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    Wyświetlanie 1-4 z 4
    Tytuł:
    À la recherche du sens. Une coopération entre Albert Gleizes et Anna Iwaszkiewiczowa
    In Search of Meaning. Cooperation Between Albert Gleizes and Anna Iwaszkiewiczowa
    Autorzy:
    Zawadzka, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/2021012.pdf
    Data publikacji:
    2020
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    translation
    art
    spirituality
    cooperation
    correspondence
    Opis:
    Anna Iwaszkiewiczowa (1897–1980), a Polish writer and translator, undertook to translate a theoretical text by Albert Gleizes (1881–1953), a French cubist painter. The text was published in a Polish monthly “Droga” in 1932. In the same year, Albert Gleizes came to Poland to give lectures on his concept of art in Warsaw and in Łódź. The visit was also organized by Iwaszkiewiczowa, who translated the speeches and supervised the program.The purpose of this article is to present details of this cooperation between the artist and his translator, as well as to analyze Anna Iwaszkiewiczowa’s work with regard to the abovementioned publication and, additionally, to a preserved manuscript of the French original and a draft version of the Polish translation.
    Źródło:
    Academic Journal of Modern Philology; 2020, 9; 377-384
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’internationalisation de la science préhistorique belge. Première esquisse à travers sa relation avec Louis Laurent Gabriel de Mortillet
    The Internationalisation of Belgian Prehistoric Science. A First Sketch through its Relation with Louis Laurent Gabriel de Mortillet
    Autorzy:
    Leclercq, Walter
    Powiązania:
    https://bibliotekanauki.pl/articles/450166.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Instytut Historii Nauki im. Ludwika i Aleksandra Birkenmajerów
    Tematy:
    networks
    correspondence
    anthropology
    archaeology
    learned societies
    Opis:
    Scientific networks played an important role in the construction of Belgian prehistory. Among the emblematic figures of the European prehistoric scene was Louis Laurent Gabriel de Mortillet. In the years that followed his return from exile, the relations which the French prehistorian wove with the Belgian intelligentsia developed continuously. It reached its climax during the organization of the Congrès d’Anthropologie et d’Archéologie préhistoriques held in Brussels in 1872. Indeed, the latter placed Belgian prehistoric researches at the front of international science. Afterward the relations of Gabriel de Mortillet with Belgium continued on a permanent basis. In 1891, during his trip to Belgium with his students of the École d’Anthropologie de Paris, he met a large part of the Belgian prehistorians. Therefore, this article aims to seek the construction of Gabriel de Mortillet’s Belgian network and its impact on the young prehistoric science of Belgium
    Źródło:
    Organon; 2018, 50; 45-66
    0078-6500
    Pojawia się w:
    Organon
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Stéréotypes, idées reçues et lieux communs dans l’œuvre et la Correspondance de Gustave Flaubert
    Stereotypes, Received Ideas and Commonplaces in Gustave Flaubert’s Work and Correspondence
    Autorzy:
    Rînciog, Diana
    Powiązania:
    https://bibliotekanauki.pl/articles/1368349.pdf
    Data publikacji:
    2021-02-11
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    stereotyping
    correspondence
    stupidity
    cliché
    commonplace
    Flaubert’s work
    Opis:
    Flaubert undeniably represents a fascinating case with regard to stereotyping, especially if one considers not only his masterpiece, Madame Bovary, but also his last volume, left unfinished in perhaps a symbolic way, Bouvard et Pécuchet, and the collections of clichés included in his Dictionnaire des idées reçues and Le Sottisier. What is prosaic is important for the novelist. Moreover, in his Correspondence we find a real and fascinating interest in the topic of the cliché. A key sentence concerning what is commonplace suggestively describes Charles Bovary’s conversation: “Charles’ conversation was as flat as a pavement, and people’s ideas paraded on it in their ordinary outfit, without vibrating with emotion, with laughter or with daydreaming” (my translation). Essentially, our aim is to dwell on language and gesture stereotypes as presented in some of Flaubert’s novels as well as in the short story Un cœur simple (A Simple Heart) and even in his travel notes. Furthermore, through the agency of Jean-Paul Sartre’s ample work L’Idiot de la famille (The Family Idiot), it is our aim to look into the language mechanisms which lead to mal du siècle in Flaubert’s view, namely the stupidity of wanting a conclusion and the circulation of received ideas.
    Źródło:
    Romanica Silesiana; 2019, 16, 2; 71-81
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Écrire la danse, danser la vie. 'Ego tango' de Caroline de Mulder
    Write with your dance - dance your life. Caroline de Mulders Ego tango
    Autorzy:
    Siwek, Ryszard
    Powiązania:
    https://bibliotekanauki.pl/articles/1051160.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    modern Belgian novel
    autofiction
    obsession
    addiction
    correspondence of arts
    Opis:
    Ego tango is the debut novel by a Belgian writer, Caroline de Mulder. In 2010, it won the most significant literary award in the country. The story is set in a closed circle of the Paris tango dancers. The present study examines the original narration of the novel and the construction of the plot, which are both subordinated to the introvert nature of the tango – a dance that becomes an addiction and an obsession. De Mulder’s text is an interesting example of a theoretical problem of the “correspondence of arts,” their mutual overlapping and co-dependence; in this particular case, literature and dance. This concerns both the music and the lyrics of the tangos, which constitute and integral component of the structure of the musical piece and determine the rhythm of the story being told, its atmosphere, mood and type of the relationship between the protagonists. The novel was inspired by the personal experience of the authoress – a tango dancer and was structured in accordance with the nature and the spirit of this dance.
    Źródło:
    Studia Romanica Posnaniensia; 2013, 40, 4; 51-56
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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