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    Wyświetlanie 1-8 z 8
    Tytuł:
    “Nato nella medesima terra irrigua”. D’Annunzio, ultimo erede di Ovidio
    “Nato nella medesima terra irrigua”. Gabriele D’Annunzio, the Last Heir of Ovid
    Autorzy:
    Gagliastro, Donato
    Powiązania:
    https://bibliotekanauki.pl/articles/1040470.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Rome
    readership
    elegy
    nocturnal poetry
    memory
    Opis:
    Throughout Gabriele d’Annunzio’s vast and multiform productions, Ovid’s presence shines through with the strength of a model both ancient and modern. Since his years at the “Cicognini”, he feels bound to Ovid by a similarity “in lyrical ways” and by a relationship of “consanguinity” based on their common origins. The assiduity in Ovid’s readings, testified to by the large number of volumes of the Augustan poet in the library of the Vittoriale, is reflected in a dense network of echoes – some perspicuous, others subtle – that can be found in the Vate’s most famous works. During his twilight years, d’Annunzio’s nocturnal exploration finds singular affinities with the Ovidian elegies of exile to which he feels attracted the most. Even in the nascent silent film industry, d’Annunzio, creator and forerunner of fashions, sees a prodigious form of visual art that has in Ovid a millenary antecedent. Beyond the unavoidable differences separating the two temporally distant authors, the paper attempts to outline an overall profile of the correspondences and possible equations between d’Annunzio and Ovid without pretense of exhaustiveness. In the wake of perspectives inaugurated by distinguished masters, it is an attempt to offer cues for interpreting, from the vestiges of classicism, d’Annunzio’s art within the Ovidian framework.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 113-138
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Un supplementum al supplementum: Iscrizioni imperiali di Roma dagli anni ’90 a oggi
    A Supplement to a Supplement: Imperial Inscriptions From Rome From the 1990s Until the Present Day
    Autorzy:
    Orlandi, Silvia
    Powiązania:
    https://bibliotekanauki.pl/articles/16227561.pdf
    Data publikacji:
    2017-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    imperial inscriptions
    Rome
    Supplement
    archaeological excavations
    archives
    epigraphic database
    Opis:
    In this survey article are collected and discussed most of the imperial inscriptions found in Rome after the pubblication of the last Supplement to CIL, VI by Géza Alföldy in 1996, together with a large number of possible corrections of the already published texts. The contributions are organized according the following schema: Addenda et corrigenda: small corrections, accidental gaps, methodological inconsistencies, texts to be removed. New texts and new studies: new discoveries (including new fragments of old inscriptions), both in archaeological excavations and in archives and repositories, just published (as imperial inscriptions or not) or still unpublished.
    Źródło:
    Studia Europaea Gnesnensia; 2017, 16; 31-59
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Aux fondements de l’institution ecclésiale: La position de saint Pierre parmi les apôtres (Mt 16, 13–20) et son retentissement á l’époque apostolique et patristique
    At the basis of ecclesiastical institution: St.Peter’s place among Apostles (Mt 16, 13–20) and its reminiscencesin apostolic and patristic times
    Autorzy:
    WOJDA, JACEK
    Powiązania:
    https://bibliotekanauki.pl/articles/546626.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Peter
    Apostles
    church institution
    Clement of Rome
    Cyprian from Cartagena
    Pope Francis
    Opis:
    Big activity passed Popes, with the least Francis Bergoglio, is a question about reception their lives and action, especially in times of modern medium broadcasting. Sometimes presented content could be treated as sensation, and their receptiveness deprived of profound historical and theological meaning. This article depends of beginnings of the Church, when it started to organize itself, with well known historically-theological arguments. Peter confessed Jesus as the Christ and got special place among Apostles. His role matures in young Church community, which is escaping from Jewish religion. Peter tramps the way from Jerusalem thru Antioch to Rome, confirming his appointing to the first among Apostles and to being Rock in the Church. Nascent Rome Church keeps this special Peter’s succession. Clement, bishop of Rome, shows his prerogatives as a successor of Peter. Later, bishop of Cartagena, Cyprian, confirms special role both Peter and each bishop of Rome among other bishops. He also was finding appropriate role for each of them. Church institution, based on Peter and Apostles persists and shows truth of the beginnings and faithfulness to them in nowadays papacy. Methodological elements Presented in the introduction let for the lecture of Gospel and patristic texts without positivistic prejudices presented in old literature of the subject.
    Źródło:
    Civitas et Lex; 2016, 1(9); 91-105
    2392-0300
    Pojawia się w:
    Civitas et Lex
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Diritto romano e principi della costituzione della Repubblica Romana del 1849 nel contesto scientifico e costituzionale europeo. Alle radici della crisi del costituzionalismo
    Autorzy:
    Vallocchia, Franco
    Powiązania:
    https://bibliotekanauki.pl/articles/1807267.pdf
    Data publikacji:
    2021-07-28
    Wydawca:
    Wyższa Szkoła Gospodarki Euroregionalnej im. Alcide De Gasperi w Józefowie
    Tematy:
    costituzione
    repubblica romana
    diritto romano
    costituzionalismo
    Roma
    constitution
    Roman republic
    Roman law
    constitutionalism
    Rome
    Opis:
    Quindi, rivolgendo particolarmente la questione al tema della Costituzione della Repubblica Romana del 1849, i lavori dei costituenti dimostrano l'esistenza di una sorta di laboratorio, politico e giuridico, nell'ambito del quale si è cercata una sintesi tra la tradizione giuridica romana e la separazione tripartita dei poteri.
    Therefore, turning the question particularly to the subject of the Constitution of the Roman Republic of 1849, the work of the constituents demonstrates the existence of a sort of laboratory, political and juridical, within which a synthesis between the Roman juridical tradition and the tripartite separation of powers was sought.
    Źródło:
    Journal of Modern Science; 2021, 46, 1; 225-238
    1734-2031
    Pojawia się w:
    Journal of Modern Science
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Attrici d’avanguardia e teatro femminista a Roma negli anni Settanta: nuovi luoghi e linguaggi
    Avant-garde Actresses and Feminist Theatre in Rome in the 1970s: New Stages and New Forms of Expression
    Autorzy:
    Giacobbe Borelli, Maia
    Powiązania:
    https://bibliotekanauki.pl/articles/446652.pdf
    Data publikacji:
    2019-11-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    avant-garde theatre
    feminism
    New Theatre
    Rome
    1974–1979
    avanguardia teatrale
    femminismo
    Nuovo Teatro
    Roma
    Opis:
    This essay is based on one of the ORMETE (Oralità Memoria Teatro: www.ormete.net) projects: Donne di teatro a Roma ai tempi della mobilitazione femminista (1965–1985). The research shows the inter-relations between the feminist movement and the actresses of the avant-garde scene in Rome. The focus of each of the women’s personal narrations is characterised by its strong and definite feminist or anti-conformist identity and by its determination to channel its own imagery in the experimental scene of the avant-garde. Many of the women gathered in feminist companies or joined collective groups; some ventured the road of dramaturgy, while still others dared more alternative, experimental kinds of solo performances. This text sheds light on a variety of alternative spaces for performances in Rome. It is there where these new forms of theatrical expressions were born.
    L’intervento, che attinge a una ricerca in corso nel quadro di ORMETE (Oralità Memoria Teatro: www.ormete.net) Donne di teatro a Roma ai tempi della mobilitazione femminista (1965– –1985), cerca di mettere a fuoco gli intrecci fra mobilitazioni femministe e protagonismo delle attrici a Roma, fra il 1974 e il 1979. L’affermazione di un’identità femminile forte e anticonformista caratterizza il racconto di tutte queste donne, determinate a trovare la strada per esprimere il proprio immaginario e la propria diversa presenza nel mondo romano della ricerca teatrale. Molte si sono associate in compagnie o collettivi, alcune hanno tentato la strada della drammaturgia, altre hanno scelto la forma della performance più trasgressiva. L’indagine mette l’accento sui molti luoghi di Roma dove i diversi linguaggi scenici hanno trovato la luce.
    Źródło:
    Italica Wratislaviensia; 2019, 10.2; 257-273
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tadeusz Kuntze, detto “Taddeo Polacco”, tra Roma, i Colli Albani e il Lazio
    Tadeusz Kuntze, zwany “Taddeo Polacco”, między Rzymem, Colli Albani i Lazio
    Autorzy:
    Petrucci, Francesco
    Powiązania:
    https://bibliotekanauki.pl/articles/23944996.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    Tadeusz Kuntze
    Francisco Goya
    rodzina Madrazo
    Rzym
    malarstwo XVIII w.
    the Madrazo family
    Rome
    18th-century painting
    Opis:
    The artistic activity of Tadeusz Kuntze, nicknamed ‘Taddeo Polacco’ (Zielona Góra 1727 – Rome1793) has not as yet been properly evaluated, despite him having been one of the most prolific painters active in Rome from the mid-1760s to the 1780s. An attempt at placing Kuntze’s creative accomplishments in a broader context of artistic interconnections and influences has been made. Among the latter, it is Kuntze’s bonds with the Spanish colony in Rome that are of special importance, particularly the impact of his art on the formation of young Francisco Goya. A separate, however not less important issue is the influence of the Polish artist on the Madrazo family of painters whose members played a key role in 19th-century Spanish art.
    Artystyczna działalność Tadeusza Kuntzego, zwanego „Taddeo Polacco” (Zielona Góra 1727 – Rzym 1793), nie doczekała się do tej pory odpowiedniej oceny, mimo że był on jednym z  bardziej płodnych malarzy aktywnych w Rzymie od połowy lat 60. do 80. XVIII w. Artykuł jest próbą umiejscowienia twórczych osiągnięć Kuntzego w szerszym kontekście artystycznych powiązań i oddziaływań. Wśród tych ostatnich na szczególną uwagę zasługują związki Kuntzego z kolonią hiszpańską w Rzymie, a przede wszystkim znaczenie jego sztuki dla formacji młodego Francisca Goi. Osobnym, nie mniej istotnym zagadnieniem, jest oddziaływanie twórczości polskiego artysty na dynastię malarzy Madrazo, której przedstawiciele odegrali kluczową rolę w sztuce hiszpańskiej XIX w.
    Źródło:
    Biuletyn Historii Sztuki; 2021, 83, 2; 351-375
    0006-3967
    2719-4612
    Pojawia się w:
    Biuletyn Historii Sztuki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Padre Ludwik Mzyk primo maestro dei novizi e primo martire della provincia polacca SVD
    Fr Ludwik Mzyk – the first novice master and the first martyr of the Polish Province SVD
    Ojciec Ludwik Mzyk – pierwszy mistrz nowicjatu i pierwszy męczennik Polskiej Prowincji SVD
    Autorzy:
    Miotk, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/480076.pdf
    Data publikacji:
    2018-06-30
    Wydawca:
    Wydawnictwo Księży Werbistów Verbinum
    Tematy:
    Ludovico Mzyk
    martire
    maestro del noviziato
    Roma
    Verbitia
    Ludwik Mzyk
    martyr
    novice master
    Rome
    Divine Word Missionary
    męczennik
    mistrz nowicjatu
    Rzym
    werbista
    Opis:
    Il beato Ludwik Mzyk è il primo martire della Provincia Polacca SVD, creata nel 1935. Dopo i suoi studi all’Università Gregoriana a Roma, P. Mzyk e stato nominato primo maestro dei novizi di questa provincia a Chludowo. La sua personalità presentata in tre parti, appare come un esempio straordinario di una vita totalmente dedicata a Dio nel servizio dei futuri missionari della Parola di Dio. La prima parte presenta cronologicamente i momenti salienti della vita del Beato. La seconda parte basata sulla sua corrispondenza mette in rilievo alcuni aspetti della personalità nella ottica delle relazioni con gli altri, particolarmente con Padre Josef Grendel, il Superiore Generale della Congregazione. Infine, la terza parte, getta una luce sul suo profilo spirituale, che rispecchia principalmente la spiritualità della Congregazione. La sua spiritualità si evidenzia prima di tutto nell’osservazione dei voti religiosi, nella fedeltà alle Costituzione della Congregazione. Nonostante i costanti problemi di salute, P. Mzyk affascinava gli altri con la sua calma e grande prudenza. La sua persona si distingueva per lo straordinario sacrificio - un dono di sé per gli altri. La sua spiritualità basata sull’Eucaristia era segnata da profonda devozione allo Spirito Santo e a Maria, la sua Sposa. L’eroica morte di P. Mzyk ha confermato la sua vita, che ha fatto una grande impressione sui suoi allievi, convinti della sua santità.
    Blessed Ludwik Mzyk was the first martyr of the newly created (1935) Polish Province of the Society of the Divine Word. After finishing his studies in Rome he was appointed novice master in Chludowo. The first part of this essay is a chronological account of his life and work. The second one traces his character and interpersonal skills in his extant correspondence, especially with the then superior general, Fr. J. Grendel. The final part of the essay describes his spirituality, deeply immersed in the SVD charisma and informed by his religious vows and SVD constitutions. Despite recurring health problems, Fr Ludwik was always remarkably peaceful and prudent, always ready to sacrifice himself for others. His spirituality was based on Eucharist and great devotion to the Holy Spirit and His Spouse. In his martyrdom he gave credence to what he preached. His lifestyle greatly influenced his pupils and convinced many that he was indeed a saint.
    Błogosławiony Ludwik Mzyk jest pierwszym męczennikiem (utworzonej w 1935 roku) Polskiej Prowincji Zgromadzenia Słowa Bożego. Po ukończeniu studiów w Rzymie został mistrzem nowicjatu w Chudowie. Sylwetka o. Mzyka przedstawiona jest w trzech odsłonach: pierwsza ukazuje chronologicznie ważne etapy życia błogosławionego; druga akcentuje niektóre aspekty jego osobowości w relacjach interpersonalnych na bazie korespondencji, zwłaszcza z Przełożonym Generalnym Zgromadzenia ojcem J. Grendlem; trzecia przybliża jego profil duchowy, będący dobitnym odzwierciedleniem duchowości Zgromadzenia Słowa Bożego. Duchowość o. Mzyka była przede wszystkim osadzona na ślubach zakonnych i zachowywaniu Konstytucji Zgromadzenia. Mimo ciągłych problemów ze zdrowiem odznaczał się spokojem i rozwagą. Postać o. Ludwika emanuje zadziwiającą ofiarnością, darem siebie dla innych. Jego duchowość była oparta na Eucharystii oraz wielkiej czci Ducha Świętego i Jego Oblubienicy. Ojciec Mzyk heroiczną śmiercią męczeńską uwiarygodnił to, co głosił. Życie błogosławionego robiło wielkie wrażenie na jego wychowankach i przekonało wielu o jego świętości.
    Źródło:
    Nurt SVD; 2018, 1; 226-243
    1233-9717
    Pojawia się w:
    Nurt SVD
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Roma, 10 dicembre 1696, un funerale absente corpore: l’apparato effimero allestito nella chiesa di San Stanislao dei Polacchi in memoria della morte di Jan III Sobieski
    Rome, 10 December 1696, a symbolic funeral: decorations placed in the Polish church of St Stanislaus to commemorate the death of John III Sobieski
    Autorzy:
    Ceci, Francesca
    Powiązania:
    https://bibliotekanauki.pl/articles/33337235.pdf
    Data publikacji:
    2023
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Church of St Stanislaus
    Rome
    King John III Sobieski
    Sobieski medallion
    Carlo Barberini
    la chiesa di San Stanislao
    Roma
    Re Jan III Sobieski
    “Medaglione Sobieski”
    Opis:
    The Church of St Stanislaus the Bishop and Martyr in Rome is the national church of Poland, where the funeral ceremonies of Polish rulers were celebrated. After the death of King John III Sobieski, ceremonial symbolic obsequies were held. Carlo Barberini, as cardinal protector of Poland, organized public and expensive ceremonies to properly honour the king’s death. The course of the funeral service and the funeral decoration are known in detail through three contemporary printed reports and an engraving describing every aspect of the ceremony and the decoration of the church in honour of the Polish king. The church was decorated with six painted medallions celebrating important events in the life of King John III Sobieski. The surviving four of the six medallions are now kept at the Galleria Nazionale di Arte Antica in the Palazzo Barberini in Rome. In 2018, researcher Giovan Battista Fidanza found documents in the Barberini family archives regarding the cost of the ceremony. According to sources, the artist who made the six funerary oval paintings was Giacomo Wernele, which indicates an Italianization of the name Philip Jakob Wörndle. Currently, the state of preservation of the oval funerary canvases is poor. It is imperative to preserve the paintings in order to save them from destruction and make them available for museum display.
    San Stanislao dei Polacchi a Roma è la chiesa nazionale dove si svolgevano le commemorazioni funebri dei sovrani polacchi. Ciò avvenne anche per la morte del re Jan III Sobieski. Carlo Barberini, in qualità di cardinale protettore della Polonia, organizzò nella chiesa una imponente cerimonia per onorare adeguatamente la memoria del re. La funzione religiosa e il suo apparato decorativo sono noti in ogni dettaglio grazie a tre relazioni a stampa coeve e a un’incisione che ne descrivono ogni aspetto. La chiesa era anche ornata con sei medaglioni dipinti che esaltavano eventi importanti della vita del re. Incredibilmente, quattro dei sei medaglioni sono arrivati fino a noi. I “Medaglioni Sobieski” sono attualmente conservati nei depositi della Galleria Nazionale di Arte Antica di Palazzo Barberini a Roma. G.B. Fidanza (2018) ha trovato negli archivi della famiglia Barberini documenti relativi ai pagamenti effettuati per la cerimonia. In questi documenti, come artista dei sei tondi compare il nome “Giacomo Wernele”, italianizzazione del nome Philip Jakob Wörndle. Attualmente lo stato di conservazione delle tele è piuttosto scadente. Per evitare che vadano perdute per sempre, è necessario restaurarle con cura quanto prima e riportarle nelle loro cornici.  
    Źródło:
    Archiwa, Biblioteki i Muzea Kościelne; 2023, 120; 111-136
    0518-3766
    2545-3491
    Pojawia się w:
    Archiwa, Biblioteki i Muzea Kościelne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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