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Tytuł:
Gradišćanski Hrvati i gradišćanskohrvatski
Burgenland Croats and Burgenland Croatian
Autorzy:
Samardžija, Marko
Powiązania:
https://bibliotekanauki.pl/articles/635883.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Burgenland Croats
Burgenland Croatian
language codification
Burgenland literary Croatian
Opis:
The paper concerns the formation of the Croatian ethnic community in the Austro-Hungarian region in the 16th century, the author tracks the development of the literary language of the Croats in western Hungary since the 1750s and monitors establishing contacts with the literary language and orthography changes in Croatia in the second half of the 19th century. It was explained how the expressions Burgenland (Gradišće), Burgenland Croats (Gradišćanski Hrvati) and Burgenland Croatian language (gradišćanskohrvatski jezik) came to use after the first world war. The codification of Burgenland Croatian literary language is shown in 3 periods: 1. between the two world to the present. The main codification works (dictionaries, grammar books and orthography) in Burgenland Coratian literary language published after 1980s have been mentioned.
Źródło:
Poznańskie Studia Slawistyczne; 2015, 8
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Nije na pjesniku da se klanja kralju”. Pozicija disidenta u hrvatskoj teatrologiji – slučaj Ivšić
„It’s not on the Poet to Bow to the King”. The Dissident’s Position in Croatian Theatre Studies – the Ivšić Case
Autorzy:
Petranović, Martina
Powiązania:
https://bibliotekanauki.pl/articles/636106.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Radovan Ivšić
Croatian theatre
Croatian theatre studies
theatre historiography
dissident
Opis:
The paper discusses the position of Croatian playwright Radovan Ivšić in Croatian theatre historiography, before and after the independence of Croatia in the nineties. The research results point to three major phases in Ivšić’s reception in Croatian theatre historiography – the rejection, acceptance and canonization.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 6
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Europski uzori i hrvatski jezični priručnici u 18. stoljeću
Autorzy:
Košutar, Petra
Powiązania:
https://bibliotekanauki.pl/articles/678491.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Croatian 18th century lexicography
first grammar of Croatian
Croatian language handbooks in the 18th century
Opis:
European models for the Croatian language handbooks in the 18th centuryUntil the 19th century Croatian language handbooks, namely grammars, dictionaries and ortography books, were mostly bilingual and multilingual. Only at the begining of the 19th century was the first grammar of Croatian written in Croatian published, and in the second half of the same century the first monolingual dictionary – Academy’s Dictionary was published. The origin of this is not in the language itself. When writing these multilanguage handbooks, the authors followed domestic predecessors, as well as foreign. This work is an attempt to reveal those foreign language models that Croatian linguists in the 18th century followed and on the example of one metalexicographic theme – usage labels – to show development of Croatian 18th century lexicography within the European lexicography.
Źródło:
Studia z Filologii Polskiej i Słowiańskiej; 2013, 48
2392-2435
0081-7090
Pojawia się w:
Studia z Filologii Polskiej i Słowiańskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Protumodernost modernoga – pjesnički protusvijet Julija Benešića
Counter-Modernism of the Modern – the Poetical Counter-World of Julije Benešić
Autorzy:
Rogić Musa, Tea
Powiązania:
https://bibliotekanauki.pl/articles/636212.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Julije Benešić
free verse
Croatian modernism
Opis:
This article deals with the poetry of Julije Benešić (his collection Istrgnuti listovi – Torn Pages) in the context of Croatian modernist poetry based on three assumptions: the first, deductive one is that Benešić’s literary, literary-historical, theatrical and public personality is a potential metonymy of the entire Croatian culture of the first two decades of the 20th century; the second, literary-historical assumption is that the choice to use free verse can be read as a counter-modernist gesture against rationalism and structure of rhymed verse of Croatian modernist poetry; third, from the cultural-historical point of view, it is assumed that Benešić’s poetical profile is a reflection of his counter-modernist attitude that was shaped beyond the dominant poetical practices of modernism. The goal of this presentation is as much a cultural-historical as it is a literary-historical one, aimed at proving a thesis by which a small poetical contribution by Julije Benešić is synecdoche for the condition and the atmosphere of Croatian culture of the late modernism and the first interwar years. The notion of counter-modernism is historiographically restricted here and encompasses Benešić’s disputing statements in relation with the dominant paradigm in synchrony with the modernist period. The choice of free verse is understood as a statement of notion about the restraints of the poetics of rhymed verse of Croatian modernism. Since free verse was not part of the canon at the time, Benešić tried to use it to legitimize his own work and democratize the system of poetical competencies.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 221-235
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Trebaju li čudovišta, mutanti i utvare glasati? Monstruozna hrvatska lirika i načelo demokratske jednakosti
Should Monsters, Mutants, and Ghosts Vote? Monstrous Croatian Lyric and the Principle of Democratic Equality
Autorzy:
Vuković, Tvrtko
Powiązania:
https://bibliotekanauki.pl/articles/636224.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Croatian Lyric
performativity
monstrosity
humanity
democracy
Opis:
The paper starts from the assumption that Croatian modern lyric, from Matoš to Maleš, is haunted by various monsters, phantoms and mutants, and possessed by ghosts. Phantasmal hair speaks, the body changed by illness acquires autonomy, bird-men, space-twins and angels inhabit the humanized world, the dead seek eternity, the turtle measures itʼs own existence in relation to space and time, and Jesus-fish according to the degree of its own evolutionary transformation, while language cyborgs and hybrid beings are born. The lyric about monsters is itself a monstrous discourse. In this discourse human existence is necessarily contaminated by the abhuman and the parahuman, language includes its own mutations, and the encounter with meaning depends on the ultimate deformation, hybridization and disappearance of meaning. Thus, in the very center of our humanity, in the artistic form that determines the measure of the humanity of our community, questions about what is humane and inhumane, how to determine the boundary between them, and is not the general understanding of humanity always-already determined by oneʼs own inhuman or a-human are raised. Looking at a series of lyric texts, the paper will analyze these relationships and subsequently show their possible political and legal effects. I will refer to theoreticians who read the lyric as a linguistic event and performative type of utterance (J. Culler, P. de Man, B. Johnson, and others) and to thinkers who, to say it simply, perceive the ideas of equality, law and justice as phantasmal, mutated, scandalous or monstrous democracy (G. Agamben, J. Rancière, J. Derrida, J-L. Nancy and others).
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 285-301
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kontaktološka istraživanja germanizama u hrvatskome jeziku
Contactological Study of German Loan-Wwords in the Croatian Language
Autorzy:
Novak, Kristian
Štebih Golub, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/971336.pdf
Data publikacji:
2015
Wydawca:
Poznańskie Towarzystwo Przyjaciół Nauk
Tematy:
germanizmi
hrvatski jezik
kontaktologija
Germanisms
Croatian
Contactology
Opis:
There is a large number of German loan-words in the Croatian language, especially in its dialects, due to intensive political, economic and cultural connections between speakers of Croatian and German. AlthoughGerman loan-words have been topic of previous separate studies, there is still neither systematic and comprehensive study that would capture that layer of loan-words in the historical texts, in literary language and in local idioms, nor the dictionary of German loan-words in the Croatian language.Our paper gives a short survey of previous research of German loan-words in the Croatian language taking into consideration the extralinguistic reality (the attitude towards that layer of loan-words) as well as its span and scientific quality. An attempt is made to set the direction for further research in that area.
Źródło:
Gwary Dziś; 2015, 7; 191-200
1898-9276
Pojawia się w:
Gwary Dziś
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ponavljanje, parodija ili raspadanje prazne ploče magijskih performativa u hrvatskome suvremenome pjesništvu
Repetition, Parody or Disintegration of the Empty Plate of Magic Performatives in Croatian Contemporary Poetry
Autorzy:
Pinter, Kornelija
Sorel, Sanjin
Powiązania:
https://bibliotekanauki.pl/articles/635845.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
parody
repetition
alliteration
myth
Croatian modern poetry
Opis:
In the article, from different linguistic and literary theoretical perspectives, parodic function of anaphora is analyzed on samples of Croatian contemporary poetry. The aim is to present how a poem, especially one that is not from the contemporary lyric collection, is not a realization of „mythic time”, but in its rhythms and structures, where repetition is condition sine qua non of lyricism, it keeps a trace, a memory of the imaginary, of the myth which in speech revives what is hidden and suppressed. 
Źródło:
Poznańskie Studia Slawistyczne; 2013, 4
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Figura žreca u Dežmanovu „Ljutovidu”
Figure of Žrec in Dežman’s Ljutovid
Autorzy:
Brunčić, Dubravka
Powiązania:
https://bibliotekanauki.pl/articles/636120.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
discourse
magic
performative
Croatian epics
Ivan Dežman
Opis:
This article analyses a construction of figure of žrec in the introductory canto of historical epic Ljutovid written by Croatian romantic writer Ivan Dežman. Žrec is a religious-magical figure  which comprises  functions  of  priest, prophet  and  magician.  By  applying  reviewed readings of Austin’s speech acts theory, the article focuses on the performative dimension of žrec’s prophetic utterances, different types of prophetic speech and their effects of national integration. 
Źródło:
Poznańskie Studia Slawistyczne; 2013, 4
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jezični imperijalizam i politička korektnost
Autorzy:
Opačić, Nives
Powiązania:
https://bibliotekanauki.pl/articles/677524.pdf
Data publikacji:
2010
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Croatian language
linguistic imperialism
globalization
political correctness
Opis:
Language imperialism and political correctnessIn the times of general globalization, in its part that considers languages, especially the so-called small languages, we can talk not only about an uncontrolled inroad of mainly English words into all walks of life within a society, but also about elements of linguistic imperialism.That imperialism has come about through technology, not by arms and blazing swords, as was mostly the case in history. In addition, the USA – the exporting country of the above mentioned language-imperialistic phenomena around the world, is considered to be the cradle of the much advocated political correctness, which should include basic human rights, one of which is undoubtedly the right to a proper name.It could be argued whether this right is always respected: I will show some examples of proper names of immigrants who had to/wanted to renounce their names in order to be Americanized (‘‘cooked in the American melting pot’’). Thus, the Croatian Krešo became Chris, Eva is spelled Eve on the other side of the pond (pronounced /I:v/), and in the global (American) news Michael Stich, a German, is pronounced /majkl stits/, and so on.I will also provide an example of political correctness which is not far from sheer stupidity.Political correctness itself changes with time, which will be illustrated by the Croatian example Ciganin – Rom (Gipsy – Roma(ny)).
Źródło:
Slavia Meridionalis; 2010, 10
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Važnost kontrastivnog pristupa u poučavanju stranoga jezika – primjer ovladavanja hrvatskim za poljske govornike
The Importance of Contrastive Approach in Teaching a Foreign Language – an Example of the Acquisition of Croatian by Polish Speakers
Autorzy:
Kodrić, Ana
Vidović Bolt, Ivana
Powiązania:
https://bibliotekanauki.pl/articles/635770.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish students
Croatian as L2
interference
Opis:
This paper describes the experience of working with a homogeneous group of students, ages 18–25 years old, who studied Croatian as a first or a second foreign Slavic language. A few, isolated examples showcase analysis of errors recorded or documented in tests, dictations, and essays as well as oral and written communication with Polish students of Croatian language. The errors are mistakes that reflect interference, the similarities between the two languages. Given the limited space in this paper, we will not offer strategies or tips to avoid these mistakes effectively.
Źródło:
Poznańskie Studia Slawistyczne; 2013, 5
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Analiza utjecaja pet Porterovih sila na konkurentnost hrvatskih izvoznih poduzeća
The analysis of the influence of the five Porter forces on the competitiveness of Croatian export companies
Autorzy:
Maric, Kristijan
Powiązania:
https://bibliotekanauki.pl/articles/545039.pdf
Data publikacji:
2020-06-24
Wydawca:
European Business School Zagreb
Tematy:
pet Porterovih sila
globalna konkurentnost
konkurentnost Hrvatske
hrvatski izvoznici
five Porter forces
global competitiveness
Croatian competitiveness
Croatian exporters
Opis:
U ovom radu problematizira se konkurentnost hrvatskoga gospodarstva. U teorijskim poglavljima rada, na temelju sekundarnih izvora podataka prikupljenih „desk“ metodom (istraživanje za stolom), prikazana je konkurentnost hrvatskoga gospodarstva i koncept pet konkurentskih sila prema Porteru. U tu svrhu korištena je znanstvena i stručna literatura te Internetski izvori. Uz sekundarne, u radu su prikazani i primarni rezultati istraživanja, koji predstavljaju odgovore ispitanika prikupljene metodom internetske ankete. Ispitanike su predstavljali zaposlenici hrvatskih izvoznih poduzeća, a njihovi odgovori obrađeni su metodom deskriptivne statističke analize. S tim u vezi, cilj istraživanja u ovom radu predstavlja rangiranje utjecaja Porterovih pet sila na konkurentnost hrvatskih izvoznih poduzeća, što je provedeno statističkom analizom varijanci. Predmetno istraživanje tj. sekundarni i primarni podatci prikazani u ovom radu preuzeti su iz doktorske disertacije autora ovog rada.
This paper discusses the competitiveness of the Croatian economy. In the theoretical chapters of the paper, secondary data sources are based on and collected by the desk research method. These chapters present the competitiveness of the Croatian economy and the concept of five competing forces according to Porte. For this purpose, scientific and professional literature and Internet sources were used. In addition to the secondary ones, the paper also presents the primary results of the research, which represent the answers of the respondents collected by the method of an online survey. Respondents were represented by employees of Croatian export companies, and their answers were processed by the method of descriptive statistical analysis. In this regard, the aim of the research in this paper is to rank the impact of Porter’s five forces on the competitiveness of Croatian export companies, which was conducted by statistical analysis of variance. The subject of this research, with secondary and primary data presented in this paper, is taken from the doctoral dissertation of the author of this paper.
Źródło:
Obrazovanje za poduzetništvo - E4E : znanstveno stručni časopis o obrazovanju za poduzetništvo; 2020, 10, 1; 163-188
1849-7845
1849-661X
Pojawia się w:
Obrazovanje za poduzetništvo - E4E : znanstveno stručni časopis o obrazovanju za poduzetništvo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Usmenoknjiževni elementi u lektirnim djelima predmetne nastave
Autorzy:
Brala-Mudrovčić, Jasminka
Gračanin, Marija
Powiązania:
https://bibliotekanauki.pl/articles/1789185.pdf
Data publikacji:
2021-09-17
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
Croatian literature
oral literature
required reading
subject teaching
Opis:
U radu se istražuje zastupljenost usmene književnosti u lektirnim književnim djelima predmetne nastave hrvatskih autora, koja su propisana Nastavnim planom i programom za osnovnu školu i koja interferiraju s usmenom književnošću. Izdvajale su se interferencije na temelju strukture, teme i motiva, likova, jezične igre, zavičajnosti, usmenoknjiževnih oblika i dr. Dolazi se do spoznaja kako je usmena književnost poprilično zastupljena, a da su se interferencije najviše odvijale na temelju zavičajnosti i domoljubnosti, tema i motiva te usmenoknjiževnih oblika. Istraživanje je dokazalo da su elementi usmene književnosti čvrsto i duboko umetnuti u lektirna književna djela hrvatskih autora i da se ni u kom slučaju ne smiju smatrati perifernim elementima kao što je bilo dugo vremena na hrvatskoj književnoj sceni kada se usmena književnost sustavno zanemarivala.
The paper investigates the representation of oral literature in reading literary works of subject teaching by Croatian authors, which are prescribed by the Curriculum for primary school and which interfere with oral literature. Interferences were singled out on the basis of structure, theme and motives, characters, language game, homeland, oral literary forms, etc. It is realized that oral literature is quite represented, and that interferences mostly took place on the basis of homeland and patriotism, motives and oral literary forms. The research proved that the elements of oral literature are firmly and deeply inserted in the reading works of Croatian authors and that in no case should they be considered peripheral elements as was the case for a long time on the Croatian literary scene when oral literature was systematically neglected.
Źródło:
Literatura Ludowa; 2021, 64, 6; 52-66
2544-2872
0024-4708
Pojawia się w:
Literatura Ludowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kazališna hemeroteka – uvid u građu
The Theatrical Periodical and Newspaper Library in Zagreb – an Overview of Its Contents
Autorzy:
Maroshi, Drita
Powiązania:
https://bibliotekanauki.pl/articles/1068076.pdf
Data publikacji:
2021-02-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
theatrical periodical and newspaper library
article classification
critiques
Division of the History of the Croatian Theatre
Croatian Academy of Sciences (Zagreb)
Opis:
This paper aims to present the contents of the Periodical and Newspaper Library of the Croatian Academy of Sciences’ Division of the History of the Croatian Theatre from the 1921–1924, 1968– 1969, and 1989–1992 periods, i.e. on a sample of nine theatre seasons. It includes an overview of the newspapers and periodicals from which the Library’s contents originate as well as of the number of articles in each of the specified periods, i.e. theatre seasons. The research presented here encompasses 10,859 articles, which have been classified; data on the types of articles present in each period has been tabulated. Even though a comparison of results shows that the number of sources – i.e. newspapers and other periodicals from which the Library’s contents are gathered – was significantly reduced, this did not influence the larger deviations in the overall number of articles in the researched periods. The paper shows that authored articles – mostly critiques – are the predominant type in all the researched periods, offers an insight into the diversity and wealth of the Library’s contents, and refers to the differences and similarities regarding the types and prevalence of articles in the examined periods.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 19; 229-251
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prirodoslovno-umjetnička proza u hrvatskoj (dječjoj) književnosti
Natural-scientific Prose in Croatian [Childrenʼs] Literature
Autorzy:
Batinić, Ana
Powiązania:
https://bibliotekanauki.pl/articles/1890683.pdf
Data publikacji:
2021-09-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
natural-scientific prose
Carl Ewald
Ernest Thompson Seton
Croatian (childrenʼs) literature
Croatian natural-scientific prose authors (Hirtz, Špoljar, Juras-Ljubić, Šarić)
Opis:
Natural-scientific prose is characterized by a specific description of the natural world in which scientific information is fitted in the experience of nature and animal characters only partially or minimally anthropomorphized. The goal of this research is firstly to explore the presence and influence of foreign literary authors in the history of Croatian (childrenʼs) literature, who dedicated their literary work to this unique literary subgenre, such as a Danish journalist and writer Carl Ewald and an American-Canadian zoologist and literary author Ernest Thompson Seton. Furthermore, the aim of the paper was also to study the contribution of Croatian authors – Miroslav Hirtz, Zlatko Špoljar, Antica Juras-Ljubić and Vlatko Šarić – in this narrative form by methodologically relying on the insights of literary science and animal studies.
Źródło:
Poznańskie Studia Slawistyczne; 2021, 20; 195-214
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tragedija i optimizam, identitet i gluma: hrvatska feministička teatrologija
Tragedy and Optimism, Identity and Role-Playing: Croatian Feminist Theatrology
Autorzy:
Badurina, Natka
Powiązania:
https://bibliotekanauki.pl/articles/635610.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Croatian theatrology
Croatian feminist theory and criticism
performativity
tragedy
Lada Čale Feldman
Nataša Govedić
Dubravka Crnojević Carić
Suzana Marjanić
Branko Gavella
Opis:
The article outlines the last 20 years of Croatian feminist theatrology and its relation to national and Western theoretical currents, as well as to specific historical contexts. Appearing for the first time in the nineties, with Lada Čale Feldman’s analysis of contemporary women playwrights, Croatian feminist theatrology has developed rapidly. In 2001 a first overview of the discipline was written by the same author, in which the position of Croatian theatrology in relation to the Western theoretical mainstream was defined in postcolonial and gender terms as a self-conscious Other with hidden subversive potential. While most of the feminist theatrological works in the nineties were characterised by their opposition to the monolithic definition of the nation by pointing out its non homogeneous nature (for example, in Dubravka Crnojević Carić’s analysis of historical plays in national theatres), in the noughties new topics are introduced: theatre and performance as bodily experience, performativity (Judith Butler’s theory critically revisited by Lada Čale Feldman), multiple identity of the actress in her interchange with the audience, and ethical responsibility and social role of the theatrical event (Nataša Govedić). These topics develop previous theoretical issues and the personal concerns of their authors, as well as being a response to current national theatrical productions and to historical and political contingencies marked by the collective disenchantment of the post-transition age and new risks of repatriarchalisation. The idea of active participation in society in order to change and improve it (in particular by using the power of the theatre in countering social violence, as in the work of Nataša Govedić), is strictly connected to the ancient question of tragic predestination and the inevitability of misfortune, which introduces into Croatian theatrology the issue of the tragic worldview in feminist criticism and epistemology.
Źródło:
Poznańskie Studia Slawistyczne; 2016, 11; 43-54
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 31

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