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Tytuł:
Souvenirs entomologiques de Jean-Henri Fabre: des « ailes de l’imagination » aux « sandales des faits observés »
Souvenirs entomologiques by Jean-Henri Fabre: from the “wings of imagination” to the “sandals of observed facts”
Autorzy:
Ringuedé, Yohann
Powiązania:
https://bibliotekanauki.pl/articles/1048484.pdf
Data publikacji:
2018-05-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
insects
entomology
popularization
empiricism
imagination
poetry
Opis:
Jean-Henri Fabre made numerous discoveries observing meticulously the lifestyle and behaviour of insects which lived around his traditional house in Provence. Those discoveries are still valid, even though the heterodox entomologist became the standard bearer for opponents of transformism, which perpetually progressed and is about to triumph. Fabre is first known to have been an outstanding observer, but also to have gathered together in a colossal collection his entomologist’s memoirs, whose literary – and even poetic – value is celebrated as far away as Japan. This article proposes to question the validity of the preconceived idea that Les Souvenirs entomologiques adds to the accurate eye of the observer the fertile imagination of the poet. Refusing to just make note of this a posteriori superposition, it hypothesizes that there is a reunification of the inflexible empiricism of the biological approach with a creative imagination which reveals to be omnipresent in every phase of Fabre’s enterprise: the hypothesis, the validation by observation, and the literary transcription.
Źródło:
Studia Romanica Posnaniensia; 2017, 44, 4; 159-171
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les fils enchevêtrés de la mémoire et de l’imagination dans Mémoires d’un ange maladroit de Francis Dannemark
Tangled threads of memory and imagination in Mémoires d’un ange maladroit by Francis Dannemark
Autorzy:
Komandera, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/24201052.pdf
Data publikacji:
2022-12-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Francis Dannemark
mémoire
mémoires
remémoration
oubli
imagination
écriture
memory
memoirs
recollection
forgetting
writing
Opis:
L’article traite du thème de la mémoire dans le roman Mémoires d’un ange maladroit de Francis Dannemark, auteur belge francophone. Pour vérifier l’hypothèse avancée que Dannemark réussit à illustrer le fonctionnement complexe de la mémoire, nous soumettons à l’examen les techniques de l’écriture, les dispositifs narratifs et de nombreuses constructions métaphoriques employées par l’auteur, et nous les décrivons en fonction des « instances mémorielles » (auteur, personnage, lecteur). Il se révèle que le roman n’est pas une simple variation sur le thème de la mémoire, ses mécanismes, mais qu’il contient une importante réflexion sur le processus de l’écriture, le jeu avec la fictivité de l’œuvre littéraire comprise, et l’acte de la lecture. Rappeler des souvenirs, rédiger des mémoires, écrire un roman et le lire, toutes ces activités ressemblent à un puzzle à reconstituer.
This paper deals with the theme of memory in the novel Mémoires d ’un ange maladroit by Francis Dannemark, a Belgian author writing in French. In order to verify the hypothesis that the writer succeeds in depicting the complex functioning of memory, we examine writing techniques, narrative devices and numerous metaphorical constructions used by the author, and describe them, taking into consideration “memory authorities” (author, hero, reader). The analysis proves that the novel is not a simple variation on memory and its mechanisms but also contains essential observations on the writing process, including the play with the fictionality of a literary work, and on the act of reading. Recollection, memoirs writing, novel writing, reading: all these activities resemble a puzzle.
Źródło:
Quêtes littéraires; 2022, 12; 151-160
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lieu d’intimité – lieu d’imagination. Géographie littéraire de Zygmunt Krasiński
Place of intimacy – place of imagination. Zygmunt Krasiński’s literary geography
Autorzy:
Markuszewska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/43665642.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Zygmunt Krasiński
place of imagination
place of intimacy
auto/bio/geo/graphy
homo geographicus
espaces imaginaires
Opis:
Zygmunt Krasiński, the most European of the Polish Romantic writers, composed many literary texts influenced by foreign travels. In his writing, specific geographical spaces were transformed at once into places of imagination and places of intimacy, forming a unique sphere of auto/bio/geo/graphy. This is especially noticeable in Krasiński’s poetic prose written in French, mainly in the half-private and half-literary travel impressions of his excursions in the Alps. The tension between a place of imagination and a place of intimacy is also reflected in the poet’s correspondence, which can be analysed as a textual form of interiorization of the strictly defined places. It is shown in the article on the examples of the Alps and Provence.
Źródło:
Studia Romanica Posnaniensia; 2023, 50, 1; 119-132
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narcisse et la photographie. De l’objectivation à l’objectivité
Narcissus and Photography. From Objectification to Objectivity
Autorzy:
Dziub, Nikol
Powiązania:
https://bibliotekanauki.pl/articles/483683.pdf
Data publikacji:
2015
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
photography
literature
Narcissus
image
imagination
Opis:
Baudelaire blamed the bourgeois society and its photographic narcissism which leads to a perversion of the mythical posture and to a loss of consciousness of the ontological dissimilarity between reality and its image. That is why literature has to develop the imagination of the photographic image, which is both useful and magical, both referential and wondrous. Writers of the romantic era may disdain or admire photography, but they all experience the photographic objectivity and thus develop an antidote to the vain objectification of the collective Narcissus.
Źródło:
Quêtes littéraires; 2015, 5; 45-54
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Claude Bernard, machiniste du vivant
Claude Bernard as a machinist of the living
Autorzy:
Fayolle, Azélie
Powiązania:
https://bibliotekanauki.pl/articles/1048487.pdf
Data publikacji:
2018-05-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Claude Bernard
living machine
metaphor
scientific language
scientific imagination
Opis:
Claude Bernard’s use of the metaphor of the “living machine” in his writings may seem surprising, since the theorist of experimental medicine is usually known for his disciplined stylistic and scientific rigor. An examination of the different occurrences of the word “machine” in a representative corpus of Claude Bernard’s writings shows that this phrase, which has a long history, allows for the identification of different scientific degrees in the physiologist’s work. This metaphor, which is also a thought pattern, emerges with the Introduction to the Study of experimental Medicine in 1865; its use indicates that some texts or textual zones are less scientific than they are philosophical or generalist.
Źródło:
Studia Romanica Posnaniensia; 2017, 44, 4; 131-140
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Apophatisme et non-dualité dans le "Vedānta" et chez Ad Reinhardt
Autorzy:
Scalco, Diego
Powiązania:
https://bibliotekanauki.pl/articles/20874621.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
apophasis
abstraction
indifferentiation
de-imagination
insignificance
non-duality
apophase
indifférenciation
désimagination
insignifiance
non-dualité
Opis:
The Ultimate Paintings, a series of abstractions made by Ad Reinhardt during the 1960s, are coupled with writings with obvious affinities to the apophatic formulas of the commentaries of the Upanishads (the philosophical conclusions of the Vedas) known as the “nondual Vedānta” (Advaita Vedānta). The abstractions themselves refer to the model of the yantra, the geometrical diagram into which Brahmanic iconography is supposed to subside. In this instance, the apophasis defeats the attempt to signify through painting and language what constitutes itself in painting and language.
Źródło:
Cahiers ERTA; 2023, 33; 95-117
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Car on ne saurait mieux dire » : la mémoire des noms et des visages dans l’œuvre de Romain Gary
Autorzy:
Viron, Sébastien
Powiązania:
https://bibliotekanauki.pl/articles/20874580.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
Gary
face
name
memory
imagination
visage
nom
mémoire
Opis:
We will examine the largely ethical vocation of Romain Gary's memorial writing project, which leads it to metamorphose itself into a literary tomb of the forgotten dead. We will then discuss, from a more narratological point of view, how this memory emerges untimely in the narrative and sometimes frees itself from it to signify the transcendent character of the name and the face. Finally, we will show that Gary goes beyond the somewhat naive vision of the memory as a mere recorder of events or images by associating it with the imagination to give it a poetic and counter-historical use.
Źródło:
Cahiers ERTA; 2022, 32; 70-87
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Sauver l’imaginaire » : littérature et photographie face à face
"Saving the imaginary": literature and photography face to face
Autorzy:
Paigneau, David
Powiązania:
https://bibliotekanauki.pl/articles/676333.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
littérature
photographie
imaginaire
médiologie
philosophie
literature
photography
imagination
mediology
philosophy
Opis:
If the most minimalist definition one can give to the words « art work » is « the way an imagination expresses itself », this definition was, in the second half of the 19th century, the reason why art. critics and theorists argued about the status of photography : purely objective document or potential art work. But writers and literary theorists also took part in this debate, since photography was used to illustrate novels. This article confronts the « literary imagination » and the « photographic imagination », and tries to understand the points of convergence and the points of divergence between these two kinds of imagination, through the contradictory points of view of historians, philosophers and theorists of visual arts and literature.
Si l’on peut définir, de la manière la plus générale, une oeuvre d’art comme ‘expression d’un imaginaire, cette définition posa le problème du statut de la photographie lors de son apparition : document purement objectif ou potentielle forme artistique. Écrivains et critiques littéraires prirent part à ce débat, d’autant plus que des photos furent utilisées pour illustrer des livres, notamment des romans, à partir des années 1880. Cet article tente de confronter « l’imaginaire littéraire » à « l’imaginaire photographique » à travers des points de vues d’écrivains, critiques, philosophes et médiologues, afin de tenter de mieux comprendre leurs points de convergence et de divergence.
Źródło:
e-Scripta Romanica; 2018, 6; 30-43
2392-0718
Pojawia się w:
e-Scripta Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La Création de Quinet et la logique du vivant: une épistémologie imaginaire
La Création of Quinet and the logic of life: an imaginary epistemology
Autorzy:
Séginger, Gisèle
Powiązania:
https://bibliotekanauki.pl/articles/1048485.pdf
Data publikacji:
2018-05-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Quinet
natural history
history
evolutionism
imagination
Opis:
Quinet studies the logic of life in natural history, history and the arts from an epistemological viewpoint. He shows interesting similarities between different fields of study, and he explains the specificity of the épistémè of the 19th century. This paper will show the impact of the concept of the unity of knowledge on the writing of Quinet’s book, and the ideological and religious implications.
Źródło:
Studia Romanica Posnaniensia; 2017, 44, 4; 141-157
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La pluralité des races humaines de G. Pouchet: l’imaginaire des discours scientifiques
The plurality of human race by G. Pouchet: the imaginary of scientific discourse
Autorzy:
Husti, Carmen
Powiązania:
https://bibliotekanauki.pl/articles/1048490.pdf
Data publikacji:
2018-05-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Georges Pouchet
race
imagination
objectivity
Opis:
Being subject to interdisciplinary questioning in the nineteenth century, the human race appears in the text of the young scientist Georges Pouchet as an issue of the construction of a scientific method based on objectivity. Confronted with the limits of nineteenth-century geographical and ethnographic knowledge, this object of study proves that the plurality of human races is difficult to apprehend using objective scientific methods and experimentation, and reflects the imaginary present in the construction of scientific discourse.
Źródło:
Studia Romanica Posnaniensia; 2017, 44, 4; 81-94
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’art du « revenez-y ». Variations sur la mémoire chez les Goncourt
The art of the ‘revenez-y’. Variations on memory in the Goncourts’ novels
Autorzy:
Charlier, Marie-Astrid
Powiązania:
https://bibliotekanauki.pl/articles/24090513.pdf
Data publikacji:
2022-12-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Goncourt
mémoire
imagination
deuil
mélancolie
spectacle
corporéité
memory
mourning
melancholy
body
Opis:
Cet article propose une traversée de l’œuvre romanesque des Goncourt sous l’angle des représentations et de l’écriture de la mémoire, notion cardinale de leur œuvre et de leur vie, comme en témoignent aussi bien le Journal que leur passion pour la collection. Paradoxalement, les personnages se souviennent relativement peu dans leurs romans. Cependant, bien que discrète, la mémoire se déploie à des moments stratégiques du récit. Il s’agit ici de mettre au jour un véritable art romanesque du « revenez-y », lequel se déplie en différentes variations comme autant d’explorations psychologiques, narratives et esthétiques de la mémoire.  L’article explore ainsi les représentations tantôt pathologiques tantôt réparatrices de la mémoire à travers la nostalgie et la mélancolie des personnages mais aussi les enjeux de l’articulation entre mémoire, rêve et oubli dans la création goncourtienne. Enfin, il s’agit de dégager le travail de corporalisation de la mémoire à l’œuvre chez les Goncourt, notamment par l’intermédiaire des personnages du monde du spectacle : acteurs et actrices, mimes et acrobates.
This article proposes an exploration of the novels of the Goncourts from the perspective of the representations and writing of memory, a fundamental notion in their work and their lives, as evidenced both by the Journal and their passion for collecting. Paradoxically, the characters remember relatively little in their novels. However, although discreet, memory is deployed at strategic moments in the narrative. The aim here is to bring to light a veritable art of “revenez-y”, which unfolds in different variations as psychological, narrative and aesthetic explorations of memory. The article thus explores the sometimes pathological and sometimes reparative representations of memory through the nostalgia and melancholy of the characters, as well as the issue of interaction between memory, dream and oblivion in the Goncourts’ writing. Finally, the aim is to identify the corporalisation of memory at work in the Goncourts’ novels, notably through the intermediary of characters from the world of entertainment: actors and actresses, mimes and acrobats.
Źródło:
Quêtes littéraires; 2022, 12; 30-46
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le bruitage en tant que declencheur de la créativité et de la parole en classe de langue
Sound images as elements enhancing creativity and the speaking skill in a foreign language
Autorzy:
Gajos, Mieczysław
Powiązania:
https://bibliotekanauki.pl/articles/1050834.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
sound images
noises
creativity
imagination
speaking skill
Opis:
To develop communicative competence in L2 does the learner need to have the knowledge of linguistic resources, but also of other factors shaping the situational context in which the act of communication is taking place. The elements bearing directly on effi ciency on information exchange comprise all kinds of noises and sound images which make up a signifi cant part of the broadly conceived communicative context. The present paper aims to raise the question of how the use of sound images in the process of foreign language learning/teaching should be made. Among other issues, it addresses the usefulness of various sounds and noises in stimulating learners’ imagination, creativity and skills, as well as in enhancing spoken output in L2.
Źródło:
Studia Romanica Posnaniensia; 2014, 41, 3; 33-45
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Des hallucinations forestières. Essai sur l’imaginaire de Bolesław Leśmian
The forestry delusions. The essey of Boleslaw Lesmian’s imaginary
Autorzy:
Karwowska, Marzena
Powiązania:
https://bibliotekanauki.pl/articles/1035990.pdf
Data publikacji:
2015
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Bolesław Leśmian
Klechdy polskie
Skrzypek Opętany
Baśń o Rycerzu Pańskim
Gilbert Durand
anthropolgy of imagination
a symbol
antropologia wyobraźni twórczej
symbol
Opis:
The biography of Boleslaw Lesmian (1877–1937) shows a maladjustment of artist to reality. The Poet escapes to the world of imagination — an alternative reality where he could be settled. In Boleslaw Lesmian’s imaginary the human way leads to the archetypal forest. The image of the forest, implanted deeply in culture as a place for outlaws (Robin Hood), fugitives (Tristan and Isolde) and knights-errant (Parsifal) is transformed by Lesmian. In the Lesmian’s imaginary the forest takes a new semantic dimension and becomes one of the main symbols as the Epiphany of the Mother Earth (Tellus Mater, Pammetor Ge). The analyses, presented in this article, shows that act of wandering in the forest paths is the symbol of a human way which leads to self-knowledge. For Lesmian, who was lost in everyday life, an archetypal figure of Mother Earth has an important therapeutic value. A methodological framework for the discussion is based on the concepts offered by Gilbert Durand, a French philosopher of culture. Anthropology of imagination as a method of literary studies focuses on mundus imaginalis of the author, understood as a manifestation of symbolic powers of imagination and the artist is perceived as an imaginative phenomenon. In the anthropological and myth-critical studies a canonical definition of myth is adopted after Gilbert Durand, where myth is a dynamic system of symbols (mythical figures), archetypes and imagery constituting narrations permanently incorporated into the culture. In Durand’s perspective, mythical figure (figure mythique) is an archetype imagery (image archétype) capable of being expressed at the language level. Imagination is understood as the Consciousness Breeding Imagery. Imagery provide a structure capable of transformations, enabling decomposition and transformation of imagery in cultural texts and their literary palingenesis.
Źródło:
Prace Polonistyczne; 2015, LXX; 119-127
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Esthétique de l’imaginaire et enjeux spiritualistes : La Terre avant le déluge de Figuier et L’Univers de Pouchet
The aesthetics of imagination and spiritualist issues in La Terre avant le déluge by Figuier and L’Univers by Pouchet
Autorzy:
Percheron, Bénédicte
Powiązania:
https://bibliotekanauki.pl/articles/1048488.pdf
Data publikacji:
2018-05-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
popularization
natural science
spiritualism
catastrophism
prehistory
Opis:
Science popularization books, La Terre avant le déluge by Louis Figuier and L’Univers: les infiniment grands et les infiniment petits by Félix-Archimède Pouchet, represent the success of science popularization publishing of this period and the desire to spread naturalistic knowledge far and wide. With a spiritual approach to nature, they underline the important epistemological stakes of this period. The aim of this study is to question the literary, stylistic and formal strategies to assert or underline thoughts on nature in these books.
Źródło:
Studia Romanica Posnaniensia; 2017, 44, 4; 117-130
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La caricature ou le mystère des mots bourdonnant aux oreilles dans Le Nègre du Gouverneur de Serge Patient
The caricature or mystery of words buzzing in the ears in Serge Patient’s The Governor’s Negro
Autorzy:
Danglades, Mylène
Powiązania:
https://bibliotekanauki.pl/articles/1038052.pdf
Data publikacji:
2020-12-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Serge Patient
D'Chimbo
caricature
mystère
représentation
imaginaire
rire
mystery
representation
imagination
laughter
Opis:
La caricature, dans sa représentation la plus élémentaire, dans sa polysémie ou ses multiples extensions, fait référence à la charge, au « faix du fagot » amenant l’homme à gémir, à ployer et à marcher courbé « à pas pesants ». Les écrivains, tels des humoristes ou des peintres de la vie moderne, s’emploient à combiner les normes de la représentation et à distordre les mots pour souligner l’animalité de l’homme. Serge Patient, dans sa chronique intitulée Le Nègre du Gouverneur publiée en 1978, nous propulse dans le temps, dans l’imaginaire collectif guyanais et nous invite notamment à nous focaliser sur l'esclave noir D’Chimbo. Il appartient alors au lecteur de décrypter les données, de les rectifier ou de les blâmer en riant brutalement ou en domestiquant son rire. Les rires apaisés ou ravivés et les mots bourdonnant plus faiblement aux oreilles, quel langage et quels poncifs pourraient encore se dessiner ?
The caricature, in its most elementary representation, in its polysemy, its multiple extensions, refers to the burden, to the “fagot load” causing man to moan, to bend and to walk bent “with heavy steps”. Writers, such as comedians or painters of modern life, strive to combine the norms of representation and to distort words to emphasize the animality of man. Serge Patient, in his column entitled The Governor’s Negro published in 1978, propels us back in time, into the collective Guyanese imagination and invites us to focus on a black slave, D’Chimbo. It is then up to the reader to decipher the data, correct them or blame them by laughing brutally or domesticating the laughter. With soothed or revived laughter and words buzzing weaker in the ears, what language and clichés could still emerge?
Źródło:
Quêtes littéraires; 2020, 10; 207-225
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 19

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