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    Wyświetlanie 1-5 z 5
    Tytuł:
    Le silence des fous chez Zola et Maupassant
    The silence of the mad in the works of Zola and Maupassant
    Autorzy:
    Kaczmarek-Wiśniewska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/483614.pdf
    Data publikacji:
    2017
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    silence
    madness
    Zola
    Maupassant
    Opis:
    It is difficult to define all the meanings and connotations of silence depicted in literary works. In the 19th century, where the Realism and the Naturalism paid much attention to the study of both physical and mental illnesses, silence was considered as one of the distinctive signs of madness. The paper analyzes four examples of this phenomenon in selected Zola’s and Maupassant’s texts (novels and short stories) whose characters, all mad or maniac, embody various aspects of the silence regarded as a pathological condition of a human being.
    Źródło:
    Quêtes littéraires; 2017, 7; 73-81
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le périple erratique de la mendiante durassienne
    The Erratic Journey of the Durassian Beggar
    Autorzy:
    Ledwina, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2234002.pdf
    Data publikacji:
    2022-12-29
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Duras
    woman
    beggar
    wandering
    madness
    exclusion
    pain
    Opis:
    Marguerite Duras focuses on a rejected individual on the margins of society. Her literary characters oppose being perceived as devoid of autonomy, contesting the fixed model of a submissive and passive woman. On the contrary, they reject the social order and the traditional system of values, claiming the right to freedom and thus demonstrating transgressive female behaviour. Duras’ heroine, a mysterious, crazy person who is looking for love and is aware of her otherness and alienation, appears as a kind of femme fatale or a witch. This image of a “different woman – a disturbing, unhappy, lost, borderline person experiencing a specific crisis – is best illustrated by a beggar. She identifies, par excellence, with the wandering to the lands of perdition and its various readings. Her journey is, at the same time, a sign of dereliction, an attempt at liberation and a quest for identity.
    Źródło:
    Academic Journal of Modern Philology; 2022, Special Issue, 17; 67-74
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Antonin Artaud ou l’absence à soi-même et l’expérience du vide
    Antonin Artaud or the absence to oneself and experimenting the emptiness
    Autorzy:
    Rougé, Dominique
    Powiązania:
    https://bibliotekanauki.pl/articles/483628.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    absence
    emptiness
    Antonin Artaud
    madness
    Pierre Fédida
    Opis:
    Concerning Antonin Artaud it has been question of some lack of work but in the article we propose to the reading we are talking about another kind of absence. Indeed, in his correspondence and in the writings of his youth, the poet was complaining to be absent to himself. He was saying that words could not convey what he felt, that he had the impression to be a spectator of himself. Over time, he will say that he was feeling some emptiness in him. Is it to fill this emptiness that he spent his time writing on notebooks and that he had replaced speaking by screaming? As a conclusion to this article, we spend some time thinking about the concepts of absence and emptiness, following some writings of Pierre Fédida.
    Źródło:
    Quêtes littéraires; 2011, 1; 48-58
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Des voyages infernaux à l’art du scandale chez August Strindberg
    From infernal journeys to the art of scandal with August Strindberg
    Autorzy:
    Larangé, Daniel S.
    Powiązania:
    https://bibliotekanauki.pl/articles/2142071.pdf
    Data publikacji:
    2022-10-13
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    wisdom through madness
    infernal circles
    alchemy
    foolishness for Christ
    acte gratuit
    folle sagesse
    cercles infernaux
    alchimie
    fol-en-Christ
    Opis:
    Scandale et voyages vont de pair dans l’imagination d’August Strindberg, artiste plus que sulfureux qui débarque à Paris en délaissant sa famille pour plonger dans les cercles infernaux afin de lutter avec l’ange et de retrouver ainsi la foi perdue de son enfance. Il déçoit son public en se faisant alchimiste et peintre pour lutter contre les menaces du positivisme et de l’esthétisme académique. Sa quête est motivée par la figure du Christ que la sécularisation d’une fin-de-siècle vendue à l’industrialisation et au capital tourne en ridicule. Sous le masque de l’artiste-fou, il s’engage à renverser toutes les institutions établies, prônant un art de la fugue, affranchi des frontières de l’objectivité et de la subjectivité. Il perturbe, dérange, choque de sorte que son étrangeté le rejette du monde, lui assurant ainsi de suivre, par imitatio Christi, son propre chemin de croix. Il s’approprie le voyage pour ainsi l’intérioriser et arpenter les voies erratiques, convaincu que seul celui qui se perd se retrouve un jour.
    August Strindberg abbandona la sua famiglia. Si tuffa nell'inferno di Parigi e lotta con l'angelo per riconquistare la sua fede. Sotto le spoglie di un pazzo, rovescia tutte le istituzioni stabilite e offusca i confini tra oggettività e soggettività. Disturba, disturba, provoca. La sua estraneità lo respinge dal mondo e gli assicura, per imitatio Christi, la propria via crucis: interiorizza il cammino e percorre strade irregolari, convinto che solo la perdizione può trovare la via dell'autenticità.
    August Strindberg abandons his family, plunges into the Parisian hell and struggles with the angel in order to regain his faith. He disappoints his public by becoming an alchemist and painter in order to better fight against institutionalized positivism and academic aestheticism. Under the mask of madness, he overthrows all established institutions and blurs the boundaries between objectivity and subjectivity. He disrupts, disturbs, shocks; his strangeness seperates him from the world and assures him, by imitatio Christi, his own Way of the Cross: he internalizes the journey and walks erratic paths, convinced that loss is the path that leads to rebirth.
    Źródło:
    e-Scripta Romanica; 2022, 10; 37-52
    2392-0718
    Pojawia się w:
    e-Scripta Romanica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La folie royale dans la "Estoria de España" d’Alphonse X le Sage (1252-1284)
    The Royal Madness in the "Estoria de España" of Alfonso X the Wise (1252-1284)
    Autorzy:
    Escurignan, Soizic
    Powiązania:
    https://bibliotekanauki.pl/articles/2034900.pdf
    Data publikacji:
    2021-12-20
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Middle Ages
    Castile and León
    Alfonso X the Wise
    Estoria de España
    madness
    Moyen Âge
    Castille et León
    Alphonse X le Sage
    folie
    Opis:
    Cet article propose d’aborder la folie royale dans la Estoria de España, chronique retraçant l’histoire de l’Espagne depuis les origines, rédigée à la fin du XIIIe siècle sous l’égide du roi de Castille et León, Alphonse X le Sage. Au Moyen Âge, le paradigme de la folie est clairement codifié et renvoie à un certain nombre de topiques, comme la maladie, le péché ou encore quelques attributs physiques spécifiques, qui peuvent concerner toutes les catégories de la population. Néanmoins, la figure royale est normalement exclue de ce paradigme, car la folie et tous les dérèglements qu’elle comporte porteraient atteinte à l’essence même de la royauté. À la rigueur, le roi peut être associé à d’autres formes d’inconduite assimilées à la folie, telles que le péché ou le châtiment divin, mais pas à la maladie mentale en tant que telle. Dans ce contexte, comment la Estoria de España, qui narre l’histoire de l’Espagne à travers ses rois, concilie-t-elle l’image de la folie de certains rois – particulièrement les empereurs romains – héritée de ses sources avec les conceptions du XIIIe siècle ? Après un rappel de la conception de la folie au Moyen Âge, j’analyse ses manifestations dans le code juridique des Siete Partidas et surtout dans la Estoria de España afin de pouvoir appréhender la représentation, le sens et la fonction de la folie dans la narration littéraire des faits historiques.
    This article proposes to study the royal madness in the Estoria de España, a chronicle retracing the history of Spain from its origins, written at the end of the 13th century under the aegis of the King of Castile and León, Alfonso X the Wise. In the Middle Ages, the paradigm of madness was clearly codified and referred to a certain number of topics, such as illness, sin, or specific physical attributes, which could concern all categories of the population. Nevertheless, the royal figure is normally excluded from this paradigm because madness and all the disturbances it entails would undermine the very essence of royalty. Strictly speaking, the king can be associated with other forms of misconduct assimilated to insanity, such as sin or divine retribution, but not with mental illness as such. In this context, how does the Estoria de España, which narrates the history of Spain through its kings, reconcile the image of the madness of certain kings - particularly the Roman emperors - inherited from its sources with the conceptions of the 13th century? After a reminder of the conception of madness in the Middle Ages, I analyse the concept of madness under the reign of Alfonso X, through the study of the legal code of the Siete Partidas, and the Estoria de España in order to understand its meaning and function in the narration of historical facts.
    Źródło:
    e-Scripta Romanica; 2021, 9; 171-181
    2392-0718
    Pojawia się w:
    e-Scripta Romanica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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