Temat: Topics - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Le Dossier M de Grégoire Bouillier ou l’épuisement du dire
Le Dossier M of Grégoire Bouillier or Exhaustion of the Saying
Autorzy:: Jurga, Antoine
Powiązania:: https://bibliotekanauki.pl/articles/2020951.pdf
Data publikacji:: 2020
Wydawca:: Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:: autofiction
scribe
performance
real
complex
topics
Opis:: The writer Grégoire Bouillier publishes a remarkable book entitled Le Dossier M (two volumes, 2017 and 2018), increased by extentions on a website. This disproportionate literary enterprise offers a real reading experience that extends by pushing over the limits of the object-book. The book offers the story of the impossibility of loving and telling. The author have the ambition of saying everything. Thus, the autobiographical narrative reenvited in this monumental format provides access to the meaning through a quest for self that the reader can share.
Źródło:: Academic Journal of Modern Philology; 2020, 9; 283-291
2299-7164
2353-3218
Pojawia się w:: Academic Journal of Modern Philology
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 2.

Tytuł:: Le mélange du sacré et du profane dans les livrets de tragédies lyriques du librettiste Nicolas-François Guillard (1752-1814)
Religious and Secular Topics in Nicolas François Guillard’s Librettos: the Cases of Proserpine (1803) and La Mort d’Adam (1809)
Autorzy:: Champonnois, Cécile
Powiązania:: https://bibliotekanauki.pl/articles/483472.pdf
Data publikacji:: 2013
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:: Nicolas François Guillard
opera
family dramas
secular content
religious or sacred topics
hybrid works
Opis:: Nicolas François Guillard (1752-1814) was one of the best librettists of the Tournant des Lumières. The libretto of Proserpine by Quinault, set to music by Lully at the end of the seventeenth century, was adapted by Guillard and once again set to music by Giovanni Paisiello in 1803. Six years later, in 1809, La Mort d’Adam, adapt-ed by Guillard from Friedrich Gottlieb Klopstock’ Der Tod Adams (1757), was set to music by Jean-François Lesueur. These rewritings, with religious or sacred topics staged for a secular theatre by Guillard, are very different from the original works and tend to be family dramas: he then transforms them into secular works with secular content. Human sacrifices are present in these works but seem to feature here for family reasons and not only for religious purposes. Divinities are presented by the librettist as human beings, whose family roles are predominant. The sacred and the profane are mixed in these two librettos, changed into hybrid works. Guillard seems to use the same model to adapt historical, mythological or religious works, which means that the role and the impor-tance of the religious in the works staged at the Académie Impériale de Musique in the period of the Tournant des Lumières has to be examined.
Źródło:: Quêtes littéraires; 2013, 3; 48-57
2084-8099
2657-487X
Pojawia się w:: Quêtes littéraires
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Informacja

Wyszukujesz frazę "Topics" wg kryterium: Temat

Źródło danych

Dostawca treści

Kolekcja

Rok wydania

Wydawca

Temat

Autor

Typ dokumentu

Język