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    Wyświetlanie 1-8 z 8
    Tytuł:
    Le crime du comte Neville d’Amélie Nothomb ou le roman familial d’une névrosée
    Autorzy:
    Hastings, Valerie
    Powiązania:
    https://bibliotekanauki.pl/articles/700489.pdf
    Data publikacji:
    2017
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    patricide
    infanticide
    autofiction
    origins
    novel
    Opis:
    The Crime of Count Neville is primarily a story of a complex father–daughter relationship, culminating in the attempted murder of the count’s daughter by her own father. Infanticide is inevitable for Sérieuse, which parallels the mythological story of Iphigenia. But Nothomb also develops on an extra-diegetic level, as the meta-narrative of the genesis of the Freudian Family Romance or the Novel itself. Between the concepts of “bastard” and “foundling,” this novel contains many autobiographical elements and borrows from other literary works, most noticeably from Oscar Wilde’s collection Lord Arthur Savile’s Crime.
    Źródło:
    Romanica Silesiana; 2017, 12
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Représentations de l’absence et du manque : de La Dispersion au Livre brisé de Serge Doubrovsky
    From The Dispersion to The Broken Book – representations of absence and lacking, by Serge Doubrovsky
    Autorzy:
    Levy, Nurit
    Powiązania:
    https://bibliotekanauki.pl/articles/483729.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    autofiction
    Shoah literature
    testimony
    memory
    history
    Opis:
    Author and academic, Serge Doubrovsky is an important figure in contemporary French literature. His numerous publications foretell the emergence of a new literary concept, positioning him in the domain of post-modernism with the emergence of auto-fiction. From The Dispersion to The Broken Book, the auto-fiction unfolds in a jerky narrative while the genesis of the work revolves around a profound sense of lack and absence that the writer tries to fill through his writing. The experience of World War II left a life long indelible mark on the writer’s own identity and brings forth the creation of this hybrid autobiography that aims at tearing down ge-neric and literary boundaries. Letters and words are used to confront what is missing in his life in a transgressing style that describes the violence of this experience. In this way, Doubrovsky leaves a trace of his existence, transforming his life into a novel – a work of fiction – and by giving space to imagination when telling his own story.
    Źródło:
    Quêtes littéraires; 2011, 1; 111-121
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le Dossier M de Grégoire Bouillier ou l’épuisement du dire
    Le Dossier M of Grégoire Bouillier or Exhaustion of the Saying
    Autorzy:
    Jurga, Antoine
    Powiązania:
    https://bibliotekanauki.pl/articles/2020951.pdf
    Data publikacji:
    2020
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    autofiction
    scribe
    performance
    real
    complex
    topics
    Opis:
    The writer Grégoire Bouillier publishes a remarkable book entitled Le Dossier M (two volumes, 2017 and 2018), increased by extentions on a website. This disproportionate literary enterprise offers a real reading experience that extends by pushing over the limits of the object-book. The book offers the story of the impossibility of loving and telling. The author have the ambition of saying everything. Thus, the autobiographical narrative reenvited in this monumental format provides access to the meaning through a quest for self that the reader can share.
    Źródło:
    Academic Journal of Modern Philology; 2020, 9; 283-291
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    De la fiction d’une absence à l’autofiction d’une présence : l’écriture de la mort de la mère dans l’œuvre de Jorge Semprun
    From Fictionalized Absence to Autofictionalized Presence: Writing Mother’s Death in the Œuvre of Jorge Semprun
    Autorzy:
    Ponchon, Catherine
    Powiązania:
    https://bibliotekanauki.pl/articles/483735.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    childhood
    memory
    autobiography
    autofiction
    history
    testimony
    identity
    fiction
    Opis:
    “Night has enshrouded my childhood” write Jorge Semprun. Civil War and exile have erased any trace of the childhood he spent in Madrid. What was left to the writer were only flashes of memory and an old picture of his mother. Jorge Semprun was eight years of age when his mother died of septicemia. Through writing, thirty years later, he was able to evoke her death, but how was he to tell about her absence? Between fiction and reality, five of Jorge Semprun’s novels recreate his childhood. His mother will first of all be an absence or an implicit presence behind his relating the city of his childhood. Having set the scene, ghostly characters whose identities are undefined but whose discourses become more and more outlined will appear. The mother will become a nostalgic absence. Her features, her character will be sketched out. Jorge Semprun will move forward hiding behind the multiple identities of his characters and the freedom which fiction provides him. It will be up to the last character, a fictive double of the writer, to find the last traces of a mother who has turned into a haunting presence.
    Źródło:
    Quêtes littéraires; 2011, 1; 101-110
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Les tribulations parisiennes de l’officier écrivain : l’oeuvre autobiographique de Yasmina Khadra et son accueil en France
    Afflictions encountered in Paris by an army officer and writer: autobiographical works of Yasmina Khadra and their reception in France
    Autorzy:
    Pawlicki, Jędrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/1051556.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Algerian literature
    Algerian history
    Algerian civil war
    Autobiography
    Autofiction
    Opis:
    This article describes Yasmina Khadra’s autobiographical work composed of two books: "L’écrivain" and "L’imposture des mots" and its reception in France. The main purpose of this study was to establish the literary genre of these books, which implies determining whether Khandra’s work represents an autobiography or an autofiction with reference to P. Lejeune’s and V. Colonna’s theoretical studies. The dividing line between two genres in Khandra’s works reflects his inner split between being either a solder or a writer. The presentation will also help to understand the controversy resulting from Khandra’s participation in Algerian civil war. Moreover the analysis is related to modern Algerian history.
    Źródło:
    Studia Romanica Posnaniensia; 2012, 39, 1; 99-106
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Écrire la danse, danser la vie. 'Ego tango' de Caroline de Mulder
    Write with your dance - dance your life. Caroline de Mulders Ego tango
    Autorzy:
    Siwek, Ryszard
    Powiązania:
    https://bibliotekanauki.pl/articles/1051160.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    modern Belgian novel
    autofiction
    obsession
    addiction
    correspondence of arts
    Opis:
    Ego tango is the debut novel by a Belgian writer, Caroline de Mulder. In 2010, it won the most significant literary award in the country. The story is set in a closed circle of the Paris tango dancers. The present study examines the original narration of the novel and the construction of the plot, which are both subordinated to the introvert nature of the tango – a dance that becomes an addiction and an obsession. De Mulder’s text is an interesting example of a theoretical problem of the “correspondence of arts,” their mutual overlapping and co-dependence; in this particular case, literature and dance. This concerns both the music and the lyrics of the tangos, which constitute and integral component of the structure of the musical piece and determine the rhythm of the story being told, its atmosphere, mood and type of the relationship between the protagonists. The novel was inspired by the personal experience of the authoress – a tango dancer and was structured in accordance with the nature and the spirit of this dance.
    Źródło:
    Studia Romanica Posnaniensia; 2013, 40, 4; 51-56
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Life as Fiction: the Autofictional Turn in Women’s Writing of the Maghreb
    Autorzy:
    Ali, Nancy Nabil
    Powiązania:
    https://bibliotekanauki.pl/articles/606217.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    autobiography
    autofiction
    collective autobiography
    storytellers
    postcolonial literature
    feminisation of history
    Opis:
    Der Band enthält die Abstracts ausschließlich in englischer Sprache.
    The twentieth century witnessed the birth of a feminine strand of autofictional writing coming from the ancient colonies, of which Fantasia: An Algerian Cavalcade, by the francophone Algerian writer Assia Djebar, and the Arabic Memory in the flesh, by the Algerian writer Ahlam Mosteghanemi, are emblematic. Whether it be in the Arabic or French language, the women writers of the Maghreb risked writing an autobiography in a culture that stresses the anonymity of women. The coming to writing for these women is often accompanied by a desire – or necessity – to revisit the collective past from a female perspective. For these women, literary writing also meant writing their stories on the palimpsest of dominant history, in order to carve their place in it. To fight the forced amnesia of historical discourse constructed by man, they must create works that give voice to the stories silenced by the totalizing male narrative. Djebar and Mosteghanemi both insist that the emancipation of women is possible only if the subaltern woman becomes subject not object of her story/history.
    Le numéro contient uniquement les résumés en anglais.
    Том не содержит аннотаций на английском языке
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2016, 40, 2
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jeu de rôles : autofiction dans l’œuvre romanesque de Jean Genet
    Role-Playing: Fictional Biography in Prose Works by Jean Genet
    Autorzy:
    Kamiński, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/24202388.pdf
    Data publikacji:
    2023-12-30
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    Jean Genet
    autofiction
    roman à clef
    prose française
    techniques discursives
    French prose works
    discursive techniques
    Opis:
    Le présent article se propose d’examiner trois romans de Jean Genet : Notre-Dame-des-Fleurs (1943), Miracle de la rose (1946) et Journal du voleur (1949). Son objectif principal est de vérifier comment le jeu des techniques discursives appliquées par Genet lui permet de créer un univers diégétique inspiré par sa vie privée et de réaliser ainsi le jeu de rôles qu’il assume à des fins idéologiques et ontologiques. Pour effectuer son analyse, l’auteur prend en considération avant tout les outils liés à la poétique de l’œuvre littéraire, mais aussi les aspects choisis du pacte autobiographique visant à persuader le récepteur de la « véracité apparente » du texte littéraire. L’étude de ces éléments montre que l’univers romanesque de Jean Genet, d’une part, s’inspire à un certain degré de la réalité, d’autre part, sert à construire un espace narratif où un jeu continu entre le vrai et le faux est mis au premier plan.
    This article seeks to analyze three novels by Jean Genet: Our Lady of the Flowers (1943), Miracle of the Rose (1946) and The Thief’s Journal (1949). Its main goal is to verify how the game with discursive techniques applied by Genet allows him to create a diegetic universe inspired by his private life and, therefore, to conduct a role-playing game, undertaken for ideological and ontological purposes. In order to carry out his plan, the author takes into account not only tools related to the poetics of a literary work but also selected aspects of an autobiographical pact aiming at persuading the reader of an “apparent truth” of the literary text. The study of these elements shows that the universe in Genet’s novels is, on the one hand, inspired to a certain degree by the reality, on the other hand, used to construct a narrative space where a continuous game with the truth and falsehood is located in the foreground.
    Źródło:
    Quêtes littéraires; 2023, 13; 120-130
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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