Temat: popular music studies - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Popular Music Studies in Italy: A Historical/Political Overview
Autorzy:: Fabbri, Franco
Powiązania:: https://bibliotekanauki.pl/articles/1186464.pdf
Data publikacji:: 2020
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: Italian popular music
Popular music studies
history of popular
music research
Opis:: Courses on popular music were sparsely introduced in Italian universities in the late 1900s – early 2000s, and are still included under the umbrellas of other disciplines (ethnomusicology, media and communication studies, sociology). An official disciplinary sector including popular music does not exist. However, research on popular music has existed in Italy at least since the 1960s, two important international conferences took place in Italy (as early as in 1983, and in 2005), and Italian popular music scholars are known internationally and have been members of associations, editorial boards, scientific committees. To explain this contradiction, a long historical period has to be overviewed. It’s a very specific Italian story. Or maybe not.
Źródło:: Załącznik Kulturoznawczy; 2020, 7; 225-236
2392-2338
Pojawia się w:: Załącznik Kulturoznawczy
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: The Beginnings of Popular Music Studies in Poland (Hernas, Balcerzan and Barańczak)
Autorzy:: Masi, Leonardo
Powiązania:: https://bibliotekanauki.pl/articles/1186486.pdf
Data publikacji:: 2020
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: popular music studies
sung poetry
Poznań theoretical school
reception of Adorno in Poland
Opis:: In their ‘pre-historical’ phase (1968–1983), Popular Music Studies in Poland displayed a specificity resulting from a different political and cultural history and, to certain extent, from cultural isolation during the period of state socialism. Adorno’s works on popular music remained probably unknown until the last two decades to the majority of Polish cultural historians, causing them to come up with their own ideas. The article aims at reconstructing how the first striking analyses of popular music in Poland came from the field of literature studies, in particular from baroque literature scholar Czesław Hernas, poet and scholar Edward Balcerzan, poet, translator and literary critic Stanisław Barańczak and from his wife Anna Barańczak.
Źródło:: Załącznik Kulturoznawczy; 2020, 7; 259-272
2392-2338
Pojawia się w:: Załącznik Kulturoznawczy
Dostawca treści:: Biblioteka Nauki

Artykuł

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