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    Wyświetlanie 1-11 z 11
    Tytuł:
    Dlaczego Tushman jest śmieszny? Polska wersja powieści dla młodzieży pt. „Wonder” R. J. Palacio jako przykład uczciwego tłumaczenia
    Autorzy:
    Skwarzyński, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/630753.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    fair translation
    literary translation
    footnotes
    paratext
    translation of children’s literature
    young adult literature
    uczciwe tłumaczenie
    tłumaczenie literackie
    przypisy
    paratekst
    przekład literatury dziecięcej
    literatura mło-dzieżowa
    Opis:
    Fair translation is one that results in producing a target text that is likely to evoke a reaction similar to that elicited by the source text among its readers. The translator’s goal is to provide the readers of the translated version with the stimuli as close to that of the original as possible. To ensure that, the translator must be free to use every solution they find appropriate on micro- and macrolevel. Olejniczak-Skarsgård’s Polish translation of the young adult novel Wonder by R.J. Palacio is a good example of such rendition. A number of translation challenges was dealt with by very diverse translation strategies. Combining approaches resulted in a readable target text that has the potential to provoke the same reaction as the original. This analysis can be followed by empirical studies regarding young readers’ reception of paratextual additions.
    Uczciwe tłumaczenie to takie, którego rezultatem jest tekst docelowy wywołujący u czytelników reakcję zbliżoną do tej powodowanej przez tekst wyjściowy. By temu podołać, tłumacz musi mieć możliwość wykorzystania dowolnych rozwiązań translacyjnych na poziomie jednostkowym i całościowym. Polskie tłumaczenie powieści dla młodzieży Wonder autorstwa R.J. Palacio opracowane przez Marię Olejniczak-Skarsgård jest tego dobrym przykładem. Pojawiające się w niej problemy translacyjne zostały rozwiązane dzięki różnym strategiom. Dzięki połączeniu rozmaitych rozwiązań powstał czytelny przekład, który daje możliwość zareagowania na opowieść i jej elementy tak jak czytelnicy oryginału. Przeprowadzona analiza daje podstawy do badań empirycznych dotyczących stosunku młodych odbiorców do paratekstów.
    Źródło:
    Acta Humana; 2017, 8
    2082-4459
    Pojawia się w:
    Acta Humana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A memoir which in Spain became a diary
    Autorzy:
    Sobolczyk, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/28408482.pdf
    Data publikacji:
    2023
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Miron Białoszewski
    War literature
    Translation
    Reception of Polish literature in the world
    Spanish translation
    Opis:
    This article investigates the Spanish translation of Miron Białoszewski's Memoir from the Warsaw Uprising. I discuss the erroneous translation of the work as a “diary” according to Spanish dictionaries and literary theory works, the paratexts (introduction and afterword), and the reception of the work by the Spanish speaking community. In the last part, I examine a few passages to demonstrate how Białoszewski’s style has come to be flattened in the translation process.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2023, 14; 17-31
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sicily, Not Italy
    Autorzy:
    Salmeri, Claudio
    Powiązania:
    https://bibliotekanauki.pl/articles/625893.pdf
    Data publikacji:
    2017
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Italian culture
    American culture
    American literature
    translation
    Americanization of Italian culture
    the role of translation
    Opis:
    Claudio SalmeriFaculty of PhilologyUniversity of Silesia in Katowice Sicily, Not Italy Abstract: Since the American continent became a part of the European imagination, it has always been seen to represent freedom. Especially after 1776, when the American democratic “experiment” giving rise to the United States proved durable, America became a source of social and political inspiration to generations of Europeans and non-Europeans alike. Unsurprisingly, also in the Italian context, the catalog of ways in which American values have been “translated into Italian” and adapted to Italy’s cultural space seems to be ever-growing. Yet, even though the cultural transfer dates back to Christopher Columbus, it is especially since the outbreak of World War II that Italy has been markedly influenced by intellectual and material values generated in the US. At some point, the fascination with the US soared to such a level that, incredibly as it may sound, one of the most iconic provinces of Italy would begin to imagine itself as the forty-ninth state of the US long before Alaska and Hawaii gained their present-day status: in Sicily, the American fascination seems never to abate.
    Źródło:
    Review of International American Studies; 2017, 10, 2
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    TRANSLATION IN LIBEL CASES: REPUTATIONS AT STAKE!
    Autorzy:
    Scott, Juliette
    O'Shea, John Anthony
    Powiązania:
    https://bibliotekanauki.pl/articles/2142883.pdf
    Data publikacji:
    2022-07-05
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Legal translation
    translation
    defamation
    libel
    libel tourism
    competing translations
    reputation
    law and literature
    online translation
    Google Translate
    impacts and repercussions of legal translation
    weaponization of translation
    Opis:
    Abstract: In this paper we examine translation arising in court cases involving reputational damage. A diachronic and tightly focused cross-jurisdictional selection of examples from case law is used to highlight the range of ways in which translation can be employed, blamed, or relied upon by the parties and by the courts, and we glimpse how translations can be a source of libel, a defence against libel, or a gateway to libellous material, how crucial translation can be in protecting or damaging reputations, and how significantly it can affect a case’s outcome. We apply Engberg’s lens for communication in legal contexts, distinguishing micro, meso and macro occurrences of translation at publisher/business/individual, judicial, and State levels. Recurring translation-related topics either mooted by courts or arising in our analysis are then outlined, including: competing translations; translation techniques; translator identification; online translation; how the acceptance of jurisdiction may be influenced by translation requirements; and how judges approach decision-making when foreign language documents and translation are involved.
    Źródło:
    Comparative Legilinguistics; 2022, 50; 123-179
    2080-5926
    2391-4491
    Pojawia się w:
    Comparative Legilinguistics
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    What kind of place is Norden? The image of Norden in Polish literary reviews of Nordic literature
    Autorzy:
    Schab, Sylwia Izabela
    Powiązania:
    https://bibliotekanauki.pl/articles/27314261.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the Polish image of Norden
    reception of Nordic literature in Polish translation
    literary reception
    representation of Norden
    Opis:
    The article discusses the question of how Nordic literature in translation – as reflected in Polish literary reviews – creates Norden as a place. What kind of imagery (constructed in a continuous discursive process) is projected on the Nordic region, and what purposes does this construction serve? The analysis draws on an understanding of place as a construct based on “body, landscape and culture” (Ringgaard & DuBois 2017:20) and uses concepts taken from imagology and literary reception studies.
    Źródło:
    Folia Scandinavica Posnaniensia; 2023, 34; 74-87
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Hamlet and Japanese Men of Letters
    Autorzy:
    Kawachi, Yoshiko
    Powiązania:
    https://bibliotekanauki.pl/articles/648095.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Shakespeare translation and appopriation
    Shakespeare’s impact on Japanese novelists
    Novelization of Hamlet
    Modernization of Japanese literature
    Opis:
    Shakespeare has exerted a powerful influence on Japanese literature since he was accepted in the second half of the nineteenth century. Particularly Hamlet has had a strong impact on Japanese men of letters and provided them with the impetus to revive the play in contemporary literature. In this paper I discuss how they have utilized Hamlet for their creative activity and enriched Japanese literature.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2016, 14, 29; 123-135
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Theory of Relativity of the Literary Translation: Literary Criticism Projections
    Autorzy:
    Lanovik, Mar’âna Bogdanìvna (Mar’âna Lanovik)
    Powiązania:
    https://bibliotekanauki.pl/articles/440953.pdf
    Data publikacji:
    2013
    Wydawca:
    Fundacja Naukowa Katolików Eschaton
    Tematy:
    text
    writing work
    interpretation
    literary criticism paradigm methodology
    literary translation
    reflection
    literature
    foreign literature
    literary theory
    theory of literary translation comparative studies
    European literature
    Ukrainian research school
    tekst
    dzieło literackie
    interpretacja
    paradygmat literaturoznawstwa metodologia
    przekład literacki
    odzwierciedlenie
    literatura piękna
    teoria literatury
    teoria przekładu literackiego studia porównawcze
    literatura europejska
    ukraińska szkoła badawcza
    Opis:
    The research of Mariana Lanovyk deals with the Literary Criticism problems of translation. In the situation when the plurality of approaches in the Contemporary Literary Criticism can be overwhelming Ukrainian scholars have to work on the adaptation of foreign paradigms in the Ukrainian Criticism space to create solid foundation for the future studies in the fields of the Comparative Literature and Literary Theory. This research is the first attempt in Ukraine to present the integral outlook upon the problems of Literary Translation from the perspectives of the concepts and ideas of different Literary Paradigms of the 19-20th centuries beginning with the Romanticism epoch. Romanticism was chosen as the starting point because in the aesthetic concept of Romanticism there new theoretical approach to the problems of literary translation in the author – language – epoch – nation contexts was outworked. Philosophic, artistic and literary concepts of that time were developed in all modern literary paradigms. The first chapter of the book deals with the psychological and cultural approaches to the problems of the Literary Translation. The author gives short outlook of the genesis of new theoretical background in the aesthetic concept of Romanticism as the source of contemporary theories of translation and the continuation of the ideas in psycholinguistic studies of the Western Europe and in Ukraine, especially in the Potebnja’s literary criticism works. The main attention is concerned on the problem of correlation between thinking process and language, thought and image. The influence of the ideas of 19th century upon the psychoanalysis and their transformation in this paradigm is considered. The author studies the phenomena of consciousness, self consciousness and sub consciousness in the process of reading, understanding and translation as well as the peculiarities of different gender reading, interpretation and translation different elements of the writing works. The differences of literature translation in the realms of biological, linguistic, psychoanalytic and cultural paradigms are considered. The author examines the role of individual and national, historical, cultural memory in literary texts and the possible ways of their transfer. Contemporary approach to the national problem in translation studies development is connected with the key points of national images in literature texts. This idea is rooted in the spectrum of the East-West background as well as national values in the literature systems. The outlook of the multiculturalism and intercultural communication in literature is offered through the review of the artistic nature of the mythological thinking. The wide spectrum of different points of view upon the problem (E.Cassirer, K.G.Jung, E.Noimann, N.Frye) is given. The second chapter of the research deals with the translation criticism ideas in the light of the main concepts of formalism and structuralism. The possible ways of translation analysis as the dissolving problems of form transformation and constructing the literary text by means of the foreign language in foreign literature system are suggested. The concepts of R.Jakobson, J.Tynianov, J.Mukarzevsky, especially the concepts of hierarchy and dominants in literary work, inner structuring and organization of the meaning, functioning of text and its components as the whole are outlined. As the foundation of the research logic of the semiotic analyses was chosen Lotman’s dynamic model of semiotic system, that was proved with adjoining studies of the foreign scholars such as K.Levi-Strauss, J.Mukharzovsky, J.Derrida. Among the narratological questions of fiction translation are discussed such questions as voice authority and correlation of the voices in translated texts; the possibilities of study of different narrative instances of interpreter. In the third chapter the problems of the text reading, realization, interpretation are discussed. The main paradigms involved here are hermeneutics, phenomenology, receptive aesthetics, intuitivism and other irrational approaches to the text interpretation (such as game theory, metaphorology, imagology, relativism theory, discourse analyses). Among the problems of translation from the point of view of hermeneutic approach the main attention is concerned upon the stages of reception, understanding and interpretation as well as the different horizons of reading. The phenomenon of movement of horizons and connected difficulties of fusions of horizons in acts of reception, interpretation and translation are analyzed. The author tries to answer the questions about different points of view and the problem of partial reception and reproducibility; as well as the question of subjectivity in the process of translation. She gives the consideration of the ideas of Ukrainian (A.Potebnja, O.Biletsky) and foreign (F.D.Shleiermaher, V.Dilthey, M.Husserl, H.-G.Gadamer) scholars and examines the possible ways of their application to the translation studies. The thoughts of the phenomenology paradigm are based upon the ideas of E.Husserl, R.Ingarden, P.Ricouer. The main attention is drawn to the spectrum of potential of possible readings and translations of every text from the different time and space perspectives such as different epochs, individual and national experience; historical, cultural and artistic systems. In this way phenomenology of translation reveals new ideas about the text existence and its possible measures. They are connected with the problems of modeling and reflection of the world as the specific author’s vision. New tendencies of resolving of subjectivity of literary texts interpretation coursed with the post structuralism and deconstructivism tendencies are outlined in the key of the hermeneutic concept where the author’s position is dominant in the process of translation. Modern realization of the author’s perspective concept in the works of E.D.Hirsh, J.P.Sartre, U.Eco, N.Frye and others opens rational approach to the problem of resolving of ‘conflict of interpretations’ not only in the dimension of interpretative schemes of literary studies but in the system of translation studies too. On the basis of Relativism theory foundation the author tries to find both the way of synchronizing coordinate systems of original texts and its interpretations and the possible way of synchronizing the systems of interpretative paradigms in contemporary literary studies. In the conclusion the author underlines that shifts of the literary theories paradigms of the 19-20th centuries course the shifts in translation studies thinking; and together they create the common space of semiotic sphere of translation and interpretation. The question of the main importance is to consider the differences of methods of the paradigms as well as their mutual relation, influence and interaction.
    Źródło:
    Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 4(4); 219-224
    2299-9922
    Pojawia się w:
    Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    [Rev.:] Mar′âna Lanovik, Teorìâ vìdnosnostì hudožn′ogo perekladu. Lìteratoroznavčì proekcìї, Redakcìjno-Vydavničij Vìddìl TNPU, Ternopìl′ 2006, 469 [3] s.
    The Relativity Theory of Literary Translation: Projections of Literary Critisism [The Theory of Relativity of Literary Translation: Literary Criticism Projections]
    Autorzy:
    Tytko, Marek Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/440969.pdf
    Data publikacji:
    2013
    Wydawca:
    Fundacja Naukowa Katolików Eschaton
    Tematy:
    tekst
    dzieło literackie
    interpretacja
    paradygmat literaturoznawstwa
    metodologia
    przekład literacki
    odzwierciedlenie
    literatura piękna
    teoria literatury
    teoria przekładu literackiego
    studia porównawcze
    literatura europejska
    ukraińska szkoła badawcza
    text
    writing work
    interpretation
    literary criticism paradigm
    methodology
    literary translation
    reflection
    literature
    foreign literature
    literary theory
    theory of literary translation
    comparative studies
    European literature
    Ukrainian research school
    Opis:
    The book written by Mar′âna Lanovik in Ukrainian language entitled The Relativity Theory of Literary Translation. Projections of Literary Criticism [Teorìâ vìdnosnostì hudožn′ogo perekladu. Lìteratoroznavčì proekcìї] is certainly worthy of the reader’s attention. The author (a woman), a Ukrainian professor of literature from the University in Ternople, has prepared an extensive monographic study of the problems from the field of translatology. Prof. Lanovik, who in her research deals with Russian and Ukrainian literature, theory of literature, comparative studies and theory of literary translation, has analyzed the issues referred to in the title of her book in a very thorough and profound manner. The book consists of an introduction, three main chapters, divided into sections and subsections, and conclusions followed by a long bibliographical list of primary and secondary literature. The author discusses three fundamental issues: 1) a psychological and cultural approach to literary translation, 2) a formal and structural approach to literary translation, and 3) translation and the problems of understanding the literary work. In my opinion, the book should be translated into English.
    Książka autorstwa Mar′âny Lanovik napisana w języku ukraińskim, zatytułowana Teorìâ vìdnosnostì hudožn′ogo perekladu. Lìteratoroznavčì proekcìї [Teoria względności przekładu literackiego. Projekcje literaturoznawcze] jest warta uwagi czytelnika. Autorka, ukraińska profesorka literaturoznawstwa z Uniwersytetu w Tarnopolu, przygotowała obszerne opracowanie monograficzne zagadnienia z zakresu translatologii. Uczona z Ukrainy, zajmując się m.in. literaturą rosyjską i ukraińską, teorią literatury, komparatystyką (studiami komparatystycznymi), teorią przekładu literackiego z języków obcych, w sposób wnikliwy zanalizowała tytułową problematykę. Książka składa się ze wstępu, trzech rozdziałów zasadniczych, podzielonych na podrozdziały i jeszcze mniejsze cząstki tekstu (podsekcje) oraz wniosków (konkluzji) i obszernego spisu literatury przedmiotu na końcu publikacji. Autorka dyskutuje trzy zasadnicze zagadnienia: 1) psychologiczno-kulturoznawcze (psychologiczno-kulturologiczne) podejście do przekładu literackiego, 2) formalno-strukturalne podejście do przekładu literackiego oraz 3) przekład i problemy zrozumienia dzieła literackiego (wytworu). Moim zdaniem, książka powinna być przetłumaczona na język angielski.
    Źródło:
    Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 3(3); 149-150
    2299-9922
    Pojawia się w:
    Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Swedish trail of the Polish translation of „Anne of Green Gables” by Rozalia Bernsteinowa
    Na szwedzkim tropie „Ani z Zielonego Wzgórza”. O przekładzie Rozalii Bernsteinowej
    Autorzy:
    Oczko, Piotr
    Nastulczyk, Tomasz
    Powieśnik, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/2090043.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    20th century Canadian literature
    juvenile fiction
    English literature in Polish translation
    Rozalia Bernsteinowa
    L.M. Montgomery (1874–1942)
    Anne of Green Gables
    Ania z Zielonego Wzgórza
    studia przekładoznawcze
    literatura dla dzieci i młodzieży
    Opis:
    Anne of Green Gables by L.M. Montgomery (1908) enjoys unprecedented popularity in Poland and has played a considerable role in the shaping of modern Polish culture. As many as fourteen different translations of the fi rst volume of the series have been published; moreover, there exists an active Polish fandom of Montgomery’s oeuvre. The authors of this article briefl y discuss the cultural and social aspects of this phenomenon which was triggered off in 1911 by Rozalia Bernsteinowa’s Polish translation of Anne of Green Gables. Her translation, still regarded as the canonical text, greatly altered the realities of the original novel. As a result, in Poland Anne of Green Gables has the status of a children’s classic, whereas readers in the English-speaking world have always treated it as an example of the sub-genre of juvenile college (school) girls’ literature. The identity of the Polish translator of L.M. Montgomery’s book remains a mystery, and even the name on the cover may well be pen name (though, at any rate, it strongly suggests that she must have belonged to the Jewish intelligentsia of the early 20th century). What we do know about her for fact is that she was a translator of German, Danish, Swedish, Norwegian and English literature. Comparing Rozalia Bernsteinowa’s Polish text to its English original has been a subject of many Polish B.A. and M.A. theses. The argument of this article is that her key reference for was not the English text, but that of the fi rst Swedish translation by Karin Jensen named Anne på Grönkulla (1909).
    Źródło:
    Ruch Literacki; 2018, 3; 261-280
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Introducing Taiwan Chinese Contemporary Short Stories in Poland: Cultural Contexts, Fields of Representation and Equivalence
    Wprowadzanie przekładów współczesnych tajwańskich opowiadań w Polsce. Konteksty kulturowe, pola reprezentacji i ekwiwalencja
    Autorzy:
    Kasarełło, Lidia
    Powiązania:
    https://bibliotekanauki.pl/articles/45677422.pdf
    Data publikacji:
    2021-12-03
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    tłumaczenie
    literatura tajwańska
    polski odbiorca
    reprezentacja
    ekwiwalencja
    mediacja międzykulturowa
    Antologia opowiadań tajwańskich
    translation
    Taiwan literature
    Polish recipient
    representation
    equivalence
    cross-cultural mediation
    Anthology of Taiwanese Short Stories
    Opis:
    This paper investigates basic issues related to the translation of Taiwanese literature in Poland. Assuming the Juliane House’s definitions that translation is “a cognitive procedure and a social, cross-linguistic and cross-cultural practice”, I discuss this matter theoretically and practically on three major levels pertaining to literature and communication between both languages and cultures. According to the system approach, the model is divided into: 1) Source/Taiwan literature; 2) Target/Polish reader; 3) Mediation/Translator and is imbued with reflection on representation, cultural and political context and equivalence in translation’s polysystem. In the practical dimension the analysis refers to a particular case, which is the preparation of the first Polish translation of Taiwanese Contemporary Short Stories. This article also reveals the decision-making process concerning the most representative selection of different genres, periods, stylistics, authors and messages. The anthology of contemporary Taiwanese short stories[1] debated here is being compiled from the perspective of translators, who are Sinologists teaching at the University of Warsaw. In line with the concepts of anthology theoreticians, this kind of academic edition with references and critical comment supports the Polish reader in the process of correct decoding of the text and many contexts of Taiwanese literature.   [1] In Polish: Na drugim brzegu. Antologia współczesnych opowiadań tajwańskich, red. Lidia Kasarełło, Państwowy Instytut Wydawniczy, 2020 [On the Other Shore: Anthology of Contemporary Taiwanese Short Stories, ed. Lidia Kasarełło, Państwowy Instytut Wydawniczy, 2020].
    W artykule omówiono podstawowe zagadnienia związane z tłumaczeniem literatury tajwańskiej w Polsce. Przyjmując definicje Juliane House, że przekład jest „procedurą poznawczą i praktyką społeczną, międzyjęzykową i międzykulturową”, omawiam kwestię teoretycznie i praktycznie na trzech głównych poziomach dotyczących literatury i komunikacji między językami i kulturami. Zgodnie z podejściem systemowym model dzieli się na: 1) Źródło/Litertura tajwańska; 2) Cel/Czytelnik polski; 3) Mediacja/Tłumacz i jest nasycona refleksją na temat reprezentacji, kontekstu kulturowego i politycznego oraz równoważności w polisystemie przekładu. W wymiarze praktycznym analiza odnosi się do konkretnego przypadku, jakim jest przygotowanie pierwszego polskiego przekładu tajwańskich współczesnych opowiadań. Omawiana antologia współczesnych opowiadań tajwańskich powstaje z perspektywy tłumaczy, którzy są sinologami wykładającymi na Uniwersytecie Warszawskim. Zgodnie z koncepcjami teoretyków antologii tego rodzaju akademickie wydanie z odniesieniami i krytycznymi komentarzami wspiera polskiego czytelnika w procesie poprawnego dekodowania tekstu i wielu kontekstów literatury tajwańskiej.
    Źródło:
    Roczniki Humanistyczne; 2021, 69, 9; 159-174
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Romanticism and the Baroque – Władysław Syrokomla as a translator of Maciej Kazimierz Sarbiewski’s poetry: Theory and practice
    Między romantyzmem a barokiem. Władysław Syrokomla jako tłumacz poezji Sarbiewskiego – teoria i praktyka
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/2088449.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 17th and 19th century
    New Latin poetry
    translation theory and practice in the Age of Romanticism
    Władysław Syrokomla (1823–1862)
    Maciej Sarbiewski (1595–1640)
    Władysław Syrokomla (Ludwik Kondratowicz)
    teoria i praktyka przekładu w dobie romantyzmu
    przekłady poezji polsko-łacińskiej
    Maciej Kazimierz Sarbiewski
    Opis:
    This article outlines the approach adopted by Władysław Syrokomla (the pen name of Ludwik Kondratowicz) in his translation of Latin verse and examines, by analyzing some of the poems he translated into Polish, how it worked in practice. He believed that the translator should strive for an empathic attunement to the writers voice (Einfühlung) while ‘remaining oneself’ and that abandoning ‘slavish imitation’ was the best way to animate a poem (an approach much criticized by philological authorities). These ideas are discussed in the fi rst part of the article; the second part contains analyses of his translations of Latin odes written by Maciej Sarbiewski, i.e. Ode I 19 (Ad caelestem adspirat patriam), II 3 (Ad suam testudinem), and IV 12 (Ad Ianum Libinium. Solitudinem suam excusat). Syrokomla does not engage in any intertextual games with the ancients; instead, he adapts the original to the formal and stylistic conventions of his time, most notably the Romantic concept of the poem as a projection of a poetic consciousness (‘ego’). In effect, Sarbiewski’s (neo) classical poetic personas become versions of the Romantic hero, most conspicuously in the case of Ode IV 12.
    Źródło:
    Ruch Literacki; 2019, 3; 289-299
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-11 z 11

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