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    Wyświetlanie 1-7 z 7
    Tytuł:
    Ibsenov pharmakon: Sokrat i Stockmann
    Ibsen’s Pharmakon: Socrates and Stockmann
    Autorzy:
    Tomljenović, Ana
    Powiązania:
    https://bibliotekanauki.pl/articles/636222.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Ibsen
    Plato
    pharmakon
    democracy
    Opis:
    Although An Enemy of the People has always been one of Ibsen’s most popular plays, ibsenology often dismisses it as a revolutionary pamphlet and the critique of the tyranny of the compact majority and the mediocrity of parliamentary democracy. Instead of focusing on the conflict that arises between the Conservatives and the Liberals, minority and majority, I want to draw attention to Ibsen’s poetic revolt. Building on Derrida’s study of the pharmakon in the Phaedrus, I argue that Ibsen continues to investigate the conflict between the speaker and the listener, between the actor and the audience, between speech and writing.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 269-283
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Trebaju li čudovišta, mutanti i utvare glasati? Monstruozna hrvatska lirika i načelo demokratske jednakosti
    Should Monsters, Mutants, and Ghosts Vote? Monstrous Croatian Lyric and the Principle of Democratic Equality
    Autorzy:
    Vuković, Tvrtko
    Powiązania:
    https://bibliotekanauki.pl/articles/636224.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Croatian Lyric
    performativity
    monstrosity
    humanity
    democracy
    Opis:
    The paper starts from the assumption that Croatian modern lyric, from Matoš to Maleš, is haunted by various monsters, phantoms and mutants, and possessed by ghosts. Phantasmal hair speaks, the body changed by illness acquires autonomy, bird-men, space-twins and angels inhabit the humanized world, the dead seek eternity, the turtle measures itʼs own existence in relation to space and time, and Jesus-fish according to the degree of its own evolutionary transformation, while language cyborgs and hybrid beings are born. The lyric about monsters is itself a monstrous discourse. In this discourse human existence is necessarily contaminated by the abhuman and the parahuman, language includes its own mutations, and the encounter with meaning depends on the ultimate deformation, hybridization and disappearance of meaning. Thus, in the very center of our humanity, in the artistic form that determines the measure of the humanity of our community, questions about what is humane and inhumane, how to determine the boundary between them, and is not the general understanding of humanity always-already determined by oneʼs own inhuman or a-human are raised. Looking at a series of lyric texts, the paper will analyze these relationships and subsequently show their possible political and legal effects. I will refer to theoreticians who read the lyric as a linguistic event and performative type of utterance (J. Culler, P. de Man, B. Johnson, and others) and to thinkers who, to say it simply, perceive the ideas of equality, law and justice as phantasmal, mutated, scandalous or monstrous democracy (G. Agamben, J. Rancière, J. Derrida, J-L. Nancy and others).
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 285-301
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Knjiga za zombije. O programiranoj budućnosti i pisanju bez posljednje svrhe
    Zombie Book. On Programmed Future and Writing Without the Ultimate Purpose
    Autorzy:
    Paić, Žarko
    Powiązania:
    https://bibliotekanauki.pl/articles/636206.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    art
    democracy
    apocalypse
    Deleuze
    vision of transparency
    Opis:
    The article deals with the analysis of the relationship between art, literature, and democracy, starting with the interpretation of Deleuzeʼs reading of D.H. Lawrence, Apocalypse. It is shown that in the contemporary world we are faced with a radical turn of knowledge, values and ways of thinking. Instead of the word prophecy, the act becomes a vision of transparency that has its most powerful means in the logic of mass media interaction. Hence the image that precedes the world has the potential for transforming the idea of the Book into a post-apocalyptic era of visualization of objects. With the help of Deleuzeʼs concepts such as multitude, difference and becoming, the article focuses on the criticism of the democratic emptiness of the world from which the secret has disappeared, and there has been only writing for survivors, the Book for Zombies. Is this a metaphysical testament at the time when writing has nothing more to do with the reference framework of modern art, when a change in the society could still set goals and tasks?
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 173-189
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Simuliranje demokracije: emancipacija demokratske krize u esejistici Dubravke Ugrešić
    Simulating Democracy: Emancipation of Democracy Crisis in Dubravka Ugrešić’s Essays
    Autorzy:
    Marot Kiš, Danijela
    Powiązania:
    https://bibliotekanauki.pl/articles/635808.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Dubravka Ugrešić
    democracy
    ideology
    post-Yugoslav society
    exile
    Opis:
    One of the central notions of the post-Yugoslav literature is the status of democracy in national states formed after the breakup of Yugoslavia. From the perspective of the exile, not only as banishment, but also as a liberating outside view into the once common social, cultural and political space, the post-Yugoslav writers question the social democracy praxis in their former home states comparing it to the social practices in the states of their current residence. In her books of essays, Dubravka Ugrešić ironizes different forms of social ideology in Croatia from the beginning of nineteen-nineties. Her writing recognizes the standards of European democracy accompanied with the ideological view into the questions of social rights, religion and language as the stumbling block of modern society. Ugrešić describes democracy as a notion hiding different things: the praxis of ruthless capitalist exploitation, loss of media freedom, media manipulation, the censorship of corporate capitalism, production of lies, modern slavery... (Don’t take it personal, 2014), validating in her essays the importance of literature in disclosure of autocracy masked as democracy.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 101-116
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dobrovoljno ropstvo i totalitarnost u distopijskim romanima 20. stoljeća: Status književnosti u Vrlome novom svijetu, 1984. i Fahrenheitu 451
    Voluntary Servitude and Totalitarianism in Dystopian Novels of the 20th Century: Status of the Literature in Brave New World, 1984 and Fahrenheit 451
    Autorzy:
    Štahan, Matija
    Powiązania:
    https://bibliotekanauki.pl/articles/636220.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    democracy and totalitarianism
    voluntary servitude
    dystopian novels
    book burning
    Opis:
    The article thematises the relationship of the will to rule and the will to be ruled in the aforementioned dystopian novels by Aldous Huxley, George Orwell and Ray Bradbury. The first part of the article points out Hannah Arendt’s observations on the nature of totalitarianism, the second part deals with the similarities concerning the status of literature in the fictitious totalitarian societies represented in the three novels, whereas the final part exemplifies Arendtʼs views through Étienne de La Boétieʼs writings on “voluntary servitude”. The conflict between those who want to be ruled and those who want to be free reflects the clash of those who want to annihilate literature and those who want to preserve it.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 253-267
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Od devedesetih: aktivističke i artivističke prakse – hrvatski slučaj
    From the 1990s Onwards: Activist and Artivist Practices – the Case of Croatia
    Autorzy:
    Marjanić, Suzana
    Powiązania:
    https://bibliotekanauki.pl/articles/635810.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Igor Grubić
    Black Peristyle (1998)
    performance art
    independent scene in Croatia
    transition
    democracy of capital
    Opis:
    The article documents the relation of performance art, actions, interventions, happenings, and the democracy of capital for the ruling power through double optics. The first optics constitutes a niche within which art is treated as a crime, as in the case of e.g. the individual guerrilla action Black Peristyle (Crni Peristil) from 1998, the author of which was summoned for interrogation at the Department for Terrorism and War Crimes.The second optics constitutes a niche within the framework of which art engagingly views what is political, what is criminal, what is taking place in this Balkan planetarium of ours – thus demonstrating that personal is (indeed) political – on the example of the independent scene on the one hand (Močvara Club and ATTACK!; I only address the independent scene of Zagreb on this occasion), but also the concept of “Green Democracy” (whereby I used the syntagma by Vandana Shiva) on the example of the activist practice of Animal Friends, as well as the examples of the artistic practice of multimedia artist Ivan Mesek, who also sought to indicate the suffering of animals on the barbed wire (Hungarian-Croatian and Slovenian-Croatian borders). With the aforementioned examples from the niche of animal rights, I sought to document the refugee crisis on the Balkan Route through the optics of equalising speciesism (species-based discrimination) and racism.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 87-100
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Država u oceni Evropske unije. Primjer Bosne i Hercegovine
    The state in evaluation of the European Union. The example of Bosnia and Herzegovina
    Państwo w ocenie Unii Europejskiej. Przypadek Bośni i Hercegowiny
    Autorzy:
    Bujwid-Kurek, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/32335002.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Bosna and Herzegovina
    the state
    European Union
    democracy
    Bośnia i Hercegowina
    państwo
    Unia Europejska
    demokracja
    Opis:
    Za opšti cilj istraživanja rada je odgovor na pitanije — kako izgleda stanje Bosnе i Hercegovine u oceni Evropske unije. U vezi sa ovom analizom bila je podvrgnuta Rezolucija Evropskog parlamenta od 13. februara 2019.g. o izveštaju Evropske komisije o Bosni i Hercegovini za 2018.g. Treba naglasiti, da se svake godine, zemlja koja teži članstvu u Evropsku uniju podvrgava oceni Evropske komisije. Posebna pažnija posvećena je među drugim: stanju demokratije, vladovini zakona (prava), poštovaniju ljudskih prava i pojava korupciji, etnič[1]kim odnosima etc. U ovoj oceni izražene su mnoge rezerve u Bosni i Hercegovini. Generalno, može se reći da se ova država još uvek bori sa mnogim problemima koji je sprečavaju da uđe u EU i bude prepoznata kao država koja sprovodi prncipe demokratske države. U ovoj analizi naročito korišćen je istraživački metod: istraživanje slučaja i analiza primarnih izvora.
    Głównym celem artykułu jest znalezienie, na podstawie analizy źródłowej i studium przypadku, odpowiedzi na pytanie — jaka wygląda sytuacja Bośni i Hercegowiny w ocenie Unii Europejskiej. W analizie wykorzystano rezolucje parlamentu Europejskiego z 13 lutego 2019 r., dotyczącą raportu Komisji Europejskiej na temat BiH z 2018 r. Każdego roku państwo, które stara się o członkostwo w UE podlega takiej ocenie. Szczególnej ocenie poddane są m.in. stan demokracji, rządów prawa, respektowanie praw człowieka (dyskryminacja), zjawisko korupcji czy relacje etniczne. W ocenie parlamentu wyrażono rezerwę wobec sytuacji w BiH, stwierdzając, że państwo to nadal boryka się z wieloma problemami, dotyczącymi realizacji zasad demokratycznych, które oddalają je od perspektywy stowarzyszenia ze Wspólnotą.
    The main research goal of the article is the answer to the question — what is the condition of Bosnia and Herzegovina in the assessment of the European Union. Therefore the European Parliament Resolution of 13 February 2019 on the Commission report for 2018 on Bosnia and Herzegovina, which is currently the most up-to-date document on this issue, has It should be noted that systematically, every year, a country which aspires to EU membership is subjected to such an assessment. From here, we learn what problems stand in the way of EU membership. Any country that aspires to join the EU, such as Bosnia and Herzegovina, must meet certain conditions in accordance with the Copenhagen Criteria, which were adopted by the EU in 1993 in Copenhagen. Particular attention is paid to the state of democracy, the rule of law, respect for human rights and freedoms (discrimination), corruption, ethnic relations etc. In the assessment of the analyzed European Parliament Resolution, numerous reservations are expressed regarding Bosnia and Herzegovina. In general, it can be said that the country is still struggling with many problems that prevent entry into the EU and is seen as still not fully prepared because it faces many challenges. The article was created using the research method: cade study and analysis of primary sources.
    Źródło:
    Balcanica Posnaniensia Acta et studia; 2022, 29; 269-280
    0239-4278
    2450-3177
    Pojawia się w:
    Balcanica Posnaniensia Acta et studia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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