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Wyświetlanie 1-15 z 44
Tytuł:
La traduction littéraire qui n’est pas que la traduction. Sur les enjeux traductologiques au Canada
Literary translation that is not just a translation. About translation issues in Canada
Autorzy:
Warmuzińska-Rogóż, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1053759.pdf
Data publikacji:
2020-12-28
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
literary translation
Canada
literary prize
Nancy Huston
Jacques Brault
Opis:
The article aims to take a close look at the literary relations between English- and French-speaking Canada. Among different possibilities, the author analyzes specific cases concerning literary prizes, in particular winners of the Governor General’s Prize in the category of translation. As it is one of the most prestigious awards in Canada, it undoubtedly conditions the reception of a literary work, being a symbol of prestige. The choice of the jury can sometimes seem surprising or even confusing, as it was the case of Nancy Huston or Jacques Brault who won the prize in the category of translation. Without a doubt, the specificity of the translation à la canadienne goes beyond any distinctions and descriptions and – being also a political issue – revolts against all control and all interference.
Źródło:
Romanica Silesiana; 2020, 18, 2; 73-85
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
«Petites difficultés » de traduction et la volonté de rester francophone en Amérique du Nord
Petites difficulties of translation and the wish to become a francophone in North America
Autorzy:
Merkle, Denise
Powiązania:
https://bibliotekanauki.pl/articles/1052672.pdf
Data publikacji:
2017-12-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Acadian literary history
Francophone
Opis:
This article outlines briefly Acadian literary history in New Brunswick from 1970 to the present and concentrates on four writers: A. Maillet (La Sagouiné), R.G. LeBlanc ("Je suis Acadien"), G. Leblanc (Moncton Mantra) and F. Daigle (Petites difficultés d'existence). Their work is marked by the portrayal of sociolinguistic conflict between minority French and dominant English in Canada. We attempt to determine the consequences of this conflict on the translation of the works into English. Each literary presentation is followed by a short analysis of the respective translated passage taken from La Sagouine (L. de Céspedes), "I am Acadian" (F. Cogswell/J.-A. Elder), Moncton Mantra (J.-A. Elder) and Life's Little Difficulties (R. Majzels).
Źródło:
Studia Romanica Posnaniensia; 2008, 35; 209-225
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Unités Phraséologiques Au Pays De La Traduction: Transfert Des Collocations Nomino-adjectivales Avec Le Lexème « Femme » Dans La Traduction De La Littérature Houellebecquienne Du Français Vers L’italien Et Le Polonais
Phraseological units in the land of translation: the transfer of the nomino-adjectival collocations based on ‘femme’ in the translation of Houellebecqian literature from French into Italian and Polish
Autorzy:
Golda, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/2120003.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
phraseology
collocation
translation
literary translation
Houellebecq
Opis:
The present paper examines the transfer of nomino-adjectival collocations based on the word ‘femme’ (‘woman’) in the literary translation from French into Italian and Polish. The lexical connection analysed in the article can be defined as the habitual juxtaposition of a word with another word (or words) that has a significant frequency in a given language. The research corpus comprises seven Michel Houellebecq’s novels written originally in French and their Italian and Polish versions. The theoretical part of the paper aims to present phraseotranslation and phraseotraductology, which are the new subbranches in phraseology. Then, the empirical part proposes the analysis of techniques used in transferring collocations.
Źródło:
Linguistica Silesiana; 2022, 43; 173-193
0208-4228
Pojawia się w:
Linguistica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Byzantinisme et rationalité : Julien Benda et Constantin Tsatsos
Byzantinism and Rationality: Julien Benda and Constantine Tsatsos
Autorzy:
Arabatzis, George
Powiązania:
https://bibliotekanauki.pl/articles/938497.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek culture
Byzantinism
rationality
continuity
literary philosophy
Opis:
This article examines the concept of Byzantinism that Julien Benda employed in his book La France Byzantine. In the fin-de-siècle European sensibility, Byzantinism was transferred from political to literary level, but Benda created an epistemological break when he asserted in his book that Byzantinism is literature in its normal function. Furthermore, of Byzantinist character is especially the modern literature (e.g. Valéry or Mallarmé). Thus, labeling modern literati as Byzantinist writers served as a critical tool for Benda, who condemned the degradation of modern intellectuals into clerks. This transformation of literary normality affected also pure thought as is manifested in the ambiguous manner of expressing their ideas by modern thinkers (this being a mixture of idealism and apocryphal thinking, which renders ideas rather abstractions than instruments of rationality). An example of such a Byzantinist use can be found in the manner Emmanuel Levinas exploited Husserl’s phenomenology. Finally, Benda engaged in a discussion with Paulhan’s view that literary philosophy is a form of critical terror. The position of Benda is that of a rationalist, whereas Paulhan is a thinker who focuses on the use of language. For Constantine Tsatsos (1899–1987), on the other hand, a Greek philosopher and author of a philosophical novel entitled Dialogues in a Monastery (1974), the Byzantine moment is a part of great continuity of Greek culture, which is characterized by various structures in its period of long duration. One of these is the synthesis of Hellenism and Christianity that can be seen in Byzantium, where the transposition of the philosophical (Platonic) Eros to the mystical one plays a major role. This development is of paramount importance not only for the whole European culture but also for all questions of beauty and morality. The present paper concludes with a brief discussion of Richard Rorty’s account of pragmatic reason, which makes it possible to show how contemporary philosophy can be placed in the context of the debate about Byzantinism.
Źródło:
Peitho. Examina Antiqua; 2017, 8, 1; 423-446
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Ici rien n’est vert. Ici rien n’est végétal. Ici rien n’est vivant » : l’hiver dans les témoignages des camps de concentration
“Here nothing is green. There is no vegetation. Here nothing is alive”: winter in the testimonies of concentration camps
Autorzy:
Teklik, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1368150.pdf
Data publikacji:
2021-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
concentration camps
weather conditions
winter
literary testimonies
Opis:
For the prisoners of the concentration camps winter with its seasonal attributes as the icy cold or snow is more than a meteorogical phenomenon. The arrival of winter not only announces the annihilation of the prisonners, but also and perhaps above all their dashing and the unspeakable suffering to come out. In this paper we wish to study in the light of such authors as Robert Antelme, Charlotte Delbo, Primo Levi, David Rousset and Jorge Semprún how the hard weather conditions are able to redraw the space and the prisoners’Horizon of despair.
Źródło:
Studia Romanica Posnaniensia; 2021, 48, 1; 93-103
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Permissivités des grands topoï romanesques dans l’œuvre de Boualem Sansal
The use of literary topoï in Boualem Sansal’s novel work
Autorzy:
Romain, Lisa
Powiązania:
https://bibliotekanauki.pl/articles/1368282.pdf
Data publikacji:
2021-03-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Francophone Algerian novel
literary topoi
fiction role
Opis:
Being an author whose main struggle has been to track down relentlessly ready-for-use thought structures, the use of literary topoï is far from being self-evident for Boualem Sansal. That’s why the appearance of a topos in his novels is always the sign of a thoughtful aesthetic and ethic choice. Thus, great literary topoï of 17th and 18th centuries novels embodies, in his mind, the golden age of a fully potent fiction. Dealing with a harsh reality and expected to complete french readership expectations of documentary sources, Boualem Sansal’s work constantly intends to reassert the role of a fiction that has been too much tamed, for him, in modern literary aesthetics. That’s the way we can understand his occasional but meaningful use of topoï.
Źródło:
Romanica Silesiana; 2019, 16, 2; 229-238
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Madeleine Blais-Dahlem et sa vision de l’autotraduction
Madeleine Blais-Dahlem and her vision of self-translation
Autorzy:
Czubińska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1053627.pdf
Data publikacji:
2020-12-28
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
self-translation
bilingualism
literary translation
French Canadian literature
Opis:
Nowadays self-translation remains a frequent practice in the literary field in Canada. A close reading of the self-translations done by Canadian writers such as Nancy Houston, Marco Micone or Patrice Desbiens allows to discover each author’s own vision of self-translation as a creative process. The aim of the paper is to determine, through a comparative analysis of excerpts from the two language versions of the play La Maculée/sTain (2012) and the latest bilingual novel La voix de mon père / My Father’s Voice (2015) by Fransaskois playwright Madeleine Blais-Dahlem, to what extent her self-translating practice guides the reading of the text. Examiningthe back and forth between the two versions of the same work will allow to delve deeper into the subject of the identity and privileged status of the translator (Tanqueiro 2009: 109, Saint 2018: 120), but also into the role and skills of the receiver of Madeleine Blais-Dahlem’s bilingual writings.
Źródło:
Romanica Silesiana; 2020, 18, 2; 46-60
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« De la bêtise et du conformisme » comme forme de stéréotype dans la littérature de Belinda Cannone
“The notion of bêtise and conformism” as a form of stereotype in Belinda Cannone’s literature
Autorzy:
Malela, Buata B.
Powiązania:
https://bibliotekanauki.pl/articles/1368329.pdf
Data publikacji:
2021-03-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
French literature
conformism
stereotype
literary discourse
Belinda Cannone
Opis:
In this paper, our analysis will focus on the concept of stereotype based on the notion of “bêtise” (stupidity) that French essayist and novelist Belinda Cannone deplores. We will study how she rethinks the “bêtise”, after Flaubert who defined it as the art of wanting to conclude. In La bêtise s’améliore (2007) Cannone gives the example of Flaubert, making the “bêtise” the doxa that touches all areas of social life. The central element of “bêtise”, according to Belinda Cannone, remains in many respects conformism. It is a question of seeing how, in Cannone’s discourse, these two notions – “bêtise” and conformism – are articulated and allow her to redefine her ethos of the engaged intellectual in the public space.
Źródło:
Romanica Silesiana; 2019, 16, 2; 262-272
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The place of a woman on the literary scene. The strategies of legal validation
Autorzy:
Barthelmebs-Raguin, Hélène
Powiązania:
https://bibliotekanauki.pl/articles/606109.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
women in literature, literary history, feminine writing, writing startegies, terminology
Women in literature, Literary History, Feminine writing, Writing startegies, Terminology.
Opis:
Der Artikel enthält Zusammenfassungen nur in Englisch und Französisch.
In the line of recent studies (Reid, 2010; Planté, 2003), this contribution deals with the place of the feminine authors in the French literary canon and with the status of author. This political question also raises questions about the corpus’ construction of the classics of the literature which are taught and serve as references in literary studies. If women represent approximately 50 % of the world’s population, they are far from proportionally representing in literature. Thus, the scarcity of women in Literary History will be at the center of our preoccupation, and we will endeavor to show how societies have influenced the representation of women in literature, and how feminine authors have denunced the image of inequalities between men and women in their works.
L'article ne contient que des résumés en anglais.
Źródło:
Lublin Studies in Modern Languages and Literature; 2019, 43, 1
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La trilogie du grand malentendu de Yasmina Khadra : implication plurielle des héros khadraïens
The Trilogy of Great Misunderstanding by Yasmina Khadra - Khadras Characters Plural Involvement
Autorzy:
PAWLICKI, JĘDRZEJ
Powiązania:
https://bibliotekanauki.pl/articles/466130.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Artes Liberales
Tematy:
Yasmina Khadra
literary contamination
violence
clash of civilizations
Opis:
Au début du XXIe siècle, Yasmina Khadra (pseudonyme littéraire de l’écrivain algérien Mohammed Moulessehoul) a publié une série de romans sur les régions conflictuelles du monde contemporain, connue sous le nom de la trilogie du grand malentendu1. Dans Les hirondelles de Kaboul, L’attentat et Les sirènes de Bagdad, il a décrit les conditions propices au déclenchement de la violence et a analysé le phénomène du choc des cultures vécu par le monde arabo-musulman et l’Occident.
Źródło:
Planeta Literatur. Journal of Global Literary Studies; 2014, 1. Europe - Maghreb: exchanged glances / L'Europe et le Maghreb: les regards croisés; 103-122
2392-0696
Pojawia się w:
Planeta Literatur. Journal of Global Literary Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le Grand Meaulnes d’Alain-Fournier. Un problème de flou artistique
Autorzy:
Jacques, Georges
Powiązania:
https://bibliotekanauki.pl/articles/1953807.pdf
Data publikacji:
2005
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
wyobraźnia
impresjonizm literacki
narratologia
imaginary
literary impressionism
narratology
Źródło:
Roczniki Humanistyczne; 2005, 53, 5; 15-27
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’hybridité de la lettre galante, ou la transgression innovante
The gallant letter, or the fruitful abundance of transgression
Autorzy:
Van Assche, Astrid
Powiązania:
https://bibliotekanauki.pl/articles/483713.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Seventeenth-century letter writing
sociability
literary hybridity
gallant letter
Opis:
This essay concentrates on early modern expressions of literary hybridi-ty in the 17th-century gallant letters of Vincent Voiture (1597-1648), Charles Cotin (1604-1681) and Antoine Godeau (1605-1672), circulating in the Parisian salon L’Hôtel de Rambouillet. Firstly, we look at the hybridity of the letter form an sich, within the context of salon sociability and early gallantry. Secondly, we study the mul-tiplicity of both the authorial voice and the audience of the gallant letter. Thirdly, we highlight the intriguing exchange between genres within the gallant letter, as well as their confrontation and, finally, cross-fertilisation. This tripartite case study sub-stantiates our conviction that literary hybridity functions as an intriguing indicator and catalyst of literary evolution and creation.
Źródło:
Quêtes littéraires; 2016, 6; 9-17
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Flaubert et la caricature : l’exigence de la modernité
Flaubert and caricature: the demand for modernity
Autorzy:
Poyet, Thierry
Powiązania:
https://bibliotekanauki.pl/articles/1038082.pdf
Data publikacji:
2020-12-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Flaubert
réalisme
engagement
modernité littéraire
realism
writer engagement
literary modernity
Opis:
Quelquefois caricaturé par ses contemporains, Flaubert suscite les réactions dans l'outrance, lui qui ose dans sa Correspondance abonder dans la caricature selon ses humeurs et ses opinions en excellant dans l'hyperbole et l ’emphase. Un mot de son cru le résume : « hénaurrrme ». Au demeurant, ses personnages les plus mémorables sont des caricatures : de l'amour avec Emma, de la bêtise avec Bouvard et Pécuchet, de la bonté avec Félicité d'Un Cœur simple… Dans la fabrique flaubertienne, l'incarnation est intrinsèquement liée à la déformation, elle-même dégradée en parodie. Car la caricature chez Flaubert est partie prenante d'une pensée nihiliste : le romancier participe d'une déconstruction généralisée de la société bourgeoise par une caricature évidemment politique même si l'écrivain se défend d ’utiliser l'œuvre comme une tribune, au nom de l'autotélisme de l'art. Au fond, c'est la modernité de Flaubert qui justifie le goût et l'usage de la caricature.
Caricatured at times by his contemporaries, Flaubert provokes extreme reactions. In his Correspondence, he dares to present a plethora of caricatures which suit his moods and his opinions, excelling in hyperbole and emphasis. A word of his own summed it up: « hénaurrrme ». Besides, his most memorable characters are caricatures: Emma – of love, Bouvard and Pécuchet – of stupidity, Félicité of Un cœur simple – of kindness. In Flaubert’s factory, the incarnation is intrinsically linked to deformation, itself degraded into a parody. Because the caricature in Flaubert is part of a nihilistic thought: the novelist participates in a general deconstruction of bourgeois society by an obviously political caricature even if the writer refrains from using the work as a platform, in the name of “autotelism” of art. Basically, it is Flaubert’s modernity that justifies his taste and the use of caricature.
Źródło:
Quêtes littéraires; 2020, 10; 66-77
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les métamorphoses de la critique littéraire : le cas des Grands Rhétoriqueurs
Autorzy:
Szeliga, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/1195583.pdf
Data publikacji:
2020-11-03
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
poésie
critique littéraire
renaissance
rhétoriqueurs
Puy
poetry
literary criticism
rhetoric
Opis:
L’analyse de l’attitude des critiques à l’égard de la poésie des Grands Rhétoriqueurs permet d’observer les changements intervenus au sein de l’histoire littéraire. Longtemps méprisés et pratiquement exclus de la liste des poètes importants, les Rhétoriqueurs ont enfin su gagner la bienveillance des chercheurs et retrouver, dans la seconde moitié du XXe siècle, leur place dans l’histoire de la littérature française. Ce changement notoire stimulé de nouvelles recherches dans des champs de la littérature complètement oubliés jusqu’alors.
The analysis of the attitude of the critics towards the poetry of the Grands Rhétoriqueurs allows us to observe the changes that have occurred within literary history. Long despised and practically excluded from the framework of important poets, the Rhétoriqueurs finally won over the benevolence of researchers and in the second half of the 20th century, they found their place in the history of French literature. It was a noticeable change that spurred new research into previously forgotten fields of literature.
Źródło:
e-Scripta Romanica; 2020, 8; 125-136
2392-0718
Pojawia się w:
e-Scripta Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Raconter pour témoigner: la guerre et l’Occupation dans le champ littéraire belge au sortir du second conflit mondial
To narrate in order to give evidence: the war and the occupation in the Belgian literature of a direct Post-War period
Autorzy:
Teklik, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1051522.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Belgium
World War Two
Concentration camp
Literary testimonies
Arthur Haulot
Opis:
Over the period directly following the Second World War, continuity and discontinuity were closely interwoven in the Walloon literature. From one hand, esthetic models from Interwar period were still present and no novel concepts appeared in the writings of Walloon authors. From the other, however, a large number of new State-run institutions were inaugurated. The hardships suffered during the war, seen mainly as an instance of disruption, are abundantly described in literary works, especially in testimonies. It is in this context that Arthur Haulot, Belgian poet and novelist, made prisoner and taken to Dachau, created his literary poignant output. His writings are marked by harsh experiences undergone in camps.
Źródło:
Studia Romanica Posnaniensia; 2012, 39, 1; 60-67
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 44

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