Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Italian culture" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-6 z 6
    Tytuł:
    Ironia: un fenomeno retorico nel contesto didattico
    Irony: a Rhetorical Phenomenon in the Teaching Context
    Autorzy:
    Cavallo, Stefano
    Powiązania:
    https://bibliotekanauki.pl/articles/648735.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    irony
    teaching
    Italian language
    Italian culture
    Opis:
    Since antiquity man has been studying irony, it has always been in the center of a continuous debate of scholars of many different scientific disciplines: from Socrates to Aristophanes, from Plato and Aristotle to Cicero and Quintilianus, St. Thomas Aquinas, Baldassarre Castiglione, to the German Romantics. Irony is a world with many acceptations: for this reason, as irony is a rethorical component and a very important element of italian language and culture, it is a very interesting element, which can be used in glottodidactics. The following pages provide a brief overview on the various conceptions of irony, then move on to the suggestion of practical exercises where irony can be used in teaching italian language.  
    -
    Źródło:
    Collectanea Philologica; 2017, 20; 137-151
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il conflitto tra individuo e sistema: verso la costruzione della nuova identità culturale nel romanzo „I grandi occhi del mare” di Leonard Guaci
    Conflict Between Individual and System: Towards a New Identity to Shape Cultural in the Story "I Grandi Occhi Del Mare" Leonard Guaci
    Autorzy:
    Karp, Karol
    Powiązania:
    https://bibliotekanauki.pl/articles/16271974.pdf
    Data publikacji:
    2017-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Guaci
    dictatorship in Albania
    Italian television
    Italian culture
    cultural identity
    Opis:
    The aim of the article is to analyse the theme of cultural identity in the novel „I grandi occhi del mare” by Leonard Guaci. Starting from Gioia di Cristofaro Longo’s theoretical assumptions concerning the connection between identity and culture, we stress the influence of Italian culture on the sense of identity felt by the characters who represent Albanians living in the period of Enver Hoxha’s communist dictatorship. The analysis also draws on the theories of scholars such us Hannah Arendt, Homi Bhabha, Dominique Chancé, Giovanni Marchetti, Nora Moll.  
    Źródło:
    Studia Europaea Gnesnensia; 2017, 15; 177-193
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Una traccia padovano-veneziana nella Cracovia degli inizi del XVI secolo
    Paduan–Venetian traces in Krakow at the beginning of the 16th century
    Autorzy:
    Piacentini, Marcello
    Powiązania:
    https://bibliotekanauki.pl/articles/1929886.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Polish-Italian relationships
    Italian culture in Poland
    Italian immigration in Poland
    Italian short-story in Poland
    Polish handschrifts
    relazioni italo-polacche
    novella italiana in Polonia
    cultura italiana in Polonia
    immigrazione italiana in Polonia
    manoscritti polacchi
    Opis:
    Three accounts in Polish whose fabula focuses on Paduan and Venetian realia were found by Stanisław Estreicher in the last part of a Latin juridical codex written in the 1520s. They are not translations and have no literary worth; however, they can be interesting from a sociological point of view. In this article, we point out, on the basis of what has already been established by Estreicher, the writing context in which these stories were written in the code. Estreicher hypothesised that the stories, on the basis of their spelling, had been written not by a Pole, but by a foreigner who knew the Polish language by ear. Estreicher also hypothesised, and not wrongly, that in the 1520s, the goldsmiths’ guild, which was at that time chaired by an Italian and an German, had come into possession of that code. A comparison with the spelling of other Polish-language texts written between the end of the 15th century and the beginning of the 16th century, however, shows that many of the graphic solutions used were well attested at the time; amongst these was the singular spelling to mark the posterior nasal vowel. In any case, the writer who wrote those accounts made an effort to maintain some coherence in spelling. Despite such an effort, the general impression is that those short stories were written by a non-Polish speaker, rather than by a foreigner who resided and worked in Krakow. These accounts are certainly traces of the presence, in Krakow and Poland, of the numerous Venetians who had started thriving entrepreneurial activities in the Respublica Polono-Lituana.
    I tre racconti di ascendenza padovano-veneziana in lingua polacca trovati da Stanisław Estreicher in un codice giuridico in latino scritto tra la seconda metà del XV secolo e il primo ventennio del secolo successivo non hanno senz’altro alcun valore letterario. Non sono traduzioni di un originale italiano, piuttosto si tratta di riassunti della trama, esposti in modo assai semplice, o piuttosto “primitivo”, come ben giudicava Estreicher. Possono essere di un certo interesse da un punto di vista linguistico, a motivo anzitutto dell’ortografia che sembra tradire, come aveva ipotizzato Estreicher, una mano e un orecchio di un non polacco, che prova a fissare i suoni della lingua polacca arrangiandosi come può con l’alfabeto latino a sua disposizione. In verità, da una disamina più attenta e su materiali che Estreicher non aveva a disposizione, risulta che le soluzioni ortografiche Marcello Piacentini46 adottate sono ben attestate in diverse altre testimonianze scritte della lingua polacca di quel periodo, compresa la resa grafica della vocale nasale posteriore che tanto colpì Estreicher. Chi ha vergato quei testi, peraltro, si è sforzato di attenersi a una certa coerenza e uniformità, pur nelle oscillazioni e incongruenze comuni a tutti i testi manoscritti in lingua polacca, dalle origini fino addentro al XVI secolo. Tuttavia, l’impressione generale è che quei testi siano stati effettivamente vergati da uno straniero che conosceva la lingua polacca “a orecchio”, forse da un italiano, o da un tedesco, quali erano i “seniores” della corporazione degli orafidi Cracovia, che dovettero entrare in possesso del codice almeno agli inizi degli anni Venti del XVI secolo, come ipotizzato a ragione da Estreicher. Possono dunque, quei testi, essere una ulteriore traccia della presenza italiana, veneta in particolare, nella Cracovia del XVI secolo.
    Źródło:
    Italica Wratislaviensia; 2021, 12.2; 29-46
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Letteratura italiana e “arti sorelle” alla Facoltà di lingua e letteratura polacca: un percorso di letteratura comparata
    Italian literature and the “sister arts” at the Faculty of Polish studies: a course in comparative literature
    Autorzy:
    Płaszczewska, Olga
    Powiązania:
    https://bibliotekanauki.pl/articles/446326.pdf
    Data publikacji:
    2013-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    comparative literature
    sister arts
    transmutation
    Italian literature and culture in modern art
    reception of Italian literature in Poland and in Europe
    teaching Italian literature in its artistic context
    Opis:
    The purpose of the article is to outline the guidelines of the interdisciplinary course in comparative literature, given at the Jagiellonian University in Krakow. The subject of the series of lectures is the relation between Italian literature and different branches of art, in context of their cultural references. The strategies of sensibilization of the audience both to the problem of „sister arts” and to the Italian literature and language themselves are explained. In addition, the significance of an interdisciplinary approach to the problem of reception of Italian literature in European culture is mentioned as one of the aims of the lecture. Moreover, main problems of the course, such as themes of reintepretation of Italian classics in visual arts, music, cinema and theatre, are discussed on the background of „classroom dynamics” which characterize the group of students with different knowledge of Italian language and different cultural competences.
    Źródło:
    Italica Wratislaviensia; 2013, 4; 127-139
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tra legge, corpo e simbolo La paternità omosessuale e la cultura androcentrica in Sei come sei di Melania G. Mazzucco
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/700529.pdf
    Data publikacji:
    2017
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Italian contemporary novel
    homosexual paternity
    body
    gender
    androcentric culture
    symbolism
    Opis:
    The following paper analyzes the theme of homosexual paternity. It analyzes Mazzucco’s novel on three different levels: the legal and social context, the gender perspective, and the level of literary and artistic symbols. In each of these areas we can observe the importance given to traditional paternity, seen as legal power or divine creation of the men. On the contrary, homosexual paternity is excluded by law, denied as containing maternal elements, and endowed with modest symbolic power.
    Źródło:
    Romanica Silesiana; 2017, 12
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    I rapporti "Stato Italiano- Chiesa Cattolica" nei patti lateranensi del 1929: riflessioni storico-giuridiche
    The relations “Italian State-Catholic Church” in the Lateran Pacts of 1929: historical and juridical considerations
    Autorzy:
    NACCI, MATTEO
    Powiązania:
    https://bibliotekanauki.pl/articles/661439.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Patti Lateranensi
    Stato italiano
    Chiesa cattolica
    cultura giuridica
    diritto canonico
    cultura del concordato
    sana cooperatio
    Lateran Pacts
    Italian State
    Catholic Church
    juridical culture
    canon law
    agreement culture
    Opis:
    This work is a conference in the Faculty of Canon Law of the Toulouse Catholic University that want to consider the relations between Italian go- vernment and Catholic Church in the Lateran Pacts of 1929, in an historical and juridical perspective, through the examination of the “preconciliazione” phase and the dierent political trends around to Lateran Pacts. e purpose of the study, in fact, is to underline the important “juridical culture” of this agreement in the European overview. 
    Il presente lavoro, frutto di una conferenza tenuta presso l’Istituto Cattolico di Tolosa (Francia), intende prendere in considerazione le relazioni fra il Governo italiano e la Santa Sede, in prospettiva storico-giuridica, per la strutturazione dei Patti Lateranensi del 1929. In modo particolare, attraverso l’esame della cosiddetta fase della “preconcilazione” e le differenti posizioni giuridico-politiche intorno ai Patti del 1929. Lo scopo del contributo è quello di evidenziare l’imprescindibile valore di “cultura giuridica” che deve essere assegnato a questo peculiare trattato internazionale. Il presente lavoro, frutto di una conferenza tenuta presso l’Istituto Cattolico di Tolosa (Francia), intende prendere in considerazione le relazioni fra il Governo italiano e la Santa Sede, in prospettiva storico-giuridica, per la strutturazione dei Patti Lateranensi del 1929. In modo particolare, attraverso l’esame della cosiddetta fase della “preconcilazione” e le differenti posizioni giuridico-politiche intorno ai Patti del 1929. Lo scopo del contributo è quello di evidenziare l’imprescindibile valore di “cultura giuridica” che deve essere assegnato a questo peculiare trattato internazionale.
    Źródło:
    Prawo Kanoniczne; 2015, 58, 2; 97-113
    2353-8104
    Pojawia się w:
    Prawo Kanoniczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies