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    Wyświetlanie 1-2 z 2
    Tytuł:
    The Russian-language Wikipedia as a Measure of Society Political Mythologization
    Autorzy:
    Sokolova, Sofiia
    Powiązania:
    https://bibliotekanauki.pl/articles/452257.pdf
    Data publikacji:
    2017
    Wydawca:
    Wyższa Szkoła Gospodarki Euroregionalnej im. Alcide De Gasperi w Józefowie
    Tematy:
    society mythologization
    Political myth
    formation of myths
    Wikipedia
    propaganda
    mass-media
    Kyivan Rus’
    he Old Rus
    State, Moscow-Horde union
    Monomakh’s Cap
    Opis:
    Formation of myths is the first stage of Society Mythologization. The analyzed in this article myth about inheritance rights of Russia to the Kyivan Rus’1 arose in the 15th century. Recently this myth is being actively spread by the Russian propaganda in the mass media – in particular this is performed through Wikipedia being one of the most attended Internet resources. The purpose of spreading the myth (the second stage of society mythologization) consists in introduction of a certain idea and certain political behavior into the mass consciousness which would at a certain time point influence the process of making the necessary political decision. The third stage of Society Mythologization is represented as spreading the myth in the process of communication between the authorities and citizens. The manipulative function of the polytical myth has come into action here; the purpose of this myth consists in activation of separatist sentiments of Russian-speaking Ukrainian citizens. Purpose – to explore vulnerability of Wikipedia policy of openness on the basis of a specific example as well as to explore its efficiency for formation of political myths; to analyze the technology used for creation of Wikipedia articles in the process of formation of myths. Methods. Comparison method is applied – texts of Wikipedia articles on various time stages of their creation were compared; results of analyzing Wikipedia pages were correlated to political events of Russian-Ukrainian relations. Formalization technique is applied – representation of the analyzed terms in semiotic and symbolic form; deduction – as a process of drawing a logical conclusion on the basis of the complex of analyzed facts; summarizing.
    Źródło:
    Journal of Modern Science; 2017, 33, 2; 147-176
    1734-2031
    Pojawia się w:
    Journal of Modern Science
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The theater of Jan Klata. Struggling for a new audience
    Autorzy:
    Konopko, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/628503.pdf
    Data publikacji:
    2010
    Wydawca:
    Fundacja Pro Scientia Publica
    Tematy:
    Jan Klata, Polish theater, engaged theater, political theater, social theater, new audience, reinterpretation of classical dramas, pop culture, Polish Catholicism, national myths and symbols
    Opis:
    This short text presents the characteristics of theater works by the director, Jan Klata. I attempt to investigate the changes in contemporary Polish theatrical language. The evolution of theater perception, the expressive aesthetics of Klata’s performances and topics that began the fight not only over the new theater that would be a place of socio-political discourses but also for the new audience. In the introduction I present J. Klata and describe the circumstances that accompanied his theater debut. Thereafter, referring to J. Klata’s staging of classical works, I point out the characteristics of his theater and describe how the phenomenon of reinterpretation functions in contemporary theater. I then try to question the explicit labeling of J. Klata’s works as “post drama theater” or “political theater” by paying special attention to analyzing the director’s works in a social context. This political and social background of J. Klata’s performances contributes to the fact that his work is perceived as one of the leading examples of “engaged theater”. The staging means of expression applied by the director and his often radical interference in the texts of works from the literary canon have encouraged younger directors to make their own daring experiments . What was perceived as “revolutionary” and controversial at the time of J. Klata’s debut, today, only seven years later, has become standard in Polish theater.
    Źródło:
    Journal of Education Culture and Society; 2010, 1, 2; 125-138
    2081-1640
    Pojawia się w:
    Journal of Education Culture and Society
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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