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Wyświetlanie 1-2 z 2
Tytuł:
Mythos Rhythmos Halt, Fluss und Wiederkehr
Mythical rhythm in the field of tension between stillness, movement and the initial state
Autorzy:
Hotz, Arturo
Powiązania:
https://bibliotekanauki.pl/articles/464572.pdf
Data publikacji:
2013
Wydawca:
Akademia Wychowania Fizycznego we Wrocławiu
Tematy:
sports didactics
teaching movement
coordination abilities
rhythm
rhythmic
Opis:
The paper presents the author’s personal approach towards selected aspects of manifestation of one of the coordination abilities, namely rhythmization. Rhythm creates, orders and shapes spatial and temporal relationships. In motor action its impulse concentrates energy and adjusts it to the form of the movement. It is manifested in the form of timing. Timing controls rhythm, and rhythm develops timing. Rhythm maintains energy expenditure in a given direction and includes pulsating elements of imbalance of this state into it, thus creating cohesion of movement. Rhythm is the key to coordination functions. Also a well selected rhythm finally leads to coherent formation of fluent balance of movement. Besides, harmony serves cohesion and not the other way round. Cohesion. Comprehensive sense of rhythm leads to showing cohesion through orientation and as a result through diversifying integration. The concept of rhythm must be an individual scaffolding of the form of movement, thus becoming an anatomy of a motor action. Eventually, motor action is formed when it is possible to integrate the function and structure in the form of the technique of movement in such a manner that the form of movement presented constitutes a solution to the problem. Energy administered in time and space. Timing, the key competence of rhythmic formation of movement, determines its precision. Proper energy in time and point in space translates into economic control and fully dosed velocity of movement. Measure and tempo. To achieve free formation of motor activity through rhythm of stillness and movement, tempo sets an impulse as a drive to be used in determination of measure, and subsequently its maintenance. Thanks to the measure and pace, “learning through the rhythm” becomes a sensible principle in acquisition and use of movement as such, and not only formation of the movement with music. Fascination with balance in form. Fascination with balance in an alternating game between variants of the form and permanence of the essence is through openness (freedom) and limitation (safety) of the space still arranged again. The measurable nature (or not) of balance (or not) between safety (orientation) and freedom (formation) increases or decreases the intensity of their attractiveness. Rhythm as a personality. In the type of links and the manner of connecting the elements of fluidity a specific peculiarity of the fascinating rhythm is crystallized as a motor peculiarity. And finally: The importance of rhythm convinces [us] first through unanimity in orientation marked with function, subsequently by diversification in an organized combination of structure and finally also through creative integration to the task accentuated by situations and adjusting the technical form to its solution.
Źródło:
Rozprawy Naukowe Akademii Wychowania Fizycznego we Wrocławiu; 2013, 40; 7-13
0239-4375
Pojawia się w:
Rozprawy Naukowe Akademii Wychowania Fizycznego we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Phonetische Etüden – zwar im Grenzgebiet der Sprachforschung doch zur Überschreitung eigener Sprachgrenzen
Autorzy:
Żytyńska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/458675.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
phonetic etude
articulation etudes
stress etudes
rhythm etudes
fluency etudes
pronunciation training
didactics of the phonetics
phonetische Etüde
Artikulationsetüden
Akzentetüden
Rhythmusetüden
Geläufigkeitsetüden
Ausspracheschulung
Didaktik der Phonetik
Phonodidaktik.
Opis:
Phonetic Etudes – in the Border Area of the Linguistic Research, nevertheless for Exceeding of own Language Boundaries In the following article an attempt is made to use the etude as an exercise form by the pronunciation training, therefore to justify the introduction of phonetic etudes to the didactics of the phonetics, they have the potential to be useful und effective after all. The ‚etude‘ was originally thought as an instrumental musical composition, usually short concentrating on a technical problem, which often repeats and appears in sequences, designed to provide practice material for perfecting particular skills by playing musical instruments. However using etudes to exercise is recently not confined to the area of music,but it is expanded on the other fields of artistic creation, for example in the dramatic art as scenic etudes, in the painting as painted etudes or artistic etudes, in the cinematicart as film etudes or even in the literature as literary etudes.
Im vorliegenden Beitrag wird ein Versuch gewagt, die Übungsform ‚Etüde‘, welche ursprünglich als musikalisches Übungsstück gedacht wurde, im Bereich der Ausspracheschulung zu legitimieren, mithin die Einführung vom Konzept phonetischer Etüden bei der Didaktik der Phonetik zu begründen, und zwar am Beispiel des Deutschen. Etüde wird im Großen und Ganzen als ein Instrumentalwerk für ein Soloinstrument definiert, das dem Musizierenden zu größeren Fertigkeiten auf seinem Instrument verhelfen soll. Im Mittelpunkt steht ein kurzes spieltechnisches Problem, das häufig wiederholt und in Sequenzen auftritt. Neulich wird allerdings die betreffende Übungsform nicht nur auf den Bereich der Musik eingeschränkt, sondern auf andere Bereiche menschlichen künstlerischen Handelns ausgeweitet. Außer dem Instrumentspielen werden nämlich in Form von Etüden auch andere Fertigkeiten weiterentwickelt und perfektioniert wie z. B. Schauspielkunst in szenischen Etüden, Malkunst in Maletüden, Filmkunst in Filmetüden oder literarischer Stil in literarischen Etüden. Der vorliegende Beitrag versteht sich folglich als Plädoyer für das Konzept phonetischer Etüden und für ihren Einsatz bei der Ausspracheschulung, vor allem aber beim phonetischen Selbsttraining.
Źródło:
Linguistische Treffen in Wrocław; 2018, 14; 127-138
2084-3062
2657-5647
Pojawia się w:
Linguistische Treffen in Wrocław
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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