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Wyszukujesz frazę "translation history" wg kryterium: Wszystkie pola

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    Wyświetlanie 1-3 z 3
    Tytuł:
    La casa delle donne. Sulla storia della traduzione italiana di Dom kobiet di Zofia Nałkowska
    La casa delle donne. The history of the Italian translation of Dom kobiet by Zofia Nałkowska
    Autorzy:
    Kłos, Anita
    Powiązania:
    https://bibliotekanauki.pl/articles/28409077.pdf
    Data publikacji:
    2015
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Zofia Nałkowska
    Sibilla Aleramo
    history of translation
    theatre translation
    Reception of Polish literature in Italy
    Opis:
    In 1930 Sibilla Aleramo translated the play Dom kobiet by Polish writer Zofia Nałkowska into Italian. This three-act drama, probably the first play with only female characters in the history of theatre, was set in Warsaw the same year and was suddenly a huge success in Poland. Aleramo’s translation has remained unpublished and has been preserved (as a manuscript and a typescript draft) in the author’s archive belonging to the Fondazione Istituto Gramsci in Rome. The paper focuses on the history of this text, based mainly on the analysis of Nałkowska’s diary and unpublished letters and documents from Aleramo’s archive.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2015, 6; 107-123
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Storia – letteratura – traduzione: due versioni polacche del "Gattopardo"
    History – literature – translation: the two Polish versions of "The Leopard" by Giuseppe Tomasi di Lampedusa
    Autorzy:
    Łukaszewicz, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2165618.pdf
    Data publikacji:
    2012-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Opis:
    The article concerns the two Polish translations of "The Leopard" ("Il Gattopardo"): The first one by Zofia Ernstowa, published in different editions since 1961 under the title of "Lampart", and the second one by Stanisław Kasprzysiak, published in 2009 under the title of "Gepard". The analysis concentrates first on the way in which the paratexts (all kinds of notes) within these publications deal with the references to the Risorgimento (presenting this novel to a new public belonging to a different culture, with a growing distance from those historical events); and then on a comparison of a few fragments of the novel, in the different Polish and Italian versions, which contain allusions to Italian history. This presentation of the Polish reception of the Lampedusa’s masterpiece is completed by some considerations on the position of the second translator with respect to the first translation, and on the role played by the critics.
    Źródło:
    Italica Wratislaviensia; 2012, 3; 123-143
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Julia Dickstein-Wieleżyńska e la storia editoriale della prima traduzione completa dei Canti in polacco
    Julia Dickstein-Wieleżyńska and the Editorial History of the First Polish Translation of Giacomo Leopardi’s Canti
    Autorzy:
    Kłos, Anita
    Powiązania:
    https://bibliotekanauki.pl/articles/2162249.pdf
    Data publikacji:
    2022-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Giacomo Leopardi
    Julia Dickstein-Wieleżyńska
    Raffaele Pettazzoni
    literary translation
    collaboration and translation
    traduzione
    letteraria
    traduzione e genere
    traduzione e collaborazione
    Opis:
    The paper focuses on the long and complex editorial history of the first complete translation of Giacomo Leopardi’s Canti into Polish. Entitled Poezje and published by Instytut Wydawniczy ‘Biblioteka Polska’ in 1938, the volume was translated by Julia Dickstein-Wieleżyńska (1881–1948), a polyglot, poet, organiser of cultural events, feminist activist and literature and philosophy scholar. Dickstein-Wieleżyńska’s letters to Raffaele Pettazzoni (1883–1959), her close friend and mentor and himself an eminent scholar of religions, suggest that the original idea of the book as conceived in the early 1920s also envisaged the inclusion of translations by Edward Porębowicz (1862–1937), which had been made for his 1887 collection of Leopardi’s writings. Although Porębowicz had withdrawn his permission for publishing his versions in 1924 and Dickstein-Wielżyńska had to translate another eighteen poems, the manuscript was ready for printing at the beginning of 1925. Drawing on archival resources, the author investigates the reasons behind the conspicuous temporal distance between the drafting of the translations and their publication in the volume of Poezje. Examined from the perspective of recent translation and collaboration studies, Wieleżyńska’s letters shed some new light not only on the agents, modes and circumstances of translation and editorial work in the early twentieth century, but also on the position of women in the cultural and academic hierarchies of the time.
    Lo studio si concentra sulla lunga e travagliata storia editoriale della prima edizione completa dei Canti leopardiani in polacco, ad opera di Julia Dickstein-Wieleżyńska (1881–1948), traduttrice poliglotta, poetessa, animatrice della vita culturale, attivista femminista e studiosa di letteratura e filosofia. Il volume, intitolato Poezje, fu pubblicato nel 1938 presso la casa editrice Instytut Wydawniczy “Biblioteka Polska”. Eppure dalle lettere inedite di Dickstein-Wieleżyńska a Raffaele Pettazzoni (1883–1959), eminente studioso delle religioni e suo caro amico e mentore, risulta che nel progetto originario, risalente all’inizio degli anni Venti del Novecento, nella raccolta dovevano esser incluse le traduzioni di Edward Porębowicz (1862–1937), studioso delle lingue e delle letterature romanze, eseguite per la sua selezione di scritti leopardiani del 1887. Nonostante che Porębowicz avesse ritirato il permesso per la pubblicazione dei suoi testi nel 1924 e Dicksteinówna fosse stata costretta a tradurre altre diciotto poesie, il volume era stato approntato per le stampe all’inizio del 1925. Basandosi su materiali di archivio, l’autrice indaga sui motivi di questa cospicua distanza tra la stesura dei testi e la pubblicazione del volume. Esaminate nella prospettiva dei recenti studi sulla traduzione, le lettere di Wieleżyńska gettano una nuova luce non solo su agenti, modi e circostanze del lavoro traduttivo ed editoriale nel primo Novecento, ma anche sulla posizione delle donne nelle gerarchie culturali e accademiche dell’epoca.
    Źródło:
    Italica Wratislaviensia; 2022, 13.2; 35-60
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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