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Wyszukujesz frazę "posthumanism," wg kryterium: Temat


Tytuł:
Reality in the Margins, Pseudo-Reality in the Main Frame: The Posthuman in Steven Hall’s "The Raw Shark Texts"
Autorzy:
Guenther, Shawna
Powiązania:
https://bibliotekanauki.pl/articles/653531.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
posthumanism
pseudoreality
British fiction
Opis:
I contend that, at its core, Stephen Hall’s The Raw Shark Texts is an allegory of reading that illustrates how composite realities exist in the increasingly electronically-dominated world of posthumanism. Hall succinctly identifies how words act upon readers intellectually and psychologically. Readers take the written words from the page and turn them into actual people, places, things, and events within their minds, bringing their own past narratives to create their versions of the text’s pseudoreality. However, the text’s main character, Eric, is disabled by his repeated episodes of complete amnesia – his reality is constantly being erased and rewritten, just like computer memory, leaving Eric with no past narrative to inform his present and future. Hall, very much aware of the conflict between reality and pseudoreality, conflates the worlds of written and digital text, and of human and computer memory in ways that both celebrate their coexistence and warn of one’s potential to eliminate the other. Thus, the allegory of reading exemplifies the potential destruction of reading and the end of electronic posthumanism. As digital text and the mainframe threaten to destroy the act of reading in the twenty-first century, the death of the reader looms large.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2018, 5, 1; 1-10
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
SOMEONE BETWEEN: ETHICAL AND MEDICAL PROBLEMS OF HUMAN AND (NON)HUMAN ANIMAL ENHANCEMENT
Autorzy:
ŻOK, AGNIESZKA
BAUM, EWA
Powiązania:
https://bibliotekanauki.pl/articles/1036338.pdf
Data publikacji:
2019-12-10
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
bioethics
animal ethics
posthumanism
transplantation
Opis:
Human dreams of a long and healthy life are becoming increasingly real. The advancement of medical technology allows to modify the genome or personalised therapy in order to avoid troublesome side effects. This process also leads to the blurring of boundaries between humans and animals. Rats with induced human diseases are used for testing drugs for incurable illness; humanised pigs can donate organs that are compatible with the genome and immune system of the recipient. A brave new human is approaching, and new “human” animals are making this possible. The main objective of the article is to show the differences between the refinement of people and other animals and to analyse this phenomenon from an ethical point of view.
Źródło:
Society Register; 2019, 3, 3; 179-191
2544-5502
Pojawia się w:
Society Register
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jeanette Winterson’s The Stone Gods as a Feminist Cyborg Story Cyborg Story
Autorzy:
Dobrogoszcz, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/579262.pdf
Data publikacji:
2020
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Jeanette Winterson, feminism, posthumanism, ecocriticism, cyborg
Opis:
Jeanette Winterson’s 2007 novel The Stone Gods is an admonitory tale about human environmental irresponsibility: in a highly gendered narrative the novelist demonstrates how the patriarchal domination inherent in human civilization leads to the destruction of the planet. Drawing upon the theoretical framework provided by posthumanist studies, especially the feminist perspective of Donna Haraway, N. Katherine Hayles and Rosi Braidotti, the article interprets Winterson’s novel as a critique of the masculinist domination of human culture. It shows The Stone Gods as one of Haraway’s “feminist cyborg stories”, demonstrating that a female robot might prove to be a model for new human subjectivity which could lead our civilization away from the path towards self-destruction.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 1; 11-20
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Agglomerations, Relationality, and In-betweenness: Re-learning to Research Agency in Digital Communication
Autorzy:
Kalpokas, Ignas
Powiązania:
https://bibliotekanauki.pl/articles/1112559.pdf
Data publikacji:
2020
Wydawca:
Polskie Towarzystwo Komunikacji Społecznej
Tematy:
agency
posthumanism
technology
agglomeration
anthropocentrism
algorithm
Opis:
As today’s communicative acts are usually irrevocably tied with digital technology, it is important to better understand the resulting ontological and epistemological shifts. The central claim of this article is that humans can no longer be the prime referents of research, either as pure communicators or pure audiences. Instead, research must become sensitive to relational agential flows, whereby different entities interact within ontologically flat agglomerations. For this purpose, the article develops a posthumanist account of the research process that explicitly rejects traditional anthropocentric assumptions in favor of an egalitarian framework that emphasizes relationality and, therefore, constant multidirectional change without linear paths of causation.
Źródło:
Central European Journal of Communication; 2020, 13, 3(27); 426-440
1899-5101
Pojawia się w:
Central European Journal of Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
New Humanity of the Future and Its New Barriers of Otherness – Bruce Sterling’s Schismatrix as a Science Fiction Speculation on Trans/Posthuman Evolution
Autorzy:
Marszalski, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/2013201.pdf
Data publikacji:
2021
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
transhumanism
posthumanism
human evolution
otherness
science fiction
Opis:
The possible future of mankind features prominently among SF topics. Despite a long record of failures, like unsuccessful grappling with the scourge of war, present day humanity has come a long way to assume a degree of unity it has never enjoyed before. The process of globalization has its anti-globalist opponents, but its idealistic aim is a better world without racial, social, economic and in some areas even national barriers separating people. This picture of multiracial, multicultural but otherwise ontologically uniform humanity amounts to a vision of a sentient species that is close to achieving its mature form. However, what may look like the final stop of our journey is treated by both the advocates (e.g. Ray Kurzweil) and critics (e.g. Fukuyama) of humanity’s trans/posthuman development as the beginning of a new stage of our existence. A question arises if the new paths of evolution involve a danger that humans will fall victim to a policy of metaphysical laissez faire that will put the race’s unity and continuity in jeopardy. Will the old walls of racial prejudice and social inequality between people that we have striven to break down be replaced by new ones? The objective of this paper is to use Bruce Sterling’s Shaper/Mechanist universe as a literary illustration of the new barriers that the prospective trans/posthumanity may have to face and seek to surmount or leave behind.
Źródło:
Academic Journal of Modern Philology; 2021, 14; 247-256
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Plant Life and More-than-human Agency in Zainab Amadahy’s Resistance
Autorzy:
Wieczorek, Paula
Powiązania:
https://bibliotekanauki.pl/articles/1911995.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Zainab Amadahy
agency
plants
tobacco
posthumanism
animism
Opis:
For centuries humans have acted as if the environment was passive and as if the agency was related only to human beings. Both Indigenous and non-Indigenous writers, scholars, and artists express the need to narrate tales about the multitudes of the living earth, which can help perceive the Earth as vibrant and living. The following paper discusses Black/Cherokee Zainab Amadahy’s speculative fiction novel 2013 Resistance as an example of a story resisting the claim about human beings as the ultimate species. The paper initially scrutinizes the phenomena of “plant blindness” and then explores how Zainab Amadahy illustrates plant life in her book. Unlike in traditional literary depictions of botany, the writer presents tobacco as an active and responsive agent that influences the characters, which, consequently, opposes anthropocentrism. The article also addresses the cultural violence and disregard that has dominated the Western perception of animistic cultures and expresses the need to rethink the theory of animism. This paper draws from posthumanist writings by scholars including Donna Haraway, Bruno Latour, Jane Bennett, and Stacy Alaimo. It also refers to some of the most influential contributions to critical plant studies made by Indigenous thinkers such as Robin Wall Kimmerer’ s Braiding Sweetgrass (2013).
Źródło:
New Horizons in English Studies; 2021, 6; 79-91
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The selected premises for the reconfiguration of the disability model. The posthumanist perspective
Autorzy:
ŻÓŁKOWSKA, TERESA
KALISZEWSKA, KAROLINA
Powiązania:
https://bibliotekanauki.pl/articles/938549.pdf
Data publikacji:
2020-01-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
disability
paradigm
posthumanism
the Actor-Network theory
Opis:
In the contemporary special pedagogy, it is clearly seen, that we are dealing with a situation of passing over scholarly programmes that refer, i.a. to the medical and social model of disability. We remain in a inter-paradigmatic transition period, in which new views on disability are appearing. One of the most popular scholarly approaches is the posthumanism, the characteristics of which are, i.a.: the critique of humanism, the departure from anthropocentrism, the appearance of a new materialism, the direction of research towards objects, animals, as well as, the relations of people and non-people. The example of such posthumanist approach, that may constitute the context for the creation of new models of disability, is the Actor-Network theory developed by Bruno Latour and his associates.
Źródło:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej; 2019, 25; 55-81
2300-391X
Pojawia się w:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tomorrow’s Kin: Intergenerational Solidarity after The Genome
Autorzy:
Bugajska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/962252.pdf
Data publikacji:
2018
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
young adult
posthumanism
science-fiction
solidarity
bioethics
Opis:
One of the issues that emerges with regard to radical human enhancement is the destruction of the intergenerational connections. It is variously envisioned in science fiction, and we can speak of many possible plateaus on which the human continuity, which entails solidarity, can be contested. Contemporary young adult dystopias, such as Shusterman’s Unwind Dystology (2007-15) and The Arc of a Scythe (2016-) cycles, Beckett’s Genesis (2010), Patterson’s Maximum Ride (2005-15) or Wells’s Partials (2009-14), very often conjoin the intergenerational issues typical of juvenile fiction with bioethical concerns in the posthuman and transhuman world. I look at the speculative futures of intergenerational solidarity from the point of view of the biological continuity, the subjective continuity and postgenerationality in an immortal society. In the majority of cases it may be observed how the child-adultdichotomy, with the superimposed adult normativity prejudice, threatens the coexistence of trans- and posthumans with their “parents,” leading to the redefinition of altruism in the wake of the homicidal ALife apocalypse. The relatively broad spectrum of the cases and perspectives I have selected yields a fairly comprehensive picture of contemporary projections of intergenerational solidarity “after the genome” (Herrick 2013).
Źródło:
Literatura Ludowa; 2018, 62, 3
2544-2872
0024-4708
Pojawia się w:
Literatura Ludowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Shuffling Narratives: Apocalypticism, Postmodernism, and Zombies
Autorzy:
Wöll, Steffen
Powiązania:
https://bibliotekanauki.pl/articles/973907.pdf
Data publikacji:
2020-09-14
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
millennialism
pandemic
posthumanism
Otherness
zombies
horror
apocalypticism
Opis:
Zombies and the tropes that surround them have become a staple of popular culture and a familiar presence in movies, television series, graphic novels, and video games. From their Caribbean folklore origins, the undead are palimpsestic metaphors for social issues and cultural anxieties. This article examines the rarely studied tensions between apocalyptic desires to resurrect narrative stability through monstrous bodies and postmodern voices that utilize zombies to decompose societal conventions. Despite this supposed antagonism, the article suggests that zombies amalgamate these contrasting mindsets by assuming a role of pop-cultural mediators that bridge the gap between increasingly divisive cultural epistemologies.
Źródło:
Anglica. An International Journal of English Studies; 2020, 29/1; 87-107
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“No beast so fierce but knows some touch of pity”: Compassion and the Nonhuman in "Richard III"
Autorzy:
Refskou, Anne Sophie
Powiązania:
https://bibliotekanauki.pl/articles/2048114.pdf
Data publikacji:
2021-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Richard III
compassion
emotion
posthumanism
human-animal binary
Opis:
When Lady Anne accuses Richard of cruelty in the wooing scene of act one in Richard III, she claims that even the fiercest beast will demonstrate some degree of pity. Her attempt to categorize Richard as somehow both less than human and less than a beast, however, leaves her vulnerable to Richard’s pithy retort that he knows no pity “and therefore [is] no beast” (1:2:71-2). The dialogue swiftly moves on, but the relation between the emotional phenomenon known as pity or compassion and the nonhuman, briefly raised in these two lines, remains unresolved. Recent scholarship at the intersection of early modern studies, historical animal studies and posthumanism has demonstrated ways in which the human-animal binary is often less than clearly articulated in the sixteenth and seventeenth centuries. Building on such work, and adding perspectives from the history of the emotions, I look closely at the exchange between Anne and Richard as characteristic of pre-Cartesian confusion about the emotional disposition—in particular compassion—of animals. I argue that such confusion can in fact be traced throughout Richard III and elsewhere in the Shakespeare canon and that paying attention to it unsettles the more familiar notion of compassion as a human species distinction and offers a new way to read the early modern nonhuman.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 24, 39; 121-135
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An Unexpected Journey “from the naves to the chops”: “Macbeth”, Animal Trade, and Theatrical Experience
Autorzy:
Pożar, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/2048124.pdf
Data publikacji:
2021-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Macbeth
posthumanism
early modern animal trade
historical phenomenology
Opis:
The paper proposes to appreciate the play’s butcheries as an incision into the unstable character of the category of the human. The vividness of the “strange images of death” is thus analysed with reference to the cultural poetics of Elizabethan theatre including its multifarious proximity to the bear-baiting arenas and execution scaffolds. The cluster of period’s cross-currents is subsequently expanded to incorporate the London shambles and its presumed resonance for the reception of Macbeth. Themes explored in the article magnify the relatedness between human and animals, underscore the porosity of the soon to turn modern paradigms and reflect upon the way Shakespeare might have played on their malleability in order to enhance the theatrical experience of the early 17th century. Finally, the questionable authority of Galenic anatomy in the pre- Cartesian era serves as a supplementary and highly speculative thread meant to suggest further research venues.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 24, 39; 87-104
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Will Posthumanism be the End of the Homo Sapiens Era?
Autorzy:
Mazur, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2190122.pdf
Data publikacji:
2023-02-06
Wydawca:
International Étienne Gilson Society
Tematy:
transhumanism
cultural posthumanism
discourse
human nature
human condition
Opis:
The purpose of the article is to answer the question whether posthumanism is the end of the homo sapiens era. The multitude of posthumanisms can be reduced to two main views: cultural posthumanism and techno-humanism. cultural posthumanism postulates a change in the image of man, while technological posthumanism postulates his enhancement. Posthumanist discourse cannot change human nature, but it does affect his condition. Although human nature is unchangeable, the corporeal-biological aspects of this nature are particularly susceptible to modifications. At the same time, it is difficult to indicate the actual boundaries of where the introduced changes either enhance or impair man.
Źródło:
Studia Gilsoniana; 2023, 12, 1; 83-103
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Posthumanistyczny android oraz transhumanistyczny gracz w “Detroit: Become Human”
Autorzy:
Waszkiewicz, Agata
Powiązania:
https://bibliotekanauki.pl/articles/630695.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Detroit: Become Human
transhumanism
posthumanism
android
cyborg
posthumanizm
Opis:
The aim of this paper is to offer a close reading of the 2018 science fiction video game Detroit: Become Human which, despite its promising and novel narrative, offers a simple and otherwise familiar narrative of conscious androids who gradually begin the fight for emancipation from their human creators and owners. However, offering a complex branching narrative with multiple endings affected by the player’s choices, the game encourages the discussion on the relationship between the player and the game system, furthermore drawing on the posthuman and transhuman theories, the concepts of Donna Haraway’s cyborg (1999) and the postmodern identities theories. On the narrative level the android characters will be scrutinized as embodying the humanist underpinning, especially when contrasted with the human characters who are lacking the agency and the self-consciousness. Furthermore, on the non-diegetic level, the game strategies will be shown as influencing the player who, in contact with the game is allowed to experiment with their identities, and, furthermore, to explore the transhumanist and postmodern identities.
Celem artykułu jest analiza gry wideo science-fiction z 2018 roku pod tytułem Detroit: Become Human, która pomimo obietnicy nowatorskiej narracji oferuje prostą i skądinąd znaną fabułę dotyczącą świadomych androidów, które stopniowo rozpoczynają walkę o emancypację spod władzy swoich ludzkich twórców i właścicieli. Jednakowoż, oferując skomplikowaną narrację, rozgałęzioną z wieloma zakończeniami zależnymi od decyzji graczy, gra zachęca do dyskusji na temat relacji pomiędzy graczami a systemem gry, opierając się na teoriach posthumanistycznych oraz transhumanistyczych, na koncepcji cyborga zaproponowanej przez Donnę Haraway (1991), jak również na postmodernistycznych teoriach tożsamości. Na poziomie narracyjnym przyglądać się będę tym bohaterom, którzy jako androidy ucieleśniają założenia humanizmu, szczególnie kontrastując w tym z postaciami ludzkimi, które charakteryzują się brakiem samoświadomości. Co więcej, na niediegetycznym poziomie, strategie gry będą przedstawione poprzez swój wpływ na gracza, który w zetknięciu z grą może eksperymentować ze swoją tożsamością, albo wręcz, eksplorować swoje transhumanistyczne oraz postmodernistyczne właściwości.
Źródło:
Acta Humana; 2018, 9
2082-4459
Pojawia się w:
Acta Humana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“What sort of a world is this, where killing and pain are the norm? What on earth is wrong with us?” Nature Strikes Back in Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead (2009)
Autorzy:
Sosnowska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2231682.pdf
Data publikacji:
2022-10-06
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Olga Tokarczuk
eco-fiction
posthumanism
the Anthropocene
anthropocentrism
Opis:
The article seeks to explore the theme of nature’s revenge in Olga Tokarczuk’s novel Drive Your Plow Over the Bones of the Dead (2009, translated into English in 2018). The book may be classified as Anthropocene fiction or eco-fiction Tokarczuk’s treatment of vengeful nature in Drive Your Plow… manifests as a literary representation of a physiology of an ecosystem in disequilibrium, pervaded by images of blood in a snowy landscape. The author renders her female protagonist, Janina Duszejko, a proponent and practitioner of a theory proposing that nature wreaks revenge on humans. Tokarczuk presents new ways of imagining agency beyond anthropocentrism. Drive Your Plow may serve as an example of literary fiction from which posthumanist reflections may spring, while simultaneously it oftentime (even if unintentionally) draws on posthumanist philosophy and ethics. I also refer to Olga Tokarczuk biography and views in search of her environmental concerns and solutions.
Źródło:
Academic Journal of Modern Philology; 2022, 15; 305-317
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Evolution Within Human. Francesca Ferrando, Philosophical Posthumanism. (Theory in the New Humanities)
Ewolucja człowieczeństwa. Francesca Ferrando, Philosophical Posthumanism. (Theory in the New Humanities)
Autorzy:
Mikoś, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/1912549.pdf
Data publikacji:
2021-09-03
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
posthumanizm
filozofia
władza
Francesca Ferrando
posthumanism
philosophy
power
Opis:
Philosophical Posthumanism is a unique intellectual proposition – one in which Francesca Ferrando not only presents and expands but also celebrates posthumanist thought. The monograph is an open invitation to explore new horizons by de-familiarizing classical humanist thought embedded within the Western civilization. Explicitly deconstructing classical humanism, Ferrando offers her readership a versatile insight into the complexity of the polyphony of new voices including, but not limited to, Posthumanism, Transhumanism, and Antihumanism – contributing to the discourse, which, as the author affirms, is tantamount to the “philosophy of our time.”
Filozoficzny posthumanizm to wyjątkowa propozycja intelektualna – taka, w której Francesca Ferrando nie tylko prezentuje i rozwija, ale też celebruje myśl posthumanistyczną. Monografia jest otwartym zaproszeniem do odkrywania nowych horyzontów poprzez od-swajanie klasycznej myśli humanistycznej, osadzonej w cywilizacji zachodniej. Wyraźnie dekonstruując klasyczny humanizm, Ferrando oferuje swoim czytelnikom wszechstronny wgląd w złożoność polifonii nowych głosów, w tym m.in. posthumanizmu, transhumanizmu i antyhumanizmu – współtworząc dyskurs, który - jak twierdzi autorka - jest tożsamy z “filozofią naszych czasów”.
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2021, 42; 283-292
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł

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