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    Wyświetlanie 1-5 z 5
    Tytuł:
    Règles du droit pénal polonais dans la période de l’entre-deux-guerres
    Polish Penal Law in the Interwar Period
    Autorzy:
    Małecki, Marian
    Powiązania:
    https://bibliotekanauki.pl/articles/926213.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    penal law
    penal code
    history of penal law
    Julian Makarewicz
    capital punishment
    codification of law
    Opis:
    After the rebirth of the Polish state in 1918 there were several post-partition criminal acts in force. Established in 1919, the Codifi cation Commission was to develop a uniform civil and criminal law. One of the tasks accomplished by the Commission was the substantive criminal law. The modern Code of 1932, developed among others by Julian Makarewicz, was one of the outstanding projects prepared by leading criminal law scholars of the interwar period. It comprehensively introduced the principle of nullum crimen sine lege. It included innovative solutions, including elements of the sociological school of criminal law, as well as a concisely regulated individual responsibility of the instigator and accomplice.
    Źródło:
    Krakowskie Studia z Historii Państwa i Prawa; 2013, 6, 1; 45-50
    2084-4115
    2084-4131
    Pojawia się w:
    Krakowskie Studia z Historii Państwa i Prawa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Raisons de la creation et de l’evolution des formations frontalieres polonaises dans l’entre-deux-guerres
    Reasons for the Creation and Evolution of Polish Border Formations in the 20th-century Interwar Period
    Autorzy:
    Zawadzki, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/2108995.pdf
    Data publikacji:
    2022-06-15
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    Polish Border Guard
    Polish constitution
    constitutional law
    institutional law
    country border
    Opis:
    In establishing the thematic scope of this work, I assumed that its subject would be the process of the formation of border services in interwar Poland. This means a deliberate and complete disregard for the essentially distinct administrative role played by the border guard. The presentation of the Border Guard from an administrative perspective changes the situation so profoundly that a thorough discussion of its implications would certainly double the volume of the publication. A superficial treatment of the administrative issue would lead to misunderstandings. Furthermore, a superficial omission of the administrative issue was deemed necessary because the formations were mainly military in nature. Before going into details and elaborations, I would like to present my main research objective, which is the following question: what was the evolution of the legal status of Polish border formations in the inter-war period? In view of this objective, it is necessary to present the work from a historical perspective. The chronology of the facts is important for the subject matter, as it serves to systematise the considerations. The structure of the work and the research method were adjusted to the above-mentioned assumptions of the publication, which shows the reasons for the creation and the process of transformation of the border formations in relation to various types of institutional solutions, up to the moment of the creation of the Border Protection Corps and the Border Guard Corps, operating under these names until 1939. The potential conclusions resulting from this chapter concern: the presentation of the institutional construction of the border formations in the years 1918–1939 and the demonstration that in the interwar period they were the main organs of the Second Polish Republic, which guaranteed the inviolability of state territory and the security of the citizens on the subordinate territory.
    Źródło:
    Miscellanea Historico-Iuridica; 2021, 20, 2; 201-229
    1732-9132
    2719-9991
    Pojawia się w:
    Miscellanea Historico-Iuridica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La caricature sociale dans les albums de Jean Bruller : une Comédie humaine de l’entre-deux-guerres
    Social caricature in Jean Brullers albums: a human comedy of the interwar years
    Autorzy:
    Hernández Gómez, María de los Ángeles
    Powiązania:
    https://bibliotekanauki.pl/articles/1038057.pdf
    Data publikacji:
    2020-12-30
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    Jean Bruller
    Vercors
    dessin
    album
    caricature
    XXe
    homme
    drawing
    20th century
    mankind
    Opis:
    Les premiers albums du dessinateur Jean Bruller proposent une caricature sociale originale par la combinaison du texte et de l’image. Si La danse des vivants (1932-1938) aspire à illustrer la comédie humaine du XXe siècle par la caricature de mœurs et un ton universaliste, Visions intimes et rassurantes de la guerre (1936) s’ancre dans la période de l’entre-deux-guerres pour développer une critique sociale fortement influencée par les menaces de guerre. Cet article propose une analyse approfondie de l’esthétique de ces deux ouvrages brulleriens, marqués par un humour particulièrement mordant et ironique et par un certain arrière-goût pessimiste. Cette approche analytique se nourrira de même du dialogue entre l'œuvre et la pensée de l’artiste, ainsi que du dialogue entre sa production et le contexte historico-social.
    The first albums of the cartoonist Jean Bruller propose an original social caricature by combining text and image. La danse des vivants (1932-1938) aspires to illustrate the human comedy of the 20th century with a caricature of customs and a universalist tone; Visions intimes et rassurantes de la guerre (1936) is anchored in the interwar years to develop a social criticism strongly influenced by the threats of war. This article offers an in-depth analysis of the aesthetics of Jean Bruller’s two works, marked by a particularly wry and ironic humour and some pessimism. This analytical approach will also be complemented by an account of the dialogue between the work and the artist’s thinking, as well as of the dialogue between his production and the historical-social context.
    Źródło:
    Quêtes littéraires; 2020, 10; 171-184
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Autour de la réception de la littérature polonaise dans la belgique francophone de l’entre-deux-guerres
    Some aspects of the reception of Polish literature in French-speaking Belgium between WW1 and WW2
    Autorzy:
    Béghin, Laurent
    Powiązania:
    https://bibliotekanauki.pl/articles/1035988.pdf
    Data publikacji:
    2015
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Backvis Claude
    Belgium
    Flambeau (le)
    Grégoire Henri
    Interwar
    Iwaszkiewicz Jarosław
    Journal des poètes (le)
    Klupta Zenitta
    Lednicki Wacław
    Polish literature
    Pen Club
    Cultural transfer
    Skamander
    Translation
    Vivier Robert
    Belgia
    Dwudziestolecie Międzywojenne
    literatura polska
    transfer kulturowy
    tłumaczenie
    Opis:
    French-speaking Belgium between WW1 and WW2 was very interested in the new states that emerged in Central and Eastern Europe after the fall of the German, Austrian and Russian Empires. Poland in particular was the subject of much attention. Examples include the creation, under the auspices of the Polish government, of the first Belgian chair of Slavic studies in 1926, which was held by a Pole, Wacław Lednicki; Polish writers’ visits to Brussels (Jarosław Iwaszkiewicz, Jan Lechoń) as part of the activities organized by the Belgian PEN Club; the presence of Polish authors, classical or contemporary, in several French-speaking Belgian journals such as Le flambeau and Journal des poètes; the mediation work done by the writer Robert Vivier — to whom we owe some translations of contemporary Polish poets — or the hellenist Henri Grégoire, who sometimes put aside his own discipline — Byzantine studies — to translate and present Polish writers (among others Adam Mickiewicz and Juliusz Słowacki). In this article, I study and relate these events — which arguably prepared the ground for post-war years marked by the presence in Brussels of well-known polonists such as Claude Backvis and Alain Van Crugten — in order to sketch a picture of the reception, in the 1920’s and the 1930’s, of Polish literature in French-speaking Belgium.
    Źródło:
    Prace Polonistyczne; 2015, LXX; 31-50
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    «Aller à la Pologne, c’était aller à la lumière». Claude Backvis et la médiation de la culture polonaise en Belgique francophone (1930-1960)
    “To go to Poland was to go to the light”. Claude Backvis and the mediation of Polish culture in French-speaking Belgium (1930–1960)
    Autorzy:
    Béghin, Laurent
    Powiązania:
    https://bibliotekanauki.pl/articles/690189.pdf
    Data publikacji:
    2017
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Backvis Claude
    Belgium
    Cultural transfers
    Interwar
    Lednicki Wacław
    Polska
    Slavic philology
    Université libre de Bruxelles
    Belgia
    transfer kulturowy
    Międzywojnie
    Polska
    filologia słowiańska
    Uniwersytet Wolny w Brukseli
    Opis:
    The figure of Claude Backvis (1910–1998) is well known to Polish scholars. His research is still valued today, especially his seminal work on the Baroque period. However, there is an aspect of Claude Backvis’s activity that has been neglected: his work as a popularizer and disseminator of Polish culture to a non-specialized audience. For many years, especially before the Second World War, Backvis regularly published articles on Poland and its literature in various Belgian French-language magazines. He also published a few translations of Polish authors such as Zygmunt Krasiński and Maria Kuncewiczowa. Which strategies of adaptation (or acculturation) did Backvis, a rara avis in a country practically devoid of any tradition in the field of Polish studies, adopt to present Poland, especially its history and its literature, to readers little acquainted with Polish affairs? How did the period (particularly the years before the war) and the places of mediation (generally linked to the spiritual climate of the Université libre de Bruxelles) influence the mediation itself? These are the questions that this article attempts to answer
    Źródło:
    Prace Polonistyczne; 2017, LXXII; 115-136
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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