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    Wyświetlanie 1-7 z 7
    Tytuł:
    Viaggiatori polacchi in Italia oggi: tra pellegrinaggio e decostruzione del mito
    Todays Polish journeys to Italy – between a pilgrimage and deconstruction of a myth
    Autorzy:
    Ugniewska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/446536.pdf
    Data publikacji:
    2014-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    journey
    Italy
    myth
    pilgrimage
    landscape
    Opis:
    The article takes as its starting point Pavel Muratov’s book Images of Italy, considered a fundamental text for Polish accounts of travels to Italy in the 20th century. For the generation of Iwaszkiewicz and Herbert, a journey to Italy meant a true pilgrimage to “sacred places of culture”, accompanied by a strong sense of cultural inferiority. The next generation of Wojciech Karpiński and Ewa Bieńkowska treats the experience of a journey as a return to a common home, to the Italian that is European tradition marked with the great names of its predecessors. The youngest authors, Marek Zagańczyk and Adam Szczuciński, continue this tradition that may be called aesthetical, which is on the other hand contested by Dariusz Czaja, exploring another Italy little known to travellers – Calabria and, Basilicata – and opposing the model of a journey viewed as a continuous reference to others’ texts.
    Źródło:
    Italica Wratislaviensia; 2014, 5; 339-351
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Dove abitano il tempo, il silenzio e la voce delle chiese”: la Roma di Maria Kuncewiczowa
    “Where the time, silence and the voice of the churches live”: the Rome of Maria Kuncewiczowa
    Autorzy:
    Prola, Dario
    Powiązania:
    https://bibliotekanauki.pl/articles/1040453.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Kuncewiczowa
    Italian journey
    Roma
    Aldo Moro
    Karol Wojtyła
    Opis:
    This paper is focused on a volume of short essays and notes by Maria Kuncewiczowa entitled Notatki włoskie. Przezrocza (Italian notes. Slides) from 1985. The first part is devoted to the evolution and the literary realizations of the Italian journey, starting from 1918, in order to offer an interpretation of the place occupied by Kuncewiczowa’s work in the panorama of contemporary Polish literature. In the second part, the author analyzes the genesis and genre of this literary text, recognizing its characteristics as a silva rerum, a traditional formal model of Polish literature which experienced renewed fortune in the second half of the twentieth century. The third part of the essay constitutes its thematic core: the author analyzes the image of Rome in all its many facets, relating it to the writer’s poetics and worldview.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 81-99
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La rilettura del romanzo "Il fu Mattia Pascal" di Luigi Pirandello nell’ottica del racconto cinematografico di Mario Monicelli
    Autorzy:
    Bronowski, Cezary
    Powiązania:
    https://bibliotekanauki.pl/articles/2083397.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    cinema
    journey
    identity
    Pirandello
    Monicelli
    kino
    podróż
    tożsamość
    Opis:
    The article La Rilettura del romanzo Il fu Mattia Pascal di Luigi Pirandello nell’otica del racconto cinematografico di Mario Monicelli, presents an individual story of Mattia Pascal and his reincarnations in Adriano Meis and the late Mattia Pascal. It concentrates on the journey of the main character, in the original dimension of time and space, in search of a new, happy life and of his identity. In reference to the subject matter included here, various different theories are applied to the cinematic analysis of the ‘new’ work of Pirandello.
    Artykuł podejmuje próbę interpretacji/odczytywania powieści L. Pirandella Św. Pamięci Mattia Pascal przez znanego włoskiego reżysera filmowego M. Monicellego. Tematyka artykułu związana jest z jednej strony z rolą, jaką odgrywa perspektywa podróżowania, czyli nieustanna zmiana miejsc w czasoprzestrzeni Włoch i Francji, z drugiej zaś dotyczy złożonej problematyki tożsamości, czyli konfliktu osobowości głównego bohatera Mattia Pascal i jego reinkarnacji w Adriana Meis i św. pamięci Mattia Pascala. Analizie towarzyszą liczne teorie o charakterze literackim, filmoznawczym i kulturoznawczym, związane z omawianą tematyką zekranizowanej powieści.
    Źródło:
    Kwartalnik Neofilologiczny; 2019, 1; 17-27
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    August Fryderyk Moszyński, un illuminista polacco in viaggio tra Padova e Venezia
    August Fryderyk Moszyński, A Polish Illuminist Traveling Between Padua and Venice
    Autorzy:
    Łukaszewicz, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/37504828.pdf
    Data publikacji:
    2023
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    August Fryderyk Moszyński
    Enlightenment
    Italian journey
    travel writing
    death in Venice
    Opis:
    Redatto in francese, il diario del viaggio attraverso Francia e Italia (1784–1786) del conte August Fryderyk Moszyński (1731–1786) – architetto, collezionista ed erudito, appassionato di arte e scienze, importante figura dell’Illuminismo polacco, collaboratore e amico del re Stanislao II Augusto – è una vera e propria miniera di informazioni per i ricercatori che si occupano del XVIII secolo. Lo scopo di questo articolo è quello di integrare o chiarire informazioni sulle ultime settimane di vita del conte trascorse a Padova e Venezia, e le circostanze della sua morte, nonché di scoprire se sia stato un promotore della cultura polacca durante il suo viaggio in Veneto. L’analisi del suo diario permette l’identificazione di elementi riguardanti reali o ipotetici legami tra la cultura della Serenissima e quella della Confederazione Polacco-Lituana, così come un confronto tra la vita politica e culturale dei due paesi. Citazioni tratte dal diario sono state rapportate ad altre fonti dell’epoca, grazie alle quali è stato possibile stabilire, tra l’altro, che Moszyński visitò Padova sulla strada per Venezia, intorno al 22 maggio 1786, e tornò in quella città per vedere la gara di cavalli a Prato della Valle il 27 giugno 1786. Documenti d’archivio conservati a Varsavia e a Venezia hanno consentito a loro volta di stabilire con certezza le circostanze della morte (luogo, data, causa) e della sepoltura (data, luogo) del viaggiatore.
    Written down in French, the diary of a journey through France and Italy (1784–1786) by Count August Fryderyk Moszyński (1731–1786) – architect, collector, and erudite man, passionate about art and science, an important figure of the Polish Enlightenment, collaborator, and friend of King Stanislaus II Augustus – is a veritable mine of information for the researchers of the 18th century. The aim of this article is to supplement or clarify information on the last weeks of the Count’s life he spent in Padua and Venice, and the circumstances of his death, as well as to find out if he was a promoter of Polish culture when he travelled in the Veneto region. The analysis of his travel diary made it possible to identify elements concerning real or hypothetical links between the culture of Serenissima and that of the Polish–Lithuanian Commonwealth, as well as comparisons between the political and cultural life of the two countries. Selected entries from the diary have been juxtaposed with other sources from the period, thanks to which it has been established, among other things, that Moszyński visited Padua on his way to Venice, around 22 May 1786, and returned to that city to watch the horse races at Prato della Valle on 27 June 1786. By using and interpreting archival documents kept in Warsaw and Venice, it was possible to definitely establish the circumstances of the traveller’s death (place, date, cause) and burial (date, location).
    Źródło:
    Perspektywy Kultury; 2023, 41, 2/1; 89-104
    2081-1446
    2719-8014
    Pojawia się w:
    Perspektywy Kultury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La tragica fine della Regina Bona Sforza e della Sultana Roxelana
    The Tragic End of Bona Sforza and Roxelana
    Tragiczny koniec królowej Bony Sforzy i sułtanki Roksolany
    Autorzy:
    Jačov, Marco
    Powiązania:
    https://bibliotekanauki.pl/articles/11347065.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Papieski Jana Pawła II w Krakowie
    Tematy:
    Roxelana
    journey
    Habsburgs
    political relations
    Bona Sforza
    Roksolana
    podróż
    Habsburgowie
    relacje polityczne
    Opis:
    This is an attempt to compare events related to the tragic end of the life of Queen Bona Sforza d’Aragona and Hürrem Sultan (also known as Roxelana). The main portion of the story is preceded by a section relating Bona’s journey from Poland to Italy and outlines the context of political connections to the House of Habsburg. Accordingly, reasons for the grant of the loan by Bona Sforza to Philip II King of Spain are discussed. As we know, this put a tragic end to the life of the Polish queen. Even if Bona Sforza was a victim of Habsburgs’ actions aimed against her, with a considerable participation of Gian Lorenzo Pappacoda, Roxelana – treated in this text a reference point for Bona – fell victim to her own intrigues. Bona’s and Roxelana’s political activity focused on the same area in Europe. Roxelana’s acts led to the death of two sons of Suleiman the Magnificent: Mustafa and Bayezid. In turn, Bona, who was defeated by the Habsburgs, abandoned her daughter Isabella, who fought against the dynasty. Her aim was to secure the future of her son and Bona Sforza’s grandson – Jan Zygmunt Zapolya.
    Problemy, jakie rozważane są w niniejszym tekście, stanowią próbę porównania wydarzeń związanych z tragicznym końcem życia królowej Bony Sforzy d’Aragona oraz sułtanki Roksolany. Zasadniczą część narracji poprzedza obszerny passus, w którym z jednej strony omówiona została podróż Bony z Polski do Italii, z drugiej zaś zarysowany został kontekst relacji politycznych, jakie łączyły ją z dynastią Habsburgów. W związku z tym omówione zostały przyczyny związane z pożyczką, jakiej Bona Sforza udzieliła królowi Hiszpanii – Filipowi II Habsburgowi. W efekcie – jak wiadomo – doprowadziło to życie polskiej królowej do tragicznego końca. O ile jednak Bona Sforza była ofiarą działań, jakie przeciwko niej prowadzili Habsburgowie, przy znacznym udziale Gian Lorenzo Pappacody, o tyle sułtanka Roksolana – która w niniejszym tekście stanowi dla Bony punkt odniesienia – stała się ofiarą własnych intryg. Polityczna aktywność, tak Bony, jak i Roksolany, skupiała się na tym samym obszarze Europy, przy czym działalność sułtanki doprowadziła do śmierci synów Sulejmana Wspaniałego – Mustafy i Bajazyda. Z kolei Bona, która sama przegrała zmagania z Habsburgami, pozostawiła walczącą z nimi córkę – Izabellę. Jej celem było zabezpieczenie przyszłości syna, wnuka Bony Sforzy d’Aragona – Jana Zygmunta Zapolyi.
    Źródło:
    Folia Historica Cracoviensia; 2020, 26, 1; 41-55
    0867-8294
    Pojawia się w:
    Folia Historica Cracoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’Italia di Paweł Hertz
    Paweł Hertz’s Italy
    Autorzy:
    Płaszczewska, Olga
    Powiązania:
    https://bibliotekanauki.pl/articles/1040444.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Paweł Hertz
    describing Italy
    Italy in Polish literature
    Italian journey
    Mario Praz
    mutual influence of cultures
    Opis:
    The article is an attempt at reconstructing the remarks by Paweł Hertz (essayist, poet, translator, writer and publisher) on Italy and its artistic legacy. A short presentation of the writer is followed by a discussion of his actual journeys in Italy based on the available autobiographical material. Next,there are reflections on Hertz’s interest in Italian literature and European texts about Italy (based on essays and editorial work). Treated as a separate issue is the view of Italian art through the prism of Polish artistic work (the spheres of associations, interference and references) in Hertz’s journalism. Other issues discussed in the article cover poems about Italy, their placeamong the writer’s works and the main threads and motifs. The article’s final notes focus on the observations on the value of Polish reception of Italian cultural legacy and its basic aspects that Hertz regularly emphasised at various stages of his creative life.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 61-80
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Venezia è molto grande e bella” – due soggiorni della regina Maria Casimira d’Arquien Sobieska a Venezia e in Veneto negli anni 1699 e 1705
    “Venice is very great and beautiful”: two residences of queen maria Casimira d’arquien Sobieska in Venice and the Veneto region in 1699 and 1705a
    Autorzy:
    Pietrzak, Jarosław
    Powiązania:
    https://bibliotekanauki.pl/articles/1929912.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Veneto
    Queen Maria Casimira Sobieska
    journey
    carnival
    ceremonial rules
    Regina Maria Casimira Sobieska
    viaggio
    carnevale
    regole cerimoniali
    Opis:
    Queen Maria Casimira d’Arquien Sobieska had much contact with Venice. During Jan Sobieski III’s lifetime, the queen kept in touch with Venetian diplomats (such as Angelo Morosini and Girolamo Alberti), imported luxury goods, imported luxury goods from Venice, and was interested in the local culture. The queen’s departure from the countryside for the Eternal City in October 1698 determined that, at the very beginning—after crossing the Empire’s border with Italy—she would meet the main cities of Veneto, Verona, Padua, and Venice. She returned to the Venetian Republic in 1705, when the queen, with papal permission, went to meet her daughter Teresa Kunegunda, Electress of Bavaria. In this article, several aspects of the queen’s journeys are included, apart from the political matters already indicated. Firstly, the article details the ceremony of reception of the queen-widow by the authorities of the Serenissima, representatives of the Venetian elite, and envoys of foreign countries residing in Venice. Next, the article draws attention to the places that the queen visited and the piety she manifested, and it presents observations related to city life formulated directly by Queen Maria Casimira Sobieska and her courtiers, also in relation to the cities of Verona and Padua. Finally, the author of the article points out the queen’s interest in the dramatic and musical repertoire presented on Venetian stages and in the whole of cultural life, including the carnival. To conclude, the author draws attention to the differences in the treatment of the royal status of the queen, depending on the political changes taking place in Europe and the reception of cultural and religious threads in the queen’s life.
    La regina Maria Casimira d’Arquien Sobieska ebbe molte relazioni con Venezia. Durante la vita di Giovanni III Sobieski mantenne contatti con i diplomatici Angelo Morosini e Girolamo Alberti. Partita dalla campagna nell’ottobre 1698 per la Città Eterna, dopo aver varcato il confine dell’Impero con l’Italia, la regina incontrò le principali città del Veneto, successivamente Verona, Padova e Venezia. Il suo secondo soggiorno nella Repubblica di Venezia ebbe luogo nel 1705, quando l’ex-sovrana, con il permesso papale, andò a incontrare la figlia Teresa Kunegunda, elettrice di Baviera. Nell’articolo si trattano diversi aspetti dei viaggi della regina, oltre a questioni politiche. In primo luogo, si presta attenzione alla cerimonia di ricevimento della regina-vedova da parte delle autorità della Serenissima, rappresentanti dell’élite veneziana e inviati di paesi stranieri residenti a Venezia. Successivamente, si richiama l’attenzione sui luoghi visitati dalla regina, sulla pietà da lei manifestata, e si presentano le osservazioni relative alla vita cittadina formulate direttamente da Maria Casimira e dai suoi cortigiani, anche in relazione a Verona e Padova. Alla fine si sottolinea l’interesse della regina per il repertorio drammatico e musicale presentato sui palcoscenici veneziani e per tutta la vita culturale, compreso il carnevale.
    Źródło:
    Italica Wratislaviensia; 2021, 12.1; 67-85
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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