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    Wyświetlanie 1-5 z 5
    Tytuł:
    Il Fattore esilio nella cultura risorgimentale: un bilancio 150 e più anni dopo
    The Exile Factor in the Risorgimento’s Culture: an Analysis 150 and More Years Later
    Czynnik Zesłania W Kulturze Okresu Risorgimento: Analiza 150 I Więcej Lat Później
    Autorzy:
    Tatti, Silvia
    Powiązania:
    https://bibliotekanauki.pl/articles/2076620.pdf
    Data publikacji:
    2016
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Exile
    Italian Literature
    National identity
    Risorgimento
    Opis:
    The article investigates the new interpretations (associated with the celebrations of the 150 years of Unità) of Italian exile during the Risorgimento, and it offers three perspectives: a geographical mapping of Italian exiles’ different generations; a reflection about topics of poems and writings; the relationship between politics and literary tradition.
    Źródło:
    Kwartalnik Neofilologiczny; 2016, 2; 149-157
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Note su Foscolo e la lingua inglese (1816–1827)
    Autorzy:
    Caselli, Chiara Piola
    Powiązania:
    https://bibliotekanauki.pl/articles/2083484.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Ugo Foscolo
    English language
    translations
    exile
    Opis:
    Notes on Foscolo and the English language (1816–1827) – Foscolo never managed to master his host country’s language during his years of exile in London (1816–1827). The vast production of his English years consists almost entirely of works intended to be translated by other people and thus to be considered as provisional drafts. In this paper, the relationship between Foscolo and the English language is analysed and discussed, focusing in particular on his interactions with his translators and on his linguistic vision.
    Źródło:
    Kwartalnik Neofilologiczny; 2019, 2; 181-190
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il confine e il mare. Dispositivi di creazione letteraria nella macchina poietica di Enrico Morovich
    Autorzy:
    Di Nunzio, Novella
    Powiązania:
    https://bibliotekanauki.pl/articles/2084315.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    exile
    border
    Mediterranean sea
    humor
    symmetrical logic
    wygnanie
    granica
    Morze Śródziemne
    logika symetryczna
    Opis:
    The reflection proposed in this article starts from the realities of the border and the sea, and from the problematic meaning they assumed in the frame of the city of Fiume (Rijeka) in the early twentieth century. The main goal is to explore how in the work of Enrico Morovich, an Italian writer coming from Fiume who had to personally and tragically experience war and exile, the border and the sea act as devices of literary creation, providing models of humorous reversal (the border) and symmetrical thinking (the sea). The analysis will focus in particular on the following works by Morovich: Cronache vicine e lontane (1981), La nostalgia del mare (1981), Un italiano di Fiume (1994).
    Analiza zaproponowana w tym artykule wychodzi od realiów granicy i morza oraz od problematycznego znaczenia jakie przyjęły dla miasta Fiume (Rijeka) na początku XX wieku. Głównym celem jest zbadanie, jak w twórczości Enrico Morovicha, włoskiego pisarza pochodzącego z Fiume, który musiał osobiście i tragicznie doświadczyć wojny i wygnania, granica i morze działają jak narzędzia twórczości literackiej, dostarczając modeli humorystycznego odwrócenia (granica) i myślenia symetrycznego (morze). Analiza skupi się w szczególności na następujących pracach Morovicha: Cronache vicine e lontane (1981), La nostalgia del mare (1981), Un italiano di Fiume (1994).
    Źródło:
    Kwartalnik Neofilologiczny; 2021, 1; 15-27
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il poeta sotto la tenda: reminiscenze ungarettiane e sereniane nei versi d’esordio di Nelo Risi
    The Poet in His Tent: the Influences of Giuseppe Ungaretti and Vittorio Sereni on Nelo Risi’s Early Works
    Autorzy:
    Lattarulo, Salvatore Francesco
    Powiązania:
    https://bibliotekanauki.pl/articles/446437.pdf
    Data publikacji:
    2015-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    exile
    imprisonment
    war
    travel
    tent
    identity
    homecoming
    esilio
    prigionia
    guerra
    viaggio
    tenda
    identità
    ritorno
    Opis:
    L’Esperienza (Experience, 1948) can truly be considered the first stage of Nelo Risi’s (b. 1920) poetic career. However, this early work of his was poorly received when it first came out. Some poems of this collection were included in two later editions of a book by the title Polso Teso (Strained Wrist), in the section entitled Le Vacche Magre (Lean Cows). This editorial decision marked the author’s willingness to use his first real poetic work as the starting point of his solid and personally chosen literary journey. However, as a detailed analysis of L’Esperienza reveals, the lyrical onset of the author is still heavily influenced by the literary tradition. As a result, the first section of the book, La Tenda (The Tent), comprises elements borrowed from Giuseppe Ungaretti’s Il Porto Sepolto (The Buried Harbour) and Vittorio Sereni’s Diario d’Algeria (Algerian Diary). All of this is in stark contrast with the author’s actual aim, which is to distance himself from literature in order to embrace reality. In particular, the common topos of ‘tent’, which is a narrow and precarious space, becomes the sign of the poet’s permanent condition of imprisonment and also exile after the war. Therefore, homecoming is a problematic occurrence because it is very difficult for the poet to return, to come back to himself and thus regain his primary identity.
    L’esperienza (1948) è, di fatto, la tappa iniziale dell’itinerario poetico di Nelo Risi (Milano 1920). Questa opera giovanile ha ricevuto scarsa attenzione nel tempo. Alcune liriche della raccolta confluiscono nelle due edizioni del libro successivo, Polso teso, dando vita a una sezione intitolata Le vacche magre. Tale scelta editoriale è il segno della volontà dell’autore di considerare il suo primo vero lavoro poetico come un punto solido e irrinunciabile del proprio percorso letterario. Un’analisi puntuale de L’esperienza evidenzia che il battesimo lirico dell’autore risente di suggestioni della tradizione letteraria. In particolare, nella prima sezione del libro (La tenda) si trovano elementi tratti da Il porto sepolto di Giuseppe Ungaretti e da Diario d’Algeria di Vittorio Sereni. Tutto ciò contrasta con il proposito espressamente dichiarato dell’autore di imboccare la strada dell’antiletterarietà a favore dell’aderenza alla realtà. In particolare, il topos accomunante della ‘tenda’, cioè uno spazio ristretto e precario, diventa il segno della permanente condizione di prigionia ed esilio del poeta anche dopo la guerra. Pertanto il ritorno è un’evenienza problematica dal momento che per il poeta reduce è realmente difficile riconciliarsi con il proprio sé, riconquistare la sua identità originaria.
    Źródło:
    Italica Wratislaviensia; 2015, 6; 113-134
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gustaw Herling-Grudziński e la letteratura italiana del XX secolo
    Gustaw Herling-Grudziński and Italian literature of the Twentieth Century
    Autorzy:
    Ajres, Alessandro
    Powiązania:
    https://bibliotekanauki.pl/articles/1040494.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Gustaw Herling-Grudziński
    Italian literature
    exile
    Naples
    Nicola Chiaromonte
    Ignazio Silone
    Alberto Moravia
    Luigi Pirandello
    Giuseppe Tomasi di Lampedusa
    Leonardo Sciascia
    Opis:
    Magdalena Śniedziewska’s book discusses a theme in Gustaw Herling-Grudziński’s works which has not been thoroughly researched, i.e. their relationship with Italian literature. This is how we discover Herling-Grudziński as a writer who is simultaneously a great literary criticwho looks eagerly and with both interest (sometimes) and passion at the work of such authors as Nicola Chiaromonte, Ignazio Silone, Alberto Moravia, Luigi Pirandello, Tomasi di Lampedusa and Leonardo Sciascia. The opening chapter of the book discusses Herling-Grudziński’s condition as an emigrant and the changes in his attitude to Naples which became his second home after World War II; the final chapter is about the Polish writer’s difficult relationship with Italian book market, reconstructing the story of the reception of Inny świat (A World Apart) in Italy.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 183-193
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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