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Tytuł:
Nice Carnival: an anthropology of institutions, tourism, and know-how
Autorzy:
Chabert, Antonin
Powiązania:
https://bibliotekanauki.pl/articles/470043.pdf
Data publikacji:
2015
Wydawca:
Poznańskie Towarzystwo Przyjaciół Nauk
Tematy:
carnival
ritual
tourism
festival
Opis:
: As a festival recreated in its modern form in 1873, the Nice Carnival has contributed to shaping the image of the city and of the French Riviera. While many carnivals and fairs in southeastern France have gradually lost success by becoming second-rate spring festivities, the carnival has remained a highlight in Nice: it is the event for which the town invests the most. In the city, the carnival takes place for a fortnight during the school holidays, and it has kept its role as a winter celebration. To explain these characteristics the author seeks to demonstrate the importance of the public and tourist policies that shape the way this carnival is put together, both as a festive ritual and a show. This emblematic carnival is promoted as a tradition and is seen as an economic stimulation process which is put forward through a marketing approach based on a context in which European cities are defined around central significant events. Designed as a leisure and family entertainment event, the Nice Carnival is also promoted as an international show, giving the city the image of a global carnival city at the same level as Venice and Rio. In Nice, the carnival is a lively show with paid admission, complete with grandstands and full of characters with caricatured features. Satire and irony are well organized – the floats and figurines in the procession are chosen by the city council after an invitation to tender. Every year, the city also selects a theme for the carnival. This institutionalization can also be witnessed in how the floats and the various parade figurines are built by experts, gathered together in family businesses. As a matter of fact, in Nice, the carnival is a matter of both professions and know-how. This article tends to show an original approach to the carnival compared with what is found in the traditional anthropological literature -in Nice, the carnival is not a transgressive ritual, a moment for excess, symbolizing inversion and disorder, but rather an official, institutional festival organized by the local powers.
Źródło:
Our Europe. Ethnography – Ethnology – Anthropology of Culture; 2015, 4; 35-46
2299-4645
Pojawia się w:
Our Europe. Ethnography – Ethnology – Anthropology of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spatial and social aspects of the impact of Pol’and’Rock Festival and Jarocin Festival in Poland
Autorzy:
Zmudzińska, Kamila
Matykowski, Roman
Powiązania:
https://bibliotekanauki.pl/articles/31341139.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Instytut Geografii
Tematy:
Pol’and’Rock Festival
Jarocin Festival
spatial range
social relations and motivations
Opis:
Among the popular music festivals operating in Poland in the last forty years, two of them played a special role, especially for their young recipients of amplified music. The first of them was the Rock Festival in Jarocin (it had different names) functioning in the years 1980–1994, so still in the period of communist authorities. Reactivated in 2005, it recently operates under the name Jarocin Festival and uses the legend of the event from the 1980s. In the new socio-political conditions, the second important event, the Pol’and’Rock Festival (called Woodstock Station in 1995–2017), began to function in 1995, which in the late 1990s exceeded 100,000 participants and became the largest popular music event in Poland. The aim of the study is to characterise the impact of these two important popular music festivals in Poland at the turn of the second and third decade of the 21st century in the spatial and socio-cultural dimensions on the community of its participants. Referring to the traditional chorological paradigm of human geography, an analysis of the differentiation of the territorial impact of festivals was made, and using patterns immersed in social geography-oriented music research, factors motivating to participate in festivals were determined.
Źródło:
Journal of Geography, Politics and Society; 2023, 13, 2; 46-66
2084-0497
2451-2249
Pojawia się w:
Journal of Geography, Politics and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The role of an urban festival in public space: case study of the Light Move Festival in Łódź
Rola festiwalu miejskiego w przestrzeni publicznej na przykładzie Light Move Festival w Łodzi
Autorzy:
Miśkowiec, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/650767.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
festiwal miejski
przestrzeń publiczna
Light Move Festival
Łódź
urban festival
public spaces
Opis:
Celem artykułu jest poznanie zależności pomiędzy miejskim festiwalem a przemianami struktury przestrzenno-funkcjonalnej i społecznej w mieście. Jako studium przypadku wskazano festiwal wykorzystujący światło do podkreślenia lokalnej tożsamości i dziedzictwa kulturowego – Light Move Festival w Łodzi. W opracowaniu wykorzystano informacje pozyskane z wywiadów prowadzonych z organizatorami festiwalu. Zaprezentowano dane zgromadzone na podstawie ankiety prowadzonej wśród uczestników festiwalu w 2016 roku. Wyniki pokazują społeczno-demograficzną strukturę ankietowanych, częstotliwość uczestnictwa oraz źródła informacji o wydarzeniu. Za pomocą mapy poglądowej zaprezentowano zależność pomiędzy przestrzenną organizacji festiwalu a założeniami Strategii przestrzennego rozwoju Łodzi2020+ w ramach programu szczegółowego „Atrakcyjne przestrzeniemiejskie 2020+”. Badanie wskazuje na możliwość wykorzystania festiwalu miejskiego jako lokalnego potencjału, wartościowego w budowaniu zrównoważonej polityki społecznej oraz przestrzennej. Wobec spadku liczby ludności w Łodzi, festiwal może wspierać promowanie miasta wśród potencjalnych nowych mieszkańców. Stwarza szanse na przetestowanie tymczasowych rozwiązań komunikacyjnych w przestrzeni oraz oswojenie z nimi mieszkańców. Mając na uwadze działania rewitalizacyjne prowadzone w mieście Łódź, można zadać pytanie: jaki wpływ na społeczność i przestrzeń miasta Łodzi ma festiwal światła – Light Move Festival?
The aim of this article is to examine the relationship between an urban festival and changes in the social and spatial-functional structures in a city. We analyze the Light Move Festival in Łódź as a case study, showing the use of light in emphasizing local identity and cultural heritage. Data for this study was collected by means of interviews with the festival’s organizers. We also present data gathered in a survey conducted among the festival’s participants in 2016. The results show the social-demographic structure of the respondents, frequency of participation and source of information. We present the correlation between the festival’s spatial organization and the guidelines of the “Attractive Urban Spaces 2020+ Program” (Strategie przestrzennegorozwoju Łodzi 2020+ w ramach programu szczegółowego „Atrakcyjneprzestrzenie miejskie 2020+”). The study presents the possibility to use an urban festival as a local potential for building sustainable social and spatial policy. With constant population outflow, such events may help to attract new residents and rebuild the city’s image. It also creates an opportunity to test temporary traffic solutions and to familiarize the residents with them. Considering the revitalization actions undertaken by the city of Łódź, one might ask a question: What kind of impact does The Light Move Festival have on the city of Łódź?
Źródło:
Acta Universitatis Lodziensis. Folia Geographica Socio-Oeconomica; 2017, 29
1508-1117
2353-4826
Pojawia się w:
Acta Universitatis Lodziensis. Folia Geographica Socio-Oeconomica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gandrung Sewu Festivals: The Transition from Ritual Dance to Tourism Dance in Banyuwangi Indonesia
Autorzy:
Suharti, Mamik
Sari, Cahyani Tunggal
Powiązania:
https://bibliotekanauki.pl/articles/18656087.pdf
Data publikacji:
2023-06-20
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
colosal
tourism
festival
Gandrung dance
Opis:
Aim. Ritual ceremonies in East Java, Indonesia are mostly accompanied by dances. The existence of the seblang dance in Banyuwangi, East Java, provides an attraction for local residents and tourists. With more and more people being interested in seeing rituals because of the dance, an idea arose to bring the dance to be the main source of attracting tourists by removing the ritual element and providing tourism packaging for the seblang dance which was then brought into the realm of tourism in the form of gandrung sewu. Method. This research is qualitative in nature, in which the required data can be in the form of written statements, whether contained in archives, books or documents with a focus on dance performances, charms in them, the possibility of therapeutic elements, and their relation to tourism development. The written data that was successfully collected was then confirmed with field data and information from relevant experts and experts. Results. The Gandrung Sewu Festival is a form of imitation of the Seblang dance with changes such as: a colossal form of variation, the audience does not need to pay to see it, has an economic and social impact on the surrounding environment, does not have a magical element but is more of a show, and is an imitation of the seblang sacred dance. Conclusion. The change in form and meaning of the Gandrung dance, which was originally a performance in a sacred ceremony, has become a tourism dance that meets the criteria for tourism art.
Źródło:
Journal of Education Culture and Society; 2023, 14, 1; 480-490
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hatshepsut and the Apis Race: New Quartzite Relief Fragments from Dra’ Abu el-Naga
Autorzy:
Aglan, Hassan
Powiązania:
https://bibliotekanauki.pl/articles/484179.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
New Kingdom Egypt
Dra’ Abu el-Naga
West Bank
Luxor
Hatshepsut
Opet Festival
Valley Festival
Opis:
The reconstruction of a scene sculpted on some quartzite stone fragments discovered recently at Dra’ Abu el-Naga and dating from the reign of Hatshepsut is the subject of this paper. The relief resembles the scenes known from the Red Chapel at Karnak and seems to be a part of the wdỉ sh.t ritual performed on the occasion of the Opet and/or Valley Festivals.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2018, 31; 17-26
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Legacy of Ancient Customs. The Extreme Way of the Cross
Ślady archaicznych zwyczajów na przykładzie Ekstremalnej Drogi Krzyżowej
Autorzy:
Krzysztoforski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1038638.pdf
Data publikacji:
2019-10-01
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
święto
świętowanie
obrzęd
festival
celebration
rite
Opis:
The article presents what celebrating is and how it has evolved to our times. Phenomena which resulted in the crisis of customs at the turn of the 21st century are signaled. Historical events, twists and turn of civilization, and social transformations have caused a departure from the customs of folk tradition near the end of the 20th century. However, folk culture, which is characterized by traditionalism, has preserved many rituals. More and more people are participating, and the need to deepen spiritual religious experiences has led to new initiatives, such as the Extreme Way of the Cross.
W artykule przedstawiono, czym jest świętowanie oraz jak ewoluowało do naszych czasów. Zasygnalizowano zjawiska, które spowodowały kryzys zwyczajów świątecznych na przełomie XX i XXI w. Wydarzenia historyczne, zmiany cywilizacyjne i transformacje społeczne przyczyniły się do odejścia od zwyczajów tradycji ludowej (zwłaszcza świątecznej) pod koniec XX w., jednakże kultura ludowa, którą cechuje tradycjonalizm, przechowała do naszych czasów wiele obrzędów.
Źródło:
Perspektywy Kultury; 2019, 26, 3; 161-168
2081-1446
2719-8014
Pojawia się w:
Perspektywy Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Socio-economic and Environmental Study of a Biodiversity Rich Village Hanrijhama in the District Purba Medinipur, West Bengal, India
Autorzy:
Samanta, Prakash
Samanta, Pijus Kanti
Powiązania:
https://bibliotekanauki.pl/articles/1031622.pdf
Data publikacji:
2020
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:
Agriculture
Biodiversity
Economy
Folk-festival
Water-management
Opis:
Hanrijhama is a medium size village in district East Midnapore of West Bengal, India and popularly known for its agriculture and its year ending folk-festival Gajon and Charak. The male-female ratio is higher than the average of the state. This village has a very high rate of literacy than the average rate of the state also. There is ample facility for education starting from pre-primary to high school education with two ICDS schools, one primary school and one higher-secondary school. However, for higher education, the villagers have to depend on the colleges located within its block and sub-divisional area. Agriculture is the main source of economy of the village. Although paddy is the main agricultural crop, but various vegetables are also cultivated by large amount to earn livestock of the villagers. The soil is also favourable for production of variety of crops. The village is rich with floral diversity with different species of plants. Although there are large wet land area and central canal for supplying water for cultivation but it is not sufficient. So huge water is harvested from the ground through deep tube well that is not favourable for sustainable development. So proper agricultural planning is required for sustainable environmental development. The year ending folk festival plays an important role in the economy of the village.
Źródło:
World Scientific News; 2020, 146; 72-94
2392-2192
Pojawia się w:
World Scientific News
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Choir Festival as an Opportunity to Develop the Music Skills of Secondary School Students
Autorzy:
Zahradníková, Zuzana
Powiązania:
https://bibliotekanauki.pl/articles/1790959.pdf
Data publikacji:
2020-12-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
festiwal chórów
śpiew chóralny
szkoły średnie
Festiwal Chóralny Cantare Choraliter
choir festival
choral singing
secondary school
Cantare Choraliter festival
Opis:
Festiwal chórów jako okazja do rozwoju zdolności muzycznych uczniów szkół średnich Aktywny udział w chórze śpiewaczym ma ogromny wpływ na młodych ludzi: nie tylko na ich rozwój muzyczny, artystyczny i estetyczny, ale także na kształtowanie ich cech charakteru. Czy jednak młodzież jest dzisiaj zainteresowana tego rodzaju działalnością, szczególnie jeśli chodzi o prezentowanie dzieł muzyki sakralnej? Czy jest to dla nich atrakcyjne nawet w czasach, które są bardziej skoncentrowane na materializmie, osiągnięciach technicznych, konsumpcjonizmie lub prezentacji indywidualności? Prezentowany artykuł zawiera odpowiedzi na te pytania, sformułowane na podstawie wyników ankiety przeprowadzonej podczas II edycji festiwalu chórów licealnych Cantare Choraliter. Za pomocą kwestionariusza zbadano stosunek, jaki mają do muzyki (a szczególnie śpiewu chóralnego) członkowie chórów działających przy słowackich szkołach średnich.
Active participation in a choir exerts a great influence on young people. It is connected not only with their musical, artistic and aesthetic development but also with the formation of their personality and character. The question is are the young people of today interested in this kind of activity, especially when it comes to presenting sacred music? Is it attractive to them in a time that is more focused on materialism, technical achievements, consumerism and individual presentations? These questions are answered by this paper, which deals with the results of a survey conducted during the second year of the festival of high school choirs called Cantare Choraliter. Based on this questionnaire, we investigated the relationship to music, specifically to choral singing of the members of choirs working at secondary church schools in Slovakia.
Źródło:
Roczniki Humanistyczne; 2020, 68, 12; 181-198
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“A Feast of Languages”: The Role of Language in the Globe to Globe Festival
Autorzy:
Kenny, Amy
Powiązania:
https://bibliotekanauki.pl/articles/648099.pdf
Data publikacji:
2014-12-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Globe to Globe Festival
Shakespeare
translation
language
performance
Opis:
In 2012, Shakespeare’s Globe hosted the Globe to Globe Festival, which featured performances from thirty-seven international companies in their native tongues as part of the Cultural Olympiad in the lead up to the London Olympic Games. This paper explores the role that language played in the Globe to Globe Festival, and the way in which language mediated direction and translation of various plays, specifically in the rehearsal room in anticipation of the performance itself. Translating Shakespeare into thirty-seven different languages allowed the companies to think about the potential benefits of performing their play in a specific dialect or style for both audiences at the Globe and their own language and culture as well. This paper considers the impact of language barriers that existed even within individual companies, and shows that the specific choices around language informed the ways audience members understood and interpreted the narratives of the plays during the festival.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2014, 11; 31-44
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opportunities for the Development of Film Tourism in Kraków
Autorzy:
Kolasińska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1193115.pdf
Data publikacji:
2020-09-28
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
film festival
film location
film tourism
Kraków
movie tourism
Opis:
For several years film tourism has been perceived as a new trend in cultural tourism. Following this trend, this work aims to determine which forms of film tourism are currently developing in Kraków. Moreover, it wants to indicate the potential of the city to create a tourism product in this field. In the research, guidebooks, as well as film materials and internet sources, have been used. Moreover, the offer of Kraków travel agencies regarding organised guided tours based on film have been analysed, along with sources such as city council strategic documents and reports. The research has demonstrated that Kraków is a city with high tourist potential in those terms. It regards both film production (including its surrounding area) and organisation of film festivals. However, analysis of guidebooks and local travel agency offers has pointed to a low interest in film. The research presented in the article, due to its attempt at comprehensiveness and upto-dateness in the context of new ideas for the development of tourism products, constitutes a contribution to Polish literature on cultural tourism. In practical terms, it may become an inspiration for those who are responsible for creating tourism products based on Kraków’s film heritage.
Źródło:
Prace Komisji Geografii Przemysłu Polskiego Towarzystwa Geograficznego; 2020, 34, 3
2080-1653
Pojawia się w:
Prace Komisji Geografii Przemysłu Polskiego Towarzystwa Geograficznego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
El refugio cultural festival, graffiti and urban art in the historic centre of Puebla in Mexico
Autorzy:
Jiménez, Gustavo Valencia
Hernández Sánchez, Adriana
De La Torre Sánchez, Christian Enrique
Powiązania:
https://bibliotekanauki.pl/articles/2034022.pdf
Data publikacji:
2021-12-08
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
public space
graffiti
cultural festival
historic centre
urban art
Opis:
The city of Puebla was put on the UNESCO list of Cultural Heritage of Humanity in 1987; its history dates back to the sixteenth century allowing for the preservation of various important buildings, such as churches with baroque and neoclassical facades, buildings from the period known as Novo Hispanics, when some of its historic neighbourhoods were founded, including the Barrio el Refugio, hereinafter referred to as BR, where indigenous people employed in the lime manufacture used to live. Since those times, however, the neighbourhood has become a place with bad reputation, “a den of thieves” (Leicht). The traditional, religious commemoration, the “Fiesta Patronal de la Virgen del Refugio,” is the most important celebration in the neighbourhood. In the Church of La Virgen del Refugio, built in the seventeenth century after an inhabitant painted a mural with the image of the virgin, the “mañanitas” are sung with the Mariachi. During the patronal feast, the “El Refugio Cultural Festival” is held with more than a hundred artists taking part and creating about a thousand murals according to the organiser’s estimation. This happens in the city where a project “Puebla Ciudad Mural” was started, as an initiative of the “Colectivo Tomate,” which sought to regenerate the neighbourhood through art, in alliance with the government and private companies. However, these policies are more tourist oriented rather than benefit the neighbourhood. For this reason, the graffiti movement “Festival Cultural el Refugio” is becoming a meeting point for urban artists from Mexico and Puebla, accustomed to taking up public or private space, as they demand space where they can live and express themselves. For ten years the festival has realised more than one thousand pieces of urban art, including Wild Style graffiti, bombs, stickers, stencil, and murals. All this is done under the patronage of the artists themselves, as three hundred of them come from all over the country to take part in every edition of the festival that does not receive any government support or other form of sponsorship.
Źródło:
Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica; 2021, 39; 91-111
0208-6107
2353-9631
Pojawia się w:
Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From festival to social communion: a Nigerian experience
Autorzy:
Duke, Emmanuel Orok
Osim, Stella E.
Powiązania:
https://bibliotekanauki.pl/articles/2077453.pdf
Data publikacji:
2020-04-30
Wydawca:
Stowarzyszenie Naukowe Przestrzeń Społeczna i Środowisko
Tematy:
religious festival
Christmas
social communion
familial ties
the Igbos
Opis:
Festival is a performative dimension of cultural praxis that strengthens bonds of cohesion in society. Festivals are also an integral part of religious praxis. They have the potentiality of bringing its adherents and non-adherents together thus creating and sustaining social communion among them. This reality of sustaining social communion confirms an important function of religion in society with particular reference to its social integrative effects. Therefore, this article assesses how religious festival, Christmas, fosters social integration among Igbos in Nigeria. On a related note, many Igbos, see Christmas festival as unique occasion for them to visit their communities; attend meetings of their associations and/or town unions and consolidate family ties. These are opportunities for building social integrations, otherwise denoted as social communion in this research. This work makes use of critical analysis of relevant texts and questionnaire survey methods as means of gathering materials and data for this research. In view of understanding how Christmas festival aids social communion among the Igbo ethnic group, the theories of structural functionalism, social capital and social integration are being utilised as theoretical frameworks for this study. Finally, this study avers that religious festival cements social communion between the Igbos in Calabar Metropolis and their ancestral communities.
Źródło:
Przestrzeń Społeczna; 2020, 1, 1/2020 (19); 53-69
2084-1558
Pojawia się w:
Przestrzeń Społeczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Memory Places and Color: The Methods and Practices of Color Use in Ethnographic Research
Autorzy:
Işıklı, Hasan
Powiązania:
https://bibliotekanauki.pl/articles/545279.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
Color tablets
Kobayashi
ethnographic interview
memory place
International Izmir Festival
Opis:
Nowadays art festivals engage more to organize their events in unusual places. Either for the sake of city branding or a pure cultural memory action, a performance might be set in a forgotten memory place. The place which is distinguished sharply by a comfortable concert hall becomes one of the actors of the event and the participant questions a past that s/he hasn’t been strongly connected. Thus, the individual is not only aroused by the performance itself and the information in the booklets but also physical environment has an affect. This article aims to tackle the contribution of color as an instrument of data collection in qualitative research. By using color tablets inspired by the colorist Kobayashi the colors are tested firstly as a visual to learn how they make sense in Izmir during International Izmir Festival. Secondly, they are questioned how the participants embed colors’ senses to the memory places where they attended to the concerts. The research process indicates that the experience of a concert might not be visually powerful enough to associate memory places with the colors. However, the technique of color tablets becomes prompting object which support the dialogue construction between the fieldworker and informant. Thus, as an instrument for evocation and conversation color tablets become interactive objects for remembering of the festival experience and it mediates the social roles of the informants and the fieldworker.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
To Be or Not to Be in a Ritual: Essay about the Mitigated Presence
Autorzy:
Piette, Albert
Powiązania:
https://bibliotekanauki.pl/articles/2041264.pdf
Data publikacji:
2014
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Festival
Karnaval
Ritual
Detail
Spiel
Negation
Gegenwart
Verlobung
Bateson
festival
carnival
ritual
detail
play
negation
presence
engagement
festiwal
karnawał
rytuał
szczegół
zabawa
negacja
obecność
zaręczyny
Opis:
Prezentowany artykuł jest zachętą do podjęcia refleksji nad festiwalami, widzianymi nie jako okazje do celebrowania czegoś lub formy transgresji, lecz raczej jako „gry” znaczeń i komunikacja. Folklor jest dla autora prawdziwym laboratorium, w którym obserwować można codzienne życie. Dla zilustrowania swoich analiz przytacza przykłady karnawału w Binche (Belgia) i Święto Pracy (1-Maja), interpretując je zgodnie z koncepcją „gry” amerykańskiego antropologa Gregory’ego Batesona, który stosował ją do opisu gry zwierząt podczas walki. Prowadzi to autora do silnego podkreślenia drobnych detali zachowań, które zawsze mają znamię pewnej negacji, charakterystycznej dla kontekstów rytualnych.
 This paper invites not to reflect on festivals as a celebration or a transgression but to observe them as «a play with» meaning and communication. The author considers the folklore as a genuine laboratory of observation of everyday life. He illustrates his analysis with the examples of the Binche Carnival (Belgium) and of Labour Day (1st of May) and gives an interpretation with G. Bateson’s concept of «play», as the English anthropologist had used to describe the play of animals at fighting.  This leads the author to strongly insist on the small details of behaviours always imprinted with a “not” characteristic of ritual contexts.
Der Artikel lädt zu einer Reflexion über das Phänomen des Festivals ein. Dies wird nicht betrachtet als eine Gelegenheit zum Feiern bzw. eine Form der Transgression, sondern als ein "Spiel" von Bedeutungen und Kommunikation. Die Folklore ist für den Autor ein wahres Laboratorium, in dem man das alltägliche Leben beobachten kann. Um Seine Analysen zu illustrieren, zieht der Autor Beispiele des Karnevals in Binche (Belgien) sowie das Feiern des Arbeitsfestes (1. Mai) heran, indem er die gemäß dem Konzept des "Spiels" des amerikanischen Anthropologen Gregory Bateson interpretiert. Bateson verwendete dieses Konzept zur Beschreibung des Spiels der Tiere während des Kampfes. Dies führt den Autor dazu, einige Details des Verhaltens zu unterstreichen, welche immer einen Hauch der Negation aufweisen, charakteristisch für die rituellen Kontexte.   
Źródło:
Studia Nauk Teologicznych PAN; 2014, 9; 231-246
1896-3226
2719-3101
Pojawia się w:
Studia Nauk Teologicznych PAN
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Would they not wish the feast might ever last?”: Strong Spice, Oral History and the Genesis of Globe to Globe
Autorzy:
Quarmby, Kevin A.
Powiązania:
https://bibliotekanauki.pl/articles/648101.pdf
Data publikacji:
2014-12-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Globe to Globe Festival 2012
Dominic Dromgoole
Shakespeare
Cultural Olympiad
Globe Theatre
Opis:
The 2012 Globe to Globe Festival proved a great success. Actors, directors, musicians, dancers, designers and technicians travelled from all over the world to perform on the Globe stage. Visitors to London’s Cultural Olympiad enjoyed six jam-packed weeks of Shakespeare, presented in an array of international languages. The Globe’s Artistic Director, Dominic Dromgoole, and his Festival Director, Tom Bird, had achieved what seemed, to many, the impossible. Nonetheless, filmed interviews with Dromgoole and Bird, conducted during the festival by the American documentary-maker Steve Rowland, offer tantalizing insights into the genesis of the festival venture. These candid interviews confirm the sometimes farcical, often exhausting, but invariably serendipitous truth behind the Globe to Globe Festival’s short, intense history. Although the Globe was “flying completely blind,” it still succeeded in hosting a glorious feast of Shakespearean delights, seasoned with the strong spice of multiculturality.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2014, 11; 17-30
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł

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