Amicis and Edoardo Albinati in Search of a Modern Myth
    Autorzy:
    Płaszczewska, Olga
    Powiązania:
    https://bibliotekanauki.pl/articles/446609.pdf
    Data publikacji:
    2020-07-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Poland and Poles in modern Italian literature
    myths and archetypes in literature
    Digital Humanities
    Edoardo Albinati
    Edmondo De Amicis
    la Polonia e i polacchi nella letteratura italiana moderna
    il mito e l’archetipo in letteratura,
    Opis:
    The paper offers a contextual reflection on how the ‘Polish refugee’ figure is rendered in two examples of 19 th - and 20 th -century Italian literature. The paper opens with a brief discussion of the term ‘myth’ and its meanings in the age of Digital Humanities and proceeds to outline the literary and non-literary sources of the European myth of Poles as victims of foreign violence. Having given some attention to Edmondo de Amicis’s early poems addressing the 1863 uprising in Poland, the argument then focuses on his short story ‘Profughi polacchi’ (1863) as establishing the pattern of representing Polish emigrants in modern literature. Subsequently, the ways in which this narrative pattern changes in Edoardo Albinati’s novel "Polacco lavatore di vetri" (1998) are analysed to show that the idealised vision of the ‘refugee’ collapses. In conclusion, the dynamics of the presence and productivity of the myth in literature and in journalism are emphasised, and the differences in the handling of the myth in these two forms of writing are highlighted.
    Diviso in sei parti, il saggio abbraccia il problema dell’immagine della Polonia e dei polacchi nella produzione di due autori appartenenti a due momenti storici diversi: a quello del 1863 (Edmondo de Amicis) e a quello del 1989 (Edoardo Albinati). La ricerca tematologica si concentra sulla figura del ‘profugo polacco’ e indaga sulla sua presenza nella letteratura italiana. Nel testo vengono brevemente presentate le fonti letterarie ed extra-letterarie del mito europeo dei polacchi come vittime della violenza straniera. Si analizzano, inoltre, alcuni concetti fondamentali della teoria del mito antico e contemporaneo. In base a essi vengono interpretati motivi e tratti distintivi delle due narrazioni per sottolineare la loro fonte comune, cioè quella del mito eroico, trattato con molta serietà da De Amicis e contestato da Albinati, nel cui romanzo la visione idealizzata del “rifugiato” sembra crollare senza perdere però il suo alone mitologico. Infine, l’accento viene posto alla produttività del mito nella letteratura e nel giornalismo e alle loro differenze.
    Źródło:
    Italica Wratislaviensia; 2020, 11.1; 191-213
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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