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Wyszukujesz frazę "Gustaw Herling-grudziński" wg kryterium: Temat

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    Tytuł:
    Gustaw Herling e Elémire Zolla: tracce di un’amicizia
    Traces of a Friendship. Gustaw Herling-Grudziński and Elémire Zolla
    Autorzy:
    Bruni, Raoul
    Ślarzyńska, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/1040434.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Gustaw Herling-Grudziński
    Elémire Zolla
    correspondence
    Opis:
    The aim of this article is to show the relationship between Gustaw Herling-Grudziński and Elémire Zolla through their letters, until now unpublished, kept in the Archive of Herling-Grudziński in Naples. The letters sent to Herling-Grudziński by Zolla are published here for the first time. The literary relation between the two writers and intellectualists can also be traced in Zolla’s review of Herling-Grudziński’s volume of short stories Pale d’altare, translated into Italian and published in Italy, as well as in Herling’s-Grudziński review of Zolla’s novel Cecilia o la disattenzione.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 13-38
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Cristina Campo e la ricezione di Gustaw Herling-Grudziński in Italia
    Cristina Campo and the Reception of Gustaw Herling-Grudziński in Italy.
    Autorzy:
    Ślarzyńska, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/446556.pdf
    Data publikacji:
    2020-07-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Cristina Campo
    Gustaw Herling-Grudziński
    "Pale d’altare"
    correspondence
    reception
    corrispondenza
    ricezione di letteratura straniera in Italia
    Opis:
    Among other records, the Archive of Gustaw Herling-Grudziński in Naples holds Cristina Campo’s unpublished letters to him. The letters bear witness to a literary relation between the two writers and intellectuals which began when "Pale d’altare", a volume of short stories by Herling- Grudziński, was translated into Italian and published in Italy in 1960. Cristina Campo, a poet, essayist, translator and prominent figure in 20 th -century Italian literature, was enthusiastic about Herling- Grudziński’s volume. She comprehensively discussed it in an insightful review entitled ‘La torre e l’isola,’ published in "Il Punto" in 1961. Her review marked Herling-Grudziński’s debut in Italy and became a highly influential factor in the Italian reception of his literary works. The author himself regarded it as one of the most important critical texts addressing his writings. The aim of my paper is to highlight the relevance of Cristina Campo to the Italian reception of Herling-Grudziński’s works and to illumine the relations between the Polish writer and his Italian critic through the unpublished letters preserved in the Herling-Grudziński Archive. The paper also refers to other reviews of "Pale d’altare", which were offered by Elèmire Zolla, Roberto Calasso, Margherita Guidacci and Leone Traverso, associated with the same literary circle, and shows the impact of Campo’s enthusiasm on some of these appraisals.
    Nell’Archivio di Gustaw Herling-Grudziński a Napoli sono conservate le lettere di Cristina Campo allo scrittore che sono una testimonianza di una relazione letteraria nata tra loro intorno alla raccolta di racconti di Gustaw Herling-Grudziński "Pale d’altare", tradotta in italiano e pubblicata in Italia nel 1960. Cristina Campo, poetessa, saggista e traduttrice, una figura di grande rilievo del Novecento letterario italiano, anche se ancora sconosciuta in ambito polacco, ha dedicato all’opera di Herling-Grudziński una recensione intitolata "La torre e l’isola", pubblicata su “Il Punto” nel 1961, fondamentale per la fortuna dell’opera di Herling-Grudziński in Italia e che lo scrittore stesso ha considerato uno dei testi critici più importanti a lui dedicati. L’articolo si pone come obiettivo di rendere conto del ruolo e dell’importanza di Cristina Campo nella ricezione dell’opera di Gustaw Herling-Grudziński in Italia, nonché di presentare il rapporto che tra lo scrittore polacco e la sua critica italiana attraverso le lettere inedite della Campo a Herling-Grudziński. Il contributo fa riferimento anche a altri testi critici su "Pale d’altare", che furono scritti su stimolo della Campo, come quelli di Elèmire Zolla, Roberto Calasso, Margherita Guidacci e Leone Traverso.
    Źródło:
    Italica Wratislaviensia; 2020, 11.1; 215-233
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gustaw Herling-Grudziński e la letteratura italiana del XX secolo
    Gustaw Herling-Grudziński and Italian literature of the Twentieth Century
    Autorzy:
    Ajres, Alessandro
    Powiązania:
    https://bibliotekanauki.pl/articles/1040494.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Gustaw Herling-Grudziński
    Italian literature
    exile
    Naples
    Nicola Chiaromonte
    Ignazio Silone
    Alberto Moravia
    Luigi Pirandello
    Giuseppe Tomasi di Lampedusa
    Leonardo Sciascia
    Opis:
    Magdalena Śniedziewska’s book discusses a theme in Gustaw Herling-Grudziński’s works which has not been thoroughly researched, i.e. their relationship with Italian literature. This is how we discover Herling-Grudziński as a writer who is simultaneously a great literary criticwho looks eagerly and with both interest (sometimes) and passion at the work of such authors as Nicola Chiaromonte, Ignazio Silone, Alberto Moravia, Luigi Pirandello, Tomasi di Lampedusa and Leonardo Sciascia. The opening chapter of the book discusses Herling-Grudziński’s condition as an emigrant and the changes in his attitude to Naples which became his second home after World War II; the final chapter is about the Polish writer’s difficult relationship with Italian book market, reconstructing the story of the reception of Inny świat (A World Apart) in Italy.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 183-193
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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