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Wyszukujesz frazę "Polish – Lithuanian commonwealth" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Der russische General und Gesandte Otto Heinrich von Igelström, die preußische Besetzung polnischen Gebiets und der Beginn des Kościuszko-Aufstands (1793–1794)
Russian General and Ambassador Otto Heinrich von Igelström in View of the Prussian Annexation of Polish Territories and the Outbreak of the Kościuszko Uprising, 1793–1794
Autorzy:
Anipiarkou, Vadzim V.
Powiązania:
https://bibliotekanauki.pl/articles/32388141.pdf
Data publikacji:
2023-12-31
Wydawca:
Towarzystwo Naukowe w Toruniu
Tematy:
Otton Heinrich Igelström
Russian-Prussian diplomatic relations
Second Partition
Polish-Lithuanian Commonwealth
Polish-Lithuanian military
Kościuszko Uprising
Opis:
The Second Partition of the Polish-Lithuanian Commonwealth was presented by the Russian Empress Catherine II as an involuntary concession to the Prussian King Friedrich Wilhelm II and proof of her pursuit of a lasting alliance with the Kingdom of Prussia. The falsehood of these claims, which also appear in historical scholarly publications, is exposed by the correspondence of Otto Igelström, the last Russian ambassador and, at the same time, chief commander of the Russian army in the pre-partition Polish-Lithuanian Commonwealth. This source material, previously unknown, was collected in Moscow at the Archives of Foreign Policy of the Russian Empire and the Russian State Archives of Ancient Documents and is the key to understanding relations between the neighbouring states that partitioned the Commonwealth. Igelström’s correspondence, in passages revealing both his own military projects and orders received from St Petersburg, demonstrates that Russia, contrary to its diplomatic rhetoric, saw the Second Partition as a step on the road to the expected armed conflict with Prussia. The Russians wanted to make the remaining territory of the Commonwealth, treated as a buffer zone, the theatre of this war. Since Prussia was regarded as a military rival, the partition was carried out so that the Russian Empire, rather than the Kingdom of Prussia, would be more prepared in case of a prospective war between the two countries. Igelström’s main objective was the immediate transfer of the majority of Polish-Lithuanian soldiers under the Russian command. These plans also demonstrate the Russian authorities’ disregard for the political costs of achieving their military objectives, including the threat of an outbreak of uprising in Poland.
Źródło:
Zapiski Historyczne; 2023, 88, 4; 39-65
0044-1791
2449-8637
Pojawia się w:
Zapiski Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Dante gleich – durchschritt ich die Hölle zu Lebzeiten“.1 Zygmunt Krasiński (1812–1859) – der polnische Dante
“Dante alike – I passed through hell during my lifetime”. Zygmunt Krasinski – The Polish Dante
Autorzy:
Trepte, Hans-Christian
Powiązania:
https://bibliotekanauki.pl/articles/52931642.pdf
Data publikacji:
2021-09-02
Wydawca:
Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
Dante Alighieri
comedy
Polish history
culture
literature
language
theatre
migration
romanticism
messianism
“Dantism”
“Dantology”
mythology
heaven
descent into hell
reception and perception
Polska
Italy
writers
artists
Polish-Lithuanian Commonwealth
Komödie
Geschichte
„Dantismus“
Romantik
Hölle
Kulturtransfer
(E)Migration
Rezeption
Wahrnehmung
Literatur
Kultur
Theater
Mythologie
Slawen
Polnisch-Litauische Adelsrepublik (Rzeczpospolita Obojga Narodów)
Schriftsteller
Opis:
Dante Alighieri plays an important role in Polish literature and generally speaking in the collective and individual memory and imagination of the Poles, too. That’s why we are dealing with a special kind of cultural, literary, artistic and linguistic expression with a strong impact on Polish affairs, called “Dantism”, comprising “Dantomania” as well as “Dantophobia”. Especially since the time of Romanticism Polish literature as well as culture and art were deeply influenced by Alighieri’s narrative drama The Divine Comedy (1308–1320), treated as a drama of “its own”. The Polish “Dantism” is also essential for the understanding of the philosophical and literary phenomenon of Polish messianism mainly within a threefold system: Heaven (God), Church, Evil which became a favorite theme of famous writers, poets, artists and painters up to the Polish theatre art in Poland. It was the descent into the netherworld of the last act of the Divine Comedy which fascinated a multitude of different literary works dealing not only with human beings involved in the eternal battle between God and Evil but also referring to the atrocities of two world wars, the holocaust, the two experienced totalitarian systems in the 20th century. That’s why many outstanding texts of Polish literature, art and theatre refer, cursorily, indirectly and directly so often to Dante and his Divine Comedy. In everyday Polish, the phrase “Dantesques scenes” (sceny dantejskie) became equivalent to “terrifying scenes”, “scary visions”, often combined with eternal topics like loneliness, tragedy of human existence, impossible love, human fears and nightmares. After a rather short stagnation due to stalinism in Poland with its hostile attitude towards “religious things”, also in literature and culture, we may speak of an outstanding and continuous presence of Dante in Poland in the shape of a widespread benevolent, critical and ultra-Catholic “Dantology” in a clear disproportion to the obvious presence of traditional “Dantism”.
Źródło:
Orbis Linguarum; 2021, 55; 599-608
1426-7241
2657-4845
Pojawia się w:
Orbis Linguarum
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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