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Wyszukujesz frazę "political cinema" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
From Villain to Superhero: The Image of the North Korean in Contemporary South Korean Cinema
Autorzy:
Husarski, Roman
Powiązania:
https://bibliotekanauki.pl/articles/1977461.pdf
Data publikacji:
2019-09-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
cinema and politics
hero and villain
political myth
South Korean cinema
ideology
propaganda
Opis:
Confidential Assignment (Kongjo, Kim Sung-hoon), released on January 18, 2017 between DPRK nuclear tests, tells a story of two special agents. One is from North Korea and the other one from South Korea, and they unite to fight against a common enemy. Extraordinarily, the North Korean agent is portrayed as more formidable than his South Korean counterpart who is unable to match him in every field. Also, the North Korean agent is portrayed by a Korean super star, Hyun-Bin. In this paper, I analyze two other similarly themed movies: The Net (Kŭmul, Kim Ki-Duk) and Steel Rain (Kangch’ŏlbi, Yang Wooseok). All of them were released recently and were huge commercial successes in South Korea. The aim of the following paper is to show and analyze the evolution of the image of North Korean characters in South Korean cinema. During the analysis, the question of how the change from villain to super hero was possible is answered. The way in which the movies talk about inter-Korean relations and how they portray both countries is particularly important to understand the current political sentiments in the Peninsula and how it can affect the Moon Jae-in presidency.
Źródło:
Polish Political Science Yearbook; 2019, 3 (48); 431-446
0208-7375
Pojawia się w:
Polish Political Science Yearbook
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Parallax Memory. Notes on the Solidarity, Solidarity… Collection
Autorzy:
Klejsa, Konrad
Powiązania:
https://bibliotekanauki.pl/articles/919930.pdf
Data publikacji:
2012-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film and memory
cinematic images of political movements
Deleuze and cinema
Solidarność
Opis:
The paper focuses on Solidarity, Solidarity…, a collective project made in 2005 to celebrate the 25th anniversary of the worker’s movement. Thirteen novelettas demonstrate various approaches towards the so-called “Polish August” of 1980, ranging from “comemorational”, praising the leaders of the movement, to critical, stimulating new interpretations of Polish history. The theoretical foundation of the analysis is built upon Deleuze’s theory of “time-image”. Although it may be argued that Deleuze’s work deals primarily with film style and the historically shifting aesthetics of the cinema, it is also justifiable to state that (if treated metaphorically) the Deleuzean “Time-Image” is based on the concept of a journey into the realms of the Forgotten, whereas its spectator is forced to rework his position in the field of history. In the paper, special attention is given to episodes which deal with the nature of history in a specific way. In Jacek Bromski’s short story, a former dissident asks his oppressor for a loan, leading to a replay of his interrogation. In Robert Glinski’s short story, Japanese tourists take pictures of the deserted Gdynia shipyard where Solidarity began. In Juliusz Machulski’s novelette, Solidarity never happened, so the director ponders making a movie about the heroic Battle of Lenino. These short films trace the inability to cope with the heritage of Solidarity, which became a deserted space in public debate during the course of its demolition and reconstruction.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 11, 20; 23-35
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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