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    Wyświetlanie 1-12 z 12
    Tytuł:
    Theoretical and Methodological Foundations of the Memory Policy in the Global Context: History and Modernity
    ТЕОРЕТИЧНІ ТА МЕТОДОЛОГІЧНІ ЗАСАДИ ПОЛІТИКИ ПАМ’ЯТІ У СВІТОВОМУ КОНТЕКСТІ: ІСТОРІЯ І СУЧАСНІСТЬ
    Autorzy:
    Metelyova, T.
    Soloshenko, V.
    Powiązania:
    https://bibliotekanauki.pl/articles/894377.pdf
    Data publikacji:
    2018
    Wydawca:
    National Academy of Sciences of Ukraine. Institute of World History
    Tematy:
    memorial research, collective memory, memory policy, cultural trauma, identity
    меморіальні дослідження, колективна пам’ять, політика пам’яті, культурна травма, ідентичність
    Opis:
    Стаття є аналітичним оглядом еволюції проблематики історичної й колективної пам’яті та розвитку меморіальних досліджень. Аналіз наукових здобутків меморіальних досліджень виявив неусувно селективний характер колективної пам’яті, за якого її робота з відновлення минулого здійснюється за законами сучасного і відповідно до його потреб. Таким чином, політизація минулого залишається невід’ємним складником його функціонування в сучасному. У країнах молодої демократії підвищення ступеню політизації минулого зумовлено ще й логікою розгортання націєтворчих процесів. Виявлено, що сакрально-міфологічна природа «героїчного наративу», який слугує ідентифікаційною основою для спільноти, і пов’язаної з ним «точкивідліку», того моменту, коли «все почалося» зумовлює розгортання навколо них «війн пам’яті». В умовах глобалізації «війни пам’яті» виходять за національні межі й перетворюються начинник міждержавних відносин. Встановлено, що в сучасному світі в царині політики пам’яті уже сформовано глобальний консенсус, в основі якого – принципи універсальності прав людини,свободи і демократії. Останнє зумовлює зміну панівних раніше наративів пам’яті, заснованих на образах перемог і тріумфів, наративами історичної травми й жертовності.
    The article is an analytical review of the evolution of historical and collective memory issues and of the development of memory studies. The analysis of the scientific achievements in the field ofmemory studies has revealed the ineffably selective nature of collective memory, in which its work for restoration of the Past is carried out according to the laws and needs of the Modernity. Thus, thepoliticization of the Past is an integral part of its functioning in the Present. In the countries of young democracy the increase of the degree of politicization of the Past is also determined by the logic of the nation-building processes. It was revealed that sacred and mythological nature of the “heroic narrative” is serving as the identification basis for the community and the “reference point” is associated with it. That is why very often the moment when “everything began” causes the deployment of “wars of memory” around them. In the context of globalization the “war of memory” goes beyondnational borders and turns into a factor of interstate relations. It is found that in the modern world in the field of memory politics a global consensus has already been formed, and it is based on theprinciples of the universality of human rights, freedom and democracy. This causes a change in the earlier memory narratives, which were based on images of victories and triumphs, by the narratives ofhistorical trauma and sacrifice.
    Źródło:
    Проблеми всесвітньої історії; 2018, 6; 25-42
    2707-6776
    Pojawia się w:
    Проблеми всесвітньої історії
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Crypts, Phantoms, and Cultural Trauma: A Hauntological Approach to Recent British First World War Fiction
    Autorzy:
    Branach-Kallas, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/632458.pdf
    Data publikacji:
    2017
    Wydawca:
    Projekt Avant
    Tematy:
    hauntology, British First World War fiction, trauma, mourning, commemoration, family memory
    Opis:
    In my article, I analyse selected British novels about the First World War published at the turn of the 20th century, from the theoretical perspectives proposed by Maria Torok and Nicolas Abraham in The Shell and the Kernel: Renewals of Psychoanalysis. Pat Barker in Toby’s Room (2012) and Sue Gee in Earth and Heaven (2000) imagine their protagonists’ difficult evolution from melancholia to mourning after the loss of brothers and/or lovers, at the front. The concepts of incorporation and illness of mourning are used to explore the complicated process of bereavement in Barker’s novel, where hauntology becomes a form of honte-ology, from the French honte, shame. In Gee’s beautifully melancholic novel, the haunting trauma of loss is subtly evoked by images of empty fields, neglected farms, urban vistas filled with spectral figures of unemployed veterans. Moreover, Earth and Heaven affects the reader so deeply because the understated pain of loss becomes movingly tangible after the accidental death of the central protagonist’s six-year-old son, which seems to “condense” the pain of war bereavements a decade after the conflict. My intention is also to demonstrate that Sebastian Faulks in Birdsong (1993), Esther Freud in Summer at Gaglow (1997) and Pat Barker in Another World (1998) approach the Great War as a phantom haunting their contemporary protagonists. The persistence of the unknown past has a profound impact on these characters and only by trying to relate to the Great War do they find answers to their existential dilemmas. This directs our attention to the incomplete processes of First World War mourning, the persistence of endless grief and the potential continuity of unresolved trauma(s) in transgenerational memory. The five novels under consideration also problematise the issue of silence-the unsayable family secret and/or the collective disregard for the national past. The psychoanalytic concept of crypt illuminates the relation between present and past in these fictions and makes it possible to draw a connection with the sociological concept of cultural trauma, referring to certain foundational events constructed as traumatic from the point of view of the British collectivity. 
    Źródło:
    Avant; 2017, 8, 2
    2082-6710
    Pojawia się w:
    Avant
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Vladimir Nabokov’s Aerial Viaduct: Pale Fire and the Return to the Forbidden Past
    Autorzy:
    Księżopolska, Irena
    Powiązania:
    https://bibliotekanauki.pl/articles/888919.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Vladimir Nabokov
    metafiction
    intertextuality
    memory
    trauma
    Opis:
    Pale Fire may be read as an elaborate parody of literary criticism, or even Nabokov’s selfparody. This paper reconsiders the puzzle of identities in the novel in this context, with the trio of the author, the critic/annotator and the mysterious third man tracking the progress of both with clearly insidious intent. This analysis aims to uncover the suppressed trauma of Kinbote’s past, hiding behind Kinbote’s narrative. A memory of traumatic past forces Kinbote into ecstatic fiction-making. He constructs the marvellous Semberland (the land of resemblers) as a bridge between his lonely life in the foreign culture and his obscure past in the culture that no longer exists. This mythologization also mirrors a much grander theme: the theme of death and – always mysterious, never graspable – afterlife, and an attempt to bridge the gap between the quotidian realm of one’s existence and the glorious and unexplainable potustoronnost’, the other side of the mirror, the other side of consciousness.
    Źródło:
    Anglica. An International Journal of English Studies; 2015, 24/1; 41-57
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Memory of the “Revival Process” in the Newest Bulgarian Novel (2011–2017)
    Autorzy:
    Yanev, Kristiyan
    Powiązania:
    https://bibliotekanauki.pl/articles/636169.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Revival process
    Bulgarian novel
    cultural trauma
    memory
    Opis:
    The aim of this article is to explore the most recent literary representations of the so-called “Revival process” in Bulgarian history or the renaming of the Bulgarian Muslim and Turkish minorities in the 1980s in Zlatko Enev’s Requiem for Nobody (Реквием за никого, 2011), Martin Marinov’s The Veil (Булото, 2014), Miroslav Penkov’s The Stork Mountain (Щъркелите и планината, 2016), and Liudmila Mindova’s Novel for the Name (Роман за името, 2017). The analysis focuses on the outlining of the thematic and structural similarities between the novels and the different approaches toward the depiction of trauma. I argue that this new trend is an attempt to rethink the legacy of the communist past and conceptualize collective trauma.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 16; 281-292
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dealing with a Trauma Burdened Past: between Remembering and Forgetting
    Autorzy:
    Kulska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/594594.pdf
    Data publikacji:
    2017
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    trauma
    truth
    forgetting
    reconciliation
    memory
    identity
    transformation
    Opis:
    Recognition that societies will not be able to build a future as long as they do not face the ‘demons of the past’ has become a kind of universal truth over the last decades of the 20th Century (Gibney et al., 2008, p. 1). This view, though challenging and ambiguous, is reflected in the globally present attempts to improve or rebuild relations within and between different communities at the domestic and international level. The question concerning, on the one hand, the essence and most essential elements and, on the other hand, the instruments and the limitations of rebuilding relations, as well as the political implications of those processes have become the broad area of interest and the discourse leading to significantly different ideas and solutions. The article aims at presenting different approaches referring to dealing with the conflicted and traumatized past both at the domestic and international level. Some selected instruments and methods which enable movement from a divided past towards a common future are discussed namely the strategy of engagement with the past versus the strategy of avoidance of the past. The special attention is paid to the notion of reconciliation understood as a process of rebuilding of relations through the multi-dimensional transformation of former adversaries after the period of violence and repression.
    Źródło:
    Polish Political Science Yearbook; 2017, 2 (46); 23-35
    0208-7375
    Pojawia się w:
    Polish Political Science Yearbook
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Memory images: Holocaust memory in Balkan cinema(s)
    Autorzy:
    Daković, Nevena
    Powiązania:
    https://bibliotekanauki.pl/articles/923162.pdf
    Data publikacji:
    2018-12-22
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Balkan cinema(s)
    Holocaust
    memory
    trauma
    history
    Opis:
    The aim of this paper is to analyse the shift of the representational and narrative paradigms of Holocaust memory in the Balkan films that belong to two genres – of melodrama and historicalfiction. The hybrid format positons the Holocaust (hi)stories – already caught between forgetting and remembrance – on the unstable ground between trauma and nostalgia; between history and memory; or facts and fiction. The “regained visibility of the Holocaust grant us access” to Balkan past and present and oblige us to investigate the convergence of the history and the memory into Holocaust master narrative of the Holocaust.“Bringing the dark past to light” in cinema has manifold effect. First, the Balkan wave of Holocaustfilms, with its mixed generic performances, offers new answers to the traditional issues of, both, the ethics of memory and the ethics of representation. Second, the analysis of five films reveals that the trauma from the past – resisting the closure – has the potential to powerfully resonate in the present day political crises. Re-dressing the trauma of the past, the films present the future violence while fulfilling “the Holocaust dictum ‘never forget’”. Eventually, new representational paradigm gives consistency to the Balkan (hi)stories of the past and coherence to the identity in the present.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Representing and Teaching the Holocaust in the 21st Century: A Practical Proposal
    Autorzy:
    Pellicer-Ortín, Silvia
    Powiązania:
    https://bibliotekanauki.pl/articles/545568.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Holocaust
    representation
    fiction
    testimony
    education
    memory
    trauma
    ethics
    Opis:
    This article draws on the well-known assumption in Trauma and Holocaust Studies that the representation of traumatic episodes that have affected a huge number of people is usually an aporetic phenomenon. In the case of the Holocaust, the portrayal of these horrible events is always linked to some ethical and historical limits that try to avoid its trivialisation. The first part of this study provides an overview of the evolution of the literary representation of the Holocaust and of the main controversies that have always surrounded the narration of this episode. Then, this evolution will be related to the current „memory boom” and confessional culture that has invaded the cultural panorama, which in the case of the Holocaust has been manifested in the emergence of new hybrid testimonial narratives and the overuse and even commodification of such a traumatic episode. My main contention is that these complex questions have reached the educational context too and thus, the worlds of history, literary criticism and education seem to collide to challenge the future generations’ answers to the Holocaust. All these ideas are finally exposed in a practical exercise that could be carried out in the classroom to discuss whether or not there are textual differences between various testimonial genres, and to figure out how the Holocaust can be kept alive ethically. It will contribute to supporting my closing argument that education has acquired an extremely relevant role within the field of Holocaust Studies, becoming the new site where its meanings and possible representations may be fruitfully negotiated.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2016, 6; 151-172
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Means of reproducing the individual past in W. Sebald’s novel Austerlitz
    Autorzy:
    Megela, Ivan
    Powiązania:
    https://bibliotekanauki.pl/articles/2177874.pdf
    Data publikacji:
    2022-03-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    bricolage
    photography
    memory
    trauma
    storytelling
    history
    documentary
    fiction
    verbal
    visual
    Opis:
    The article is devoted to the coverage of the problem of bricolage as a method of memory reconstruction in the novel “Austerlitz” by the greatest German writer Winfried Sebald. The article notes that “Austerlitz” marks the transition from trauma to conscious identity as part of the historical memory of the Holocaust. It shows how the hero of the work, Jacques Austerlitz, acquires his identity by assembling from scattered information his personal history, reflecting a significant part of the collective tragedy. The genre feature of the work as a travelogue, memoir, investigation, as literature bordering on documentary and artistic experience, where the real is combined with the fictional, is highlighted. The article describes in detail the content of the technique of bricolage as a form of “wild”, “pre-rational” way of thinking, as a technique of fitting auxiliary materials (old photographs, newspaper clippings), a montage of disparate episodes, the technique of collage. The structure of the work’s storytelling is analyzed when the narrator does not tell the story but describes what he hears from Jacques Austerlitz. It is as if it is not a text, but the story itself, which someone tells, and also shows pictures for authenticity. The functions of the hero in the novel gradually shift from people to things, documents, bearers of the memory of individual and collective civilizational catastrophe. These indescribable witnesses break the blockade of traumatic silence around the childhood of Austerlitz, embodied in images of blindness, dumbness, oblivion. Before the protagonist of the work, the “man without a past,” the history of his family, the ghostly happy childhood that was rudely cut short by the separation from his biological parents, is suddenly revealed. Sebald demonstrates a contemporary form of novel narrative in which the truthfulness of the Holocaust narrative is revealed by incorporating the exile’s personal authorial biography, pain, and guilt into the memory of this tragedy. The role of photographs and descriptions of architectural structures in revealing the immanent semantic content of the subject, not manifested verbally, is analyzed. The latter is the key document that unites and structures the important for the writer themes of memories, memory, indifference, oblivion, return to the ghostly past, overcoming of the psychological trauma. Based on the analysis the author concludes that the attitude to the reader as a co-author brings Sebald’s novel closer to the tradition of the European intellectual novel and postmodern hypertexts, in which meaningful units are not presented in a traditional linear sequence, but as a multiplicity of links and transitions. The author notes that the acute experience of humanitarian catastrophe, the multilayered text, the density of meaningful meanings make this work a notable phenomenon in the context of artistic comprehension of traumatic memory.
    Źródło:
    Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe; 2022, 4(1); 81-86
    2543-9227
    Pojawia się w:
    Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Traumatic Chernobyl: Womens Memories
    Autorzy:
    Telukha, Svitlana
    Powiązania:
    https://bibliotekanauki.pl/articles/1431928.pdf
    Data publikacji:
    2020-06-26
    Wydawca:
    Ośrodek Pamięć i Przyszłość
    Tematy:
    trauma
    objawy traumy
    pamięć
    tragedia w Czarnobylu
    historia mówiona kobiet
    trauma signals
    memory
    Chernobyl tragedy
    women's oral history
    Opis:
    This article presents interviews with women who witnessed the Chernobyl tragedy; they were liquidators of the accident, evacuated, or displaced. The stories are stored in an archive, which has become a significant part of the activities of the Chernobyl Historical Workshop in Kharkiv. These examples show that there is the presence of injury in each of these memories. The article is of a narrative character, which reflects female emotions, experiences, pain and anxieties. The Chernobyl tragedy and its participants continue to remain in the shadow of scientific discourse, so this work is an opportunity to give them space to tell their stories related to the elimination of the accident, evacuation, and resettlement.
    Źródło:
    Wrocławski Rocznik Historii Mówionej; 2019, 9; 119-136
    2719-7522
    2084-0578
    Pojawia się w:
    Wrocławski Rocznik Historii Mówionej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Trauma and Phenomenology
    Autorzy:
    Depraz, Natalie
    Powiązania:
    https://bibliotekanauki.pl/articles/451425.pdf
    Data publikacji:
    2018-07-18
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    trauma
    traumatism
    phenomenology
    Husserl
    neurophenomenology
    microphenomenology
    cardiophenomenology
    surprise
    emotion
    passivity
    memory
    Opis:
    The phenomenology of trauma is a historical, epistemological, and methodic inquiry that wishes to test the validity of an already settled dynamic model of surprise as shock-rupture based on its correlated inner structures of attention (as an open awaiting) and emotion (as a perduring resonance). Thanks to an integrative approach, crossing (micro)phenomenological subjective experiences and empirical (neuro and physiological) data, we hope to renew the understanding of the blank lived experience of trauma and the passive preconscious dynamics of traumatism, as well as to generate possible therapeutic effects.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2018, 2, 2(4); 53-74
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dancing the New Realities: The Beauty and a Beast of the War
    Tańczyć nową rzeczywistość: Piękno i bestia wojny
    Autorzy:
    Ovchinnikov, Anton
    Szymajda, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/29520820.pdf
    Data publikacji:
    2024-03-18
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    wojna
    taniec
    choreografia
    manifest
    protest
    pamięć
    trauma
    film tańca
    war
    dance
    choreography
    manifesto
    memory
    video-dance
    Opis:
    This essay is a record of the experience of the ongoing war in Ukraine, presented from the perspective of the contemporary dance artist Anton Ovchinnikov. Captured almost in statu nascendi, his moral dilemmas and difficult choices—personal and artistic—constitute a kind of a war diary, a record of a moment in history. The author also asks important questions about artistic responsibility, whose relevance resounds ever more strongly in the face of the continuing conflict. Joanna Szymajda’s introduction offers a historical panorama of artistic phenomena and attitudes in response to the state of war. The author focuses on 20th- and 21st-century artists, showing the variety of formats and aesthetics in the works of such major figures as Martha Graham, José Limón, John Cranko, and Rami Be’er, among others.
    Tekst jest zapisem doświadczenia bieżącej wojny w Ukrainie, przedstawionym z perspektywy artysty tańca współczesnego – Antona Ovchinnikowa. Uchwycone niemalże in statu nascendi dylematy moralne i trudne wybory – życiowe oraz artystyczne – stanowią swoisty dziennik wojenny, zapis historycznego momentu. Autor zadaje także ważne pytania o odpowiedzialność artystyczną, których aktualność w obliczu nadal trwającego konfliktu wybrzmiewa coraz donośniej. Wprowadzenie Joanny Szymajdy ma zarysować historyczną panoramę zjawisk i postaw artystycznych w reakcji na stan wojny. Autorka skupiła się na prezentacji prac i postaw twórców z XX i XXI wieku, pokazując zróżnicowany format i estetykę dzieł między innymi tak znaczących postaci jak Martha Graham, José Limón, John Cranko czy Rami Be’er.
    Źródło:
    Pamiętnik Teatralny; 2024, 73, 1; 15-39
    0031-0522
    2658-2899
    Pojawia się w:
    Pamiętnik Teatralny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A History of Contested Narratives: The National Film Board of Canada’s Evolving Cinematic Treatment (1945–2018) of the Internment of Japanese Canadians during World War Two
    Autorzy:
    Melnyk, George
    Powiązania:
    https://bibliotekanauki.pl/articles/2049121.pdf
    Data publikacji:
    2021-10-06
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Japanese Canadian internment
    redress
    historic memory
    state apologies for past wrongdoing
    racism and race-related trauma
    discrimination
    human rights
    social justice
    Opis:
    The National Film Board of Canada (NFB) is world-renown for its documen- taries and animations. This article examines how the NFB dealt with one specific topic – the internment of Japanese Canadians during World War Two. By analyzing the films produced by the NFB between 1945 and 2018, this study seeks to understand how and why its narratives of the internment changed dramatically over three-quarters of a century. The study deals with six NFB films: Of Japanese Descent (1945), Enemy Alien (1975), Minoru: Memory of Exile (1992), Freedom Has a Price (1994), Sleeping Tigers: The Asahi Baseball Story (2003), and East of the Rockies (2018). Drawing on the postcolonial concepts of the colonizing gaze and hegemony, as well as poststructuralist concepts of the trace and discourses of power, it probes the evolution of the NFB’s cinematic culture and concludes that the NFB’s film legacy parallels a changing public discourse in Canada on this traumatic historical violation of human rights.
    Źródło:
    Anglica. An International Journal of English Studies; 2021, 30(3); 65-87
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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