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Wyświetlanie 1-3 z 3
Tytuł:
“Il cuore spezzato”. La figura di Davide nell’analisi narrativa di 2 Sam 18:19-19:9
“The broken heart”. The figure of David in narrative analysis of 2 Sam 18:19-19:9
Autorzy:
Stachera, Damian
Powiązania:
https://bibliotekanauki.pl/articles/22676890.pdf
Data publikacji:
2022
Wydawca:
Wyższe Seminarium Duchowne w Łodzi
Tematy:
Dawid
Absalom
analiza narracyjna
wnętrze
David
narrative analysis
interiority
Davide
Assalonne
analisi narrativa
interiorità
Opis:
L’autore del Secondo libro di Samuele nel racconto del regno del re Davide non si limita a descrivere i fatti storici ma, attraverso vari espedienti narrativi e stilistici, permette al lettore di entrare nel mondo dei personaggi, delle loro interazioni, della loro interiorità. La narrazione di 2Sam 18:19-19:9 si distingue per i cambi dinamici di prospettiva e di azione, i lunghi momenti di complicazione, l’uso di diversi personaggi e l’ironia per rendere visibili le caratteristiche del protagonista. Di conseguenza, la storia di Davide che viene a sapere della morte di suo figlio Assalonne, è la storia di un uomo che affronta un conflitto interiore riguardo ai ruoli che la vita gli ha attribuito – padre e re. Questo conflitto spezza il cuore del leggendario re Davide, e allo stesso tempo rende il suo personaggio, preso da emozioni contrastanti, più vicino al lettore comune.
In the story of King David’s kingdom, the author of the Second Book of Samuel describes not only historical facts, but by means of various narrative and stylistic devices, allows the reader to enter the world of the personalities, interrelationships and inner experiences of the various characters. The narrative of 2Sam 18:19-19:9 is distinguished by dynamic shifts in perspective and action, long moments of complication, the use of different characters and irony to make the characteristics of the protagonist visible. Consequently, the story of David, who learns of the death of his son Absalom, is the story of a man facing an internal conflict concerning the roles assigned to him by life – father and king. This conflict breaks the heart of the legendary King David, which at the same time makes his character, caught up in conflicting emotions, closer to the ordinary reader.
Autor Drugiej Księgi Samuela w historii o królestwie króla Dawida opisuje nie tylko historyczne fakty, ale za pomocą różnych zabiegów narracyjnych i stylistycznych pozwala czytelnikowi wejść w świat osobowości, wzajemnych relacji i wewnętrznych przeżyć różnych postaci. Narracja 2 Sam 18:19-19:9 wyróżnia się dynamicznymi zmianami perspektyw i akcji, długimi momentami komplikacji, wykorzystaniem różnych postaci i ironii do uwidocznienia cech bohatera. W konsekwencji, opowiadanie o Dawidzie, który dowiaduje się o śmierci swojego syna Absaloma, jest opowiadaniem o człowieku stojącym w obliczu wewnętrznego konfliktu dotyczącego ról, zadanych mu przez życie – ojca i króla. Ten konflikt łamie serce legendarnego króla Dawida, co jednocześnie sprawia, że jego postać uwikłana sprzecznymi emocjami, staje się bliższa zwykłemu czytelnikowi.
Źródło:
Łódzkie Studia Teologiczne; 2022, 31, 4; 87-110
1231-1634
Pojawia się w:
Łódzkie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Un fariseo triste, una peccatrice innamorata e Gesù dal potere divino. La costruzione dei personaggi in Lc 7,36-50
A Sad Pharisee, an Inloved Sinner and Jesus with Divine Power. The Construction of Characters in Luke 7:36-50
Autorzy:
Kowalski, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1051459.pdf
Data publikacji:
2015-11-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
narrative analysis
Simon (Pharisee)
Pharisees
sinful woman
forgiveness of sins
Jesus’ identity
Luke 7
36-50
Opis:
The present article focuses on the construction of characters in Luke 7:36-50. The author uses the tools of narrative analysis to illumine the way in which the narratordescribes the three main protagonists of the story: Simon, the Pharisee, woman called a sinner, and Jesus. Simon clearly plays a secondary role in the narration serving as a negative background for the presentation of woman and introducing the main theme of the identity of Jesus. The woman, although being presented by the narrator as a sinner, is eventually put forward as a model of love and faith. However, she also plays a secondary role with respect to Jesus around whom all the story revolve. He is the one that attracts all the attention of the story. His voice resounds with authority suppressing even the voice of the narrator and giving interpretation to the behavior of other characters. The image and identity of Jesus, which is the main point of narrator’s interest, goes well beyond the traits of rabbi and master pointing at his divinity.
Źródło:
The Biblical Annals; 2015, 5, 1; 137-158
2083-2222
2451-2168
Pojawia się w:
The Biblical Annals
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Chi è quest’uomo che osa anche rimettere i peccati?” (Lc 7,49). La trama ed il clou del racconto lucano sulla donna peccatrice (Lc 7,36-50)
“Who Is This, Who Even Forgives Sins?” (Luke 7:49). The Plot and the Clou of the Lukan Narrative on the Sinful Woman (Luke 7:36-50)
Autorzy:
Kowalski, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1052859.pdf
Data publikacji:
2015-11-14
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
analisi narrativa
donna peccatrice
fariseo
Simone
perdono
trama di rivelazione
identità di Gesù
narrative analysis
sinful woman
Pharisee
Simon
forgiveness
plot of discovery
Jesus’ identity
Opis:
The story of the sinful woman (Luke 7:36-50) is an excellent example of Luke’s narrative skills. It presents a coherent plot, abounds in interesting turning points, and shows a vivid interaction between main characters. In the same time, the story is filled with tensions, gaps and ambiguity which regard the gestures of the woman, the forgiveness she receives, and the role which in the entire process is played by Jesus. The purpose of the present article lies in illumining the development of Luke’s account with the use of the narrative approach. The story is divided into scenes and set up in the spatial-temporal, and socio-cultural frame. The scheme of the narration is labeled as a plot of discovery. Its focal point is not the love or faith of the sinful woman, but the identity of Jesus. The full revelation of his divine authority takes place in the pardon of sins granted to the woman (vv.47a.48), which brings to completion the ongoing process of her reconciliation. The article finishes with the analysis of interaction between the text and its readers and with the exposition of the techniques used by the narrator to shape the competences and the choices made by the recipients of the story.
Źródło:
The Biblical Annals; 2014, 4, 1; 97-120
2083-2222
2451-2168
Pojawia się w:
The Biblical Annals
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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