Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "science–fiction" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-5 z 5
    Tytuł:
    Approche contrastive anglais-français de la création lexicale science-fictionnelle
    English-French contrastive approach to science fictional lexical creativity
    Autorzy:
    Ray, Alice
    Powiązania:
    https://bibliotekanauki.pl/articles/43665628.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    terminology
    science fiction
    translation
    lexical creation
    neologism
    contrastive analysis
    morphosyntactic structure
    Opis:
    Imaginary genres have always played with language and lexicon in order to build their worlds. The science fiction genre, in particular, creates a lexicon on the borderline between literary creation and scientific and technical terminology so the stories can be framed elsewhere or in the future. The translation of these invented words can be a real challenge for translators because of their very nature as hybrids, but also because of the science fictional megatext. The translation treatment from English into French of these neologisms, known as “fiction terms”, shows different strategies of lexical (re)creation. Following a terminological approach, this paper presents a contrastive analysis of lexical creation strategies and morpho- syntactic structures between the two languages on a list of science fictional terms from the audiovisual field and extracted from a corpus of science fiction novels.
    Źródło:
    Studia Romanica Posnaniensia; 2022, 49, 4; 125-143
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La controverse Doyère-Pouchet sur la reviviscence animale et ses échos dans L’Homme à l’oreille cassée d’Edmond About
    The Doyère-Pouchet debate on reviving animals and its echoes in Edmond About’s L’Homme à l’oreille cassée
    Autorzy:
    Sukiennicka, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/1048027.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    rotifers
    tardigrades
    reviving animals
    palingenesis
    Louis Doyère
    Félix-Archimède Pouchet
    Edmond About
    science-fiction novel
    Opis:
    Rotifers and tardigrades, microscopic animals discovered in the 18th century, have exceptional abilities to survive in hostile conditions. Exposing them to desiccation, extreme temperatures, and vacuum, scientists wanted to determine whether these animals die and revive, or whether they preserve a trace of life in these lethal conditions. The question of boundaries of life had been the subject of scientific controversy throughout the 19th century, an example of which was the debate between L. Doyère and F.-A. Pouchet in the late 1850s. Its echoes can be found in E. About’s science-fiction novel L’Homme à l’oreille cassée (1861), in which tardigrades’ ability to revive is extrapolated to humans.
    Źródło:
    Studia Romanica Posnaniensia; 2020, 47, 4; 77-90
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La transfiction fantastique, le fantastique transgénérique: Quelques remarques sur Une lumière entre les arbres de Jean-Pierre Andrevon
    Autorzy:
    Gadomska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2081179.pdf
    Data publikacji:
    2017
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Fantastic literature
    Jean-Pierre Andrevon
    transgeneric novel
    hybrid genre
    Science fiction
    gore
    techno thriller
    horror
    fear
    Opis:
    The French fantastic literature of the first half of the 19 century is a hybrid genre (theoretical works of Charles Nodier, Didier de Hauranne, Jean-Jacques Ampère, Walter Scott). Toward the second half and the end of the 19th century the pure fantastic appears and dominates over other genres. However, in the 20th century some French writers revive the fantastic hybrid mode of writing. This is the case of Jean-Pierre Andrevon and her transgeneric novel Une lumière entre les arbres. The presence and the constant mix of many genres (like the fantastic, the gore, the Science fiction, the techno thriller, the horror) within the same novel enriches this text and does not destroy the effect of the pure fantastic because the hesitation, the ambiguity and the playing with fear are clearly visible in the contents and the writing technique. The future of the fantastic is paradoxically related to the return of its past.
    Źródło:
    Kwartalnik Neofilologiczny; 2017, 1; 13-22
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Les anticipations courtes dans la presse française du XIXe siècle
    Short anticipations in French 19th century press
    Autorzy:
    Portes, Laurent
    Powiązania:
    https://bibliotekanauki.pl/articles/2053490.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    utopies
    dystopies
    fiction scientifique
    presse satirique française
    anticipation
    XIXe siècle
    utopias
    dystopias
    science-fiction
    French satirical press
    19th century
    Opis:
    Dans la presse française du XIXe siècle abondent les nouvelles de courte ampleur à caractère utopique. À l’examen, ces « courtes utopies » aux auteurs souvent méconnus ou demeurés anonymes (mais aussi parfois dues à des journalistes célèbres usant de pseudonymes), se révèlent des témoins de la pensée politique du moment : tantôt reflets de courants utopiques majeurs, tantôt extravagantes, parfois encore contre-pieds de la situation politique imposé par des régimes autoritaires, leur diversité doit interroger. Leur fréquente présence dans des almanachs populaires, leur parution dans la presse de pure distraction ou satirique (Le Charivari, Le journal amusant et Le journal pour rire en recèlent de riches gisements), leur juxtaposition fréquente à des illustrations amusantes sans visée politique, ou au contraire leur présence jusque dans la presse quotidienne politique les font légitimement entrer dans ce que l’on a appelé « la civilisation du journal ». 
    The 19th-century French press abounded in short stories of a utopian nature. On examination, these "short utopias", with authors often unknown or anonymous (at times due to famous journalists using pen names, turn out to be witnesses of the political thought of the moment: sometimes reflecting major utopian currents, sometimes extravagant, sometimes at odds with the political situation imposed by authoritarian regimes. Their diversity forces one to ask questions. Their frequent presence in popular almanacs, their publication in entertainment and satirical press (Le Charivari, Le journal amusant, and Le journal pour rire contain them in great numbers), their frequent juxtaposition to amusing illustrations without political aim, or on the contrary their presence even in the daily political press, legitimately make them enter what has been called "the civilization of the newspaper".
    Źródło:
    Quêtes littéraires; 2021, 11; 123-133
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fiction (post-)apocalyptique et usages critiques de l’histoire: "Malevil" (1972) de Robert Merle
    (Post)Apocalyptic Fiction and Critical Use of History: "Malevil" (1972) by Robert Merle
    Autorzy:
    Lévêque, Laure
    Powiązania:
    https://bibliotekanauki.pl/articles/2131040.pdf
    Data publikacji:
    2022-08-12
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Merle (Robert)
    anticipation
    post-apocalyptique (fiction)
    dystopie
    caverne (allégorie de la)
    histoire (sens de l’)
    science fiction
    post-apocalyptic (fiction)
    dystopia
    (allegory of the) cave
    history (meaning of)
    Opis:
    Marqué par les dérives d’un XXe siècle tombé dans les pires excès et dans l’horreur nue, Robert Merle, romancier humaniste et engagé, en vient à questionner l’humanité de l’homme. Chez cet écrivain populaire, cela passe par l’inscription dans les genres en vogue de l’anticipation ou de la dystopie où les dauphins Fa et Bi sont plus avisés que les humains (Un animal doué de raison, 1967), espèce qui ne mérite pas forcément de se perpétuer (Les hommes protégés, 1974). En 1972, avec Malevil, Merle sacrifie à la littérature post-apocalyptique et imagine qu’une catastrophe nucléaire a ramené l’homme à une condition primaire, situation qui lui sert à penser la crise politique et morale au cœur de la cité. Mais, au-delà de cette classique fonction révélatrice, l’heuristique de la crise confronte Merle aux points aveugles de son référentiel idéologique et le texte met finalement en crise jusqu’aux positions progressistes affichées par l’auteur, rabattant le roman sur les positions réactionnaires qu’un Barjavel développe dans Ravage (1943).
    Under the deep impression of the 20th century’s worst excesses and sheer horror, Robert Merle, an engaged, humanist novelist, comes to question the humanity of man. As a popular novelist he imprints this reaction on fashionable genres, such as science fiction and dystopia, in which dolphins Fa and Bi are more informed than the humans (An Animal Endowed with Reason/ The Day of the Dolphin 1967), a species that is not really worth perpetuating (The Protected Men/ The Virility Factor, 1974). In 1972, in Malevil, Merle veers towards post-apocalyptic fiction, imagining a nuclear catastrophe that has brought man back to a primary condition; it is a situation that allows him to conceive of the political and moral crisis at the heart of the city. Beyond this classical revealing function, though, the crisis heuristics brings Merle face to face with the blind spots of his ideological reference, so that the text eventually puts in a crisis situation the very progressive positions exhibited by the author, curbing the text to the reactionary positions of a Bajavel in Ravage/ Ashes, Ashes (1943).
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 1; 231-243
    1505-9065
    2449-8831
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Romanica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies