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Tytuł:
Boualem Sansal’s Self-Narratives: Demystifying Algerian History
Autorzy:
Romain, Lisa
Powiązania:
https://bibliotekanauki.pl/articles/606006.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
auto-fiction
commitment
history
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
As a fully committed writer, Boualem Sansal has “stepped in literature as he would have put on a combat gear”, to dismantle poisonous myths that prevent, for him, post-independent Algeria to look dispassionately into the future. Mobilizing all possible resources to fulfil his purpose, he logically turns towards self-narrative, which undertaken subjectivity is used as an answer to the falsification of objective historic by the ruling political power. The way Boualem Sansal re-appropriate self-narration, strongly strengthening the role played by the reader, makes his literary work a radically renewed approach of the relation between fiction and reality.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ian Rankin : Enquête diachronique sur la ville d’Edimbourg
Ian Rankin: A diachronic Study of the City of Edinburgh
Autorzy:
Dujarric, Florence
Powiązania:
https://bibliotekanauki.pl/articles/2056906.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Ian Rankin
Crime fiction
Contemporary fiction
Urban studies
City in literature
roman policier
fiction contemporaine
études urbaines
ville en littérature
Opis:
Le personnage principal de la série policière mondialement célèbre d’Ian Rankin est l’Inspecteur Rebus, qui déambule, dérive, file ou poursuit des suspects à pied et en voiture dans la ville d’Edimbourg. Dans chaque roman, la narration parcourt un certain nombre de lieux référentiels et les examine à travers le prisme du temps, construisant peu à peu une carte diachronique de la ville. Comme la série s’étire sur plus de trente ans, l’espace urbain évolue à mesure du déroulement de la narration. Ian Rankin rend compte de la croissance urbaine en temps réel, et s’en inspire pour nourrir l’intrigue de ses romans. L’assemblage des morceaux de la carte est donc une entreprise sans fin, et les lignes de fuite de la géographie littéraire d’Edimbourg tendent vers un horizon qui s’éloigne toujours. 
Ian Rankin’s world-famous crime series features as a main character the city of Edinburgh, where Inspector Rebus relentlessly wanders, drives, drifts, tails and chases suspects. In each novel, the narrative visits a number of referential locations and examines them through the prism of time, slowly building a diachronic map of the city. As the series spans more than thirty years, the urban locus evolves as the narrative unfolds. Ian Rankin takes stock of new urban developments in real time and draws on them to feed his plots. Piecing a map together therefore remains a work in progress, and the literary geography of Edinburgh gazes out at an endlessly elusive horizon.
Źródło:
Lublin Studies in Modern Languages and Literature; 2020, 44, 4; 111-125
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’hybridité dans La Steppe rouge de J. Kessel : limite ou complémentarité ?
Hybridity in Red Steppe by J. Kessel: Limit or Complementarity?
Autorzy:
Chaabene, Rached
Powiązania:
https://bibliotekanauki.pl/articles/483522.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
hybrydity
history
fiction
novella
initiation
Opis:
The Red Steppe of Joseph Kessel is a valuable work, insofar as it is mainly characterized by its generic hybridity. The six novellas oscillate between the biographical and autobiographical, between history and fiction, between the individual and the collective, between the current and the universal. A sort of juxtaposition and/or co-existence can be traced between the novella of Kessel and other literary genres such as the travelogue, the initiation story, the adventure story, the historical narrative and the fictional narrative. This interdiscursive report makes the historical text an open text, "a hybrid text."
Źródło:
Quêtes littéraires; 2016, 6; 56-64
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Life, Literature and Fictional Memories in Perec’s Narratives
Autorzy:
Ielpo, Rodrigo
Powiązania:
https://bibliotekanauki.pl/articles/606315.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Perec
memory
fiction
disappearance
ashes
melancholia
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
In 1975, Georges Perec published W ou le souvenir d’enfance, a work that is both fictional and autobiographical, and in which there are two different systems of enunciation side by side, thus opposing the distinction drawn by Gérard Genette between fiction and diction. In his book, Perec shows this undecidability between the imperative of narrating that which he hasn’t lived and the complete impossibility of such narrative. By developing a narration strategy based on a certain use of fiction, Perec tries to face his lack of memories. This paper aims at analyzing how these two systems operate in order to create a double space where author and narrator get mixed up, creating a game in which the subject can only exist at the risk of his complete dissolution.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dominique Fernandez: Psychobiographical Criticism or Psychobiographical Fiction?
Autorzy:
Jișa, Simona
Powiązania:
https://bibliotekanauki.pl/articles/606077.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Dominique Fernandez
psychobiography
artist
fiction
criticism
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
Dominique Fernandez is the author of a method of analysis for artists and their works that he calls “psychobiography”. It establishes parallels between the analysis of works and events in the life of an artist, insisting on the identification of a childhood trauma that left an indelible mark on the style of the artist. In this article we show how he applies this method in his biographical novels: La course à l’abîme, Tribunal d’honneur and Dans la main de l’ange. We analyze the way in which biographemes are reconstituted in order to give a coherent vision of the biographee. We emphasize the thin line that separates reality from fiction, or biography from novel.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fiction (post-)apocalyptique et usages critiques de l’histoire: "Malevil" (1972) de Robert Merle
(Post)Apocalyptic Fiction and Critical Use of History: "Malevil" (1972) by Robert Merle
Autorzy:
Lévêque, Laure
Powiązania:
https://bibliotekanauki.pl/articles/2131040.pdf
Data publikacji:
2022-08-12
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Merle (Robert)
anticipation
post-apocalyptique (fiction)
dystopie
caverne (allégorie de la)
histoire (sens de l’)
science fiction
post-apocalyptic (fiction)
dystopia
(allegory of the) cave
history (meaning of)
Opis:
Marqué par les dérives d’un XXe siècle tombé dans les pires excès et dans l’horreur nue, Robert Merle, romancier humaniste et engagé, en vient à questionner l’humanité de l’homme. Chez cet écrivain populaire, cela passe par l’inscription dans les genres en vogue de l’anticipation ou de la dystopie où les dauphins Fa et Bi sont plus avisés que les humains (Un animal doué de raison, 1967), espèce qui ne mérite pas forcément de se perpétuer (Les hommes protégés, 1974). En 1972, avec Malevil, Merle sacrifie à la littérature post-apocalyptique et imagine qu’une catastrophe nucléaire a ramené l’homme à une condition primaire, situation qui lui sert à penser la crise politique et morale au cœur de la cité. Mais, au-delà de cette classique fonction révélatrice, l’heuristique de la crise confronte Merle aux points aveugles de son référentiel idéologique et le texte met finalement en crise jusqu’aux positions progressistes affichées par l’auteur, rabattant le roman sur les positions réactionnaires qu’un Barjavel développe dans Ravage (1943).
Under the deep impression of the 20th century’s worst excesses and sheer horror, Robert Merle, an engaged, humanist novelist, comes to question the humanity of man. As a popular novelist he imprints this reaction on fashionable genres, such as science fiction and dystopia, in which dolphins Fa and Bi are more informed than the humans (An Animal Endowed with Reason/ The Day of the Dolphin 1967), a species that is not really worth perpetuating (The Protected Men/ The Virility Factor, 1974). In 1972, in Malevil, Merle veers towards post-apocalyptic fiction, imagining a nuclear catastrophe that has brought man back to a primary condition; it is a situation that allows him to conceive of the political and moral crisis at the heart of the city. Beyond this classical revealing function, though, the crisis heuristics brings Merle face to face with the blind spots of his ideological reference, so that the text eventually puts in a crisis situation the very progressive positions exhibited by the author, curbing the text to the reactionary positions of a Bajavel in Ravage/ Ashes, Ashes (1943).
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 1; 231-243
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Permissivités des grands topoï romanesques dans l’œuvre de Boualem Sansal
The use of literary topoï in Boualem Sansal’s novel work
Autorzy:
Romain, Lisa
Powiązania:
https://bibliotekanauki.pl/articles/1368282.pdf
Data publikacji:
2021-03-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Francophone Algerian novel
literary topoi
fiction role
Opis:
Being an author whose main struggle has been to track down relentlessly ready-for-use thought structures, the use of literary topoï is far from being self-evident for Boualem Sansal. That’s why the appearance of a topos in his novels is always the sign of a thoughtful aesthetic and ethic choice. Thus, great literary topoï of 17th and 18th centuries novels embodies, in his mind, the golden age of a fully potent fiction. Dealing with a harsh reality and expected to complete french readership expectations of documentary sources, Boualem Sansal’s work constantly intends to reassert the role of a fiction that has been too much tamed, for him, in modern literary aesthetics. That’s the way we can understand his occasional but meaningful use of topoï.
Źródło:
Romanica Silesiana; 2019, 16, 2; 229-238
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Autobiography and "Genre" Transgression in Malika Mokeddem’s Works
Autorzy:
Mokhtari, Fizia Hayette
Powiązania:
https://bibliotekanauki.pl/articles/606305.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Autobiography
fiction
childhood
space of the self
novel
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
In life narratives, authors unveil their lives, and autobiography also inspires authors from Muslim Arab societies. In contemporary societies, some authors have talked about their “ego” without fully revealing all their secrets. Things are more complex in a Maghrebian context in which disclosing and recounting one’s life (childhood, adolescence or even adult life) becomes a vital act. Our reasoning in this paper consists in showing that, to Malika Mokeddem, despite the criticisms and taboos, writing and being emancipated are no impediments; on the contrary, these taboos or proscriptions have motivated and served her life choices. Algerian authors often write about themselves by referring to their childhood, education and readings. Often the history of their country is at the center of their autobiographical novels. In this article, we focus on Malika Mokeddem’s childhood and adolescence, two very important periods for her, and proceed to analyze the different processes used by the novelist who in her autobiographical works seeks to “recover” her identity.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le récit biographique face à la grande Histoire: « Les éblouissements » de Pierre Mertens
Biographical narrative in relation to Great History: Les éblouissements by Pierre Mertens
Autorzy:
Lis, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/1051549.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
French novel
Fiction
Fictionalised biography
History
Double life
Opis:
Pierre Mertens’ novel Les éblouissements, published in 1987, is a fictionalised biography of a famous German poet Gottfried Benn, who made the biggest mistake of his life agreeing to support the National Socialist regime during several months. Mertens reconstructs the poet’s life trying to understand the reasons of his commitment, considered by the intellectuals of that time to be a betrayal. Mertens’ text is an illustration of the relationship between the individual and the historical past and, at the same time, an example of problemising the biographical factor in relation to Great History. Playing with the double signification of the word ‘éblouissement’, the novelist offers his own interpretation of the German poet’s double life.
Źródło:
Studia Romanica Posnaniensia; 2012, 39, 1; 69-79
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motifs of water in Conrad Detrez’s “Ludo”
Autorzy:
Kukuryk, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/605792.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Conrad Detrez
Ludo
self-fiction
flood
roman autofictionnel
inondation.
Opis:
Der Artikel enthält keine Abstracts in deutscher Sprache.
Conrad Detrez is undoubtedly one of Belgium’s most important writers of the 70s of the 20th century. After having translated Brazilian revolutionary authors, he resumed the review of his provincial past, named «hallucinating autobiography». His first autofictional novel Ludo (1974) bring to life his first Belgian years in his native land where the inundation invades everything, the incessant rain causes floods and the river enters the houses. With excellent wit, Detrez’s scalpel-pen dissects characters and situations through which such topics as friendship, everyday marginal life and panic of people during the Second World War. Through selffiction, Detrez´s novel present the author and narrator’s obsessions.
Conrad Detrez est sans aucun doute l’un des écrivains les plus importants de Belgique des années 70 du XXème siècle. Après avoir traduit quelques auteurs révolutionnaires brésiliens, cet écrivain cosmopolite a repris la revue de son passé provincial, nommé « autobiographie hallucinante ». Son premier roman autofictionnel intitulé Ludo (1974) fait vivre ses premières années belges dans son pays natal où l’inondation envahit tout, la pluie incessante provoque des crues et la rivière pénètre dans les maisons. Doté d’un excellent esprit, Detrez décrit des personnages et des situations à travers lesquels sont abordés des sujets comme l’amitié, la vie quotidienne marginale ainsi que la panique des gens pendant la Seconde Guerre mondiale. À travers de l’autofiction, le roman detrezien présente les obsessions aussi bien de l’auteur que du narrateur.
Том не содержит аннотаций на русском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2018, 42, 3
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
De la fiction d’une absence à l’autofiction d’une présence : l’écriture de la mort de la mère dans l’œuvre de Jorge Semprun
From Fictionalized Absence to Autofictionalized Presence: Writing Mother’s Death in the Œuvre of Jorge Semprun
Autorzy:
Ponchon, Catherine
Powiązania:
https://bibliotekanauki.pl/articles/483735.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
childhood
memory
autobiography
autofiction
history
testimony
identity
fiction
Opis:
“Night has enshrouded my childhood” write Jorge Semprun. Civil War and exile have erased any trace of the childhood he spent in Madrid. What was left to the writer were only flashes of memory and an old picture of his mother. Jorge Semprun was eight years of age when his mother died of septicemia. Through writing, thirty years later, he was able to evoke her death, but how was he to tell about her absence? Between fiction and reality, five of Jorge Semprun’s novels recreate his childhood. His mother will first of all be an absence or an implicit presence behind his relating the city of his childhood. Having set the scene, ghostly characters whose identities are undefined but whose discourses become more and more outlined will appear. The mother will become a nostalgic absence. Her features, her character will be sketched out. Jorge Semprun will move forward hiding behind the multiple identities of his characters and the freedom which fiction provides him. It will be up to the last character, a fictive double of the writer, to find the last traces of a mother who has turned into a haunting presence.
Źródło:
Quêtes littéraires; 2011, 1; 101-110
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le réel à l’épreuve de la fiction dans Khalil de Yasmina Khadra
Reality vs. Fiction in "Khalil" by Yasmina Khadra
Autorzy:
Diette, Thomas
Powiązania:
https://bibliotekanauki.pl/articles/2056910.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Khadra
Khalil
Djihadisme
pouvoir de la fiction
connaissance
Opis:
Dans Khalil, Yasmina Khadra dresse le portrait réaliste d'un terroriste. Ce roman, écrit en 2018 et élaboré à partir d'un fait réel brouille les espaces du réel et de la fiction pour dévoiler les pensées apparemment inavouables d'un djihadiste. C’est cette stratégie du détour que cet article tâchera à mettre au clair. Il s’agira d’étudier comment Yasmina Khadra organise un brouillage de ces deux mondes, l’espace fictionnel et l’espace réaliste, situés à la lisière l’un de l’autre, pour les faire interagir, se confronter mais aussi se questionner.
In Khalil, Yasmina Khadra paints a realistic portrait of a terrorist. This novel written in 2018 and developed from a real fact, blurs the spaces of reality and fiction to reveal the apparently unavowable thoughts of a jihadist. It is this detour strategy that this article will seek to clarify. It will be a question of studying how Yasmina Khadra organizes a scrambling of these two worlds, the fictional space and the realistic space, located at the edge of each other, to make them interact, confront each other but also to question.
Źródło:
Lublin Studies in Modern Languages and Literature; 2020, 44, 4; 79-90
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le Combat d’hiver de Jean-Claude Mourlevat : les stéréotypes dans le processus de lecture du récit dystopique pour adolescents
Le Combat d’hiver by Jean-Claude Mourlevat: Stereotypes in Process of Reading Adolescent Dystopian Fiction
Autorzy:
Komandera, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1368338.pdf
Data publikacji:
2021-02-16
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
adolescent dystopian fiction
Jean-Claude Mourlevat
stereotype
reading
Opis:
Adolescent dystopian literature has been in vogue recently. Its popularity reflects in fact several aspects, from readers’ preferences, through marketing rules, to writers’ choices. The predominance and reiteration of dystopian fiction suggests that they can involve stereotypes. Taking into consideration the fact that the stereotype is a reading construction, we analyse in this paper the role of stereotypes in perceiving and decoding a dystopian universe, with its elements, such as prison environment, oppressive authorities, tentative of revolt, and final victory or defeat, with respect of his young readers, in Jean-Claude Mourlevat’s novel Le Combat d’hiver.
Źródło:
Romanica Silesiana; 2019, 16, 2; 147-157
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les anticipations courtes dans la presse française du XIXe siècle
Short anticipations in French 19th century press
Autorzy:
Portes, Laurent
Powiązania:
https://bibliotekanauki.pl/articles/2053490.pdf
Data publikacji:
2021-12-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
utopies
dystopies
fiction scientifique
presse satirique française
anticipation
XIXe siècle
utopias
dystopias
science-fiction
French satirical press
19th century
Opis:
Dans la presse française du XIXe siècle abondent les nouvelles de courte ampleur à caractère utopique. À l’examen, ces « courtes utopies » aux auteurs souvent méconnus ou demeurés anonymes (mais aussi parfois dues à des journalistes célèbres usant de pseudonymes), se révèlent des témoins de la pensée politique du moment : tantôt reflets de courants utopiques majeurs, tantôt extravagantes, parfois encore contre-pieds de la situation politique imposé par des régimes autoritaires, leur diversité doit interroger. Leur fréquente présence dans des almanachs populaires, leur parution dans la presse de pure distraction ou satirique (Le Charivari, Le journal amusant et Le journal pour rire en recèlent de riches gisements), leur juxtaposition fréquente à des illustrations amusantes sans visée politique, ou au contraire leur présence jusque dans la presse quotidienne politique les font légitimement entrer dans ce que l’on a appelé « la civilisation du journal ». 
The 19th-century French press abounded in short stories of a utopian nature. On examination, these "short utopias", with authors often unknown or anonymous (at times due to famous journalists using pen names, turn out to be witnesses of the political thought of the moment: sometimes reflecting major utopian currents, sometimes extravagant, sometimes at odds with the political situation imposed by authoritarian regimes. Their diversity forces one to ask questions. Their frequent presence in popular almanacs, their publication in entertainment and satirical press (Le Charivari, Le journal amusant, and Le journal pour rire contain them in great numbers), their frequent juxtaposition to amusing illustrations without political aim, or on the contrary their presence even in the daily political press, legitimately make them enter what has been called "the civilization of the newspaper".
Źródło:
Quêtes littéraires; 2021, 11; 123-133
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Alterity, First-Person Narratives and Memory in Paul Auster’s Works
Autorzy:
Kochbati, Mehdi
Powiązania:
https://bibliotekanauki.pl/articles/605638.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
autobiography
memory
fiction
autobiographical pact
identity
American literature
Paul Auster
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
If the presence of extracts from the life of the author (Paul Auster) allows us to postulate the “autobiographical” project of the memorial writing, others on the contrary confer it with a fictive project. The use of a stratagem of increased self-distancing and the multiple “mise en abyme” of identities leaves us puzzled as to the existence of an autobiographical scheme specific to Auster’s creation. Through the many forms of auctorial disguises, games of duplication, selfreflective mirroring, identity usurpation and handwritten possession, memorial writing integrates the different autobiographies of others. These are transformed into a functionalized or “real” autobiography of a subject who is a narrator, a character and an author.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 28

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