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    Wyświetlanie 1-3 z 3
    Tytuł:
    Si Griseldis m’était conté: entre attendrissement et enseignement
    The Griselda Story: between Tenderness and Teaching
    Autorzy:
    Loba, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1048481.pdf
    Data publikacji:
    2018-07-05
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Boccaccio
    Petrarch
    Philippe de Mézières
    medieval conduct literature for women
    emotions in literature
    Opis:
    My intention is to show in this article the role of emotions in the reception and dissemination of the Griselda story. Petrarch’s affective reactions to Boccaccio’s tale opened the path that many authors would pursue. I propose to trace the transition from the strange and confusing story to didactic and exemplary and explain the place of Griselda in courtesy literature addressed to women in the late Middle Ages.
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 1; 45-55
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’entrée à Jérusalem : un exercice de style (de la liturgie au jeu)
    The Entry to Jerusalem: an Exercise of Style (from Liturgy to Play)
    Autorzy:
    Mélou-Le Ferrand, Catherine
    Powiązania:
    https://bibliotekanauki.pl/articles/2015099.pdf
    Data publikacji:
    2021
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Medieval literature
    Christ’s Passion
    Didot manuscript
    theatre in Langue d’Oc
    entry to Jerusalem
    staging
    Opis:
    The first representations of the Passion of Christ in vernacular language mark an upheaval in liturgical codes. The entry to Jerusalem symbolises this change, as it is one of the most important episodes in the liturgy. It is a popular as well as a royal scene, and a scene of jubilation. It takes place outside the church where a procession has been organised. Through the text of one of the first Passions represented in the Langue d’Oc, namely the Didot manuscript of the Passion, we can see how the staging of the event takes place naturally, even—or especially—in the absence of precise stage directions. Amplification is a part of the game in which no rules are set; it merges with worship and offers devotees the opportunity to get involved in the story. The existing iconography, developed by artists since the 4th century, establishes the symbolic base on which the theatre can rely—costumes, sets and accessories. The very particular liturgy of this scene, celebrated during the Palm Sunday service, reinforces its theatricality and the acting (outside the church), as well as favouring a reversible character of the show. Hence, the spectator becomes an actor and the actor contemplates Christ. The stage directions, along with the absence of precise instructions, outline the codes, constraints and inventions of a nascent Passionist theatre.
    Źródło:
    Academic Journal of Modern Philology; 2021, 11; 127-134
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le Spill de Jaume Roig ou l’impossibilité du bon mariage
    Jaume Roig’s Espill, or the impossibility of a good marriage
    Autorzy:
    Gregori, Alfons
    Powiązania:
    https://bibliotekanauki.pl/articles/1050633.pdf
    Data publikacji:
    2015-12-11
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jaume Roig
    Medieval Catalan literature
    marriage studies
    gender studies
    exegetical reading
    Opis:
    Jaume Roig’s Espill constitutes one of the masterpieces in the history of Catalan literature. On the pages of the present article the attention will be put on one of its main thematic subjects, that is marriage, treated on the basis of a large perspective, whose goal will be to integrate the results of interdisciplinary analyses from the fields of anthropology, theology or cultural studies, in order to project an all-embracing view that will allow to configure the Spill’s signifiers polyhedron, which relies on its precious and singular textual ambiguity. In this frame and around the marriage’s core, the textual presence of sexuality marks, family relations and amor hereos will be analyzed in detail, for finally presenting a reading proposal of the main character’s matrimonial episodes from an exegetical sight.
    Źródło:
    Studia Romanica Posnaniensia; 2015, 42, 3; 39-57
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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