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    Wyświetlanie 1-5 z 5
    Tytuł:
    Tradurre poesia per bambini. Osservazionisull’edizione polacca delle fi lastrocche di Gianni Rodari
    Autorzy:
    Nicewicz-Staszowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2081245.pdf
    Data publikacji:
    2017
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    translation
    translator
    poetry
    children
    Rodari
    Opis:
    Poetry for children in translation. Comments on the Polish issue of Gianni Rodari’s poems – As I. Even-Zohar has observed, “in spite of the broad recognition among historians of culture of the major role translation has played in the crystallization of national cultures, relatively little research has been carried out so far in this area” (1990: 45). The verdict of the Israeli scholar still seems to hold true today with regard to the translation of children’s literature, especially poetry, even if that situation is slowly changing. Invariably, however, poetry is less frequently translated than prose, as shows the example of the greatest 20th-century Italian children writer, G. Rodari. The aim of this paper – preceded by an introductory theoretical treatise – is to discuss a unique collection of Rodari poems translated into Polish by J. Minkiewicz and published in 1956.
    Źródło:
    Kwartalnik Neofilologiczny; 2017, 4; 456-466
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Per un Rodari “ecologico”
    About an “ecological” Rodari
    Autorzy:
    Boero, Pino
    Powiązania:
    https://bibliotekanauki.pl/articles/2117695.pdf
    Data publikacji:
    2022-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Rodari
    ambiente
    infanzia
    filastrocche
    favole
    environment
    childhood
    poems
    fables
    Opis:
    Nelle sue opere Gianni Rodari ha avuto sempre uno sguardo attento all’ambiente e alle parole che lo caratterizzano e in anni in cui ancora dominava una visione sempre bella e positiva della natura ha saputo creare testi capaci di divertire ma anche far riflettere il lettore. Scopo di questo lavoro è dimostrare quanto lo scrittore abbia anticipato temi che oggi appartengono all’emergenza ambientale. Rodari dedica all’ambiente e alla natura poesie, favole e articoli; a livello di metodo la ricerca parte dalla schedatura completa di tutti i testi rodariani presenti su volumi e riviste e si sviluppa sia attraverso la valutazione dei temi più ricorrenti (la scarsa attenzione degli adulti alle esigenze dei bambini, la speculazione edilizia, le stagioni che cambiano, gli animali che non riescono più ad orientarsi nelle città soffocate dall’inquinamento), sia attraverso la valutazione dello stile di Rodari, mai didascalico e sempre teso alla leggerezza del sorriso. I risultati confermano che lo scrittore attraverso la dimensione fantastica riesce a far emergere l’importanza del rispetto dell’ambiente e il ruolo che l’infanzia può avere nello sviluppo di idee positive verso l’ambiente. Le conclusioni ribadiscono l’attualità dei testi di Rodari in ambito ecologico e la loro validità in campo educativo.
    In his works, Gianni Rodari always had an attentive eye for the environment and the ways in which it was described. At the time when an invariably beautiful and positive vision of nature prevailed, he wrote stories that, while entertaining, made the reader think. The purpose of this study is to demonstrate that Rodari largely anticipated the themes of environmental emergency. As he dedicated many of his poems, fables and articles to environmental issues, the methodological starting point for this study involves compiling a complete catalogue of Rodari’s works published in books and magazines. In the next step, their most recurring themes are identified (adults’ inattention to the needs of children, property speculation, the changing of the seasons, animals unable to find their way around in pollution-suffocated cities, etc.), and Rodari’s style is assessed as always aiming for lightness and smile, rather than for didacticism. The results show that Rodari skilfully used fantasy to bring out the importance of respect for the environment and the role that childhood could have in the development of positive attitudes to the environment. The conclusion reasserts the current relevance of Rodari’s works and their validity in education as viewed from an ecological perspective.
    Źródło:
    Italica Wratislaviensia; 2022, 13.1; 29-51
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Formare l’homo sovieticus. L’influsso dell’ideologia comunista sulle prime traduzioni polacche delle filastrocche di Gianni Rodari
    Forming Homo Sovieticus: The Impact of the Communist Ideology on the First Polish Translations of Gianni Rodari’s Poems
    Autorzy:
    Nicewicz, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2162244.pdf
    Data publikacji:
    2022-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    poetry
    Gianni Rodari
    Janusz Minkiewicz
    communism
    translation
    filastrocche
    comunismo
    traduzione.
    Opis:
    Gianni Rodari’s works first appeared in Poland when he was yet little known, if not rather unpopular, in his homeland. In the 1950s, Italian criticism ignored Rodari’s literary efforts as a ‘militant’ communist, his works only reached a narrow circle of readers, and it would take some years until he garnered popularity in his homeland. Meanwhile, what the Italians failed to appreciate appeared to be gaining an almost instant recognition in the USSR and the Eastern Bloc countries. As a member of the Italian Communist Party, the Editor-in-Chief of the children’s magazine Pioniere, and an eager supporter of communism, Rodari won favour with the authorities of the Polish People’s Republic. The earliest translations of Rodari’s poetry were published in the Polish press as early as in 1953. They were based on Russian translations by Samuil Marshak, whom the Polish authorities notably considered a perfect children’s writer. Both Russian and Polish versions of Rodari’s poemst tend to differ greatly from the original texts and to bear a heavy ideological imprint. My argument in this article seeks to answer the following questions: Which of Rodari’s poems were translated into Polish in the 1950s and by whom? How are they different from the Italian originals? What was their reception in Poland? How was Rodari portrayed in Poland at the time?
    Le prime opere di Rodari arrivarono in Polonia quando lo scrittore era ancora poco conosciuto in patria, o addirittura mal visto a causa delle sue convinzioni politiche. Infatti negli anni Cinquanta la critica italiana ignorava gli sforzi letterari di questo comunista “militante” e le sue opere, pubblicate dalle case editrici del partito, raggiungevano una ristretta cerchia di lettori. Il successo sarebbe arrivato solo dopo con l’inizio della collaborazione con Einaudi; ma intanto ciò che non piaceva ai suoi connazionali fu accolto con entusiasmo in Urss e in altri stati del blocco comunista. In quanto membro del Partito Comunista Italiano, direttore della rivista per ragazzi “Pioniere” e convinto sostenitore del comunismo, Rodari godette subito della benevolenza delle autorità della Repubblica Popolare Polacca. Le prime traduzioni dei suoi componimenti, volte dal russo a partire dalla versione curata da Samuil Maršak – considerato autore-modello di opere per l’infanzia –, apparirono sulla stampa polacca già nel 1953. Le poesie, sia in russo che in polacco, differivano spesso in maniera notevole dal testo fonte e erano dense di una forte carica ideologica. Nel presente saggio si cercherà di rispondere alle domande: quali filastrocche di Rodari sono state tradotte in polacco negli anni Cinquanta? Da chi? In che cosa si differenziavano dal testo di partenza italiano? Come vennero accolte? Come veniva rappresentato il loro autore nella Polonia comunista?
    Źródło:
    Italica Wratislaviensia; 2022, 13.2; 149-175
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Un libro per bambini dai 10 ai... 100 anni”. Riflessioni sulla prima edizione polacca de Il romanzo di Cipollino di Gianni Rodari
    Autorzy:
    Nicewicz, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2084513.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Rodari
    translation
    children’s literature
    Cipollino
    Zofia Ernst
    przekład
    literatura dla dzieci
    Cebulek
    Opis:
    In communist Poland in the 1950s, “comrade” Gianni Rodari was one of the most frequently translated authors: his works were published in the press and in book form. The aim of this paper is to investigate the first Polish edition of Tile of Cipollino. The novel was translated into Polish by Zofia Ernst in 1954, based on its first Italian edition (1951), significantly different from the next version – in 1957 the novel was modified by the author himself and is now known as Adventures of Cipollino. The paper focuses on the translation challenges and strategies employed by the translator and on issues related to presumed censorship.
    W latach 50. XX wieku „towarzysz” Gianni Rodari był w komunistycznej Polsce jednym z najchętniej tłumaczonych autorów – jego utwory ukazywały się zarówno na łamach prasy, jak i w formie publikacji książkowych. Celem niniejszego artykułu jest analiza pierwszego polskiego wydania Opowieści o Cebulku. Powieść została przetłumaczona w 1954 roku przez Zofię Ernstową na podstawie pierwszego włoskiego wydania (Il romanzo di Cipollino 1951), znacznie różniącego się od zmienionej przez Rodariego i publikowanej od 1957 roku wersji tekstu (Le avventure di Cipollino). Artykuł koncentruje się na wyzwaniach przekładowych oraz strategiach zastosowanych przez tłumaczkę, a także kwestiach związanych z domniemaną cenzurą.
    Źródło:
    Kwartalnik Neofilologiczny; 2021, 2; 282-299
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Questioni ecologiche nella produzione di Giana Anguissola e Gianni Rodari
    Ecological Issues in Works by Giana Anguissola and Gianni Rodari
    Autorzy:
    Rossitto, Mariarosa
    Powiązania:
    https://bibliotekanauki.pl/articles/2117688.pdf
    Data publikacji:
    2022-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Giana Anguissola
    Gianni Rodari
    children’s literature
    ecology
    environment
    letteratura per l’infanzia
    ecologia
    ambiente
    Opis:
    The aim of this paper is to examine ecological issues in Italian children’s literature by focusing on the works of two Italian writers who criticize, from different perspectives, the lack of ecological awareness in modern humans. The writers are Giana Anguissola (1906–1966), loved by the young female readership of the day for her vividly ironic style and rounded female characters, and Gianni Rodari (1920–1980), effectively combining realism and fantasy to encourage his readers’ critical thinking. Anguissola’s Le straordinarie vacanze di Violetta (1964) places the protagonists of her prior Milan-set Violetta la timida in the new setting of the Piacenza countryside, where charismatic Don Piero has revived ancient farming practices: the local farmers do not use chemical fertilizers, machines or herbicides, and they transport their produce to the town by carts. Rodari explicitly addresses ecological themes in some of his articles and in two stories: “Il pifferaio e le automobili” (Tante storie per giocare, 1971) and “Il mondo in scatola” (Novelle fatte macchina, 1973). In the former tale, the narrative unfolds in a city completely overrun by cars, and in the latter, a surreal plot revolves around the problem of waste.
    Il saggio intende fornire un contributo allo studio del filone ecologico nella letteratura italiana per ragazzi concentrandosi sulle opere di due scrittori che, da prospettive diverse, muovono una critica all’incoscienza ecologica dell’uomo contemporaneo: Giana Anguissola (1906–1966), molto amata dalle giovani lettrici del suo tempo grazie alla sua penna vivacemente ironica e ai suoi personaggi femminili a tutto tondo, e Gianni Rodari (1920–1980), che coniuga efficacemente dimensione realistica e fantastica per stimolare nel lettore il senso critico. Nelle Straordinarie vacanze di Violetta (1964), Giana Anguissola riprende la protagonista di Violetta la timida, spostando però l’ambientazione da Milano alla campagna piacentina, in un paesino che il carismatico Don Piero ha riportato all’antico modo di coltivare la terra: nessun concime chimico, nessuna macchina, nessun diserbante viene usato dai contadini del luogo e i prodotti agricoli vengono portati in città soltanto con i carretti. Rodari, oltre che in alcuni articoli, si concentra su tematiche ecologiche in particolare nei racconti Il pifferaio e le automobili (in Tante storie per giocare, 1971), in cui la narrazione si apre su una città completamente invasa dalle automobili, e Il mondo in scatola (in Novelle fatte macchina, 1973), che sviluppa in chiave surreale il problema dei rifiuti.
    Źródło:
    Italica Wratislaviensia; 2022, 13.1; 139-164
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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