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Wyświetlanie 1-3 z 3
Tytuł:
Letteratura per l’infanzia e applicazioni: adattamenti ipermediali di opere classiche e albi contemporanei
Children’s Literature in the World Of Apps: Hypermedia Adaptations of Classic and Contemporary Picture books
Autorzy:
Acerra, Eleonora
Powiązania:
https://bibliotekanauki.pl/articles/938774.pdf
Data publikacji:
2017-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
hypermedia
apps
children’s literature
adaptation
picturebooks
Opis:
This analysis aims to describe the main features of hypermedia literary apps for children by considering a corpus of adaptations of classic and contemporary picturebooks. In particular, it highlights the multimodal nature that defines hypermedia texts and their meanings, as well as the interactivity that programs different degrees of readers’ involvement and the various ways of using and exploring the virtual space of touchscreens. By describing some hypermedia features deployed in a selection of classic texts, I focus on the hypermedia adaptations of three contemporary Italian picturebooks: Iole, la balena mangiaparole by Gioia Marchegiani, Amico ragnolo by gloria francella, and Love, the App by Alberto Vanni. These were chosen to illustrate the significant literary use of several textual materials, the implementation of different types of interactivity, and the recreation of the material characteristics of the print edition through the virtual page. Founded on the appropriation and re-interpretation of the source, the adaptations considered here show a mix of literary intents and digital technologies, while highlighting the substantial homogeneity of the hypermedia strategies used in adapting classic and contemporary texts.
Considerando un corpus di adattamenti di opere classiche e di albi contemporanei italiani, il lavoro si propone di determinare alcune caratteristiche della letteratura ipermediale per l’infanzia. Saranno in particolar modo esaminati i tessuti compositi e multimodali che costituiscono il testo ipermediale e permettono di costruirne il senso; l’interattività, che prevede diversi gradi di coinvolgimento del lettore; alcuni modi di utilizzo ed esplorazione degli spazi virtuali degli schermi tattili. Muovendo dall’esame dei dispositivi in opera in una rosa di trasposizioni di testi classici, ci si soffermerà in particolare sulle versioni ipermediali degli albi contemporanei di Gioia Marchegiani (Iole, la balena mangiaparole), Gloria Francella (Amico ragnolo) e Alberto Vanni (Love, the App), scelti rispettivamente per illustrare la molteplicità di materie testuali, il ricorso a diverse tipologie di elementi interattivi e un uso degli spazi della pagina virtuali tale da restituire le caratteristiche materiali delle edizioni cartacee. Fondati sull’appropriazione-interpretazione di elementi testuali e sull’utilizzo a fini narrativi delle possibilità tecnologiche fornite dagli schermi tattili, gli adattamenti ipermediali qui considerati permettono di verificare al contempo l’ipotesi della sostanziale omogeneità di strategie e dispositivi ipermediali in uso nelle due categorie di testi, indipendentemente dalla loro diversa legittimità patrimoniale.
Źródło:
Italica Wratislaviensia; 2017, 8.1; 11-28
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eredità del Novecento. Il lascito munariano alla letteratura per l’infanzia
A Twentieth-Century Legacy: Bruno Munari’s Gift to Children’s Literature
Autorzy:
Campagnaro, Marnie
Powiązania:
https://bibliotekanauki.pl/articles/446660.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Bruno Munari
albi illustrati
infanzia
alfabetizzazione visiva
Novecento
picture books
childhood
visual literacy
Twentieth Century
Opis:
Bruno Munari left an important legacy to both Italian and international children’s literatures. The hallmarks of this legacy are traditionally considered to be his picture books and their unique visual narratives, illustrations, and tactile surfaces. This essay, however, takes a different approach to interpreting his work. It uses a selection of Munari’s picture books to demonstrate how the extent of his legacy is far more wide-reaching, depicting it as a crossroads that links various features of his long career as an artist and designer. These features include the extraordinary nature of everyday life, faith in the visual, and the challenges laid down by limits, all of which are also fundamental to contemporary children’s literature.
Bruno Munari ha lasciato un’importante eredità alla letteratura per l’infanzia, non solo a livello italiano, ma anche internazionale. In genere, si ritiene che questo lascito sia costituito dall’insieme delle sue singolari narrazioni visive e delle sue innovative soluzioni grafico-tipografiche. Il saggio, invece, mette in evidenza, anche attraverso la presentazione di alcuni albi illustrati scelti a titolo esemplificativo, un differente orientamento interpretativo per dimostrare che l’apporto di Munari è molto più vasto poiché rappresenta uno specialissimo crocevia che riannoda vari elementi della sua lunga attività artistica, fondamentali per la letteratura destinata all’infanzia: la straordinarietà del quotidiano, la fiducia nel visivo, la sfida del limite.
Źródło:
Italica Wratislaviensia; 2017, 8.2; 69-85
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tιμιώτερα Libri, oggetti parlanti, onore e vergogna nel Fedro
Tιμιώτερα Books, Talking Objects, Honour and Shame in the Phaedrus
Autorzy:
Caserta, Cristiana
Powiązania:
https://bibliotekanauki.pl/articles/938540.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Philosopher
conference
reader
listener
τιμιώτερα
silent reading
palindrome
picture
writing
dialogue
Opis:
In the Phaedrus, the expression τὰ γεγραμμένα φαῦλα ἀποδεῖξαι, „to demonstrate the inadequacy of its own written” could mean „to make a palinody.” The requirements to define someone as a philosopher that Socrates provides (Phdr. 278) describe in theoretical and normative form what the dialogue has already represented in its dramatic form. Plato has targeted the speech of Lysias and the first speech of Socrates as belonging to a literary genre that is still in statu nascendi: a sophistic conference in which the writing is supposed to be read aloud and there is established a particularl emotional relationship between the reader and listener with the subordination of the latter to the former. For Socrates this relationship should be different and the speeches as well as books should have a completely different intent, content and form: philosopher must offer to the one whom he loves a chaste and virtuous conduct: such conduct, in its imitation of the divine, is precisely what distinguishes him from other scholars: τιμιώτερα. The philosophical relationship must involve a different kind of reading: a silent one that can neutralize the deleterious and seductive effects of the voice. This does not imply, however, that all books are the same. Philosophical writing is not a palindrome on a statue, like a picture. Its qualifying element is the linear and irreversibile sequence. Time flows between one segment and the next. Thus, thoughts presented in writing move in space, whereas characters that have thoughts in them also move over time, changing and modifying themselves. That is precisely how philosophical writing, such as the platonic dialogue, can reproduce logos.
Źródło:
Peitho. Examina Antiqua; 2015, 6, 1; 113-146
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
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