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Wyszukujesz frazę "music-making" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Roles of Music-Making in the Process of Cross-Cultural Adaptation: A Case of International Students in Wrocław
Autorzy:
Alptekin, Emre Can
Powiązania:
https://bibliotekanauki.pl/articles/2196932.pdf
Data publikacji:
2022-10-06
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
music-making
sociocultural adaptation
psychological adjustment
culture learning theory
social network
cross-cultural transition
Opis:
With the intensifying flow of academically motivated people between countries, the significance of research on cross-cultural adaptation increases. Although the problems and difficulties caused by cultural differences have been researched extensively, this research focused on a common practice among different cultures: participative music making in an intercultural context. Therefore, the current study explores how participative music-making shapes international students’ cross-cultural experiences in Wroclaw. For this purpose, the relevance between international students’ cross-cultural adaptation and music-making as a social activity in Poland is examined. The required data were gathered through in-depth interviews with six students from various countries who made music as a collective activity during their transnational accommodation. The collected data is analysed by the inductive coding approach to explore the commonalities in the international students’ experiences. Findings concluded that collective music making shapes music-maker students’ cross-cultural experiences by not merely helping them gain a specific social network but also contributing to their financial income and mood states, and finally, privileged behaviour by the host country members towards these students.
Źródło:
Academic Journal of Modern Philology; 2022, 15; 21-32
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Socially Constructed Individualist: An Interactionist Study of Role-Making among Orchestral Conductors
Autorzy:
Byczkowska-Owczarek, Dominika
Powiązania:
https://bibliotekanauki.pl/articles/32222584.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Sociology of Music
Conductor
Orchestra
Grounded Theory Methodology
Role-Making
Social Role
Opis:
The paper analyzes the role-making of an orchestral conductor. It is framed by the symbolic interactionist perspective and focuses on Ralph Turner’s role-making theory and the works of Alfred Schütz and Howard S. Becker and associates. The research project is based on grounded theory methodology. The applied techniques include semi-structured interviews, video-elicited interviews, observations of teaching conducting and opera rehearsals, video analysis, and secondary data analysis. The results reveal how the process of role-making is shaped during secondary socialization and indicate the social features of the role, such as high social prestige, awareness of the body, an exclusive social group, and teamwork. The role-making process is based on permanent interactions and negotiations with social actors: the composer and the musical score, the orchestra, soloists, ballet, and the audience. Additionally, it is influenced by cultural factors, such as the conductor’s gender, age, nationality and international experience, competencies, as well as the type of professional contract. At the same time, conductors need to actively maintain the image of determined and resolute individualists, as expected by the social actors they interact with.
Źródło:
Qualitative Sociology Review; 2022, 18, 4; 132-152
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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