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Tytuł:
Renouvellement du personnage de la sorcière dans le roman pour la jeunesse
The Character of Witch Revised in Novels for Teenagers
Autorzy:
Hubert, Marie-Claude
Powiązania:
https://bibliotekanauki.pl/articles/1368183.pdf
Data publikacji:
2021-06-29
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
witch
feminism
emancipation
identity
stereotype
Opis:
There are many publications on witches both in children’s literature and in scholarly essays. Mona Chollet’s Witches, the Undefeated Power of Women explains that the word has become an emblem of feminism. This article offers a comparative analysis of several recent novels, based on the latter’s thesis, whose aim is to examine how the witch character is constructed, how the authors treat historical data (healer witch, witch-hunt, stake, etc.) and how they renew this character regarding certain issues (identity, transmission, emancipation, etc.). Are the witches of children’s novels carrying feminist demands for young readers?
Źródło:
Romanica Silesiana; 2021, 19, 1; 80-92
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le plat pays vallonné ou comment se déconstruit et se reconstruit le stéréotype paysager de la Belgique
The Flat, Rolling Country, or How the Stereotype of Belgian Landscape is Being Deconstructed and Reconstructed
Autorzy:
Zbierska-Mościcka, Judyta
Powiązania:
https://bibliotekanauki.pl/articles/1368339.pdf
Data publikacji:
2021-02-23
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
landscape
stereotype
identity
Belgian literature
Opis:
Landscapes, just like stereotypes, should be perceived as mental constructions. They appear in literature as indispensable tools in the development of identity, both collective and individual. The present paper traces the evolution of this construction and its different uses changing with time: from the emergence of the Belgian literature (and Belgium) to the present days. Literary examples used in the paper refer, among others, to the works by Gautier, Verhaeren, La Garde, Gevers, Masson, Rolin, Bertrand, Delaive and Gunzig.
Źródło:
Romanica Silesiana; 2019, 16, 2; 168-178
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le personnage en quête d’identité dans les romans de Patrick Modiano: à la recherche du passé, du temps, du Paris d’antan
Postać na tropie tożsamości w powieściach Patricka Modiano: w poszukiwaniu czasu, przeszłości, dawnego Paryża
Autorzy:
Uliasz, Edyta
Powiązania:
https://bibliotekanauki.pl/articles/1954779.pdf
Data publikacji:
2001
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Modiano
poszukiwanie
tożsamość
searching
identity
Opis:
Tematem dominującym w twórczości Patricka Modiano jest niewątpliwie poszukiwanie straconego czasu. Jego powieści są swego rodzaju zaproszeniem do niebezpiecznej gry z przeszłością – gry, w której stawką jest odnalezienie tożsamości. Jego bohaterowie skazani są na jej poszukiwanie, pragną uwolnić się od obsesji bycia znikąd. Aby dowiedzie się, kim są naprawdę, próbują odnaleźć swą przeszłość (Guy Roland z Rue des Boutiques Obscures), młodość (Jean Dekker z Quartier perdu), dawny Paryż (detektyw z Fleurs de ruine). Dzięki nieustannym wędrówkom między teraźniejszością a przeszłością, światem realnym a światem wyobraźni, ich egzystencja zawieszona jest w międzyczasie. Magiczna moc pamięci, to zdradziecka, to wierna, odkrywa lub niszczy fragmenty łamigłówki, jaką jest ich życie. Detektywi rozpoczynają prywatne śledztwo, które prowadzi na trop tajemniczych wydarzeń: porwań, ucieczek, morderstw, w które byli niegdyś uwikłani. Każdy nowy ślad wiedzie w ciemne uliczki labiryntu przeszłości, pełne bolesnych wspomnień, od których nie sposób się uwolnić, lub magicznych chwil, do których warto powrócić. Dla bohaterów Modiano zagubiona tożsamość okazuje się jedynie pretekstem, by wyruszyć na poszukiwanie utraconego raju.
Źródło:
Roczniki Humanistyczne; 2001, 49, 5; 47-75
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hybridité et altérité dans Magnus de Sylvie Germain
Hybridity and otherness in Magnus from Sylvie Germain
Autorzy:
Jauer, Annick
Powiązania:
https://bibliotekanauki.pl/articles/483754.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
otherness
identity
writing
reading
polyphony
Opis:
Magnus, a novel from Sylvie Germain published in 2005, is a narration made up of several marks of hybridity – structural, generic and discursive hybridity. Those marks are not simply formal but emphasize the necessity of a true presence towards the world and others. The itinerary of the character is a spiritual one, and the novel reveals the part played by reading and writing in the reconsideration of our relationship towards the world and the other people.
Źródło:
Quêtes littéraires; 2016, 6; 138-146
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stéréotypes et identité narrative des personnages dans Au commencement était la mer, de Maïssa Bey
Stereotypes in the construction of the narrative identity of the characters in At the beginning was the sea, of Maïssa Bey
Autorzy:
Ait Challal, Salah
Powiązania:
https://bibliotekanauki.pl/articles/1368326.pdf
Data publikacji:
2021-03-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
stereotype
narrative identity
conflict
gender
Opis:
In this contribution, we try to show how Maissa Bey tells, through stereotypical linguistic and narrative categories, the experience of emblematic characters carrying narrative identities contradictory, in an Algerian society in crisis. These identities reveal conflicts dealing with the underestimation of the female gender.
Źródło:
Romanica Silesiana; 2019, 16, 2; 253-261
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les tourments de l’absence dans Gazole de Bertrand Gervais
The torments of absence in Bertrand Gervais’s Gazole
Autorzy:
Kapołka, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/483659.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Quebec literature
suicide
death
absence
identity
Opis:
In his novel entitled Gazole (2001), Bertrand Gervais, a Quebec writer, takes up the issue of suicide and its psychological and social impact. The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. His naked body with an erect penis is discovered by the other members of the band Gazole and Pyramide. Their reactions to this deadly act are, however, different. Submerging himself in mourning, Pyramide withdraws emotionally from his relationship with his girlfriend Gazole, who, deeply touched by her partner’s newly developed indifference to her, delves into an investigation into the causes of Lancelot’s suicide. Being increasingly fascinated by the figure of Lancelot, Gazole reconstructs a new picture of him. Pieces of memories conjured up by those who knew Lancelot, like incomplete pieces of a puzzle, make Gazole form a romantic image of his absence. The mysterious and tragic figure of the young poet who chose to extinguish himself fires the woman’s imagination, who fantasizes about a sentimental and erotic relationship with him. An emptiness created by the suicide forces the woman to ponder over the nature of death, an eternal absence. Obsessed with this imaginary presence of Lanelot, Gazole has to set herself free from its influence, which causes her to flirt with a razorblade in a bathtub. The foray into Lancelot’s suicide gives Gazole an insight into her own true identity. Gazole discovers her internal feminine strength and frees herself from the shackles of Lancelot’s mental and sexual hold.
In his novel entitled Gazole (2001), Bertrand Gervais, a Quebec writer, takes up the issue of suicide and its psychological and social impact. The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. His naked body with an erect penis is discovered by the other members of the band Gazole and Pyramide. Their reactions to this deadly act are, however, different. Submerging himself in mourning, Pyramide withdraws emotionally from his relationship with his girlfriend Gazole, who, deeply touched by her partner’s newly developed indifference to her, delves into an investigation into the causes of Lancelot’s suicide. Being increasingly fascinated by the figure of Lancelot, Gazole reconstructs a new picture of him. Pieces of memories conjured up by those who knew Lancelot, like incomplete pieces of a puzzle, make Gazole form a romantic image of his absence. The mysterious and tragic figure of the young poet who chose to extinguish himself fires the woman’s imagination, who fantasizes about a sentimental and erotic relationship with him. An emptiness created by the suicide forces the woman to ponder over the nature of death, an eternal absence. Obsessed with this imaginary presence of Lancelot, Gazole has to set herself free from its influence, which causes her to flirt with a razorblade in a bathtub. The foray into Lancelot’s suicide gives Gazole an insight into her own true identity. Gazole discovers her internal feminine strength and frees herself from the shackles of Lancelot’s mental and sexual hold.
Źródło:
Quêtes littéraires; 2012, 2; 152-161
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La transposition profane de l’Exode dans Moïse fiction de Gilles Rozier
The Profane Transposition of the Exodus in Moïse fiction by Gilles Rozier
Autorzy:
Sadkowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/483600.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
exodus
hypertextual transposition
identity
language dilemmas
Opis:
Throughout the centuries French and Francophone writers were relatively rarely inspired by the figure of Moses and the story of Exodus. However, since the second half of 20th c. the interest of the writers in this Old Testament story has been on the rise: by rewriting it they examine the question of identity dilemmas of contemporary men. One of the examples of this trend is Moïse Fiction, the 2001 novel by the French writer of Jewish origin, Gilles Rozier, analysed in the present article. The hypertextual techniques, which result in the proximisation of the figure of Moses to the reality of the contemporary reader, constitute literary profanation, but at the same time help place Rozier’s text in the Jewish tradition, in the spirit of talmudism understood as an exchange of views, commentaries, versions and additions related to the Torah. It is how the novel, a new “midrash”, avoids the simple antinomy of the concepts of the sacred and the profane. Rozier’s Moses, conscious of his complex identity, is simultaneously a Jew and an Egyptian, and faces, like many contemporary Jewish writers, language dilemmas, which constitute one of the major motifs analysed in the present article. Another key question is the ethics of the prophetism of the novelistic Moses, who seems to speak for contemporary people, doomed to in the world perceived as chaos unsupervised by an absolute being. Rozier’s agnostic Moses is a prophet not of God (who does not appear in the novel), but of humanism understood as the confrontation of a human being with the absurdity of his or her own finiteness, which produces compassion for the other, with whom the fate of a mortal is shared.
Źródło:
Quêtes littéraires; 2013, 3; 174-183
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le voyage à travers l’histoire dans l’oeuvre romanesque de Françoise Lalande
A trip across history in the novels of Françoise Lalande
Autorzy:
Zbierska-Mościcka, Judyta
Powiązania:
https://bibliotekanauki.pl/articles/1051529.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Lalande
Belgian literature
History
Travel
Identity
Opis:
From "Daniel ou Israël" (1987) through "Noir" (2000) and "Une Belge méchante" (2007) and as far as to "La séduction des hommes tristes" (2010) Françoise Lalande’s narratives aspire to give account of the history of human kind, not limited by any specific time or space. In her works, Europe’s history is mixed with history of the world, social with political history, the ancient one describing fate of the Jews with present times, giving account of the events happening before our eyes. The author, convinced of writer’s necessary involvement, reacts to all signs of injustice and brutality so characteristic for the 20th century’s history. Lalande tells us how to live the history playing, according to the author, a key role in creation of our identity. Something that she, as a Jew herself and citizen of the world, is fully aware of.
Źródło:
Studia Romanica Posnaniensia; 2012, 39, 1; 81-88
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le rôle de l’espace dans la littérature acadienne contemporaine Chacal, mon frère (2010) et L’Ombre de Chacal (2016) de Gracia Couturier
The role of space in contemporary Acadian literature – Gracia Couturier’s Chacal, mon frère (2010) and L’Ombre de Chacal (2016)
Autorzy:
Żurawska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1053752.pdf
Data publikacji:
2020-12-28
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
space
identity
Acadian literature
Gracia Couturier
Opis:
The aim of deportation and expulsion of the Acadians during the so-called Grand Dérangement, also known as the Great Upheaval, was to deprive them of their land, which is presented in their history and literature. The idea of space is in this case closely connected with the question of identity in Acadian literature. Not referring directly to the above-mentioned historical events, Garcia Couturier explores in her novelistic diptych the relation between identity and space. Although Couturier’s writing is largely based on categories which characterise Acadian literature, she is able to go beyond them in order to concentrate on individual identity and liberty. She also investigates metaphorical expulsion, which shows her desire for autonomy from tradition and underlines modern aspects of the two novels.The aim of the article is therefore to examine the narrative representation of the space, its symbolic function and its role in shaping both individual and collective identity in Couturier’s novels.
Źródło:
Romanica Silesiana; 2020, 18, 2; 98-107
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La quête du sacré dans les romans de Chantal Deltenre
In Search of Sacrum in Novels of Belgian Writer Chantal Deltenre
Autorzy:
Zbierska-Mościcka, Judyta
Powiązania:
https://bibliotekanauki.pl/articles/483612.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
identity
postmodern religiosity
space
place
Chantal Deltenre
Opis:
La plus que mère, La Cérémonie des poupées and La Maison de l’âme, the trilogy of the Belgian writer and ethnologist Chantal Deltenre – published in the first decade of the 21st century, illustrates post-modern religiosity, the main characteristics of which are diversity, syncretism and relativism. The search for sacrum is supposed to be a kind of initiation journey undertaken mostly by lost and uprooted individuals. It is a search for a safe and meaningful space (place), which is not just the opposite of the shapeless and meaningless world of profanum, but also one that allows to build one’s own identity.
Źródło:
Quêtes littéraires; 2013, 3; 167-173
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le paradigme de l’absence dans l’œuvre de Jean Muno
The paradigm of absence in the works of Jean Muno
Autorzy:
Bizek-Tatara, Renata
Powiązania:
https://bibliotekanauki.pl/articles/483649.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Belgian literature
Jean Muno
absence
identity
belgitude
Opis:
In the works of Jean Muno the absenteeism theme has got diffrent features and forms. Escape from grey and sad reality to world of imagination is the best way to deal with mental and physical absenteeism: weary figure is looking for loneliness away from his everyday reality. He wants to dream and reflect in peace and quite. The absence has been showed as a lack, also has been presented in the perspective of ontological. Characters created by J. Muno have personality problems cause by time reality and society. Society determined who character should become. All efforts being yourself ends failure. Muno in his works presents french speakers Belgians, called la belgitude. Heroes of Muno have problem with find them national identity, they suffer because of double culture. They are able to accept and take advantage of this situation.
Źródło:
Quêtes littéraires; 2011, 1; 87-100
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ANALYSE DES PROPOS TENUS PAR DES REFUGIÉS MINEURS NON ACCOMPAGNÉS DANS DES TEXTES IDENTITAIRES. NOUVEAUX VECTEURS D’INCLUSION ?
An analysis of identity text entries by unaccompanied refugee minors. New ways to support inclusion ?
Autorzy:
Gatsi, Giota
Powiązania:
https://bibliotekanauki.pl/articles/1037941.pdf
Data publikacji:
2019-06-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu. Collegium Novum. Polskie Towarzystwo Neofilologiczne
Tematy:
narracje tożsamościowe
nieletni uchodźcy bez opieki
tożsamość różnojęzyczna
integracja
identity texts
unaccompanied minors refugees
plurilingual identity
integration
Opis:
According to EKKA (National Center of Social Solidarity), in 2016, al-most 5000 unaccompanied minor refugees were registered in Greece. Our research is part of a research for new methodological tools enabling language teachers to adapt their teaching to the needs of these new learners, in particular by exploiting their cultural and linguistic capital. One of these tools is the "identity text" which, according to Cummins (2006), is a reflection of the author's identity at some point in his/her biography. The hypotheses of our research are that the production of identity texts by unaccompanied minor refugees can reinforce (H1) their self-esteem, (H2) their motivation for learning new languages in school and (H3) the development of skills that could lead to better integration (affective, linguistic, cultural and socio-cultural) within the host country's school system. These hypotheses are confirmed by the results of cross-content analysis of a collection of identity texts produced online (on Facebook) in 2016-2017 by 30 unaccompanied minor refugees of Syrian, Afghan and Pakistani origin, aged between 14 to 18 years old. It appears that our three hypotheses are validated to a significant extent. These findings may be an incentive for language teachers, but perhaps also for the actors of Formal and Non Formal education to observe and anchor the linguistic and cultural skills of newly arrived refugees, so that they find their place more easily in a welcoming society.
Źródło:
Neofilolog; 2019, 52/2; 335-349
1429-2173
Pojawia się w:
Neofilolog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Assia Djebar, les voies du plurilinguisme
Assia Djebar - The Lines of Plurilingualism
Autorzy:
PEILLET, SOLENNE
Powiązania:
https://bibliotekanauki.pl/articles/466144.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Artes Liberales
Tematy:
Assia Djebar
Algerian identity
contamination
Maghreb
plurilingualism
Opis:
Le 5 Juillet 2012, au cinquantième anniversaire des accords d’Evian, marquant la fin de la guerre d’Algérie et l’indépendance du pays, la France n’est pas conviée aux cérémonies. C’est en effet une lutte accrue contre la puissance coloniale qui est à cette occasion célébrée ; ce sont les martyrs tombés pour la patrie sous les armes françaises qui sont commémorés. L’histoire des deux pays est donc toujours marquée par le sang. En asseyant leur autorité sur l’ancienne colonie, les Français ont imposé leur culture mais aussi leur langue, dévalorisant celle de la population indigène. De fait, ces conflits ont fait naître chez le peuple arabe un traumatisme linguistique toujours ancré dans les mémoires. Les situations de diglossie, qui font coexister des variétés linguistiques au sein d’un même territoire, soulèvent des interrogations sur le statut des langues en Algérie et leur cohabitation : le français reste imprégné d’une idéologie coloniale, l’arabe classique marqué par la religion et le berbère confiné à la sphère du privé. Dans L’anthropologie structurale, Claude Lévi-Strauss considère « le langage, à la fois comme le fait culturel par excellence et celui par l'intermédiaire duquel toutes les formes de la vie sociale s'établissent et se perpétuent ». On comprend dès lors l’importance de considérer la structure du plurilinguisme en Algérie puisqu’il est à la base de l’organisation de la société. Il convient alors de déterminer si ces langues interagissent uniquement dans un rapport de force. Pour cela notre analyse empruntera un point de vue littéraire en se penchant sur les œuvres d’Assia Djebar, romancière algérienne de langue française. La problématique de la langue, au cœur de ses romans, a déjà été largement documenté, nous nous inscrivons ici dans de la lignée de ces recherches précédentes, et entendons traiter la question sur fond historique. Il s’agira de se demander comment un écrivain algérien pense son rapport aux langues et si le métissage linguistique au sein d’une même œuvre peut se jouer des frontières. Le plurilinguisme constitutif de l’Algérie établit en effet des barrières qui cloisonnent les langues. Les textes d’Assia Djebar, dans un jeu entre oralité et écriture, font intervenir la mixité et démantèlent le paternalisme dont est empreint le français. La romancière parvient à conjuguer ces deux versants d’une même langue, pour qu’en résulte une écriture sur les marges, qui ne se situe que dans un entre-deux. Comment dès lors caractériser ce mouvement du texte ; est-il migration, errance ou fuite ?
Źródło:
Planeta Literatur. Journal of Global Literary Studies; 2014, 2. Assia Djebar and woman writing / Assia Djebar et l'écriture au féminin; 17-29
2392-0696
Pojawia się w:
Planeta Literatur. Journal of Global Literary Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La responsabilité historique de Vera Feyder
Historical responsibility of Vera Feyder
Autorzy:
Zbierska-Mościcka, Judyta
Powiązania:
https://bibliotekanauki.pl/articles/1048736.pdf
Data publikacji:
2016-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Belgian Literature
Vera Feyder
Responsibility
History
Identity
Opis:
In her writing, Vera Feyder, representative of the tribe called by the historians of Belgian iterature generation of identity, the question of identity is inextricably linked with the experience of World War II. The memory of childhood marked by the martyrdom of his father and the deep misery and loneliness, in which the author and his mother lived in the wartime, decide on the content and meaning of her writing. A sense of responsibility for other people, all resistance to the injustice, disagreement with indifference, memory of the past – it is a kind of code, which, according to Feyder, should apply a modern writer.
Źródło:
Studia Romanica Posnaniensia; 2016, 43, 4; 84-90
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le trio hergéen : un tournant dans « Les aventures de Tintin »
The Hergéan trio: A turning point in "The Adventures of Tintin"
Autorzy:
Chéron, Sophie
Powiązania:
https://bibliotekanauki.pl/articles/1051550.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Comic strips
Hergé
Tintin
Identity
Narrative function
Opis:
Before Captain Haddocks’ and Professor Calculus’ appearance in "The Crab with the Golden Claws" (eighth album, 1941) and "Red Rackham’s Treasure" (eleventh album, 1944) Tintin doesn’t have strong links with the other characters. His youth, dynamism and resourcefulness are his only characteristics – he has no past, no name, no family, no occupational ties. The two new friends Hergé gives him provide the last ten albums of The Adventures more consistency, humor, and a proper space which were missing until then.
Źródło:
Studia Romanica Posnaniensia; 2012, 39, 1; 89-98
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 60

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