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    Wyświetlanie 1-6 z 6
    Tytuł:
    Sermo in adventu Domini : qui comprend le latin au IXe siècle en Italie du nord ?
    Sermo in Adventu Domini: Latin Comprehension in 9th Century Nothern Italy
    Autorzy:
    Płocharz, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/648615.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Patristics
    Late Latin
    Medieval Latin
    Sociolinguistics
    Christian Preaching
    Opis:
    The purpose of this article is to analyse an anonymous homily written in ninth century northern Italy. Linguistic analysis of the text strongly supports the hypothesis that this example and similar texts would have been understood by listeners of the era when read aloud. This comprehensibility is ensured above all by the fact that the Latin vocabulary and morpho-syntax of this text are based not only on the classical norm but on the late and patristic norms. Even if the listeners had only passive competence of the language, this proves that Latin was still widely understood in the ninth century.
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    Źródło:
    Collectanea Philologica; 2017, 20; 91-102
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La mémoire du Moyen Âge et Thomas Owen
    The Memory of the Middle Ages and Thomas Owen
    Autorzy:
    Ribémont, Bernard
    Powiązania:
    https://bibliotekanauki.pl/articles/1048737.pdf
    Data publikacji:
    2016-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Memory
    Fantasy
    Medievalization
    Medieval Culture
    « Troubadour »
    Courtly Love
    Opis:
    Thomas Owen is well-known as a master of the fantastic 20th century’s short stories. This genre is often influenced by the medieval fiction, in its atmosphere, ‘colour’ and moreover throught precise figures, situations and, sometimes, well specific works, specially arthurian. The case of Owen offers the particular interest of not really a rewriting or even a genuine reception but, supported by a knowledge of some texts, of a literary construction founded on the author’s appreciation of a ‘spirit of the Middle Ages’.
    Źródło:
    Studia Romanica Posnaniensia; 2016, 43, 4; 91-102
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le Spill de Jaume Roig ou l’impossibilité du bon mariage
    Jaume Roig’s Espill, or the impossibility of a good marriage
    Autorzy:
    Gregori, Alfons
    Powiązania:
    https://bibliotekanauki.pl/articles/1050633.pdf
    Data publikacji:
    2015-12-11
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jaume Roig
    Medieval Catalan literature
    marriage studies
    gender studies
    exegetical reading
    Opis:
    Jaume Roig’s Espill constitutes one of the masterpieces in the history of Catalan literature. On the pages of the present article the attention will be put on one of its main thematic subjects, that is marriage, treated on the basis of a large perspective, whose goal will be to integrate the results of interdisciplinary analyses from the fields of anthropology, theology or cultural studies, in order to project an all-embracing view that will allow to configure the Spill’s signifiers polyhedron, which relies on its precious and singular textual ambiguity. In this frame and around the marriage’s core, the textual presence of sexuality marks, family relations and amor hereos will be analyzed in detail, for finally presenting a reading proposal of the main character’s matrimonial episodes from an exegetical sight.
    Źródło:
    Studia Romanica Posnaniensia; 2015, 42, 3; 39-57
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Si Griseldis m’était conté: entre attendrissement et enseignement
    The Griselda Story: between Tenderness and Teaching
    Autorzy:
    Loba, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1048481.pdf
    Data publikacji:
    2018-07-05
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Boccaccio
    Petrarch
    Philippe de Mézières
    medieval conduct literature for women
    emotions in literature
    Opis:
    My intention is to show in this article the role of emotions in the reception and dissemination of the Griselda story. Petrarch’s affective reactions to Boccaccio’s tale opened the path that many authors would pursue. I propose to trace the transition from the strange and confusing story to didactic and exemplary and explain the place of Griselda in courtesy literature addressed to women in the late Middle Ages.
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 1; 45-55
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’entrée à Jérusalem : un exercice de style (de la liturgie au jeu)
    The Entry to Jerusalem: an Exercise of Style (from Liturgy to Play)
    Autorzy:
    Mélou-Le Ferrand, Catherine
    Powiązania:
    https://bibliotekanauki.pl/articles/2015099.pdf
    Data publikacji:
    2021
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Medieval literature
    Christ’s Passion
    Didot manuscript
    theatre in Langue d’Oc
    entry to Jerusalem
    staging
    Opis:
    The first representations of the Passion of Christ in vernacular language mark an upheaval in liturgical codes. The entry to Jerusalem symbolises this change, as it is one of the most important episodes in the liturgy. It is a popular as well as a royal scene, and a scene of jubilation. It takes place outside the church where a procession has been organised. Through the text of one of the first Passions represented in the Langue d’Oc, namely the Didot manuscript of the Passion, we can see how the staging of the event takes place naturally, even—or especially—in the absence of precise stage directions. Amplification is a part of the game in which no rules are set; it merges with worship and offers devotees the opportunity to get involved in the story. The existing iconography, developed by artists since the 4th century, establishes the symbolic base on which the theatre can rely—costumes, sets and accessories. The very particular liturgy of this scene, celebrated during the Palm Sunday service, reinforces its theatricality and the acting (outside the church), as well as favouring a reversible character of the show. Hence, the spectator becomes an actor and the actor contemplates Christ. The stage directions, along with the absence of precise instructions, outline the codes, constraints and inventions of a nascent Passionist theatre.
    Źródło:
    Academic Journal of Modern Philology; 2021, 11; 127-134
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’influence du Kitāb ahbār al-Nūba d’Ibn Sulaym al-Uswānī sur l’Histoire des églises et monastères d’Égypte d’Abū al-Makārim
    The influence of Ibn Sulaym al-Uswānī’s Kitāb ahbār al-Nūba on the History of churches and monasteries of Egypt by Abū al-Makārim
    Autorzy:
    Seignobos, Robin
    Powiązania:
    https://bibliotekanauki.pl/articles/484075.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
    Tematy:
    Ibn Sulaym al-Uswānī
    Abū al-Makārim
    al-Maqrīzī
    Medieval Nubia
    Arabic geography
    Copto-Arabic historiography
    textual history
    Opis:
    The Kitāb ahbār al-Nūba, written in the last quarter of the tenth century, and the History of churches and monasteries of Egypt (= HEME) composed in the late twelfth–early thirteenth century by Abū al-Makārim (and others), have long been recognised as the best-informed Arabic sources concerning Medieval Nubia. However, the textual relations between the two works have not attracted much attention in modern scholarship, despite the intriguing presence in both texts of seemingly similar descriptions. The aim of the present article is to investigate the nature of the link connecting the two accounts through a close comparison of the four passages that appear to be textually related.
    Źródło:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2019, 32; 199-216
    2084-6762
    2449-9579
    Pojawia się w:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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