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Wyszukujesz frazę "self–immolation" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Human on fire as a gesture of self-offering in Polish documentary films
Autorzy:
Tes, Urszula
Powiązania:
https://bibliotekanauki.pl/articles/923247.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
self-immolation
documentary film
history of Poland
Opis:
One of strongest acts of personal protest in the communist era was self-immolation, which was the subject of two Polish documentaries. Maciej Drygas in Hear My Cry invoked the figure of Ryszard Siwiec, who immolated himself on September 8, 1968 as a sign of protest against the Soviet army invasion of Czechoslovakia. In his documentary, Drygas shows a fragment of the film with the burning man, juxtaposing it with the testimony of witnesses to the tragedy and the account of the family. This documentary restores the memory of the whole society, who due solely to the film, learned about the radical gesture of a common man. Holy Fire by Jarosław Mańka and Maciej Grabysa in turn invokes the heroic but forgotten Walenty Badylak, who immolated himself in March of 1980 in Cracow as an expression of his objection to distortion of the truth about Katyń. Both acts of self-immolation had for many years been perceived as totally futile acts, while the directors show that the self-immolation of these now has a deep and symbolic meaning. In my analysis, I shall invoke historic and cultural contexts, conduct a multifaceted interpretation of self-immolation act and discuss the complex imagery included in the films.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34; 172-179
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An Ordinary Man, a National Hero, a Polish Palach? Some Thoughts on the Memorialization of Ryszard Siwiec in the Czech-Polish Context
Autorzy:
Stach, Sabine
Powiązania:
https://bibliotekanauki.pl/articles/601399.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Ryszard Siwiec
Jan Palach
memory politics
self-immolation
political Martyrs
Opis:
On 8 September 1968, Ryszard Siwiec set fi re to himself during a harvest festival in the 10th Anniversary Stadium in Warsaw. Through his self-immolation, he sought to protest against Communist rule in general and the Warsaw Pact invasion of Czechoslovakia in particular. However, his death did not gain wider attention. Further protests ‘by fi re’ took place in the subsequent months and years in East Central Europe. Among them was the self-immolation by the Czech student Jan Palach in Prague. In contrast to Siwiec, this young man was immediately recognized as a martyr in Czechoslovakia as well as on the other side of the Iron Curtain. It was only after 1989 that Ryszard Siwiec’s story became increasingly well-known. Today, his act still remains in the shadow of Palach’s, however. This article deals with the marginal position of Siwiec in the Polish national pantheon. By reflecting on the various constraints on creating martyrs in state and post-socialism, it focuses on one particular aspect of Polish and Czech – or rather Polish-Czech – memory politics. As for the ‘Polish Palach’ Ryszard Siwiec, the paper demonstrates that Czechs have played a crucial role in popularizing him.
Źródło:
Acta Poloniae Historica; 2016, 113
0001-6829
Pojawia się w:
Acta Poloniae Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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