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Wyszukujesz frazę "alchemy" wg kryterium: Wszystkie pola


Wyświetlanie 1-4 z 4
Tytuł:
Quête de soi, quête du sens : alchimie et roman comique à la première personne dans Le Page disgracié et L’Autre Monde
Quest for Self, Quest for Meaning: Alchemy and First Person Novel in Le Page disgracié and L’Autre Monde
Autorzy:
Gauthier, Patricia
Powiązania:
https://bibliotekanauki.pl/articles/2020939.pdf
Data publikacji:
2020
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Tristan
Cyrano
alchemy
illusion
sense
libertinism
Opis:
The Other World and Le Page disgracié (The Disgraced Page) occupy a singular place in the luxuriant seventeenth-century novel landscape on account of their first-person writing. In a process quite akin to the formative novel, the experiences of the “I” are stages in the construction of a meaning that is elaborated in the course of adventures rather than set as a goal to be reached. Meaning remains elusive, never predetermined, ravelled and unravelled as it is along with the episodes experienced by the narrator, regardless of whether those episodes are conveyed by the imagination of Cyrano or by the memory of Tristan’s experiences. No matter whether we are dealing with the most unbridled fantasies or autobiographical narrative, the route followed by the “I” is not oriented towards a goal that would make sense. Both texts call for alchemy, but the narrators do not make the quest for the philosopher’s stone the guiding thread of their narrative. Alchemy, described as a deception in Tristan and as an approach among others to the mysteries of the world in Cyrano, is presented as the touchstone of a possible decoding of the world, as the reign of illusion and, therefore, of the impossibility even to fix meaning. A pie-in-the-sky quest for meaning leading to a goal that does not exist (the two texts are abruptly interrupted), the formative novel finds a possible hermeneutic opening in the form of libertinism that forces one to play with meaning. Both works put sensual pleasure at the heart of the adventures lived by the characters and this rehabilitation of sensuality could offer itself as the key to a libertine strategy.
Źródło:
Academic Journal of Modern Philology; 2020, 9; 255-263
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le syncrétisme de Du Bartas
The Syncretism of Du Bartas
Autorzy:
Taïlamé, Steeve
Powiązania:
https://bibliotekanauki.pl/articles/483520.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Du Bartas
Biblical tradition
paganisme
syncretisme
neoplatonisme
alchemy
exoterisme/esoterisme
protestanisme
Biblical rewriting
protestantisme
Opis:
The works of the humanist Du Bartas has been considered religious, with the aim to present a Calvinist conception of the world conforming to the dogmas. However, the presence of paganism and the effects of dissonances shows that Du Bartas belongs to a spiritual tradition beyond the dogmas. The poet in fact writes in the tradition of Marsil Ficin and his vision of the profane and the sacred is totally in accordance with that of the hermeticist philosophers. Beneath the superficial mean-ing and the topical speech about religious subjects, there lies a much higher truth to be expressed clearly to profanes, those unable to understand the unity of traditions.
Źródło:
Quêtes littéraires; 2013, 3; 24-31
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La purification ardente et l’échec. Antonin Artaud lu par Josep Palau i Fabre
Autorzy:
Castella-Martinez, Sergi
Powiązania:
https://bibliotekanauki.pl/articles/20874619.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
Theatre
cruelty
alchemy
negative poetics
void
debirth
failure and creativity
Théâtre
cruauté
alchimie
poétique négative
vide
dénaissance
échec et créativité
Opis:
Antonin Artaud’s « Théâtre de la cruauté » consists in the extreme display of the conflictive nature of the world. The Catalan poet Josep Palau i Fabre highlighted the poetic and negative dimensions of Artaud’s project and insisted on its failure, addressing its impossible objectivation and its similarity with alchemy. The article aims to identify the central elements of Palau’s interpretation, annihilation and debirth, and to assess their inscription in an experimental poetics proposal inspired by alchemy.
Źródło:
Cahiers ERTA; 2023, 33; 69-93
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Des voyages infernaux à l’art du scandale chez August Strindberg
From infernal journeys to the art of scandal with August Strindberg
Autorzy:
Larangé, Daniel S.
Powiązania:
https://bibliotekanauki.pl/articles/2142071.pdf
Data publikacji:
2022-10-13
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
wisdom through madness
infernal circles
alchemy
foolishness for Christ
acte gratuit
folle sagesse
cercles infernaux
alchimie
fol-en-Christ
Opis:
Scandale et voyages vont de pair dans l’imagination d’August Strindberg, artiste plus que sulfureux qui débarque à Paris en délaissant sa famille pour plonger dans les cercles infernaux afin de lutter avec l’ange et de retrouver ainsi la foi perdue de son enfance. Il déçoit son public en se faisant alchimiste et peintre pour lutter contre les menaces du positivisme et de l’esthétisme académique. Sa quête est motivée par la figure du Christ que la sécularisation d’une fin-de-siècle vendue à l’industrialisation et au capital tourne en ridicule. Sous le masque de l’artiste-fou, il s’engage à renverser toutes les institutions établies, prônant un art de la fugue, affranchi des frontières de l’objectivité et de la subjectivité. Il perturbe, dérange, choque de sorte que son étrangeté le rejette du monde, lui assurant ainsi de suivre, par imitatio Christi, son propre chemin de croix. Il s’approprie le voyage pour ainsi l’intérioriser et arpenter les voies erratiques, convaincu que seul celui qui se perd se retrouve un jour.
August Strindberg abbandona la sua famiglia. Si tuffa nell'inferno di Parigi e lotta con l'angelo per riconquistare la sua fede. Sotto le spoglie di un pazzo, rovescia tutte le istituzioni stabilite e offusca i confini tra oggettività e soggettività. Disturba, disturba, provoca. La sua estraneità lo respinge dal mondo e gli assicura, per imitatio Christi, la propria via crucis: interiorizza il cammino e percorre strade irregolari, convinto che solo la perdizione può trovare la via dell'autenticità.
August Strindberg abandons his family, plunges into the Parisian hell and struggles with the angel in order to regain his faith. He disappoints his public by becoming an alchemist and painter in order to better fight against institutionalized positivism and academic aestheticism. Under the mask of madness, he overthrows all established institutions and blurs the boundaries between objectivity and subjectivity. He disrupts, disturbs, shocks; his strangeness seperates him from the world and assures him, by imitatio Christi, his own Way of the Cross: he internalizes the journey and walks erratic paths, convinced that loss is the path that leads to rebirth.
Źródło:
e-Scripta Romanica; 2022, 10; 37-52
2392-0718
Pojawia się w:
e-Scripta Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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