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    Wyświetlanie 1-2 z 2
    Tytuł:
    Decolonisation and the Entangled Histories of Science and Philosophy in India
    Autorzy:
    Raina, Dhruv
    Powiązania:
    https://bibliotekanauki.pl/articles/1929952.pdf
    Data publikacji:
    2012-07-09
    Wydawca:
    Polskie Towarzystwo Socjologiczne
    Tematy:
    comparative method
    Indian philosophy
    institutionalisation of science
    modern India
    philosophical reasoning
    Opis:
    One of the central challenges confronting post-colonial India in its march towards decolonisation was the intellectual challenge posed by the idea of modernity. This is reflected in the work of historians of science and philosophers attempting to understand what the past of ‘Indian science’ or ‘Indian philosophy’ meant in relation to the identity of the modern Indian nation state in the making. This essay argues that in this interrogation there were common themes that were entangled in the enterprise of historians of science and philosophers. Beyond the question of the identity of Indian philosophy or Indian science was the attempt to locate the place of reason and science, and in the spirit of modernisation theory to trace the causes of their ascent or decline at the centre of Indian culture over historical time. The paper examines the entanglement of these two discourses and situates them during the decades of decolonisation
    Źródło:
    Polish Sociological Review; 2012, 178, 2; 187-202
    1231-1413
    2657-4276
    Pojawia się w:
    Polish Sociological Review
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    India and the Translocal Modern Dance Scene, 1890s–1950s
    Autorzy:
    Vargas-Cetina, Gabriela
    Powiązania:
    https://bibliotekanauki.pl/articles/1008943.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Dance
    Modern Dance
    India
    America
    Translocality
    Opis:
    At the end of the nineteenth century and during the first half of the twentieth, lead dancers from different countries became famous and toured internationally. These dancers—and the companies they created—transformed various dance forms into performances fit for the larger world of art music, ballet, and opera circuits. They adapted ballet to the variety-show formats and its audiences. Drawing on shared philosophical ideas—such as those manifest in the works of the Transcendentalists or in the writings of Nietzsche and Wagner—and from movement techniques, such as ballet codes, the Delsarte method, and, later on, Eurythmics (in fashion at the time), these lead dancers created new dance formats, choreographies, and styles, from which many of today’s classical, folk, and ballet schools emerged. In this essay, I look at how Rabindranath Tagore, Isadora Duncan, Anna Pavlova, Ruth St. Denis and Ted Shawn, Uday Shankar, Leila Roy Sokhey and Rumini Devi Arundale contributed to this translocal dance scene. Indian dance and spirituality, as well as famous Indian dancers, were an integral part of what at the time was known as the international modern dance scene. This transnational scene eventually coalesced into several separate schools, including what today is known as classical and modern Indian dance styles.
    Źródło:
    Review of International American Studies; 2020, 13, 2; 39-59
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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