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Wyświetlanie 1-2 z 2
Tytuł:
Byzantinisme et rationalité : Julien Benda et Constantin Tsatsos
Byzantinism and Rationality: Julien Benda and Constantine Tsatsos
Autorzy:
Arabatzis, George
Powiązania:
https://bibliotekanauki.pl/articles/938497.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek culture
Byzantinism
rationality
continuity
literary philosophy
Opis:
This article examines the concept of Byzantinism that Julien Benda employed in his book La France Byzantine. In the fin-de-siècle European sensibility, Byzantinism was transferred from political to literary level, but Benda created an epistemological break when he asserted in his book that Byzantinism is literature in its normal function. Furthermore, of Byzantinist character is especially the modern literature (e.g. Valéry or Mallarmé). Thus, labeling modern literati as Byzantinist writers served as a critical tool for Benda, who condemned the degradation of modern intellectuals into clerks. This transformation of literary normality affected also pure thought as is manifested in the ambiguous manner of expressing their ideas by modern thinkers (this being a mixture of idealism and apocryphal thinking, which renders ideas rather abstractions than instruments of rationality). An example of such a Byzantinist use can be found in the manner Emmanuel Levinas exploited Husserl’s phenomenology. Finally, Benda engaged in a discussion with Paulhan’s view that literary philosophy is a form of critical terror. The position of Benda is that of a rationalist, whereas Paulhan is a thinker who focuses on the use of language. For Constantine Tsatsos (1899–1987), on the other hand, a Greek philosopher and author of a philosophical novel entitled Dialogues in a Monastery (1974), the Byzantine moment is a part of great continuity of Greek culture, which is characterized by various structures in its period of long duration. One of these is the synthesis of Hellenism and Christianity that can be seen in Byzantium, where the transposition of the philosophical (Platonic) Eros to the mystical one plays a major role. This development is of paramount importance not only for the whole European culture but also for all questions of beauty and morality. The present paper concludes with a brief discussion of Richard Rorty’s account of pragmatic reason, which makes it possible to show how contemporary philosophy can be placed in the context of the debate about Byzantinism.
Źródło:
Peitho. Examina Antiqua; 2017, 8, 1; 423-446
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Culture spots, conflict spots in La Conquérante (1943) by Roberta Brasillach
Autorzy:
Tame, Peter
Powiązania:
https://bibliotekanauki.pl/articles/606093.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Kollaboration
Kolonialismus
Konflikt
Kultur
Imperium
Welt der Fantasie
literarische Isotopie
Ort/Orte
Besetzung
Eigentum
Roman
Collaboration
colonialism
conflict
culture
empire
imagination world
literary isotopism
place/places
occupation
property
novel
Kolaboracja
kolonializm
konflikt
kultura
imperium
świat wyobraźni
izotopia literacka
miejsce/miejsca
okupacja
własność
powieść
Коллаборация
колониализм
конфликт
культура
империя
мир воображения
литературная изотопия
место/места
оккупация
собственность
повесть
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
In 1943, Robert Brasillach wrote a novel entitled La Conquérante. It was intended to be a fictional eulogy of French colonial pioneers in Morocco in 1912. Given his commitment to Vichy’s wartime policy of collaboration, the novel turned out to be an epitaph for the loss of asignificant part of the French Empire. This article proposes a taxonomy of places and spaces in the novel, together with an analysis of their function and how they interact with the characters. It introduces a new concept of isotopias, or fictional transformations of places in literature. It concludes that, although written in the ‘mode’ of possession, the novel proved paradoxically to be the swansong of a new and dispossessed mother-country.
Le numéro contient uniquement les résumés en anglais.
Tom zawiera abstrakty tylko w języku angielskim.
Том не содержит аннотаций на английской языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2015, 39, 1
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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