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    Wyświetlanie 1-10 z 10
    Tytuł:
    Jean-Noël Aletti, Il Gesù di Luca (Epifania della Parola; Bologna: Dehoniane 2012)
    Autorzy:
    Węgrzyn, Adam Bogdan
    Powiązania:
    https://bibliotekanauki.pl/articles/1178885.pdf
    Data publikacji:
    2020-07-07
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Opis:
    Book review: Jean-Noël Aletti, Il Gesù di Luca (Epifania della Parola; Bologna: Dehoniane 2012)
    Źródło:
    The Biblical Annals; 2020, 10, 3; 475-478
    2083-2222
    2451-2168
    Pojawia się w:
    The Biblical Annals
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Carlo Rocchetta, Il Cantico dei Cantici. Polifonia di tenerezza sponsale (Nuovi Saggi Teologici; Bologna: EDB 2016)
    Autorzy:
    Zieliński, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/1051027.pdf
    Data publikacji:
    2019-01-18
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Opis:
    Recensione del libro: Carlo Rocchetta, Il Cantico dei Cantici. Polifonia di tenerezza sponsale (Nuovi Saggi Teologici; Bologna: EDB 2016)
    Recenzja książki: Carlo Rocchetta, Il Cantico dei Cantici. Polifonia di tenerezza sponsale (Nuovi Saggi Teologici; Bologna: EDB 2016)
    Book review: Carlo Rocchetta, Il Cantico dei Cantici. Polifonia di tenerezza sponsale (Nuovi Saggi Teologici; Bologna: EDB 2016)
    Źródło:
    The Biblical Annals; 2019, 9, 1; 227-230
    2083-2222
    2451-2168
    Pojawia się w:
    The Biblical Annals
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Giovanni Pietro Arrivabene. Poeta e teologo
    Giovanni Pietro Arrivabene. Poet and theologian
    Autorzy:
    Bologna, Orazio Antonio
    Powiązania:
    https://bibliotekanauki.pl/articles/967158.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Pietro Arrivabene
    poetry of 15th century
    reception
    Opis:
    The author in this short essay introduces to the academic and scientific community an unpublished poem of Peter Arivabene, a learned poet who lived in the second half of the fifteenth century. The codex, which contains the poem is kept in the Library of Palazzo Piccolomini in Pienza, where Prof. Orazio Antonio Bologna saw it for the first time on October 12th, 2012. Becoming acquainted with the contents of the codex and believing to give a valuable contribution to the knowledge of the poet, he transcribed, translated and published the contents of the codex. In this study, for the first time, Giovanni Pietro Arrivabene is mentioned as a poet, because Humanism and Renaissance’s scholars already knew him but only as the secretary of Cardinal Francesco Gonzaga and as the abbreviator and secretary in the Vatican curia from 1482, where he remained until 1491 under the popes’ service. The long poem, begun around 1459 when the poet was about 20 years old, was completed after the diet of Mantua, which ended on January 19th, 1460. The fine poem reveals a deep and refined culture even though there are uncertainties and redundancies peculiar to youth.
    Źródło:
    Collectanea Philologica; 2014, 17
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il „De magia” e la cultura popolare
    „De Magis” and Popular Culture
    Autorzy:
    Bologna, Orazio Antonio
    Powiązania:
    https://bibliotekanauki.pl/articles/648652.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    magician
    magic
    philosophy
    Platonism
    empire
    principality
    defixiones
    gospel
    philosopher
    Opis:
    The brief, but interesting, work by Apuleius constitutes a fixed point both to delineate the biography of the famous African rhetorician, a native of Madaura, and to trace a picture with quite defined outlines on the social and cultural, economic and political aspect, in which he was paying the Roman Empire in the second century aD, especially in that rich southern Mediterranean area. In this short essay the close relationship between culture and magic is highlighted. In culturally backward populations, the educated person is often referred to as a magician, a name which, with its semantic nuances, continues today, especially in some villages of southern Italy. So magician, both in the singular and in the plural, means both the educated person and those who are able to spell or predict the future.
    Źródło:
    Collectanea Philologica; 2019, 22; 47-62
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La poesia di Giovanni Pietro Arrivabene
    The Poetry of Giovanni Pietro Arrivabene
    GIOVANNI PIETRO ARRIVABENE POESIS
    Autorzy:
    Bologna, Orazio Antonio
    Powiązania:
    https://bibliotekanauki.pl/articles/648580.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Phoebus
    ianitor
    Perseus
    fortuna
    Pontifex
    Pius
    -
    Opis:
    Per breuem et luculentam uestigationem auctor primus de Ioannis Petri Arriuabeni poesi agit. Poeta enim illa floruit aetate, qua per doctissimos uiros humanae litterae sunt funditus renouatae. In doctissimis illis uiris fuit et Ioannes Petrus Arriuabenus, qui, cum duo scripsisset carmina, postremis his saltem temporibus, minime poeta memoratur. Auctor, innumeris inquisitionibus perfectis, duo tantum Ioannis Petri Arriuabeni inuenit carmina, quorum alteri In Pii summi Pontificis Laudem, Gonzagis titulus est alteri. Poeta uero, cum in Pontificis familiam ascisci uellet, magistro fortasse hortante atque opitulante, longum contexuit carmen, cui epistolam poeticam, imparibus modis confectam, haud fortuito praemisit. Auctoris sententia, nullum est dubium, quin Franciscus Philelphus, apud quem Ioannis Petrus Arriuabeni doctrinam sibi atque eruditionem comparauit, uel epistolam uel carmen, antequam pontifici traderentur, legerit atque emendauerit. Quod, ut par est, ex quibusdam eiusdem Philelfi epistolis cogitur. De quibus epistulis et notitiis alias.
    With this brief study, first the author deals with the poetry by Giovanni Pietro Arrivabene. In fact, for the first time he has published a long Latin poem of the poet preserved in a single manuscript in Pienza, in the library, which was of Pio II. The poet, who lived during the Renaissance, had a very careful preparation at the school of Francesco Filelfo, the most appreciated humanist after Enea Silvio Piccolomini. With the Carmen in Pii Pontificis laudem… Arrivabene hoped to enter in the courtyard of the Pope; but Pius II, even though he appreciated the poem, written on fine parchment, didn’t take the young poet into account, who was only twenty years. The scholar, on the one hand, thought back to the formation and the aspirations of the young poet, on the other the cultural character of his age, in which Giovanni Pietro Arrivabene spent his life. Short, but useful hints are devoted to the wonderful court of Mantua, where the poet spent twenty years at the service of the cardinal Francesco Gonzaga.
    -
    Źródło:
    Collectanea Philologica; 2016, 19; 45-61
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Un intricato processo ad Atene: Eufileto uccide Eratostene, seduttore della moglie (Lysias, Or. I: De Eratosthenis caede apologia)
    An intricate process in Athens: Euphiletus killing Eratosthenes, his wife’s lover
    Autorzy:
    Bologna, Orazio Antonio
    Powiązania:
    https://bibliotekanauki.pl/articles/613565.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Euphiletus
    Eratosthenes
    Athens
    Opis:
    In Athens in the late and early fifth century B.C. Eratosthenes, a well-known real Don Juan was killed. He sets his eyes on a young wife and seduces her, she is the wife of Euphiletus, a modest farmer, who spent a lot of time in countryside, away from his wife. Euphiletus, after the birth of his (first) son, places full faith in his wife. Having been informed about the affair, he catches her in adultery and, in front of some witnesses, kills Eratosthenes. The victim’s relatives hold a trial against the murderer, who before the Court gives a brilliant oration, written by Lysia one of the greatest orators of Athens.
    Źródło:
    Vox Patrum; 2011, 56; 449-464
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il ruolo del sacerdote in Omero
    The Role of the Priest in Homer
    Autorzy:
    Bologna, Orazio Antonio
    Powiązania:
    https://bibliotekanauki.pl/articles/1929073.pdf
    Data publikacji:
    2012
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    rola kapłana
    Chryzes – kapłan Apollina
    Chryze – sanktuarium Apollina
    wojna trojańska
    Homer
    Iliada
    Odyseja
    the role of the priest
    Chryses – priest of Apollo
    Chryse – the sanctuary of Apollo
    the Trojan War
    Iliad
    Odyssey
    Opis:
    In this short work we mention the different roles played by the priest and by the king in the religious and political fields. At the time of Homer these two figures were distinct, but, not infrequently, were in violent opposition, as we read in the first canto of Iliad. In ancient times, however, the religious duties, along with political ones, were concentrated in the hand of one man, as we deduce from passages of Homeric poems, from hints to the places of Hesiod and from vestige of the ancient East world. In the course of time, however, the King is interested, exclusively, in politics and the priest in religion, so that, with the passing time, they become two separate entities, each in its specific role. But often the priest, strong of his influence on the masses and on the same king, centralizing the powers in his person, passes his limits, and to reach one’s aims, invokes the curse and the revenge of the gods on his antagonist, until to humiliate him in front of his subjects.
    Źródło:
    Roczniki Humanistyczne; 2012, 60, 3; 5-20
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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