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Tytuł:
Short and Sweet. Symbolism of Strawberries in Katherine Mansfield’s Short Stories
Autorzy:
Kwiatkowska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/578834.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Katherine Mansfield
strawberry
fruit
symbolism
Opis:
Strawberries were the fruit that the Modernists and Modernism were very fond of. It thus should not be a surprise that strawberries also feature in Modernist prose texts of Katherine Mansfield. Although they make their appearance only in a couple of stories, and then merely for a brief moment, they should not by any means be treated as mere tiny blots belonging to the background. For when we take a closer look at them it turns out that, as is usually the case with Mansfield’s short stories, there is more to it than meets the eye. Seemingly unimportant, often unnoticed and therefore frequently underestimated, this small, sweet, red and fragrant fruit makes a significant statement in every text it is mentioned.
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 1(125); 101-113
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ritual as an inseparable component of political propaganda: a politological analysis with account being taken of certain anthropological elements
Autorzy:
Golanko, Adriana
Kosmala, Szymon
Powiązania:
https://bibliotekanauki.pl/articles/2167877.pdf
Data publikacji:
2020
Wydawca:
Fundacja Instytut Nauki o Polityce
Tematy:
Ritual
propaganda
political anthropology
symbolism
Opis:
The study deals with political propaganda considered as a space for the performance of rituals and ritual behaviours. Such an approach allows for investigating that phenomenon from another perspective than so far proposed by classical propaganda research schools. Special categories of the analysis include the symbolic sphere and conventionality, while emphasis is placed on researching propaganda within politically significant structures. The article provides information on how the phenomenon has been analysed with the use of anthropological research categories.
Źródło:
Polish Journal of Political Science; 2020, 6, 1; 91-117
2391-3991
Pojawia się w:
Polish Journal of Political Science
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Religious symbolism and contemporary culture. The case of Europe
Autorzy:
Sztajer, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/943533.pdf
Data publikacji:
2018
Wydawca:
Polskie Towarzystwo Religioznawcze
Tematy:
religious symbolism
European culture
popular culture
Opis:
The aim of this paper is to analyze the ways in which religious symbols are present in non-religious spheres of contemporary European culture. It is widely known that, as a result of secularization, religious symbolic language is no longer present in the public sphere and culture of contemporary European societies in the same way as it was in the past. At first sight, it seems that it has lost its relevance for other fields of culture as well as for everyday communication, and that religion has become a relatively closed system of communication. However, more thorough investigation shows that various religious symbols are widely used in many fields of secular culture. The fundamental question concerning religious symbols is whether and, if yes, in what particular way, they change their meaning as a result of being used in non-religious cultural activity. What is the reason that previously marginalized religious symbols reappear in secular culture? It may be hypothesized that religious symbols are not culturally contingent, but they constitute a universal dimension of culture and are deeply rooted in the human mind.
Źródło:
Przegląd Religioznawczy; 2018, 1/267
1230-4379
Pojawia się w:
Przegląd Religioznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Great Code(r) Of Serbian Literature
Autorzy:
Damjanov, Sava
Powiązania:
https://bibliotekanauki.pl/articles/694487.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Literature
Serbian symbolism
Djordje Marković Koder
Opis:
Koder’s life and work still remain a big secret and mysterious code of Serbian literature: this writer is defi ned as a precursor of (post) modernism 20th and 21th century. During his lifetime (1806–1891) as a writer he was not accepted: after death is all but forgotten. Innovations introduced in the literature of his contemporaries were distant and vague, but they fi t perfectly into the context that has become the dominant one hundred years later. Koder’s life destiny and fate of his work here is viewed as a whole, and in the second part analyzes his relationship with symbolism and early modern in the late 19th century. In this way, Djordje Marković Koder appears as the forerunner of modern literary and artistic process.
Źródło:
Slavica Lodziensia; 2017, 1
2544-1795
Pojawia się w:
Slavica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On colour oppositions in Polish hydronymy (running waters)
O opozycjach kolorystycznych w hydronimii Polski (wody płynące)
Autorzy:
Stachowski, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/2084620.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
hydronymy
etymology
colour
colour symbolism
colour opposition
Opis:
There are more than 350 fl owing waters in Poland with names containing a colour adjective. Etymological propositions mention sometimes various physical attributes such as the colour of the water or of the bottom, or even a possible symbolical usage connected e.g. with the cardinal directions, but most often they limit themselves to citing the literary version of the adjective, and there end their inquiry. The goal of the present paper is to establish to what degree physical attributes can explain the use of colour epithets; and if they cannot, then whether there is any reason to believe that there existed in the past a more elaborate system of colour symbolism.
Źródło:
Rocznik Slawistyczny; 2019, 68; 125-158
0080-3588
Pojawia się w:
Rocznik Slawistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sound Symbolism in Foreign Language Phonological Acquisition
Autorzy:
Wrembel, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/620806.pdf
Data publikacji:
2010-09-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
sound symbolism
synaesthetic vowel mappings
pronunciation pedagogy
Opis:
The paper aims at investigating the idea of a symbolic nature of sounds and its implications for in the acquisition of foreign language phonology. Firstly, it will present an overview of universal trends in phonetic symbolism, i.e. non-arbitrary representations of a phoneme by specific semantic criteria. Secondly, the results of a preliminary study on different manifestations of sound symbolism including emotionally-loaded representations of phonemes and other synaesthetic associations shall be discussed. Finally, practical pedagogical implications of sound symbolism will be explored and a number of innovative classroom activities involving sound symbolic associations will be presented.
Źródło:
Research in Language; 2010, 8; 1-14
1731-7533
Pojawia się w:
Research in Language
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The rhetoric of disenchantement through symbolism
Autorzy:
Munyangeyo, Theophile
Powiązania:
https://bibliotekanauki.pl/articles/780929.pdf
Data publikacji:
2012-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
disenchantment
discourse analysis
representation
sociological reading
symbolism
Opis:
The symbolism of flowers has always been a significant part of cultures around the world due to their functional meaning in daily life. From their decorative to their aromatic role, flowers and their symbolic meaning trigger emotions, convey wishes and represent thoughts that can not be explicitly expressed. In this regard, an elaborate language based on flower symbolism was developed in many societies, to convey clear messages to the recipient. However, in some cultural contexts, although the flower symbolism has social connotations, it is mainly associated with economic references. As flowers are an essential precursor to fruits, they are inevitably a source of expectations and hence foster a set of hopes and dreams, which can ultimately lead to excitement or disappointment.Through a discourse analysis based on factional narratives, this article explores the parameters through which the symbolism of bifaceted meaning of flowers fictionalises a space that refers to the social reality. This association between the fictional world and social reference has highlighted that writing can profoundly be a means of representing social events through the rhetoric of symbolism. Through a sociological reading approach, this paper aims to analyse how the symbolism of flowers informs the rhetoric of disenchantment that can foster a content-based pedagogy in language learning where silencing practices engender imagery to exercise the freedom of expression.
Źródło:
Studies in Second Language Learning and Teaching; 2012, 2, 4; 561-577
2083-5205
2084-1965
Pojawia się w:
Studies in Second Language Learning and Teaching
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Black Love: On the Colours of Feelings in “Confiteor” by Antoni Szandlerowski
Autorzy:
Ejzak, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/1032176.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Antoni Szandlerowski
Confiteor
symbolism
epistolography
black colouristics
Opis:
The imagination of Antoni Szandlerowski in his collection of letters to Helena Beatus (Confiteor), his beloved one, is dominated by black. The aim of this article is to show that this colour plays a major role in Confiteor therefore it is used be the author most of the times. When he writes about how pure and beautiful Helena Beatus is, he uses metaphors such as: black dove, black iris, dark cloud, dark corridor. It shows how pessimistic about the future and how guilty about the love he felt Antoni Szandlerowski was. The internal conflict was caused by the will to fulfil as a lover and the duty to continue priestly services. Antoni Szandlerowski is full of doubts. He misses Helena Beatus and feels that he cannot be happy without her. On the other hand, he knows that they cannot make their desire to live side by side real. Since the world is a place of pain and misery where the love cannot thrive due to social norms, lovers can bind together only after death. This way of thinking led Szandlerowski to many neurological disorders, caused nightmares and a painful impression that the whole world around fades away. Szandlerowski uses symbols such as a black dove and a black iris to describe his beloved one and to show the dichotomy of his perception. Therefore love is the source of all the pain and suffering for him.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2019, 8; 349-360
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From a Noble Substance to an Imitative Body. The Image and Meaning of Wax Figures in a Votive Offering
Autorzy:
Jagla, Jowita
Powiązania:
https://bibliotekanauki.pl/articles/1798729.pdf
Data publikacji:
2019-10-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
wax, wax figure, votive offering, iconography, symbolism
Opis:
The Polish version of the article was published in Roczniki Humanistyczne vol. 62, issue 4 (2014). In a wealth of votive gifts, the wax ones undoubtedly deserve special attention. They were common as early as in the Middle Ages, and they were used until the 20th century. There was a variety of such votive offerings, starting with candles, through lumps of wax, and ending with full-scale wax figures that started being used as a votive gesture at the break of the 13th and 14th centuries in the north of Europe. In the 15th and 16th centuries this custom became popular among the wealthy German, Austrian and Italian noblemen. Making wax votive figures took a lot of skill so they were made by specially qualified artists (in Italy wax figures called Boti were produced by sculptors called Cerajuoli or Fallimagini). Religious orders collaborated with the artists-artisans, undertaking to supply wax, whereas the artisans prepared wooden frames, natural hair, glass eyes, paints, textiles and brocade. In the following centuries, the production of wax figures developed ever more dynamically, especially in the north of Europe, with less skilled wax modellers, artisans and gingerbread makers often being their producers. The latter ones mainly made smaller wax figures, cast or squeezed from two-part concave models (this type of items in their form and type reminded of figures made of gingerbread). Wax votive figures (especially of children aged three to 12) funded in the area of Upper and Lower Franconia (the Bamberg and Würzburg dioceses) from the mid-19th to the mid-20th century are a separate and rather unusual phenomenon. Popularity of this votive offering became stable about 1880, in the years 1900–1910 it reached its climax; and in the 1950s it came to an end. Franconian offerings were always constructed in a similar way: they had wax faces and hands (more rarely feet), and the other members were made of wood, metal and some other padding materials. Dolls were a dominating model for the production of these votes, and that is why, like dolls, they had wigs made of natural hair on their heads, glass eyes and open mouths. A very important role was played by clothing, in which figures were willingly dressed; they were children’s natural, real clothes (girls were often dressed in the First Communion dresses); moreover, the effigies had complete clothing, which means they had genuine underwear, tights, leather shoes. The figures were supplied with rosaries and bouquets held in their hands, and on the heads of girls there were garlands. The figures were put in cabinets and glass cases, sometimes with wallpaper on the back wall, and they had a longer text on the front glass with the name of the child, or possibly of its parents, and the time when the figure was offered. Despite the many features making the Franconian offering deposits different from votive figures from other regions, all these items are joined by a timeless and universal idea, in which—to quote H. Belting—“an artificial body has assumed the religious representation of a living body…”
Źródło:
Roczniki Humanistyczne; 2019, 67, 4 Selected Papers in English; 59-79
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pale Horse, Pale Rider: A Modern Allegory of an Encounter with Death
Autorzy:
Kahol, Navdeep
Powiązania:
https://bibliotekanauki.pl/articles/35193243.pdf
Data publikacji:
2023
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Spanish flu
modernism
pandemic
symbolism
dream
death
war
Opis:
The novella Pale Horse, Pale Rider, authored by Katherine Anne Porter and published in 1939, is set against the backdrop of the 1918–1919 Spanish flu pandemic towards the end of World War I. It narrates the dual story of individual and societal trauma and survival amidst the pandemic, contributing to the cultural memory of that era in American history. The narrative draws heavily on autobiographical elements, with the protagonist Miranda’s experiences closely reflecting Porter’s own. As Miranda battles a life-threatening flu, her delirious mind traverses past, present, and future, blurring the boundaries between them. This paper examines Porter’s employment of modernist techniques such as dreams, visions, archetypes, biblical allusions, and stream of consciousness to articulate Miranda’s harrowing yet transformative passage through a liminal space between life and death. Porter’s novelistic approach is distinctly modern in its exploration of mortality and the portrayal of Miranda’s near-death experience, aligning her with modernist contemporaries like T. S. Eliot and James Joyce, who also eschewed traditional literary forms to depict the profound dislocations of their time. The enduring appeal of Pale Horse, Pale Rider lies in its rich symbolism and psychological depth in addressing themes of death and illness.
Źródło:
Review of International American Studies; 2023, 16, 2; 105-118
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spreading the Word: Oral Transmission of the Bogomil Teachings, its Symbolism, and Biblical Exegesis
Autorzy:
Radovanović, Bojana
Powiązania:
https://bibliotekanauki.pl/articles/2027717.pdf
Data publikacji:
2021-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
the Bogomils
oral transmission
Biblical exegesis
preaching
symbolism
Opis:
The oral biblical exegesis and oral transmission, or the unwritten tradition, represent pillars in the circulation of texts and ideas since the very dawn of Christianity, both in orthodox and heterodox circles. Namely, this vast topic encompasses the concepts related to the concepts of the written sources and the spoken word, and their interrelation, and, furthermore, to the symbolism of the ear, Logos, and secret teachings (arcana). The role and impact of the oral transmission will be examined on the example of the Bogomils, and this paper will re-assess the importance and function of the oral transmission of the Bogomil doctrine. Therefore, the Biblical exegesis will also be analyzed in that key, and the question of the Bogomil preachers will be addressed. More broadly, the oral transmission of the Bogomil teachings can be observed as one of the modi operandi that the Bogomils resorted to in the aim of propagating their ideas, as well as possibly their interpretative manner to approach the Scriptural material and parables.  
Źródło:
Studia Ceranea; 2021, 11; 387-403
2084-140X
2449-8378
Pojawia się w:
Studia Ceranea
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Marble relief ‘Nero and Armenia’ from the Sebasteion at aPhrodisias in Caria (Asia Minor)
Autorzy:
Markaryan, Hasmik Z.
Powiązania:
https://bibliotekanauki.pl/articles/1774802.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Armenia
Roman Empire
Aphrodisias
Sebasteion
relief
personification
symbolism
Opis:
The article is devoted to an artistic and historical study of a marble relief with a symbolic scene of Nero’s victory over Armenia from the Sebasteion sanctuary complex in the ancient town of Aphrodisias in Asia Minor. The temple complex was dedicated to the cult of the Julio-Claudian imperial dynasty. The artistic and stylistic analysis of the relief was performed in the context of the sculptural program and decoration of the whole complex, and took into consideration other images of Nero in the Sebasteion. Through a comparative analysis of the figure personifying Armenia depicted on the marble relief in Aphrodisias, as well as a series of images on coins and small statuary samples, characteristic iconographic traits of Armenia in the Roman imperial art were revealed. Along with this, the paper presents an in-depth ‘reading’ of this scene within the context of specific epi- sodes from the history of the Parthian-Roman conflict and the Roman struggle for Armenia during the period of 54–68 AD.
Źródło:
Światowit; 2018, 57; 185-206
0082-044X
Pojawia się w:
Światowit
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Deconstrution of Interpretative Models of Lesya Ukrainka’s 'The Forest Song'
Autorzy:
Moklytsia, Mariia
Powiązania:
https://bibliotekanauki.pl/articles/2154616.pdf
Data publikacji:
2019-12-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Lesya Ukrainka
The Forest Song
neoromanticism
neoclassicism
symbolism
Opis:
The article explores a need to provide a permanent revision of the ways of reading classical texts. The fairy drama The Forest Song was written by Lesya Ukrainka, who is acclaimed as an outstanding dramatist of Ukrainian literature. This play has a vast bibliography and serves as a target of a variety of critical approaches. The point is, however, that the predominant position among them still belongs to the interpretative models generated by Lesya Ukrainka’s contemporaries. This refers, first of all, to those who have hitherto interpreted The Forest Song within the following two frameworks: neoromantic, grounded in Polissyan folklore and the author’s mythology, and neoclassical, launched by neoclassicists of the 1920s and based on the ties of Lesya Ukrainka’s play with classical drama. The scholars overlook, though, a conflict between the two interpretations. Each model, employed with no regard for the other one, operates on certain elements of the text. The scholars neglect the need to correlate their work with the other, totally inverse, model (neoromanticism and neoclassicism are, at a fundamental level, as aesthetically opposed to each other as are romanticism and classicism). The article offers a new model for reading the text of Lesya Ukrainka through the lens of symbolism. This model allows us to account for the congruence of classical normativity and romantic liberty within a single text.
Źródło:
Studia Polsko-Ukraińskie; 2019, 6; 159-174
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gift and the Coefficient of Sociability Relational Sociology and the Anti-Utilitarian Movement in the Social Sciences
Autorzy:
Hałas, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1790281.pdf
Data publikacji:
2020-12-16
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
anti-utilitarian movement
gift
relational sociology
symbolism
Marcel Mauss
Opis:
At the beginning of the 1980s, Pierpaolo Donati initiated in Italy the relational turn in sociology, while in France Alain Caillé stipulated the anti-utilitarian movement in social sciences. The acronym MAUSS (from Mouvement Anti-Utilitariste en Sciences Sociales) simultaneously refers to the surname of Marcel Mauss, author of the pioneering work on the gift-Essai sur le don. This movement forms and spreads a new gift paradigm. The notion of the gift has shifted from a specific phenomenon researched in archaic societies towards a basic category for theorizing social order and taking a central position in research on modern transformations. The relational paradigm also focuses on the gift as a crucial aspect of social relations, and on its importance for the civil society. The article traces and discusses various interpretations of the concept of gift, along with the influence of the anti-utilitarian movement and the gift paradigm on relational sociology.
Źródło:
Polish Sociological Review; 2020, 212, 4; 399-410
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
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