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Wyświetlanie 1-6 z 6
Tytuł:
Alceo Valcini: un testimone della storia polacca negli anni a cavallo del secondo conflitto mondiale (1933-1946)
Alceo Valcini: a witness of Polish History before and during the World War II (1933-1946)
Autorzy:
Bernardini, Luca
Powiązania:
https://bibliotekanauki.pl/articles/28643070.pdf
Data publikacji:
2019
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Valcini
Warsaw
World War Two
Journalism
Opis:
Alceo Valcini was the Warsaw-based correspondent for the Italian daily “Corriere della Sera” during the years 1933-1946. Valcini encountered great difficulties with the editor-in-chief of the newspaper, Aldo Borelli, who was not interested in following the political life of Poland except for Poland’s clashes with the Soviet Union. Valcini managed to publish his articles as long as they stressed the influence of Mussolini’s fascism on Polish political life or if they dealt with Soviet political interference in Central Europe. Valcini was to be replaced by another journalist as correspondent from Warsaw because of his own pro-Polish views and scarce enthusiasm for the aggressive stances of Nazi Germany towards Czechoslovakia and Poland, but he nevertheless managed to witness Hitler’s aggression against Poland. His stories were the first accounts of German persecution of the Polish Jews and Warsaw’s civil population, although they had no chance of publication on the pages of the increasingly pro-Nazi “Corriere della Sera”. Valcini took notice of everything that happened in Poland between the outbreak of the war and the end of July 1944. In 1945, Valcini collected his memoirs in a publication entitled The Calvary of Warsaw, in which he gave a graphic account of life in the city under German occupation. Valcini witnessed to the uprising in the Jewish Ghetto and to the activities of the Polish Secret State. His book was translated into Polish in 1970, after having undergone heavy editing, possibly as a result of intervention by the Communist censors. In any event, Valcini turned out to be one of the very few Italian journalists who – in writing about World War II and the Nazi occupation of Poland – did not fall prey to Goebbel’s Propagandaministerium, unlike the much more celebrated reporter Indro Montanelli.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2019, 10; 47-63
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Echi della rivolta del ghetto di Varsavia nella letteratura polacca contemporanea
Autorzy:
Marchesani, Pietro
Quercioli Mincer, Laura
Powiązania:
https://bibliotekanauki.pl/articles/28408881.pdf
Data publikacji:
2013
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Polish Studies in Italy
Polish Jews
Warsaw
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2013, 4; 298-316
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sulle barricate trent’anni dopo. L’esperienza dell’insurrezione di Varsavia nelle poesie di Anna Świrszczyńska
On the barricades thirty years later. The experience of the Warsaw uprising in Anna Świrszczyńska’s poetry
Autorzy:
Ceccherelli, Andrea
Powiązania:
https://bibliotekanauki.pl/articles/28640363.pdf
Data publikacji:
2019
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Anna Świrszczyńska
Warsaw Uprising
Świrszczyńska
Białoszewski
1944
War poetry
Opis:
The article focuses on the poetry collection Budowałam barykadę (Building a barricade) by Anna Świrszczyńska, published in 1974, thirty years after the Warsaw Uprising, which is the theme of the volume. During the past three decades, the author worked out an essential style that was free of pathos, objective, and close to the colloquial speech, which proved to be the only possible way of speaking about such dramatic events as those lived and observed during the uprising when the author was a field nurse helping the insurrectionists. Thanks to its stylistic discipline, the short poems of Budowałam barykadę are the most durable poetic witness of the Warsaw Uprising.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2019, 10; 64-79
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Michał Murawski, The Palace Complex. A Stalinist Skyscraper, Capitalist Warsaw, and a City Transfixed, Indiana University Press, Bloomington 2019, pp. 366.
Autorzy:
Mafrica, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/1195789.pdf
Data publikacji:
2020
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Book reviews
The Palace of Culture in Warsaw
Polish Architecture
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2020, 11; 212-214
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’arredamento dell’Ambasciata d’Italia a Varsavia. Nuove acquisizioni documentarie
The Furnishings of the Italian Embassy in Warsaw. New Documentary Acquisitions
Autorzy:
D'Agostino, Anna
Powiązania:
https://bibliotekanauki.pl/articles/15582186.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
arte
ambasciata
Varsavia
Italia
arredamento
patrimonio culturale
ricognizione
ricerca
art
embassy
Warsaw
Italy
furniture
cultural heritage
reconnaissance
research
Opis:
Il presente lavoro, volto a ricostruire la storia dell’arredamento dell’Ambasciata d’Italia a Varsavia, ha origine dallo studio dei documenti d’archivio del Fondo STRP (ex Servizio Tecnico di Ricognizione Patrimoniale) conservato presso la Direzione Generale Archeologia Belle Arti e Paesaggio del Ministero della Cultura (MIC). Il fondo è costituito dalla documentazione – perlopiù inedita – prodotta dal Servizio Tecnico, nato nel 1993 come Commissione, voluta dal Ministro Alberto Ronchey, con l’obiettivo di censire i beni culturali concessi in deposito esterno dai musei del demanio ad enti in Italia e all’estero. Nel 1995 la Commissione fu trasformata in Servizio alle dirette dipendenze del Segretariato Generale del Ministero stesso ma nel 2003 venne sospeso. Ben ventuno anni fa fu effettuata l’ultima ricognizione patrimoniale presso l’Ambasciata d’Italia a Varsavia e da allora più nessun controllo è stato fatto. Pertanto, questo lavoro, oltre ad analizzare la storia delle opere d’arte scelte per arredare l’Ambasciata fin dal 1922, ne aggiorna i dati e dà nuove interpretazioni sulle vicende che, sia prima che dopo la Seconda Guerra Mondiale, portarono al suo arredamento; inoltre, vuole essere uno spunto di riflessione sulla tutela di quel patrimonio artistico italiano che ancora oggi, fin dai primi decenni del secolo scorso, si trova in deposito esterno senza i dovuti controlli.
The present essay, aimed at reconstructing the history of the works of art which furnish the Italian Embassy in Warsaw, originates from the study of archival documents from the STRP Fund (formerly the Technical Service of Patrimonial Reconnaissance) kept at the General Directorate of Archaeology Fine Arts and Landscape of the Ministry of Culture (MIC). The fund consists of the documentation, mostly unpublished, produced by the Technical Service, which was created in 1993 as a Commission, conceived by Minister Alberto Ronchey, with the aim of taking a census of cultural assets granted in external storage by state museums to entities in Italy and abroad, which in 1995 had been transformed into a Service reporting directly to the General Secretariat of the Ministry itself but was suspended in 2003. The last patrimonial reconnaissance was carried out at the Italian Embassy in Warsaw twenty-one years ago and since then no more checks have been done. Therefore, in addition to analyzing the history of the works of art chosen to furnish the Embassy since 1922, the essay updates the data and gives new interpretations on the events that, both before and after the 2nd World War, led to its furnishing; moreover, it is meant to be a food for thought regarding the protection of Italian artistic heritage which since the first decades of the last century until the present has been in external storage without due control.
Źródło:
Biuletyn Historii Sztuki; 2023, 85, 1; 117-144
0006-3967
2719-4612
Pojawia się w:
Biuletyn Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
LA RESPONSABILITÀ DEL VETTORE ED IL RISARCIMENTO DEL DANNO IN FAVORE DEL PASSEGGERO PER IL VOLO IN RITARDO O CANCELLATO. STUDIO DELLE BUONE PRASSI ATTUALI
Air Carrier Liability and Passengers’ Compensation for Delayed or Cancelled Flights: A Review of the Current best Practice Guidelines
Odpowiedzialność przewoźnika i odszkodowanie na rzecz pasażera za opóźniony lub odwołany lot. Analiza aktualnej dobrej praktyki
Autorzy:
Śliwoska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/2096493.pdf
Data publikacji:
2020-02-04
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
prawo lotnicze, prawo włoskie, prawa pasażera, konwencja warszawska, konwencja montrealska, Rzecznik Praw Pasażerów.
.
aviation law, Italian law, passenger rights, the Warsaw Convention, the Montreal Convention, the Passenger Rights Advocate.
Opis:
.
Artykuł omawia podstawy prawne oraz dobrą praktykę w przedmiocie odpowiedzialności przewoźnika i kompensacji strat poniesionych przez pasażera w wyniku odwołanego i opóźnionego lotu. Pod [uwagę zostały wzięte regulacje międzynarodowe, unijne oraz krajowe. Dokonano komparatystyki prawa wewnętrznego oraz rozwiązań praktycznych przyjętych w Polsce i we Włoszech w zakresie odszkodowań pasażerskich. Ponadto odnotowano najnowsze rozwiązania prawne, które mają na celu ułatwienie pasażerom realizacji swoich praw. Podkreślono także rolę orzecznictwa krajowego i unijnego przyczyniającego się do rozwoju dobrej praktyki. Wnioski płynące z artykułu prowadzą do podkreślenia tendencji prokonsumenckich w relacji między przewoźnikiem lotniczym a pasażerem.
This article discusses the legal grounds and best practice guidelines regarding an air carrier’s liability and the compensation for losses sustained by a passenger due to a cancelled or delayed flight. I consider the international, European, and Polish regulations, and compare the domestic law and practical arrangements adopted in Poland and Italy for passenger compensation. I also consider the latest legal arrangements to facilitate the exercise of passenger rights. In addition I look at the role of national and EU case law in the promotion of best practices. In my conclusion I emphasise the consumer-friendly trends in air carrier – passenger relations.
Źródło:
Zeszyty Prawnicze; 2019, 19, 4; 257-282
2353-8139
Pojawia się w:
Zeszyty Prawnicze
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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