Wszystkie pola: Avant-garde - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Le jazz fut-il la première forme du surréalisme ? – la poésie du jazz selon Robert Goffin
Was Jazz the First Form of Surrealism?: The Poetry of Jazz According to Robert Goffin
Autorzy:: Kukuryk, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/28408340.pdf
Data publikacji:: 2023-12-16
Wydawca:: Komisja Nauk Filologicznych Oddziału Polskiej Akademii Nauk we Wrocławiu
Tematy:: hot jazz
surrealism
Robert Goffin
avant-garde poetry
modernism
improvisation
surréalisme
poésie d’avant-garde
modernisme
Opis:: This article is an attempt to parallel literature and jazz music, which, according to the Belgian poet Robert Goffi created new trends at the beginning of the 20th century. Touched by the cosmopolitanism of Blaise Cendrars, the simultaneous poetry of Guillaume Apollinaire, the author tries to synthesize a new spirit in a new poetry in syncopated rhythm. He sees musical improvisation as an element that can shape creative writing in various aspects, from narrative to structure, reflecting the surrealist-inspired need to create outside the traditional ontological framework. According to him, jazz not only illustrates the quest for independence in the artistic and social spheres, but is also a means to reach the unconscious.
Źródło:: Academic Journal of Modern Philology; 2023, 20; 261-272
2299-7164
2353-3218
Pojawia się w:: Academic Journal of Modern Philology
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Traces mémorielles de la Première Guerre mondiale et mutations esthétiques après 1918
Memories of the First World War and aesthetical mutations after 1918
Autorzy:: Quaghebeur, Marc
Powiązania:: https://bibliotekanauki.pl/articles/1048750.pdf
Data publikacji:: 2016-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: First World Warl
Francophone Literature
Fantastic
War story
Avant-garde
Opis:: The German invasion and occupation of Belgium in 1914-1918 deeply impacted the Belgian literary field. In many regards, the country’s political and linguistic evolution was also impacted by the war, although it cannot be reduced to its consequences. The imaginary that impregnated the first attempts of building a francophone literature in Belgium flickered due to the collapse of the Germanic myth that inspired the whole 19th Century. What may be called a “Latin shift”, which began with Maurice Maeterlinck, lead to a renewed subjugation to the French doxa, culminating with the Manifeste du lundi [Monday’s Manifesto]. Nevertheless, after the war and the Russian Revolution, the collapse of traditional values gives birth, on the one hand, to masterpieces by surrealist Paul Nougé, expressionist playwright Fernand Crommelynck or avant-gardist poet Henry Michaux. In all these masterpieces, it’s the nature of language itself that is questioned. For instance, Michaux’s “Lettre de Belgique” [“Letter from Belgium”] shows how the writer works with his Belgian roots in order to paradoxically keep them at bay. On the other hand, the “Fantastique réel” [“Fantastic Real”] tries to keep the language unspoiled by holding on to the Symbolist idealism and acknowledging the wounds of war at the same time, through sudden shifts from Realism to the Uncanny. There are traces of the conflict in literary texts, which were though forgotten by Literary History because of their realistic facture, despite their great efficiency without pathos.
Źródło:: Studia Romanica Posnaniensia; 2016, 43, 4; 5-38
0137-2475
2084-4158
Pojawia się w:: Studia Romanica Posnaniensia
Dostawca treści:: Biblioteka Nauki

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